"Not all those who wander are lost."

I have to warn, despite my rating, I've also covered the parts that I didn't find appealing and gave the reason for my score in detail.

It is no surprise that everybody expected Word of Honor to flop, particularly when it was a Youku production. 2018's Guardian was Priest's first censored adaptation under them that drew in a huge crowd of fans and rocketed the actors to fame, but made major changes and failed to capture the beauty of the novel. However, it gave other cleverer Video Platforms like Tencent the strength to go for more popular adaptations, starting the domino effect, particularly after The Untamed's (2019) success. After Legend of Fei, fans gave up all hope, coming to the conclusion that Priest would never get a decent adaptation. Word of Honor is the first drama I've completed, based on a Priest Novel, Tian Ya Ke (Faraway Wanderers). This jumble of thoughts is coming from a person who began reading the novel while waiting for new episodes.

A short introduction common for both the book and drama:

"The founder of a deadly assasin organization takes extreme measures to leave his past life behind, choosing death as a form of his redemption. He spends his days disguised as a beggar, wandering and drinking his last days away to glory. However, fate has more in store for him and he soon finds himself tasked with protecting the last remaining survivor of a prominent sect who was involved in a conspiracy regarding a famed armory that lead to the death of many. Much to his displeasure, he is closely followed by a suspicious man and his maid, who may not be whom he claims to be."

+++ No good actor can save a drama if it has a bad script. And the Script is one of the strongest fields in Word of Honor. The scriptwriter Xiao Chu, who is a fan of Priest did an excellent job, bringing the characters and story to life. Her love and respect for the source material can be seen during several instances in the story. Many events have been jumbled up for TV, but any reader will be quickly able to recognize several scenes scattered all over. The changes for the drama almost make the novel lacklustre in comparison. Expanding on various sects, their backstories and Zhou Zi Shu's past, we are led on a thrilling edge of your seat storyline that left me craving the next episodes. (Episode one in particular will always remain one of my favorites. Unlike the book, it showed the human side of Zhou Zi Shu in detail.)
The basic plot is the same as in most of the wuxia dramas. What makes the story excellent for me is the perfect balance between the episodes, the interesting storyline with multiple characters, each with their own motives. No episode focused 100% on the leads and it was a pleasant surprise. It increased the anticipation each week and the thrill I experienced can't be put into words. I rewatched all the episodes while waiting for the others. Its clearly visible that even with the limit of 36 episodes, and a meagre budget, the production team toiled to portray what they loved in the best way possible, something that can put big budget IP dramas to shame. I could ask for no more from them for that.
Every character has a task or a promise to keep. This is the very thing that moves the plot forward. May it be Wen Ke Xing's facade hiding his true plan or Zhou Zi Shu's word of honor. Even Gu Xiang, who starts out as a servant who experiences life outside the Ghost Valley for the first time, begins to voice her own thoughts, opinions and feels for others. Cheng Ling, poor boy, ends up hanging onto Zi Shu and Lao Wen, the only people he could trust. Their tragic pasts, brotherhood and regrets are slowly revealed as the episodes move by, keeping us glued to the screen with baited breaths.

+++ The Cast, both young and old, played their roles really well. Both Zhang Zhe Han and Gong Jun were popular for their works, but definitely not huge traffic makers that can bring in enough hype. I was familiar with Gong Jun's works previously. It was nice seeing him do a different, more animated role for a change, one that could actually showcase his range. From switching from funny mode to murder within seconds, going all out psycho, he did not disappoint. The flirty Wen Ke Xing may be asking a simple question to Ah-Xu, but we can clearly see that he is being very subtle about it. He shamelessly follows him around, but never forgets his hatred and anger.

"Three days later, I will come to get my goods... or burn your shop."
(Wen Ke Xing, EP6)

His moments of vulnerability, acceptance of his doomed path and some of the plans he concocted made him a very anti-hero character. Especially in the first half of the drama, where we get to see past his innocent mask.

"I wanted to wander the world till I die. But, it seems like God has other plans for my destiny."
(Zhou Zi Shu - EP11)

The title of my review is from a poem about Aragorn written by Gandalf from Lord of the Rings. In a twisted way, Zhou Zi Shu is a wanderer, but he has never forgotten who he was. While still in disguise, he was described as someone who travels a long way to keep his promises - a Ranger. (By both Cheng Ling and Lao Wen.)
(Many beautiful quotes from LOTR can be used to describe several feelings in WOH.)

It was my first time seeing Zhang Zhe Han in a full on main character role as I had only seen clips before and in Nirvana in Fire. He completely blew my mind in WoH.
Starting from his painful past in the first episode, getting disguised as a pathetic beggar (a hilarious transformation that you shouldn't miss) to putting up with Wen Ke Xing's flirting and finally accepting his fate, he portrayed the emotions with such depth that we audience can't help but sympathize and fall for the lost man who had been shattered by life's harsh experiences. I've seen several comments poking at his acting skills right from the start. But, I'll defend him at all costs for this role. Zhou Zi Shu in the book is 80% of the time just moving along with the flow, easily irritated with Cheng Ling, and doesn't respond much to emotions. Had they got any other inexperienced actor for this role, it would have been a total disaster. It's sad to see that no one notices the slight emotions skittering across his face. His improvisations on set and the love he gave to Zhou Zi Shu can be easily seen in the way he brought him to life.

I'd seen Zhou Ye in Better Days, and though it appears as if she is annoying, the character Gu Xiang is very impulsive, and I personally think she did a good job. Another surprise was Xie Wang played by Li Daikun.
Ye Bai Yi was one unsuspecting character whom I absolutely adore. His constant bickering and general disdain for the ongoings on the jianghu and his love for food all hide his true nature and regret. I wished that he had more screen time. And his scenes and voice over in the last few episodes were really emotional.

+++ Bear with me if you are reading this cause I suck at descriptions of feelings.
Right from the end of the first episode, sparks begin to fly and the drama was subtle in its portrayal, using poetry and idioms from various forms of Chinese literature to convey the emotions. This in turn, had me and fellow viewers scrambling for hours through tumblr for translations and meanings that give the story a new depth. I badly wished that I'd learnt Mandarin cause there were several lines that no translation could do justice. A particular phrase in EP17 had such depth that no English subtitle can capture its hidden beauty. We see their relationships grow from skirting around each other to final acceptance. And with this comes the hint of fear that they are not good enough for the ones they cherish. The inner struggles that the characters undergo, the mature way they deal with their troubles and the lengths they go to protect them would make anyone root for their happiness. While Lao Wen and Cao Wei Ning are almost blatantly open about their feelings, both Gu Xiang and Ah' Xu struggle with their internal dilemmas. One pair, a stark contrast from the other, pure and innocent whereas the other sought redemption through each other.

The brotherhood between Shen Shen, Gao Chong and his disciples; the relationship between Cheng Ling and Ah' Xu + Gu Xiang and Lao Wen were heartwarming. Even the little known Qian Qiao story arc was something I found really interesting. It showed several sides of the characters and gave the story a realistic vibe.

++The fight scenes had a mixed effect for me - they were either way too fast or too slow. (They were thrilling and beautiful to watch though.) But, I was glad that they used slow motion for certain scenes otherwise the beauty of the movements would've been lost, particularly for Zhou Zi Shu.

++ The OST: I admit, the opening song didn't catch my attention at first. But, now I have it on repeat in my head. Even some of the BGMs were just so "fitting", particularly the one that played during Zhou Zi Shu's first fight in Mirror Lake Sect in EP2. They have a strangely haunting feeling.

+++ The villain... was a weakling from start to finish. And he strangely had a strong sleazeball effect that I had not felt with many others before. I just hated him. That was a down point for me. Even the other evil fellow had redeeming points. I couldn't hate him till the very end. I pitied him.

This review is already long enough, so I'll head straight for the points that make me wish that I'd never started this drama in the first place. *MILD SPOILERS*

+++ The script, which was going really, really well takes a sharp turn down a rocky road, particularly after EP30. It is known that the budget constraints had reduced the number of EPs to 36, but the way it was handled was unbelievable. Changes were made from the novel, but the transition from one scene to another made very little to no sense at all, unless we come up with theories ourselves. The obvious plothole sort of ruined the watching experience for me. I can now see that several things that happened in EP32-33 were a set up for the ultimate finale, but I really wished they'd taken a more simpler, meaningful path. It made several characters who claimed to be intelligent look stupid. Seeing Zhou Zi Shu during those episodes was like twisting a knife through your heart and that's something I will never forgive this drama for. It's been more than a week since I completed it and I still can't forget those moments. But, EP35 and EP36 saved the drama, even though it felt a bit too rushed.

+++++ I can see why it has an 8.6 rating in Douban. The "wuxia" aspect is pretty serious and strong in this one. Several of the recent releases have all come closer to the "candy wuxia" category, from my observation.
There are several backstories and characters to keep up with, which some people might find annoying. I needed three rewatches to remember everyone. But, all three were absolutely worth it.

+++ The finale, I admit, was heart crushing. Anyone who thought they should film it or write it were pure evil. The concert was like a balm to my soul and so was the epilogue, but I find that several foreshadowings in EP36 give the ending epilogue a real meaning. I couldn't be happier.
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I debated several times how to rate Word of Honor, considering all ranges from 7.5 to 10. Cruel, but in a website such as this, where personal enjoyment and hype elevates the scores of several dramas, it is fair.
With that being said, why did I give this drama such a rating, when it obviously had faults? Because in the end I couldn't. Judging by the amount of absolutely bland stuff I've watched/forced myself through to the end/dropped/ended up forgetting, this is by far one of the best dramas I've ever seen. It was my best friend for three months straight. I put every single drama I was watching on hold for it, keeping all my bets on the scriptwriter's promise to keep going till the end despite the absolutely slow subtitles. I felt like I was going through a winner's curse while watching the last few episodes. I rooted for the characters' happiness. When they were hurt, I felt the same. I was enraged with the plot in the finale. But, that shows how deeply it had impressed me and that's solely because the people behind this adaptation knew how to capture viewers and knew what exactly to do with what they had in their hands. This drama has an unexpectedly huge number of characters and scenes with them that would require more time and budget, so its understandable that its not perfect. (It got released really quickly: five months after shooting had completed.)
Even with the last bit of staggering plot in the end, it spun arpund my feelings like a washing machine. And it was 100% worth it. Zhou Zi Shu is right up there with Aragorn as a favorite character of mine. (Wen Ke Xing would come along anyway - they are a pair of wings.)

If Zhang Zhe Han worries that people might forget Zhou Zi Shu or Wen Ke Xing, it is unnecessary.
There are plenty of us who still needs to be forcefully pushed off the mountain or those who still keep peeking or visiting. Pretty sure that Lao Wen would eventually kick us off one day.

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"The Glass is Either Half-Full or Half-Empty."

My title describes exactly how I felt while watching this short mini-drama. What stood out to me the most are definitely the characters who have very distinct and unique personalities. Despite the very fantasy like synopsis and the strange title, the drama doesn't spend much time exploring them. Heck, the kiss in the title is almost hyperbolic as it doesn't have any significant effect on the plot.
Kouta, an unlucky college junior, gets a chance to escape his bad luck after running into Naoya, a naturally born lucky King, who is also the campus's sweetheart. A slight misunderstanding of semantics ends up with both of them dating. Kouta, who is initially uninterested in the dating aspect, slowly begins to get to know Naoya (and himself) better along the way.

Kouta, whose eyes we see the story through, is a gem. I loved how he had feelings and emotional outbursts and an actual personality which somehow made him real. I could relate to how and why he reacted in certain ways, including his dilemma of maintaining friendships, yet keeping himself aloof from emotional attachments. The actor who played him definitely did an excellent job portraying this multi-faceted character.
Naoya was almost manga like, right down to his looks. He was a genuinely honest and nice male lead who attemped his best to be nice to everyone.
Also, Anna, Mika, the Senpai and Naoya's friends were a few constant characters that despite not being important, made the drama lively.

The little bits of Psychology lessons and advices from the characters that were inserted in the episodes were enlightening. The drama was definitely not the surface fluff I usually enjoy -- it did focus on the perspectives of two vastly different characters and their views.

The pacing of the show seemed off during a few episodes. Although every bit of it gave me warm fuzzies, I couldn't shake off the feeling that something was just missing.
But, it gave me a breath of fresh air after two months of extreme stress. So, I'll rate this a solid 7.5/10.

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How To Seek For Happiness.

I might be the 0.1% of the audience who do not feel as attached to the drama as I should've been. It's not because the drama is bad, no, no. It's one of the most heartwarming productions I've seen. I would suggest Hometown Cha-Cha to anyone looking for an escape from real life, yet deciding to learn something about reality while doing it.

☆ If I could summarise it, it would be:
A young dentist Hye-Jin, has a wake up call on the harsh reality of life after moving to the seaside village of Gongjin.
I had a love hate relationship with her character during the first eight episodes that I saw. It's ironic because I'm as closed off as her in real life with very few friends. I related to her woes of moving from a huge city to a little known town where you suddenly discover that many of the items you used to buy are nowhere to be found, people are more nosy and everyone are an overly friendly bunch who inadvertently put you in an uncomfortable position. I loved how she tried to mask her difficulties and attemped to change herself. Her character growth was gradual and a delight to watch.

☆ But, Hye-Jin needed a lot of growth during the first half of the drama. And thankfully, Chief Hong existed to throw a pail of ice cold water on her biased views about people and life. I absolutely hated how she referred to herself as someone on the 'upper elite' despite being clearly in a difficult situation and there were several instances that her own best friend (who grew up in similar conditions as hers) seemed much more perceptive about the people around her. This stark contrast between those two stood out to me and I still do not know if that was purposefully meant to be that way.

☆ I have to mention the one character whom I deeply respect: Chief Hong, the male lead and the love interest to Hye-Jin. While clearly portrayed as empathetic and a jack-of-all trades, two qualities that earn him the nickname "Chief", we see him call out Hye-Jin several times for her prejudices towards the 'common folk' and her stubbornness and refusal to understand the minds and workings of a local close knit community. While I 100% agree with her actions, I admire Chief Hong for his confidence in himself and flr striving to change her views. I wasn't deeply invested in their romance, which is definitely leaning towards the slow burn arc, but I loved how strong their connection was. I loved his openness and the efforts he made to make the people of the small town happy.

☆ The little town has a handful of characters whom we closely follow throughout all the episodes. They are the basement of the drama. We get to know their grievances and secrets, and see them slowly warming up to Hye-Jin in turn. I loved her interactions with them. I admit, I'm eight episodes in, but I'm still unable to recall anyone of their names perfectly. (In my mind some of them: Mr. Americano + Singer and his daughter Ju-Ri; Restaurant Chief who is divorced with a son, the Restaurant Chief's divorced husband who is the head of the small town, The Shop Gang, The Three Grandmas, Pyo Mi-Seong, Police Dude…
Another aspect that I loved about the show was how they stuck true to the genre. It's not just the leads whom we learn in depth about, but the supporting characters as well. I have to say, I enjoyed the bittersweet parts of the drama a lot more than the lighter scenes. I've heard that it gets quite tearful during the last half.

☆ Although I'm sometimes annoyed with Hye-Jin, none of the characters got on my nerves. There were no pressure inducing misunderstandings and most of the arguments would be smoothened out in a calm manner. There was something magical about how the most simple things in life can bring us immense joy and pain. At one point, it made think of quitting everything and living a life like Chief Hong's. Yeah… haha.

☆ The OST was fitting and had a cottage core ambience that perfectly fit Gongjin's theme. The locations were really scenic and watching the blue ocean itself left me really satisfied.

☆ As to why I dropped this. Slice-of-life dramas are not ones that I usually binge. (It took me three months to complete Reply 1988.) But, I also realized that I'm more attached to slice-of-life dramas that I could somehow personally relate to. While this drama has all the right emotions that are meant to tug at our heartstrings, I don't feel the urge or curiosity to know what happens next and did not have a strong attachment to anyone. (This might be because of how disconnected I felt to the daily life of the people. I found their struggles relatable though.) And the hour long episodes of focus on the daily life of the villagers and Hye-Jin pushed my patience. (I was exhausted watching two episodes a day and tend to fast forward a lot.)
Somethings that are meant to happen, would eventually happen. Just like how the drama portrays life as: Unpredictable and sometimes bitter. I can see why so many people love the slice-of-life genre a lot and this one definitely deserves to be among one of the best in that genre.

I bid a hearty farewell to you, Hometown Cha-Cha. Maybe, somewhere in the future, I might pick you up once again to bring me back the calmness and contentment that I felt while I initially watched you.

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Neither Good or Bad.

Boy.... I missed watching according to the schedule and completely feel unmotivated to continue after EP11. The more I think
about the spoilers and the way the story wove into a labyrinth for the sake of filling the episodes, the less inclined I feel to know what happens in the future. Maybe I'll pick it up sometime, bit it's definitely a Dropped from me for now. I'd recommed this show if you don't care much about plot or if you are a strong fan of the leads. I'd suggest turning off the "logic+understanding" and switching on the "only for enjoyment" button on before starting. Otherwise, I feel like so many talented actors (who did their job well) were wasted in this one. The script/story lacks direction and runs around in circles with the Deity system itself remaining ambiguos and difficult to portray. It could've been solved in 10 or 12 episodes, but dragged on for no good reason.
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I'm going to rate it a 5/10 for the first 11 episodes of the drama. 5 is me focussing on the plot alone and the overall way it impacts the pace and anticipation for the story as a whole.
What bothers me is that the writer seems to know where the story has to go, but did not do a smooth portrayal of it. We are at the 10th episode, and the only plotline that is actually in motion is the mundane love triangle of Tak Dong Kyung's friend Ji Na... which I am not interested in. The main couple's "throw-the-ball-to-the-other" keeps going on. In an episode spanning an hour long we get 10 minutes of important points about the leads, particularly from Doom and the deity. It is clear that he has a plan, but the story has yet to reveal what he is actually upto. The only character who makes logical statements is the female deity, but she seems to be someone cleverly inserted to give the main couple a happy/neutral/bitter ending. Unless you are a fan of slow plots and is patient enough to watch sweet scenes with the leads, I highly doubt that this drama is "binge watch worthy". From what I see, Tak Dong Kyung can choose to just take the surgery and live with what time she has, making the 100 day contract invalid. But, judging from EP11's teaser, we are going to get pulled into another maze of intricate ball throwing and decisions, so let's see where it goes.

I can see why it has so many polarized ratings - for a fantasy KDrama with predecessors such as Goblin and Hotel del Luna, the anticipation and expectation is really high. Once we set all that aside, DAYS is indeed a different drama with a an interesting plotline. Doom himself is personified as a living being and the concept of the cycle of life is something I'm seeing for the first time.

Fantasy dramas are either a hit or miss and I can tell that this one has a lot of potential to take either road. EP8 was slightly satisfying as it managed to cover a few important foreshadowings that could have been done much earlier. There are characters and conversations that are actually interesting: like the young teenage girl and Myul Mung. We get a mysterious vibe.
The main couple is ship worthy, but the erratic "toss-the-ball-to-the-other" plot has been a bit repetative and makes it seem boring. Another thing that I noticed is that there might be time skips - the drama begins with her having only three months left to live and then in the recent episode she tells that she has about two months left.
The acting of the cast fills up all the missing parts, but once we try to summarize an episode... there's not much going on there. I don't feel the urge to binge the new ones every week. I also feel that the addition of the friend's complicated love life is a filler of some sort, but if they had not been there, the drama would be pretty boring.
It has enough mystery and potential to keep me curious and I want to see whether the ending is going to be a thrilling, yet logical one or if the writers decide to do a cope out.

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Missing Links.

I guess this drama is supposed to be a dark one filled with tension, considering that it's taking place during a time of war and their country is right in the middle of it. But..
The cast, story and even the outfits are decent, however, the story failed to grab my attention. I blame the editing.
Plus, completely skipping the past of the main leads and directly heading for the conflict was a wrong move by whoever planned it because I did not feel emotional at all.
Su Yan was particularly irritating. I don't know why, but she almost seemed slow when time was dire, did not provide proper explanations to Wen Yuan and many of the troubles could've been avoided had she reacted on time.
Don't get me started on the King. He left absolutely no impression on me, even when he was at his most powerful. Pretty sure that Su Yan could've properly handled him, but alas, the story calls.
I would suggest this if you need some "break" and watch some good acting, despite of the story.

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The Midnight Library.

I was fooled into thinking that this was some isekai style comedy drama, but oh no. It sits right up there with 'Oh no! Here Comes Trouble!' -- dramas which are disguised as comedy when in reality, they hold a much deeper meaning.

The drama opens with a despondent 29-year-old Myung Ha (Lee Tae Vin) in a bar, reading his senior's soon-to-be-turned-to-a-game novel about a couple who finally get their happy ending. He is dismissive about the HE, and points out that Cha Yeo Woon, a supporting character with no 'happily-ever-after' is the one whom he pays attention to. His senior asks Myung Ha whether he would be the one to give him a happy ending -- Myung Ha soon falls asleep drunk and wakes up as his vibrant 19-year-old self... right in the middle of the said game.
His task? Save Yeo Woon within 300 (?) days or face death.
As Myung Ha tries his best to bring a suicidal and lonely Yeo Woon back to life, we slowly begin to learn about who Myung Ha is.

The gaming aspect is strongly welded to Love for Love's Sake -- there is not a moment where I forgot that Myung Ha was not even from the gaming world. What is intriguing is how we discover small snippets of his life through various incidents. Yes, Myung Ha's ultimate task is to unpeel Yeo Woon's various layers and make him choose the things he genuinely cares about. But, what does it ultimately bring for Myung Ha, who doesn't even exist in the first place? And what will happen, when Yeo Woon starts to develop feelings for him?

The answers to several questions were slammed down on my head in the penultimate and final episode, and I still do not know whether to be happy or sad. It was a bitter experience, watching them.

Myung Ha must've been one tough character to play because out of everyone portrayed, he had the most secrets. Kudos to Lee Tae Vin, particularly for the last three episodes because no one call pull of that feeling without understanding the character.
Cha Joo Wan convincingly played the role of a cold tough guy to an honest and strong individual quite well. I liked his sincerity and straightforwardness.

Myung Ha's two other friends and the little sister brought a sense of normalness and 'familial' feeling to what would otherwise have been a rather lonely drama. His relatiobship with his grandmother was what I liked the most -- she was the link which existed in Myung Ha's life, both the virtual and the real one.
[The Midnight Library is a book by Matt Haig by the way. Love for Love's sake, despite it's flowery title reminded me of this book.]

I think for one has to watch this drama by self to experience it -- pretty sure that this is the type of story that is either a hit or miss. Either you understand it or you just don't. It strikes a deep cord and might not resonate with many, but ultimately it definitely is a different story for such a short drama.

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"Follow Your Heart."

Despite the ratings, I think this is one of my favorite short dramas from Japan. I can see why it appeals to only a limited audience -- the leading characters are definitely not the conventional ones. While I'm pretty much accustomed to seeing the 'popular smarty pants' and an introverted silent/chaotic mess, its the first time I'm coming across characters who are both calm and composed. And the overall aura of this series is surprisingly dark/unhappy.

Takizawa Kazuma has just returned from overseas and landed a job in the HR department of an advertising firm. To his surprise, he runs into his former best friend and first love Ishihara Ren, whom he had lost connection with when Kazuma had fallen ill in high school. However, the Ren he knows now refuses to indulge about his past and has changed his surname. They fall back into their old habits and Kazuma keeps his feelings for Ren a secret, even resorting to a friend-with-benefit arrangement, to keep it hidden. But, Ren seems to be hiding something much more bigger than he imagined.

The story has a plot, particularly dealing with workplace harassment. But, the entire journey is worth only for the characters alone -- if they grow on you, per se.
Saotome Ren/Ishihara Ren is one character whom I respect. Not because of how loyal he was to everyone he came across, but how pure he was in his intentions. I can practically hear my parents telling me why I should never fall in love at a young age because that's exactly what happens to Ren.
I enjoyed Kazuma's sunshine like personality; but, I do think that he a bit too naïve when he was young.
[It's lucky that Ren's instincts were correct, otherwise this would be a certain tragedy. ]
I have to say, I was satisfied with both the actors' portrayal of their roles, even if Ren's crying scenes did not have actual tears. But, then again, was it intentional?

The supporting characters such as Ryunosoke and Hide weren't just there to exist, but provided insights about the remaining characters. I liked how we were shown how both Ren and Kazuma saw each other through their own lens'.
The pacing was surprisingly good. The flashbacks from childhood that were interspersed with the current timeline managed to capture my attention and pique my curiosity. Both the child actors were excellent and well casted. I hope to see both of them in bigger roles in the future. [Loved the ending song, One Day, which seems to be more suitable for the darker theme rather than the sunny opening.]

I'm writing this review after quite a long break, so it's already a win that I'm able to recall both the characters' names and their stories. It might not be for everyone, but this was just an almost perfect watch for me.

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Bite Sized Slice of Life Series for Peace.

Following the tradition of those adequately paced, capsule sized, fluffy BLs, Love Tractor is not groundbreaking by any means. However, its charm lies within the characterisation and aesthetics, which were beautifully planned.

Within the first two episodes, it's evident that Yun Sul, an excellent law student, has absolutely zero interest in pursuing law. He rebels against his father's wishes and escapes to his grandfather's village. There he meets the humble and honest Ye Chan, who despite leading a simple life of farming, is happier than most people.

The story has romance as one of its main elements, but what caught my attention was how every character, including the cameo-like In Seong, had a personality and aura of their own. They have a life outside of the bubble, which also plays an important part in shaping who they are.
Yun Seol, perhaps was the most calm, struggling and composed character out of everyone. We see the half of the show from his perspective, while the other half is from Ye Chan's point of view, which was plain hilarious.
Open as a book and innocent as a child, he was smart, but an emotional and confused mess of a kid half the time. An easily likable character.
The comedic timing of everyone in the village was awesome; the village head, Ye Chan and his mom specifically.

In terms of acting, everyone seemed faultless to me. In a manhwa like manner of course! I know there were complaints against the village head, but even he seemed okay to me. The Soundtrack was beautiful - particularly 'Rainbow' by Coldin. (He sang the OST of Semantic Error, last year's breakthrough KBL.)

Mind you, it's kind of a long drama; every episode increases in duration and the final ones were almost half an hour long. I appreciate the team responsible for this as the runtime was sufficient enough to at least attempt to convincingly portray Ye Chan's budding romance. (Ham was more mature and closed off, so I am not sure where and when he fell for Ye Chan.)
The last one I saw, Starstruck, had everything tightly packed into 'exactly' 15 minutes and it was deeply disappointing to see all that potential wasted. Sigh..

All in all, Love Tractor is a beautiful and peaceful watch to cool off your mind.

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The High School for Villains.

This is a 10 episode ride of total insanity, where I witnessed some of the most innocent and meanest students choose the worst decisions in the world in an attempt to overturn their immediate future.
What I liked about this? The characters. I admit, I hated almost every single one during the first three episodes, but slowly began to get accustomed to their ways. Every single one of the students at the school are abhorrent in their own unique manner and I would love to meet their parents.

Oh Ji Soo aka Oji, a paradigm outstanding student has a secret: he is abandoned by both his parents. And to make ends meet, he designs a service... which provides "compensated dating" with a catch -- the clients receive exclusive security if things take a dark turn. However, his secret is discovered by his classmate, Baek Gyuri, destroying his careful routine.

Now, let me start off by telling that I had absolutely no idea what was happening in the first two episodes. I just knew that some really shady business had to be going on based on the users' comments that I had read a long time ago.
But, this might be where the drama's strength lies: it's ambiguity.
Ji Soo might either be the worst or the best character based on how you view him. How is he good?
** He accepts clients who sign up and give them protection along with a blacklist of people who are potentially dangerous. He never forces anything upon them if they are hesitant.
How is he bad?
** He is a pimp. Plain and simple. But, he was also, one of the most careless characters I have seen to date. Dude, if you are doing underworld activities, at least be good at it!
I understood his desperation and urgency. Viewing the world through his eyes, he is doing what he could to survive. Except that resorting to crime is not exactly what I would call the best avenue.
Kim Ji Hoon delivered an absolutely strong performance. I couldn't help feeling bad for him at times.

Baek Gyuri... the infamous female lead as someone mentioned in the comments. She has to be one of the most entitled "brats" I have seen onscreen. Why do I say so? Because purposefully messing up with someone's personal life is heinous. I hear the word being "human" and "real" being mentioned. I accept that statement to an extent, but there is a stark difference between being plain bad and committing something bad in a spur of the moment.
She is one of the well written characters. Out of every single one of them, it was she who was the most calculative and manipulative. But, the little cracks that we see through her brave girl façade couldn't convince me 'why' she had to seek out to be a part of this dangerous job. In the end, I felt that she was deceiving herself to maintain her sanity. The manner in which she handled issues was almost flawless and I liked the strange relationship between her and Oji.

The supporting characters, including Minhee and Kitae, were plain horrible. I grew to like Minhee by the end, once she had actually stopped snapping all the time. I adored her friendship with Mr. Lee Wang Chul (He was my favorite character.) It was one of those moments in this series where I felt that genuine care and affection existed. All the remaining relationships portrayed where plain unhealthy or ambiguous.

I couldn't find a single student in the school who was likeable. At least, whoever had screentime anyway. Is it possible that the whole school was full of bullies and gossip mongers? Why were there no genuine friendships? In the end, it was the home-room teacher, the police woman and the dean who has to deal with all this mess.
The soundtrack was awesome. I loved the main theme "Speak for Yourself".

I do not know how much of the events depicted in this is possible in real life. But, an elder sister I knew did tell me about a thing like this in college where students solicited for money-- often leading to awkward and unpleasant encounters when they encounter their own kind.

I would suggest this to anyone looking for some thrill -- it was slightly dragging and slow upto episode 5, then managed to hold my interest during the last few episodes. Unfortunately, I had high hopes for this one, but I found it a tad bit predictable, considering that the characters kept digging holes the size of Mariana Trench every other episode. The ending was quite fitting, personally. A second season might ruin the effect of the first, which I felt, wrapped up quite nicely.

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If you need to know, this is a 14 minute short story about a boy who has just moved into a new city, Chongqing, and feels out of place. He, by a turn of events, gets to know the "gangster type" dude in his same class. Though, they begin on a not so friendly note thanks to their prejudices, they slowly develop a bond that is hinted to be a strong one.
This was directed to promote members of TNT - Teens in Times, and they did a fairly convincing job. (To me at least.) It was cute, though I don't know what's up with the English title when the native one is a simple "Let's Wait for the Rain to Stop".

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Lovesickness At Its Finest.

I began this as a filler to watch Luo Yunxi in a normal piece of entertainment where he isn't spitting blood or in pain. And holy... I will not recommend this movie to anyone. Perhaps its directed particularly to a certain audience who have actually gone through such emotional turmoil, but unfortunately, I do not fall into that category.

Fang Fang, who has always had a long crush on her childhood friend Guo Yang, decides to pursue him regardless of what awaits. She gets a whole makeover after her Gaokao and finally gets together with him... Only to discover that she had grown excessively obsessed about him.

Boy... the girl Fang Fang was downright scary. The whole movie is told from her point of view, which slightly made me sympathize with her actions, but as a whole, she suffered from such a severe case of lovesickness that it made me glad that I had never been in love. Even the breakdowns in their relationship were never "real", but more due to the female lead's inability to communicate and her wild expectations.
Guo Yang was the regular popular music guy who liked her, but he was also someone who liked to put peoples' priorities over himself and genuinely enjoyed spending time with his friends. We don't see almost anything from his point of view, so I can't speak much about his character.

The lead actors were excellent, though. Well... they managed to give the "kids" vibes really well.
Music was almost non-existent, except for Guo Yang singing and a few mellow piano tunes sprinkled here and there. But, it fits the lonely theme of the story.

On a side note, I was surprised by some of the "Not for Children" scenes. Did not expect to see that in a Chinese Movie.

Overall, a skippable watch.

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Too Much Sweet With No Salt.

Aah... the age gap returns. Or did it really?

After inheriting his Grandfather's local coin laundry, Minato Akira leads a simple and happy life. His life takes a turn when he encounters Katsuyaki Shin, a 17 year old high school student, who happens to have an intense crush on him. His straightforward advances and innocence enamors Akira, but also digs up unpleasant memories.

Honestly, I really liked the first two episodes, but it sort of descended into boring land very soon. Both the characters of Shin and Akira were beautifully written - everyone had their own fears and setbacks. I loved how straightforward Shin-chan was in particular and it was hilarious to see Akira-san's scandalized reactions. All the actors played their roles well.

Setting that apart, it did have other aspects of friendship, study life and even a sprinkle of Shin-Chan's sister and a few passerby's. Hanabusa Akusa was my favorite, unfortunately. He had a vibe and story that seemed more intriguing to me.

This drama is not a complete waste of time. But, for some reason all that sweetness and tug of war exhausted me and I found myself skipping through the episodes to make it to the end.

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Disgustingly Cute.

That's what I felt about this mini drama. Everything was just so cute.
During his highschool graduation, Lee Wan surprisingly confesses to his bestfriend Kim Shi Tae. Only to run away and disappear without hearing Shi Tae's response. Seven years later, Wan is forced to face Shi Tae at work.

I loved Lee Wan's character a lot, but Eddie (Shi Tae) sort of stole the show in the last two episodes. Lee Wan's justified awkwardness combined with Eddie's witty comebacks was satisfying to watch, but I couldn't help but feel sorry for Wan several times.
Office settings are not my thing unfortunately, and about 90% of this drama is set in the office, which weirdly reminded me of Strangers From Hell.

Another thing? I thought Lee Wan was still in school at the beginning, and Eddie seemed to have been styled in reverse. He looked more like a highschooler in his adult life than in his school days. The actors were definitely convincing in their performance. Even the supporting boss and Sunny.

This is a bit of entertainment I would recommed for anyone who just wants to smile for sometime. Nothing new. Nothing deep.

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Candy with a hint of spice.

That's all I can think while trying to describe this drama because this is the first time I've not felt any connection to the characters.
It could be described as 'meh'. But, they did attempt to show some realistic cases and setting. The extent that reporters go and their dedication towards their duty were portrayed well.
Satoshi was understandable at first, but what exactly was Kaburagi's deal is never mentioned. His character needed time and narrative space for me to understand him. Which the 20 minutes could not provide.
The entire drama is told from Onoe Satoshi's point of view. It was a good attempt, but it totally missed me. Acting was... okay if they had to make do with such a limited time. Their chemistry seemed hot and cold all the time.
I personally wouldn't recommend this to serious drama watchers. Maybe as a quick candy, but not as a major bingeworthy watch.

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Over In The Blink of an Eye.

I wonder how such "tailored for online platform" dramas are shot, because, oh boy... the way the scenes keep shifting from one scenario to another makes my head ache. Each episode is roughly one or two minutes long, so if you are looking for a distraction, this drama might be perfect for you. I suggest watching this part by part, too.

The leading actress impressed me with her expressions, though the Guard Gu barely had any. I don't blame the actor as not enough time was spent on his side of the story. The plot was succinctly conveyed within a very short span of time.
All in all, it's good for a one time experience.

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