Mindless Fluff.

‘Suspension of disbelief’ is a strong factor required to watch this drama – and once you've done it, this is quite enjoyable despite it having an absurd story.

A hotel heiress, Jin Zhi Xia, travels abroad and stumbles upon a soothing musician, Lin, whom she immediately falls for. She tells him about enjoying life as if there was no tomorrow and this is exactly what she does – throw herself into apparently a week/month old relationship which comes to and ugly end. The man in question disappears before she can find out her answers.
After an year of fruitless search, she finds him again as a completely new Fu Ze Yi, who has no memories about their encounter. What's more? He was a ruthless opponent who was attempting to buy her hotel, Aizhe, to expand his company.

The Characters:
Together with her cousin, Jin Bu Fan, and her uncle, the trio were some of the most hilarious characters I've seen in such an idol drama. Not only where they the least brightest individuals in the room, they were also comedic and innocent at the most unexpected times. [Someone commended on YT that the drama should be retitled as ‘three idiots run a hotel’, and the more I watched, the more I began to see why one would think so. Both the uncle and Zhi Xia kept making mistake after mistake, possibly because they underestimated who they were dealing with.]

EP12's hospital scene will always be memorable to me due to the sheer hilarity of the situation coupled with the neat acting. Joey Chua was really good.
Though not exactly the best, I have to give credits to the actor who played Fu Ze Yi and Lin - his eyes somehow appeared soft as Lin, and sharper as Fu Ze Yi .

Bonus points to this drama for making me look up Dissociative Identity Disorder – I've heard about it since long, but it turns out that some of the depictions, though over the top, where definitely in line with it. [Conversations with alternate identity, temporary amnesia, etc.]

All in all, a small cookie that can be eaten as a snack. Not deep, just pure entertainment.

Read More

"Family."

This drama is reigned by emotions rather than a story and it's no fantasy either. There was some reality in every single character portrayed and it should be the reason alone to give 'Unknown' a chance.

It follows Wei Qian, the eldest brother who is forced to grow up and give up the frivolities of life in order to provide a safe space for his younger sibling, Wei Li, after his neglectful and abusive mother ruins their lives.
After taking up a shady job under a certain Lao Le’s gang, he stumbles across an abandoned, feral kid whom he then takes home. What follows next is a slice-of-life plot depicting how Qian finally gives up gang activities and grows up to become the ultimate ‘Da Ge’.
However, his little bubble, in which he is forever the parent to his siblings, is popped when Wei Zhi Yuan, the boy he had adopted, confesses his feelings.


Pretty sure that the title ‘Unknown’ is definitely meant for Wei Qian, the eponymous character of Da Ge by Priest from which this drama was adapted. He is the only one who doesn't know what exactly he was feeling until his younger brother took matters into his own hands. His own future is wholly dependent on making his loved one's be safe and happy.

The drama gave me all the warm fuzzies that I wanted and even moments of laughter at times - particularly with San Pang and the co-worker gang and Dr. Li. Also - when Zhi Yuan left Qian speechless with verbal/physical displays of affection. Though, in reality, I would've been the one to change countries had something like that happened to me.

The acting was top notch. Particularly, Wei Qian. I could understand his confusion the most and could literally feel his emotions and suffocation through the screen. Wei Zhi Yuan was not far behind – as someone who is poor in expressing emotions, this dude legit scared me with how open and honest he was.
San Pang, and the entire family together were wholesome and heartwarming to watch.
It's a well made story about a found family and everything that takes to hold them together.

The Soundtrack was beautiful. Particularly the opening song. There was nothing too much over-the-top about the production, either.

Pretty sure that I won't be rewatching this anytime, but it's definitely one of the more warm dramas out there.

Read More

Brutal, Logical, True to Itself.

Hard to Find, indeed. The only flaw I can point out right from the get go is the music which sometimes sounds too loud, and the rules of Lin Chuan's ancient tree, which I personally found unclear in some instances. This might have also taken the ‘impact’ away from the final episodes as I was trying to make sense of the character's actions and trying to link events and laws.

Alrighty, now that I've got out these *cold pricklies* away from my mind, I'll dive straight into why I think this drama is far better than many other throwaway idol dramas released per year.

Also - thank you to whoever selected the English title and designed the opening credits. If it was some big budget drama out there, we'd probably be stuck with some title such as ‘Love Lasts Forever/Forever Love’ or the word which is currently in vogue - ‘Blossom’.

When Master He Lian Xi of the divine Lin Chuan clan married Princess Feng Yuan, a marriage with a foreigner after almost a century, he expected to live a quiet life with his wife and the rest of his tribe away from the turbulent world as always. What he did not know was that Feng Yuan was purposefully sent to him with a motive far bigger than what his tribe could've handled. The fatal marriage results in an unprecedented bloodshed in which his entire tribe is wiped out and Lin Chuan falls into ruins, forgotten by all.
Three years later, he returns with vengeance to seek for answers and find the divine artifact that can bring back his clan, which belongs to Feng Yuan, the person who initiated the tragedy.

The drama runs for around 19 to 20 minutes and it does not dawdle around unnecessary plot points and ‘twirly’ swirly dramatics.
It's one of the most brutal ones I've seen in terms of CDramaland with plenty of knife cuts and torture. The entire aura of the story is dark right from the start. Not to mention, the very ominous all-black end credits.

The Characters in particular are given plenty of background and depth. I could see why they made the choices they did, their anger and despair. I felt particularly sad for the Lin Chuan clan – they were pure souls who did not deserve the fate that had befallen them. Props to Zhao Yi Qin in particular. He is definitely one of the best actors in CDramaland and it's a shame that he is not given an opportunity to showcase his talent in some full length drama. Or maybe it's safe that he is away from toxic fandoms.

Shen Yu Jie was not behind at all, but for some reason, I kept getting distracted by her well manicured nails, which seemed out of place in certain situations. [There were close up shots of her hand.]
Her emotional scenes were convincing enough, and I liked how strong her character was.
Also, two familiar faces: Feng Yin and Hua'e. Though, I have to tell that I liked Feng Yin better in A Familiar Stranger. His character was more challenging here, and kudos to the actor, particularly in the final episodes.

With supporting characters such as Shu Yin, Qing Sang and Xiu Jiu, the ultimate finale seemed more hopeful.

The costumes were beautiful without being overdone, leaning more towards darker shades without any splash of color for Feng Yuan and He Lian Xi.
Though, I have to say, the outfit designs for Xi Jiu were the most eye-catching to me.
Music was hauntingly beautiful. But, it was overpowering at times. Also, the background score was to die for, particularly the one in EP16 and EP27. I hope they release every single track.

I'd suggest this to anyone who wants a break from filler-stuffed long dramas and seek a solid plot with excellent performances and chemistry. This is the second time I was relieved that a drama was over, (the first being Goodbye, My Princess) both for myself and the leading couple. They deserved a break after all that mayhem.

Read More

Depressing, but Memorable.

This drama is steeped in sepulchral undertones and it's evident that the entire message has a chance of missing its mark. It's not a 'story' per se, rather the journey of the characters in particular.

There is no mincing of words – An introverted, intelligent high-schooler, Mitsuru, loses his person, the popular Yamada Koichi in an accident, which happened right beside him. But, the ‘dead’ Koichi gets up in spite of clearly fatal injuries that should have killed him.
Mitsuru now helps his ‘living corpse’ of a friend to get back on track, but he starts to slowly realize that his presence is the only thing that keeps Koichi corporeal.

As a viewer, it's painful to watch as it is evident that Mitsuru was in self denial. He keeps trying to come up with reasons for Koichi to stick around and Koichi, knowing him, attempts his very best to keep Mitsuru happy.
In a way, Mitsuru, a usually quiet individual, speaks up and tries to get Koichi to live out his last wishes.

Mitsuru is a particularly hard character to play without appearing emotionless, so kudos to the actor for not making him seem indifferent. Koichi was much easier, but his story was sad in a way.

I watched this in January, and right now, all I can remember is Mitsuru crying. Hence, why I used the word 'memorable' fir the title.
It's depressing from start till the end. Maybe that's the pain of losing someone.
It's good for a slow watch, but I'll not suggest it to anyone who has had a difficult time getting over the death of a loved one.

Read More

Missing Links.

I guess this drama is supposed to be a dark one filled with tension, considering that it's taking place during a time of war and their country is right in the middle of it. But..
The cast, story and even the outfits are decent, however, the story failed to grab my attention. I blame the editing.
Plus, completely skipping the past of the main leads and directly heading for the conflict was a wrong move by whoever planned it because I did not feel emotional at all.
Su Yan was particularly irritating. I don't know why, but she almost seemed slow when time was dire, did not provide proper explanations to Wen Yuan and many of the troubles could've been avoided had she reacted on time.
Don't get me started on the King. He left absolutely no impression on me, even when he was at his most powerful. Pretty sure that Su Yan could've properly handled him, but alas, the story calls.
I would suggest this if you need some "break" and watch some good acting, despite of the story.

Read More

Circle of Dumb.

Okay. How do I even start with this one?
After seeing the trainwreck of the trailer, I checked out the author and stumbled across another book of hers which is even more evil than this, so I guess it's entirely not the screenwriter's fault.

I have my University Exams going on right now, which might be partly why this drama pissed me off so much, cause out of the 10 minutes we get per episode (which is perfect for a short break), 80% of it is spent on twirling, BGM and 'look-at-my-aesthetics' camera work.
It's a waste not because of the actors, who are the ones carrying this drama and who actually have the skills.
The story itself is so... something that it made me double up.

A dude, Ling Xiao, finds an opportunity and overthrows a City Lord to avenge his mother; he later forcibly marries the deceased Lord's young daughter, Su Wan'er, who for once, is a female lead whom I absolutely adored.
If there is one reason for you to watch this drama, then do it for her cause she is definitely up there with Princess Xiao Feng when it comes to giving apt response to their husbands.
Throw in a female villain and voila! - we have all the elements for a plot that we will either enjoy as pulp fiction or want to burn to ashes.

Sadly, the ML is the most dumbest character I've watched on screen in a Chinese Drama. [It does not help that the last two dramas I've watched were In Blossom and Different Princess, both of which had smart characters.]
His biggest contribution to the drama was it's pivotal misunderstanding. [@phroggies70 from Reddit described him as a handsome brick.]
It's a shame because the actor has the ability to boot.
I've seen the Second ML in another evil drama, but he is truly a sunshine in this one. So, kudos to his character!
Even the leading and supporting actors were highly talented, considering that this was the script given to them.
Costumes were nice, albeit a bit cliché styled and the chemistry between the leading characters was also nice. Aesthetics were good. Sigh...

Atleast, it ended how I expected it to. I'd suggest this drama to anyone in search of a chokeworthy ML and a female lead who deserved better.
[6.5/10. Cause it was nice to look at and the actors and crew really worked hard.]

Read More

The Midnight Library.

I was fooled into thinking that this was some isekai style comedy drama, but oh no. It sits right up there with 'Oh no! Here Comes Trouble!' -- dramas which are disguised as comedy when in reality, they hold a much deeper meaning.

The drama opens with a despondent 29-year-old Myung Ha (Lee Tae Vin) in a bar, reading his senior's soon-to-be-turned-to-a-game novel about a couple who finally get their happy ending. He is dismissive about the HE, and points out that Cha Yeo Woon, a supporting character with no 'happily-ever-after' is the one whom he pays attention to. His senior asks Myung Ha whether he would be the one to give him a happy ending -- Myung Ha soon falls asleep drunk and wakes up as his vibrant 19-year-old self... right in the middle of the said game.
His task? Save Yeo Woon within 300 (?) days or face death.
As Myung Ha tries his best to bring a suicidal and lonely Yeo Woon back to life, we slowly begin to learn about who Myung Ha is.

The gaming aspect is strongly welded to Love for Love's Sake -- there is not a moment where I forgot that Myung Ha was not even from the gaming world. What is intriguing is how we discover small snippets of his life through various incidents. Yes, Myung Ha's ultimate task is to unpeel Yeo Woon's various layers and make him choose the things he genuinely cares about. But, what does it ultimately bring for Myung Ha, who doesn't even exist in the first place? And what will happen, when Yeo Woon starts to develop feelings for him?

The answers to several questions were slammed down on my head in the penultimate and final episode, and I still do not know whether to be happy or sad. It was a bitter experience, watching them.

Myung Ha must've been one tough character to play because out of everyone portrayed, he had the most secrets. Kudos to Lee Tae Vin, particularly for the last three episodes because no one call pull of that feeling without understanding the character.
Cha Joo Wan convincingly played the role of a cold tough guy to an honest and strong individual quite well. I liked his sincerity and straightforwardness.

Myung Ha's two other friends and the little sister brought a sense of normalness and 'familial' feeling to what would otherwise have been a rather lonely drama. His relatiobship with his grandmother was what I liked the most -- she was the link which existed in Myung Ha's life, both the virtual and the real one.
[The Midnight Library is a book by Matt Haig by the way. Love for Love's sake, despite it's flowery title reminded me of this book.]

I think for one has to watch this drama by self to experience it -- pretty sure that this is the type of story that is either a hit or miss. Either you understand it or you just don't. It strikes a deep cord and might not resonate with many, but ultimately it definitely is a different story for such a short drama.

Read More

Forbidden.

This is not my first brush with an art form related to incest – back when I was in high-school, Tabitha Suzuma’s novel titled Forbidden (the same as my review's) created a stir in Goodreads, Cassandra Clare's Dark Artifices features two characters (though not blood related) bound to be forever in a sibling like relationship with each other due to circumstances.
The most recent one is the currently airing Taiwanese drama, Unknown, based on the novel Da Ge by Priest.

I don't condone or encourage incest by any means, but I have to admit, I would be in the exact same predicament as the leading characters’ friends’, had something as such happened before me.
I view almost everything from an objective point of view or through the eyes of the characters, which might be why I did not find this as abhorrent as expected.
Plus, the immaculate performances by the leading and supporting cast was an added bonus.

The Plot:
The story opens with two supposedly newlyweds moving into a neighborhood for a fresh start. We soon learn the shocking truth: Akira and Keicchi are not husband and wife, but siblings by blood. And hence begins a flashback into the past, which step by step explains what finally leads them to this point.

My Thoughts: Typical Japanese style, this drama is simple with an excellent cast, and a slice-of-life calm ambience whose very power lies in the hands of the characters.
A common aspect that I've noticed in such dramas and novels hinting at sibling relationships going awry is the children being forced to grow up as adults way too soon.

From the get go, it's clear that Hirose Akira, the younger sister was the mother of the household – it's not that anyone assigned her to do it, but their neglectful and absent mother, combined with a distinct alienation of Akira from the family pictures speaks volumes.
She automatically accepts the role and takes care of her elder brother Keiichi. However, somewhere along the way, she begins to realize that she has reached a point where she just can't let him go.

The same goes for Keiichi, who is heavily dependent on his younger sibling to take care of him. I have to point out, Keiichi had no idea about Akira's feelings towards him and it's not until she confessed multiple times that it finally hit a nail across his head.

Another common theme revolving around characters growing up too soon seems to be this – they seek permanent safety, happiness and warmth from someone whom they know will never be able to abandon them rather than try out transient emotions. Both Akira and Keiichi had only each other to seek out during difficult times. They are burdened by insecurities and responsibilities. (I did feel that Akira was a bit too stringent, though.)

Their friends, particularly Takumi and Go-san, are two other characters who have a fair share of their own dilemmas. Impossible unrequited loves, dysfunctional families, growing up different… Saraba, Yoki Hi had quite a lot going on.

The Cast: Is the real reason why this drama is a success. Hirose Akira in particular, has one of the most emotionally draining performances I've seen in such a subdued drama and I applaud Yamashita Mizuki for taking on such a role. One minor flaw would've changed the entire vibe of the drama from real and raw to plain creepy.
I'm familiar with Suzuki Jin's work and he did a decent job here. Kato Konatsu and Ito Asahi, Takami and Go-san, were excellently portrayed for supporting characters.

The Music: Was not too memorable for me. It was rather mellow and blended in with the scenes, without overpowering it.

Many thanks to massterchef @Tumblr for the subtitles. It was a different experience from my previous watches as it directly dealt with a taboo and sensitive topic.
As for that part… I'm not one to judge, and will not do so in this case. But, Saraba Yoki Hi was indeed a pleasant watch for me.

Read More

Striking.

This drama had been shelved for almost three years and I happened to follow it (along with ‘Echo Of Your Voice’ which is heading towards it's own three year anniversary this year) because of Song Yi Ren, whom I personally find to be an excellent actress.
It dropped out of nowwhere and released it's first trailer and episodes. So, I was unaware about anything except the Baidu synopsis that has been here since 2021.

Striking is the only word I could describe Different Princess as because oh boy. This drama surprised me a LOT. It's the perfect blend of comedy, tragedy, romance, mystery, fluff, politics, scheming and poisons - all in one package that somehow managed to not mess up until the very end. It is one of most well paced/written dramas I've seen and I appreciate the scriptwriters and the crew behind this for their effort. I can see their sincerity towards the characters and the story, and despite being not promoted heavily and even unconventionally pushed out after years with no warning, Different Princess is truly memorable.

I'm digressing, so let's cut to the chase shall we? I shall also explain why I rated this a 9.5.

The opening scene is a dramatic one: a Crown Prince and his consort are both killed off by a ruthless villain, who then takes over the throne.

Flash forward following the opening title card, we learn that this tragedy was concocted by a Web novelist Hua Qing Ge in an attempt at being innovative and making her novel memorable… by killing off the main characters. Her idea backfires in a twisted way – the readers are left enraged instead of upset, and promptly trash her for writing a plothole ridden story with no character logic for sheer popularity. She adamantly refuses to change the ending even after being threatened.
What she does not expect is to be sucked into her fictional world as a self-titled canon-fodder character who is killed at the night of her wedding to the villain Ji Chu.
Thanks to her being the creator of the world, she manages to escape with the help of Ji Yun, the leading character and Crown Prince whom she had killed off in her novel. But, as she decides to dismantle Ji Chu’s plans and seek justice for Ji Yun, she starts to realize that she knew nothing about the characters and the world she had created, including the terrifying arch villain Ji Chu, who is hell bent on thwarting her plans.

Why I Think You Should Give this Drama a Chance.

*THE CHARACTERS*:
The drama has several important characters - the cast has both long time and new actors, but never once did I feel that anybody was miscast. Even the ML, despite of being a newcomer, fit his role well, and did not try to overdo it. Nobody seemed unconvincing and it looked closer to certain serious dramas, rather than an obscure 36 episode drama that decided to drop its trailer and episodes within the blink of an eye.

This is probably the first time I'm seeing a Chinese drama where all the main characters are smart. (Particularly the royal siblings - Ji Yun, Ji Feng, Ji Chu and Ji Wan’er. May it be EQ or IQ. There was tension that could be cut with a knife in scenes where the four of them were together, but there was an unshakeable bond within, whether they admitted it or not.)

Pretty sure that this is what makes the plot move quite quickly and had me on the edge of my seat, because Different Princess does not run out of plotlines to explore.
There are plenty of characters and plotlines. But, I'll start write off with Hua Qing Ge, our eponymous female lead/writer of the novel.

Being a long time reader of novels, I've heard a lot about techniques that writers adopt during the process of outlining a story. I'll give points to Hua Qing Ge for managing to squeeze in plot threads (that she openly admits, she had written to fill up the word count), but I can see that she had zero sincerity towards what she was writing.
It's evident that she has a rich imagination, but within the first two episodes, it's clear that her reviewers were not baseless in their criticisms.
It looked like she wrote the fan favorite male lead Ji Yun with the intend of getting him killed off – and for that to happen, she randomly threw in a villain with a backstory that is gleaned over.
(I know an author who told how hard she cried while killing off a character and realising that there was no other choice. Qing seemed quite happy with the ending, indicating that she had pre-planned it quite earlier, but lacked the patience to execute it well.)

Moreover, she never concentrated once on the process of the story or ‘why’ the villains existed, but rather the ending and perhaps the leading characters, Ji Yun and Xiao Yao.
She ‘is’ smart, but unfortunately for her, the villain is smarter. And she is straightforward, thanks to being thrown from the modern world to the ancient one, bringing hilarity at the least expected moments.
I loved how she tried to maintain her composure and accept her fate.

Ireine Song is perhaps the most apt actress for such a role. I know that most people will skip over this drama, but personally to me, she can pull off any character with ease.
She managed to turn even the most emotional scenes into comedy - - her modern background was never really tamped down, her inner monologues and sudden bursts of hilarity at the most unexpected times made Hua Qing Ge alive.

That gets us to Ji Chu - the villain of Hua Qing Ge’s original story. How she managed to tangle him in a love triangle in her original plot, I have no idea. Because within the first episode, the dude was plain terrifying.
He was an excellent schemer, making back up plans and taking risks, making Qing question his decisions and constantly on her toes. [Different Princess also has one of the most comedic first meetings ever. EP2 will remain my favorite because of this very reason.]
The way he outsmarts Qing in the first few episodes had me laughing.

One thing that is consistent throughout the drama is that Ji Chu ‘is’ not a fairy, although his actions are justifiable. He is ruthless in his quest for revenge, making radical decisions that plays with the life and death of people.
He was a very clear-headed character from the opening scene to the very final shot - the writers clearly knew what they were doing.

To support him, there exists Gong Ye Qi, a physician whose entire family was wiped out by the Liang Royals. Both of them made a dangerous duo and I liked their brotherhood snd sincerity.
Thus is Ding Ze Ren's first drama as a leading character, and although it's evident that actors for Ji Feng and Ji Yun have much more experience
with emotional scenes, he was perfect as the cold-faced and enigmatic Ji Chu, whom no one really knew well. Seeing him genuinely smile was a delight since he was almost always sardonic.

"A person can't be everyone's dream man."

That brings us to the intended male lead of the novel - Ji Yun, the Crown Prince. I can understand why he was the leading character in Qing's story. Or atleast in the rewritten version. He was one of the most genuinely nice character on screen, but his very loyalty to his blood is his Achilles Heel.

The drama does not lack female characters either. Ji Wan'er, described as the smartest character out of everyone by Qing, was surprisingly strong girl. Her scenes with Gong Ye Qi, particularly one at the end of EP28 was one of the most emotional ones I've seen to date.
Xiao Yao (the Crown Princess/Coroner aka the FL of Hua Qing Ge's novel), was the perfect counterpart for Ji Yun. She was calm and perhaps the wisest character. Some of her speeches and dialogues, particularly in EP36 were noteworthy.

Even the Empress and Consort Wei had their moments. You'll have to watch to know why. 😉

*THE PLOT*:

What Qing cooked up, I guess we'll never know. What we do know starts from Chapter 3 of her original novel - where the fictional Hua Qing Ge is killed by Ji Chu.
Qing did plot an excellent tale when it comes to mysteries. She had the key to answers, which gave her the upper hand, but the plot begins to veer off course, and Qing questions if somebody else was writing her story.
What initially begins as a defeat-villain-save-Crown-Prince plot soon starts to pop out hidden characters and plots, before finally terminating at the gates of the Imperial Palace.

The screen time and duration were carefully utilized so that multiple character threads progressed equally well without lingering on anyone in particular.
So, I suggest that you brace yourself for some major fight for power before you proceed.

The last few episodes in particular are plot focussed with no filler, so that might be jarring.

*RELATIONSHIPS*:

The romance was an added bonus and not the focus of the entire story. But, also very integral to it without taking away it's edge.
Ji Chu's budding romance with his ‘victim’ Hua Qing Ge was definitely the other highlight of the show that kept people watching.
Both of them were already a married to begin with, although one of them was trying to murder the other and the victim in question was openly sitting on a throne of thinly veiled lies all the while being directly under her assailant's nose. Ji Chu was not stupid to begin with and I liked how he trapped Qing with her own words. Although, he was dangerous while trying to force the truth out of her.

Their relationship was well paced and made sense.
From murder attempt, plain suspicion, bickering, master-servant, and being fish baited, to finally giving off an old married couple vibes, it's a wonder how they ended up where they are now but the journey there was one of the sweetest I've seen.
Now that I think about it, neither Hua Qing Ge nor Ji Chu ever openly said that they 'loved' each other to their face; rather they were a 'show' not tell couple.
I usually don't feel this way, but I did not want their story to wind up so fast. It was one of those rare 'to infinity and beyond' romances that was worthy of my time.

Gong Ye Qi and Wan'er's plotline was definitely the more dangerous one to me. They had a lot going on and inspite of their contrasting personalities and views, they were sincere to each other.

If Ji Chu + Qing and Wan'er + Gong Ye Qi were a deeply passionate mess, Ji Yun and Xiao Yao were the less lovey-dovey couple. There was an intense understanding and maturity between them. Xiao Yao in particular was exactly whom a character like Ji Yun needed.

The friendships and rapport between several characters, even transient ones did not feel superficial. Xiao Yan, the 24/7 guard of Ji Chu was a scene stealer in this aspect. Mo Yu and Qing's hilarious conversations lightened up even serious atmospheres. Also - the siblings. May it be between Ji Wan'er and Qing, Feng and Wan'er or even Ji Yun and Ji Chu, there was a tacit understanding of each other. T

*COSTUMES:

Ji Chu, the villain had some of the most beautiful costumes and outfit designs I've seen in CDramaland ever. He had both bright and dark coloured clothing and they were coupled with unique head accessories (the star/sun thingy was my favourite) and embroidery that were eye cat hing.
One thing I noted was that Qing and Chu had couple outfits, even though there were not many of them.
Qing had simpler, but elegant attire. Ji Yun’s wardrobe reminded of the Lan Clan from Mo Dao Zu Shi, unfortunately. He was always in blue. Wan’er and Ji Chu had plenty of color in theirs.

*MUSIC:
The opening and ending songs are haunting and foreboding. Particularly the lyrics. They make me feel that I've lost something.

The Soundtrack and BGMs altered, but never overshadowed the scenes.

**FROM THE WRITER'S DESK*:

I can tell that Different Princess will probably end up getting buried beneath the ridiculously excessive number of CDramas released per year. The Douban oage for the drama is almost dead and to top it all off, the very cookie-cutter plotline of a transmigrating writer never attracts jaded viewers.

I did not regret beginning this. Because Different Princess was indeed a different kind of delight. For a low budget, brushed-under-the-rug drama, it has done better than many of the hyped up budget blowers.
The ending is the best that the writers could've given, inspite of all the everything. I know viewers might not be satisfied, but believe me when I say that this is one of the better endings out there. But, the fact that viewers are dissatisfied itself speaks volumes about how much the writers excelled in making us root for the characters.

A 9.5/10 from me.

There are stories that receive a neatly packaged closure - sometimes hopeful, sometimes tragic. Then there are some stories that are just not meant to end. And Ji Chu and Hua Qing Ge's tale is definitely one of them.

Read More

A Nice Snoozefest.

There. My review's title is my 'a few word summary ' of Breeze of Love.
Honestly, the actors were excellent and had chemistry/angst, but the story did not do a good job in capturing my attention. The characters did not seem to have been fully fleshed out.
The overall set up was reminiscent of Our Dating Sim, except that this one has the college as the backdrop, but unlike ODS, I did not quite buy into their relationship.
For one, the separation and the reason was cut up and stretched far more longer than necessary. Ban Dong Wook was frustrating to watch. His side of the story remained obscure until the end. I understood that he was the introvert of the story, but hey. I couldn't quite root for him.
I loved Do Hyun, though. Atleast, his reason for being pissed off was valid.

The trouble might lie in the fact that the flashbacks were just not sufficient/placed at the wrong timing for me to catch up to them.
Their relationship was nice to watch though, so give it a try if you want something light.

Read More

"Follow Your Heart."

Despite the ratings, I think this is one of my favorite short dramas from Japan. I can see why it appeals to only a limited audience -- the leading characters are definitely not the conventional ones. While I'm pretty much accustomed to seeing the 'popular smarty pants' and an introverted silent/chaotic mess, its the first time I'm coming across characters who are both calm and composed. And the overall aura of this series is surprisingly dark/unhappy.

Takizawa Kazuma has just returned from overseas and landed a job in the HR department of an advertising firm. To his surprise, he runs into his former best friend and first love Ishihara Ren, whom he had lost connection with when Kazuma had fallen ill in high school. However, the Ren he knows now refuses to indulge about his past and has changed his surname. They fall back into their old habits and Kazuma keeps his feelings for Ren a secret, even resorting to a friend-with-benefit arrangement, to keep it hidden. But, Ren seems to be hiding something much more bigger than he imagined.

The story has a plot, particularly dealing with workplace harassment. But, the entire journey is worth only for the characters alone -- if they grow on you, per se.
Saotome Ren/Ishihara Ren is one character whom I respect. Not because of how loyal he was to everyone he came across, but how pure he was in his intentions. I can practically hear my parents telling me why I should never fall in love at a young age because that's exactly what happens to Ren.
I enjoyed Kazuma's sunshine like personality; but, I do think that he a bit too naïve when he was young.
[It's lucky that Ren's instincts were correct, otherwise this would be a certain tragedy. ]
I have to say, I was satisfied with both the actors' portrayal of their roles, even if Ren's crying scenes did not have actual tears. But, then again, was it intentional?

The supporting characters such as Ryunosoke and Hide weren't just there to exist, but provided insights about the remaining characters. I liked how we were shown how both Ren and Kazuma saw each other through their own lens'.
The pacing was surprisingly good. The flashbacks from childhood that were interspersed with the current timeline managed to capture my attention and pique my curiosity. Both the child actors were excellent and well casted. I hope to see both of them in bigger roles in the future. [Loved the ending song, One Day, which seems to be more suitable for the darker theme rather than the sunny opening.]

I'm writing this review after quite a long break, so it's already a win that I'm able to recall both the characters' names and their stories. It might not be for everyone, but this was just an almost perfect watch for me.

Read More

"My Tommorow, Your Yesterday."

Watching Chinese dramas for a couple of years finally makes you realize what exactly is wrong with the plethora of them released every month: there is little to no uniqueness in many of their productions or even if it did hold up for a while, they somehow manage to make me lose interest halfway through.
For a country that is far behind when it comes to changing their game or shying away from neat finales, An Ancient Love Song satisfies all that I wanted: a no-nonsense story that sticks to its logic to the very end.
So, if you are looking for some regular, well paced drama with sweet fluff, this one might not be for you. "Reverse timelime" is quite serious. Meaning you know the ending before it even began.

An Ancient Love Song reminded me strongly of the Japanese movie, "Tomorrow, I Will Date Yesterday's You." Or the alternate title which is the same as my review's.
Both of them deal with the concept of reverse timelines, although, AALS is anchored to a plot with an objective: fighting your destiny.

Shen Bu Yan, a professor/writer, has released a hit novel he had written based on the few evidences and relics left behind regarding the "Kingdom of Sheng". Unfortunately, when he is pressured to write a sequel about the leading character, an obscure Demon Queen who plundered the Kingdom to ruins, inspite of lack of further information, he hits a dead end. While pondering about the future of his tale, he dreams of the so called Demon Queen and finds that he has time travelled to the past.
Whats more? Lu Yuan, the Demon Queen herself seems to be waiting for him.

While trying to piece together the truth of the events, Shen Buyan discovers that he plays a far greater role in determining Lu Yuan's fate… and that he was stuck in a reverse timeline. He decides to attempt to change destiny.

☆ The Story/Characters/Acting:
I have to mention, I felt that the writers messed up the timeline a bit: it's stated that he meets Lu Yuan after every 10 years into her past. Meaning that there is no way he could've met her at 21 and then at 18 again.
The run time of almost 25 to 30 minutes per episode was well utilized. The story did not stray away from the main leads and their missions.

Setting this aside, the story has a solid plot with strong characters, albeit not having many of them.
Lu Yuan is definitely the star of the show: Zhang Ya Qin manages to portray every single emotion convincingly. From the naive 18 - year - old to the 36 - year - old Empress, she did not falter. The scenes were she grieved for the dead were particularly striking.
Her character was a person of her own, intelligent, powerful and sharp.

Although Shen Bu Yan falls on the silent side of the crowd, I liked him as a person. Though, I would like to know who chose his wig in ancient times - he reminded me of the second senior in Love and Redemption.

The romance was just pure. [I can't find the right words to describe what I felt.] It's not overly passionate, but sincere and gentle. The time reversal does leave us with an unpleasant feeling once we lay down everything from both the leads' point of view, but it is this very feeling that makes the couple one who are not easily forgettable. If you have seen 'My Tomorrow, Your Yesterday', you might get a feeling of deja vu at times.
The secondary couple had little time onscreen, but even the focus on them did not appear annoying.

The supporting cast were strong enough to appear believable and invoke emotions to varying degrees.

In a way, all the characters were tragic in their own right. Though, I found the portrayal of Prime Minister Li Yong's pivotal moments lacking. The time skip of 10 years into the past left several voids in the storytelling -- we are 'told', but never shown how things came to be. One another downside of seeing the story through Shen Bu Yuan's eye's.

☆ Soundtrack/Visuals:
After seeing some flamboyant dramas such as Till the end of the Moon, AALS doesn't have much. But, it did not really matter to me as the story was the one that had me hooked. The OST was plain simple. And the title An Ancient Love Song did not even strike until the end of the series.

Kudos to the bilibili video editor who is the reason why this drama exists. I hope other studios are inspired by this and start making content with quality and not quantity.
All in all, I will recommend this to anyone who seek something unique, romantic yet unfluffy, frustrating yet logical, and entertaining, yet emotional tale of love, loyalty and loss.

Read More

Bite Sized Slice of Life Series for Peace.

Following the tradition of those adequately paced, capsule sized, fluffy BLs, Love Tractor is not groundbreaking by any means. However, its charm lies within the characterisation and aesthetics, which were beautifully planned.

Within the first two episodes, it's evident that Yun Sul, an excellent law student, has absolutely zero interest in pursuing law. He rebels against his father's wishes and escapes to his grandfather's village. There he meets the humble and honest Ye Chan, who despite leading a simple life of farming, is happier than most people.

The story has romance as one of its main elements, but what caught my attention was how every character, including the cameo-like In Seong, had a personality and aura of their own. They have a life outside of the bubble, which also plays an important part in shaping who they are.
Yun Seol, perhaps was the most calm, struggling and composed character out of everyone. We see the half of the show from his perspective, while the other half is from Ye Chan's point of view, which was plain hilarious.
Open as a book and innocent as a child, he was smart, but an emotional and confused mess of a kid half the time. An easily likable character.
The comedic timing of everyone in the village was awesome; the village head, Ye Chan and his mom specifically.

In terms of acting, everyone seemed faultless to me. In a manhwa like manner of course! I know there were complaints against the village head, but even he seemed okay to me. The Soundtrack was beautiful - particularly 'Rainbow' by Coldin. (He sang the OST of Semantic Error, last year's breakthrough KBL.)

Mind you, it's kind of a long drama; every episode increases in duration and the final ones were almost half an hour long. I appreciate the team responsible for this as the runtime was sufficient enough to at least attempt to convincingly portray Ye Chan's budding romance. (Ham was more mature and closed off, so I am not sure where and when he fell for Ye Chan.)
The last one I saw, Starstruck, had everything tightly packed into 'exactly' 15 minutes and it was deeply disappointing to see all that potential wasted. Sigh..

All in all, Love Tractor is a beautiful and peaceful watch to cool off your mind.

Read More

Will you erase your memories and re-live your life if given a chance?

This is a good, simple story which you can watch as a stress reliever. I got intrigued by the title, but the meaning might lie a bit deeper into the story.

Jack o' Frost is a very cottagecore drama set around two working individuals, Ritsu and Fumiya.
Though they've managed to maintain a good relationship, strains soon appear and Fumiya suggests breaking up. Ritsu leaves enraged, only to get into an accident. Fumiya realizes that Ritsu has lost his memories after waking up. Not just any memory, but those that were specifically related to him. Fumiya takes this opportunity to erase his errors and give their relationship a second chance.

What I liked the most are the characters: they were not annoying, but understanding and was ready to give space to the ones they cared about. I doubted Fumiya's intentions because he seemed to be trying to help Ritsu, but trying "not" to fall in love with him again. But, during the last few episodes, I felt that his decision was the safest. Had ot been something else, things would look ugly.
But, the reason he broke up with Ritsu was plain stupid. It's literally he who is Jack Frost to me. Suzuki Kosuke did well, but his character was wtitten a bit too... pettily? But, I like his inner turmoil.

Ritsu's character (as well as the actor) was my favorite. I appreciated how he genuinely loved his work. He was confused, but still trying to give his all. Honda Kyoko knows how to act well with his eyes.
There were only two supporting characters, and this allowed the story to focus more on the main characters' alone, despite having only 6 episodes.

All in all, Japanese dramas have that quality which makes even the most plain dramas absolutely beautiful. This is not groundbreaking by any means, but give it a try if you feel like it.

Read More

Awesome characters... on a high-speed rail.

Not going to lie, this one deserves an 8.5/10 for the first six episodes and a 5/10 for the last two episodes.
Also, it ends in the blink of an eye. It's like they mashed together clips of the whole thing, particularly the last two episodes. I don't know whether to be upset or angry. The actors were good, the premise was good and it had plenty of potential to be one of the better short dramas out there. And to an extent, it is.

This is the one time I truly wished that a drama had a longer run time. Or a second season even. (If it's an 8 episode series, it needs at least 20 minutes per episode. Or 10 episodes, if it's going to be 15 minutes each.)

So… what do I think? Take off the "BL spectacles" and view it objectively as a simple story between two childhood friends, Han Joon and Yoo Jae. However, their bond becomes uncertain when Han Joon starts to realize his feelings for Yoo Jae. Moreover, the struggles of their families puts a further strain on their lives.

The characters and the performance by the cast is what carries the whole 8 episodes. Kudos to them for managing to bring so much depth and emotions to life while being handed like… half the story?
There is so much angst in this one that I decided that the 'best friends to lovers' trope is one of the worst out there. (This one has a particularly noteworthy confession scene.) But, it gives a strange satisfaction when beautifully portrayed. It was stressful to see both Han Joon and Yoo Jae keep trying to keep their friendship alive.

I'm surprised by both the leads. Kim In Sung could really make the viewers feel 'broken'.
While Yoo Jae is getting pummeled by the majority of the viewers, I liked that guy. While Han Joon was more emotionally receptive, Yoo Jae struggled to express his emotions.
I've not looked much into the idol group SF9, but I did not realize how popular they were until Star Struck. Baek Zu Ho can definitely act.

Their chemistry was not bad at all. But, as the concept of time isn't conveyed well, it can appear off putting to many.

The characters needed time: they were not just dealing with their feelings, but also had troubles with their families. This was one part that was well paced in the first few episodes, but got thrown into the bin during the last two. Not that it was bad, but it was all too sudden. Han Joon with his mom and Yoo Jae with his parents.

Another thing? The timeline. The first four episodes took place over a span of four months. The next two focused on their college. The last two took place in about three months. (That's three months in twenty minutes, I tell you.)

On a side note, I never cared about kisses ever since I watched the Taiwanese movie Our Times (2015) and that had literally no physical interaction between the leads, but was just sweet. So, I forgive the directors because the rest of their interactions were gold.

The bad stuff is definitely the runtime which impedes a better written script. I also suspect that they cut off a few remaining bits too. Also, I'll never look at Ferrero Rocher the same way again.

Am I disappointed? Yes, badly. The slew of well plotted short dramas with a longer runtime or more episodes with a tight plot might've made viewers expect better from 'Star Struck'. I'll rate this a generous 7.5/10. Han Joon, Yoo Jae and even those smaller supporting characters are too sweet to not be given a second chance by anyone who stumbles across this review.

Read More