A Bittersweet Twist.

Slice of life genres are rarely everyone's cup of tea. The realistic portrayal of life and relatable characters are what makes one fall in love with them. When dramas like Go Ahead peaked back in 2020, no one paid much attention to silly kids' genres dramas such as I Don't Want To Be Friends With You. MangoTV never bothered to subtitle it and it wasn't until six months later that Kukan Drama Channel decided to pick it up. And then the magic began...
-- The Plot:
Li Jin Bu, a 17 year old who is sick of her single mother's neglectful and careless antics decides to stay overnight at a Public Bathhouse as a sign of her displeasure and finds herself transported 20 years back to her mother's cold North Eastern hometown. Lost and confused, she has no choice but to track down the last person she had wanted to see: Li Qing Tong, her mother... who is completely unaware of who she is. Cooking up lies and jumping through hoops, guided by a mysterious man, Jin Bu takes it upon herself to change her mother once and for all.
--- The Duo:
Li Jin Bu is no angel. She is lonely, stoic and often ruthless with her words. She is perhaps, one of the most realest characters I've seen in a High school drama to date. Her mother, Li Qing Tong is not a bright one either. Slightly dumb with low IQ and high EQ, she tries her best and doing things the right way. As time goes, Jin Bu starts to grow up along with her mother and gets to know her from a different angle. The show explored the depth of their relationship perfectly. They go from mother-daughter to realizing that they are each others' best friends.
--- The Brotherhood:
Honestly, Chen Jun He, Duan Xiao and Ba Dan were characters that made me laugh and cry at the same time. Particularly Chen Jun He. His antics with his friends, his family and Qing Tong were the highlights of the show.
-- Romance:
I rarely ship ships. But, I'd die for Jin Bu and Duan Xiao. Subtle romance without words are my top weaknesses and this couple managed to hit all the feels the right way. Jin Bu never confessed outright to Xiao. And I understand why. But, she always put forward what he wants and tried to be her very best to him. Her sincerity and his trust were beyond heartwarming. Their every moment together was like a piece of treasure.
-- Overall:
I have no words to describe how much this drama means to me. It was in no way a perfect production, but it made me lose interest in other dramas for two months straight. The characters, the lessons, the sweet memories that it left for me can never be put down in words. But, I sincerely implore you to give this little gem a try. :)

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A Slow Descent Down the Hill.

First: if you are looking for the 'thrill' and anticipation that one experiences while watching Signal (2016), Beyond Evil, Mouse (both 2021) or Flower of Evil, this drama isn't for you. I will suggest this drama to anyone who is looking for a unique story of two brothers. The murder and psychological aspects all come in second.

I dropped this drama precisely at the 13th episode, then watched the final episode to sate my curiosity.
The number of times I've seen it recommended alongside other thrillers is what drove me to begin this. I should've not kept prior expectations beforehand; this would've saved the rating from getting tanked.

The story had a good start that is enough to pique my curiosity. It's already established that Lee Hyun had a traumatizing experience as a child. Now, back in Korea after his stint as a Criminilogy Professor, he is drawn to certain murder cases that revive memories about his missing brother. On the other hand, Cha Ji Ahn, a cop, has stalked him for 20 years while on search of a serial killer whose last known interaction happened to be with Lee Hyun.

I don't usually go off about female leads, but Cha Ji Ahn's character and her backstory were the weakest part of the whole plot. I never really cared about her past or romance with Lee Hyun, thanks to how the writers wrote her as an almost comical and cringeworthy caricature of a cop. The main poster doesn't include her and I can see why. (Her annoying nature becomes bearable after episode 8. She was not irritable when it came to scenes of crime discussions with her team, but I skipped everything else of hers involving a casual Lee Hyun.)

I loved Lee Min's interesting game of cat and mouse. This was what kept me going throughout the whole drama. Park Bo Gum and Do Kyung Soo blew the cap off with their performances in this one. DO, Lee Joon Young's younger self, was stunning in his portrayal of a complete psychopath, but his delivery of certain lines are going to be some of the most memorable ones in dramaland. (Particularly at the end of EP1 and almost his every flashback. Another person to add to the list of Bunny Serial Killers.)

Seo In Guk has potential, but the shifting tones in his character made me feel less emotional towards him -- it went from comedy to stoic all at once. The character Lee Hyun didn't seem to get a break. The scenes of his that I enjoyed the most were all the serious ones.

I found it hilarious that Lee Hyun got everything solved instantly with the help of the Art gallery director -- I must not have watched enough to know his true identity or this is lack of paying attention from my part.

By episode 8 or 12, I knew who was who -- biggest let down as the story seemed rather bleak and uninteresting after the big reveal. (EP12 has one of my most favorite moments: the conversation between the two brothers. Both actors delivered emotional and heartfelt performaces.) I fastforwarded quite a bit after that, eventually deciding to drop the whole thing as it did not seem to have what I sought. I will not be going back to this drama anytime soon.

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A Nice Snoozefest.

There. My review's title is my 'a few word summary ' of Breeze of Love.
Honestly, the actors were excellent and had chemistry/angst, but the story did not do a good job in capturing my attention. The characters did not seem to have been fully fleshed out.
The overall set up was reminiscent of Our Dating Sim, except that this one has the college as the backdrop, but unlike ODS, I did not quite buy into their relationship.
For one, the separation and the reason was cut up and stretched far more longer than necessary. Ban Dong Wook was frustrating to watch. His side of the story remained obscure until the end. I understood that he was the introvert of the story, but hey. I couldn't quite root for him.
I loved Do Hyun, though. Atleast, his reason for being pissed off was valid.

The trouble might lie in the fact that the flashbacks were just not sufficient/placed at the wrong timing for me to catch up to them.
Their relationship was nice to watch though, so give it a try if you want something light.

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"People Crave for The Normal."

As a person who enjoys binging thriller dramas, this one is sure to have ended up in my dropped/fast forward list had I tried binging it.

The very interesting discourses and comments regarding certain characters is what drove me to begin watching this drama. Slice of life dramas are not my forté. But, seeing such intense character analysis for a seemingly sunny drama was what made me curious.

Probably one of the most well loved dramas that premiered last year, "Our Beloved Summer" is the chronicles of Choi Ung and Kook Yeon Su, two vibrantly different personalities who are forcibly put together in high school to film a documentary. The Proximity Principle proved true and it's not long before their hateful relationship morphs into love. After a disastrously earth shaking break-up, they meet five years later. Now, grown up and absorbed in their own career paths, they are unexpectedly thrown together again. But, this time, both of them are determined to change for the better…

I suck at expressing emotions in general and have a penchant for accepting characters and the story as it is presented, hence watching this was personally a purely fun experience for me.

Be warned… the slice-of-life tag doesn't lie.
The story follows the ordinary lives of both Yeon Su and Choi Ung along with one major supporting character (Kim Ji Ung).

Sticking true to the tag, it's the characters who are the soul of the story. Though it began with almost little to no emotional attachment from my side, I slowly grew attached to them by episode 14. There is not much purposeful happening with the plot, so, if you are a fan of strictly plot driven stories, this drama isn't for you.

Kook Yeon-Su can sit together with Kat from 10 Things I Hate About You and I wouldn't bat an eyelid. Studious and meticulous in every aspect, she sets vigorous boundaries and rules to who or whatever crosses her path. Including Choi Ung. She has an almost aggressive reaction to everyone, trenchant and assertive with her words… which naturally makes her one of the most unlikeable students in her school.
I found her bravado tiring. But, the writers did a good job, taking time to explain her actions and errors.

Choi Ung is far from her strict good-girl regimen. He slacks off at class, is meek like a puppy and knows more social skills than Yeon Su. He understands what he has signed up for once he begins to date her. I loved how he was not driven by goals, but rather went with what his heart wanted.

The life outside their perfect bubble has an almost domino-like effect on them. These polar opposite duos had their own ways of expressing their emotions as a result. Yeon Su was more on the *tell* side of the sphere whereas Choi Ung was on the *show* side. They each await empathic responses to unasked questions. To me, this lack of understanding and failure to express themselves was the prime reason for their break up. Now, as adults, their tables have turned. They are much more aware of their mistakes and are ready to accept the error of their ways.

40% of the drama is seen partially through the eyes of the Documentary Producer, Kim Ji Ung, Choi Ung's best friend. He was a character whose presence was pivotal in understanding the leading ones. We see a deeper side of Choi Ung through him, his own personal troubles, his support and ear for Yeon Su, the rapport with his workplace colleagues… even Ung's manager and Sol - I were important.

NJ, an idol, felt really out of place. She was not annoying… but I didn't understand why there was so much time being invested in her story, which could literally be spliced out and kept as a different special episode. Her presence did incite major changes to certain characters, but I felt that the writers failed to portray her with more depth or importance. The main reason seems to be her lack of interaction with the major characters.

It's the actors who breathed life into the chara ters. They lived them. Even the minor ones. Choi Woo Shik was mind blowing in portraying the very insoucient Choi Ung. Rather than appearing lifeless and boring, he was vibrant and unique. Kim Da Mi had less internal monologues than Choi Ung, but the process of unwrapping her various layers was smoothly portrayed.

I didn't find the drama too funny, though. There were a few slapstick comedy scenes, but there was always a serious shadow in the background for more than half of the drama.

The soundtrack was overall pleasant to listen to with "Home" and "Christmas Tree" being my favorites along with the opening theme by Kim Hwan Hee.

It's a drama that I'm sure I'll probably never rewatch. But, sometimes you stumble upon a coin on the road and check it out.
As Mr. Park said to Ji Ung, people crave for the 'ordinary'. And so do I.

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A Compact and Warm Story.

I began this one in order to get out of a drama slump and it unexpectedly became one of my favorite short KDrama! What made this attractive to me was not just the romance, but the distinct characters and the struggles that they dealt with.
-- Taekyung struggled with being a loner; Shin Woo takes time to adjust and feel comfortable with strangers; Da On is bent on making everyone happy and never knows how to say no. Namjung is a cheerful and supportive friend wheras So Hee tries to get what her heart wants.
--- The pacing of the drama was excellent. With 16 episodes spanning around 29 minutes each, they managed wrap up everything quite neatly. There were some episodes I felt that would drag on certain parts, but it never did.
--- The relationship (including a love triangle) were surprisingly not too forced. Although, I still do not know when somebody is a bad actor, everyone's performance in this was highly convincing. They played and looked the part that fit their characters' personalities.
--- I loathe love triangles with deep intensity, and almost dropped this drama. But, this was one triangle/unrequited love that I felt was well written. There was no unnecessary pushing or pulling, but just went with the flow in the right way.
--- I found the setting and cinematography pleasing to the eyes. The OST in particular, was simple, but managed to capture the essence of the drama without going overboard. I was particularly happy to hear A.C.E, a band that I'd followed since their debut. (I particular loved the song Spark. Fever by Mooz is my next favorite. And the instrumental "You".)

It was nothing too special, but it had really warm vibe that we rarely get from many dramas.

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100% Warm Fuzzies.

When I meant that it was fluffy drama, I wasn't kidding. It's like an overdose of supposedly cute and sweet events leading to our leads falling in love, but I'm sorry to say that I found the main leads' storyline absolutely boring. I can't help but feel disconnected with their characters. Especially the three main female leads. I was able to enjoy scenes of them individually or with other supporting cast. But, once they were actually together, the 'comedy' part just fell flat. What was supposed to be funny came off as cringe.
I loved Zeng Li's scenes when she was having her internal monologues or just thinking by herself.
The cast was trying their best, but some scenes looked not so natural and in character.
Don't get me wrong, this drama is not unwatchable by any means. It's aesthetically pleasing and has warm color tones that puts one's mind at ease. And it was shot in several beautiful locations that I found breathtaking. I'd suggest this to anyone looking for a candy floss drama with beautiful locations, good looking actors (who attempted to bring justice to their role) and fluffy love.

Another thing that I loved was the small lessons and thoughts that each episode had. They were really heartwarming.

If I could pick a character whom I was actually curious to watch, it was Wu Ying (and Liu Yu Cheng as an extension). Their storyline was kind of off as well, but I found it more interesting to watch. Deng Hao Ran is another character whom I absolutely adore for spilling the truth to Ma Yi Yi. To be honest, all the characters grew on me, but there was something still missing in the main leads. I don't know why, but the story is beautiful as a whole.

The OST is really, really beautiful. But, there were some instances I felt that it did not fit the ambience.

Overall, I can say it was very enjoyable. The only trouble I had was this constant disconnect with some characters that made me skip multiple scenes.
I literally kangaroo hopped through the drama.

I think it's time for me to admit that I've grown too old for dramas like these. But, this certainly could've been much better or interesting. I couldn't help feeling like they tried too hard. Yet, I would certainly ask you to give it a try. It gives you a lot of warm fuzzies.

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Wrong Turn.

When a friend told me that this drama had the worst love triangle in the history of love triangles, I was tempted to watch it. Love triangles were a trope that I despiced with a viscious intensity, and I was curious to know why this one was labelled as the worst. Oh boy... nothing. Nothing could have prepared me for the terrible experience.
This is not a drama - this is a weapon of mass destruction. If there was any piece of entertainment that I coule choke to death, it would be this. I decided to write this review after going through my old posts about this drama and realized that my throat still got stuck whenever I thought about it... due to pure rage.

Yan Fei, a young businessman, is clearly unhappy and dissatisfied, both at work and in his relationship with Jimmy. When he accidentally drowns and is saved by a young boy Hai Qing, sparks fly. No amount of words can describe how much I am unable to buy their relationship. Just like the synopsis says, he gives his number to Hai Qing after sharing a steamy kiss... that did not even make sense. Flashforward a few days and Hai Qing has already lost the dude's number and is unable to call him.
Now Hai Qing... Dude is legit one of the worst brats I've ever seen in dramaland. He treated everyone around him like crap and switched personalities like those party lights that flash. I hated him in one episode, felt bad for him in the next, then hated him again. He was way beyond rude to his Grandpa. (Thank God. He passed away within the first four episodes. I'd like to think that he purposefully did it to escape the horror that was about to unfold on screen.) I pitied his future, but his horrible side managed to wipe away all my feelings for him.
I did not care about Yan Fei and Hai Qing. Even Jimmy seemed pitiable by the end of the drama. Ping Jun is the whole star of the show. He loved and cared for Hai Qing, yet he backstabbed and cheated on him without even an ounce of guilt. Yes, it is cheating. Hai Qing and Yan Fei's relationship had no build up. I don't think that one kiss can sweep you off your feet so much that your brain blew off to mars. They acted like some fated couple. I can believe that since they both are horrible in their own special way. Even Jimmy might have been crap, but so was Yan Fei to him. And Hai Qing needs some really good glasses. And a kilogram of common sense.
Ping Jun and Pinky saved the show. I didn't care about Yan Fei. I wanted to call the police whenever he showed up between Hai Qing and Ping Jun.
I don't know what the writer was trying to convey. Was he/she telling an intense love story? Was it about cheating? I frankly don't understand half the reviews praising this for its raw portrayal of real relationships. If this was how the human heart was... God Help me. I never want to fall in love.
The series did not shy away from kisses and steam. But, I did not care about anyone except Ping Jun. I wanted to snatch him away whenever he came on screen.
1.5 stars is too low. This one seems to have managed to attain all the stars ranging from 1 - 10. But, I intensely disliked the people whom I'm supposed to feel something for. And no way am I ever gonna watch this drama again.

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Mindless Fluff.

‘Suspension of disbelief’ is a strong factor required to watch this drama – and once you've done it, this is quite enjoyable despite it having an absurd story.

A hotel heiress, Jin Zhi Xia, travels abroad and stumbles upon a soothing musician, Lin, whom she immediately falls for. She tells him about enjoying life as if there was no tomorrow and this is exactly what she does – throw herself into apparently a week/month old relationship which comes to and ugly end. The man in question disappears before she can find out her answers.
After an year of fruitless search, she finds him again as a completely new Fu Ze Yi, who has no memories about their encounter. What's more? He was a ruthless opponent who was attempting to buy her hotel, Aizhe, to expand his company.

The Characters:
Together with her cousin, Jin Bu Fan, and her uncle, the trio were some of the most hilarious characters I've seen in such an idol drama. Not only where they the least brightest individuals in the room, they were also comedic and innocent at the most unexpected times. [Someone commended on YT that the drama should be retitled as ‘three idiots run a hotel’, and the more I watched, the more I began to see why one would think so. Both the uncle and Zhi Xia kept making mistake after mistake, possibly because they underestimated who they were dealing with.]

EP12's hospital scene will always be memorable to me due to the sheer hilarity of the situation coupled with the neat acting. Joey Chua was really good.
Though not exactly the best, I have to give credits to the actor who played Fu Ze Yi and Lin - his eyes somehow appeared soft as Lin, and sharper as Fu Ze Yi .

Bonus points to this drama for making me look up Dissociative Identity Disorder – I've heard about it since long, but it turns out that some of the depictions, though over the top, where definitely in line with it. [Conversations with alternate identity, temporary amnesia, etc.]

All in all, a small cookie that can be eaten as a snack. Not deep, just pure entertainment.

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Depressing, but Memorable.

This drama is steeped in sepulchral undertones and it's evident that the entire message has a chance of missing its mark. It's not a 'story' per se, rather the journey of the characters in particular.

There is no mincing of words – An introverted, intelligent high-schooler, Mitsuru, loses his person, the popular Yamada Koichi in an accident, which happened right beside him. But, the ‘dead’ Koichi gets up in spite of clearly fatal injuries that should have killed him.
Mitsuru now helps his ‘living corpse’ of a friend to get back on track, but he starts to slowly realize that his presence is the only thing that keeps Koichi corporeal.

As a viewer, it's painful to watch as it is evident that Mitsuru was in self denial. He keeps trying to come up with reasons for Koichi to stick around and Koichi, knowing him, attempts his very best to keep Mitsuru happy.
In a way, Mitsuru, a usually quiet individual, speaks up and tries to get Koichi to live out his last wishes.

Mitsuru is a particularly hard character to play without appearing emotionless, so kudos to the actor for not making him seem indifferent. Koichi was much easier, but his story was sad in a way.

I watched this in January, and right now, all I can remember is Mitsuru crying. Hence, why I used the word 'memorable' fir the title.
It's depressing from start till the end. Maybe that's the pain of losing someone.
It's good for a slow watch, but I'll not suggest it to anyone who has had a difficult time getting over the death of a loved one.

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Awesome characters... on a high-speed rail.

Not going to lie, this one deserves an 8.5/10 for the first six episodes and a 5/10 for the last two episodes.
Also, it ends in the blink of an eye. It's like they mashed together clips of the whole thing, particularly the last two episodes. I don't know whether to be upset or angry. The actors were good, the premise was good and it had plenty of potential to be one of the better short dramas out there. And to an extent, it is.

This is the one time I truly wished that a drama had a longer run time. Or a second season even. (If it's an 8 episode series, it needs at least 20 minutes per episode. Or 10 episodes, if it's going to be 15 minutes each.)

So… what do I think? Take off the "BL spectacles" and view it objectively as a simple story between two childhood friends, Han Joon and Yoo Jae. However, their bond becomes uncertain when Han Joon starts to realize his feelings for Yoo Jae. Moreover, the struggles of their families puts a further strain on their lives.

The characters and the performance by the cast is what carries the whole 8 episodes. Kudos to them for managing to bring so much depth and emotions to life while being handed like… half the story?
There is so much angst in this one that I decided that the 'best friends to lovers' trope is one of the worst out there. (This one has a particularly noteworthy confession scene.) But, it gives a strange satisfaction when beautifully portrayed. It was stressful to see both Han Joon and Yoo Jae keep trying to keep their friendship alive.

I'm surprised by both the leads. Kim In Sung could really make the viewers feel 'broken'.
While Yoo Jae is getting pummeled by the majority of the viewers, I liked that guy. While Han Joon was more emotionally receptive, Yoo Jae struggled to express his emotions.
I've not looked much into the idol group SF9, but I did not realize how popular they were until Star Struck. Baek Zu Ho can definitely act.

Their chemistry was not bad at all. But, as the concept of time isn't conveyed well, it can appear off putting to many.

The characters needed time: they were not just dealing with their feelings, but also had troubles with their families. This was one part that was well paced in the first few episodes, but got thrown into the bin during the last two. Not that it was bad, but it was all too sudden. Han Joon with his mom and Yoo Jae with his parents.

Another thing? The timeline. The first four episodes took place over a span of four months. The next two focused on their college. The last two took place in about three months. (That's three months in twenty minutes, I tell you.)

On a side note, I never cared about kisses ever since I watched the Taiwanese movie Our Times (2015) and that had literally no physical interaction between the leads, but was just sweet. So, I forgive the directors because the rest of their interactions were gold.

The bad stuff is definitely the runtime which impedes a better written script. I also suspect that they cut off a few remaining bits too. Also, I'll never look at Ferrero Rocher the same way again.

Am I disappointed? Yes, badly. The slew of well plotted short dramas with a longer runtime or more episodes with a tight plot might've made viewers expect better from 'Star Struck'. I'll rate this a generous 7.5/10. Han Joon, Yoo Jae and even those smaller supporting characters are too sweet to not be given a second chance by anyone who stumbles across this review.

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Pleasant Office Drama With Lovable Characters.

This is one of those regular office romance dramas along with a lot of cuteness and stupidity thrown in the same plate. However, I immensely enjoyed this and its definitely one of the better short series out there. I'm not talking from the "BL" point of view. Rather from a regular drama objective.

When the spoilt heir of a famous company, Ho Joon, is forced to rely upon himself after causing troubles for his father, he has no options but to do as told. His stupid persistence and narcissism irks his new landlord, Seo Jae Yoon. However, Jae Yoon finds himself in a difficult situation when he finds out that the tenant whom he was trying to evict is his newly appointed Team Leader.

The runtime (more than 25 or 30 minutes for some episodes) and storyline was adequate enough to portray the emotional growth between the characters and how both of them slowly begin to understand their positives and the short comings. I was pleasantly surprised by the leading actors' performance here since in their last drama, their characters were not as voluble (particularly Kim Ji Woong, he was a delight to watch in this one).
The chemistry was natural and I particularly liked how everyone were just 'patient'. None of them were annoying or over the top. Both Ho Joon and Jae Yoon were intelligent in their own ways.
Nothing was rushed. And some scenes were genuinely comedic without trying too hard. One thing I will definitely not forget is when Ho Joon went, "How come he becomes stupid in Poongdeok Villa?" And then we have Jae Yoon skeptically ask in the next episode, "Are you a genius?"

I don't think I'll feel the same or whether I'll be able to rewatch it, but it's a satisfying watch, provided that you view it as a regular KDrama and not purposefully keep expectations.

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I Don't Even Know What to Title This As.

I really have to revamp my whole rating list when it comes to shorter dramas, because this one was good and bad at the same time. Good? The premise was good. The cast was good. All the emotions were conveyed well.
The story? Oh dear, the story. It seems that the writers even directed this one specifically for that *horns and balloons* ending.
For a story to have emotional depth, the run time matters. Here, we dive head first into something, watch the leads' relationship grow, then get thrown into something else. And I still have no idea what the significance of that character was. He existed for the angst. Minus him from the story and there is still no change to the overall plot.
I would recommend this to anyone who is trying to finish their 52 Week Watch Challenge, but are short on free time. As for others... if you are expecting some mind blowing storytelling, this ain't it. But, it does have good emotional performances by the cast that is unfortunately stunted by the limited runtime.

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Mundane, but Good.

This is more of a the life story of two divorce lawyers who've gone through thick and think together their whole lives.
What's good about it? The leads definitely. Their characters are just the opposite of each other, but their genuine care and understanding for another was excellently portrayed. (I've yet to see a Taiwanese series with mediocre actors. These two were really good.)
There are several scenes where they talk about how they view their profession and divorce which I found enlightening.
The second couple was Yuki, a laundromat owner whose name I still do not know and his daughter Ling Ling. They depicted a different side of life - one of them being cool and unafraid of changes while the other adamantly sticks to the ghosts of the past.
Plenty of supporting characters, both big and insignificant play a role in shaping their actions, so, skipping some parts of it might be not the best idea. (I did it and had yo backtrack and rewatch to know thr context.)
While I did like the couples, the cases and the parental relationships, there were episodes which could've been significantly shorter. Mind you, this is roughly 25minutes each, but the episodes following EP7 where unfortunately, a bit too... ad nauseam? This is a common problem in dramas as a whole, LGBTQ+ or not. Once the main point is done, they fumble around. But, the pacing did pick up, but the drama lost me at EPs 8 - 10.
I'd recommed this if you just need something to cool off.

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Memorable.

Only half an hour, but it was succinctly utilized and on point. I have no knowledge about the original novel and have never watched any adaptations.
For a clip that was released as a part of a variety show, it had more impact than many billion dramas that China releases every year.
It has an overall simple production, and I've come to slowly recognize the directing style . The cast did an excellent job, particularly the two male leads as it was between them the game of 'throw-the-ball' was fought. The Female lead was good to, but as the story centered around her without her being aware of anything happening, she had only a few emotional moments.

The ending is what I find truly unforgettable. I paused for a moment and it made me confused. What or who exactly was the demon after? Why was he so cruel?
Definitely a must watch if you just need an escape from reality.

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100% Fun.

If you are craving for something "funny", then this movie is perfect for you. I literally paused it at certain parts cause I was unable to control laughing.
I began this after seeing that this movie had the same director as "Oh no! Here Comes Trouble", which had the perfect mix of mystery, bromance and comedy.
Secrets of The Hotspring gives you the exact same vibes, though it leans more towards comedy.

Xiao Gin, a delinquent new student, takes his two "frenemies" to his grandparents' "hotel". Things start to take an ugly turn when both his friends Little Princess and the sleep walking Lu Qun find out that something was very strange in their new getaway. And Gin's grandparents seems to be mysteriously hiding something...

The comedy is what I remember the most out of this, but it does have its share of emotional scenes, particularly for Xiao Gin.
The story is really cliched, but the performance of the actors and its hilarity makes up for it. The bromance between the three is to really cute and I loved watching them grow reluctantly closer.
7.5/10. I knocked off the score due to its predictability, but other than that, this was worth my time.

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