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ChineseDramaFan

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ChineseDramaFan

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Mirror: A Tale of Twin Cities chinese drama review
Completed
Mirror: A Tale of Twin Cities
13 people found this review helpful
by ChineseDramaFan
Feb 19, 2022
43 of 43 episodes seen
Completed 5
Overall 7.0
Story 8.5
Acting/Cast 6.5
Music 9.0
Rewatch Value 3.0

Poor Editing, Poor Script Writing, Sub-standard Acting

As of the writing of this review, this drama scores a dismal 3.9 on Douban, a platform that reflects the sentiment of the viewers from China, which may not be 100% reliable as we well know how this score can be manipulated by fans and haters. I must admit I have not read the novel which this drama has adapted from, so cannot compare how it has deviated from the original story. According to many readers, the characters have almost gone through a total metamorphosis and thus has rendered a totally different experience for the readers.

This story is rather similar to the biblical Moses story whereby the Lord of the Sea (Li Yifeng) tries to bring his people (the fish people) back to the sea from the land where they are being persecuted. Another character, a crown prince (Zheng Yecheng), who vows to take back his kingdom so that his people can live openly in the warmth of the sun again. Between them, comes a woman with whom they both fall in love. So, in a gist, this is a love triangle and the actual plot from the original story where the characters try to save their people and bring them home, has become a background story. Both men are desirable and the female lead is torn (initially at least): to follow her heart or to fulfill her duty.

Many reviewers have provided in-depth description of the story, so I’m not going to repeat what they have written. Here, I’m pointing out what I like and dislike about this drama, so that viewers have better understanding and if they’d want to pursue this drama or not.

Most of the online criticisms I’ve read are about the poor editing. Rightly so. I find the joining of scenes poorly done with noticeably long pauses, making the overall pace excruciatingly slow. The long pauses between conversations also make it feel like the characters are hesitant or even calculative; there's too much waiting around with no one doing anything, just prolong staring at each other. As much as I want to like this story, I dozed off multiple times within one episode, like some old folks do.

The screen writing is terribly poor as it feels like haphazard and not being well thought out as it has changed so much of the personalities of the characters from their original version. This has also reflected badly on the acting which I don’t totally blame the actors; how can the actors perform if they are not provided proper direction how the characters are supposed to be? Had Su Mo been a cold and ruthless person as described in the novel, then maybe Li Yifeng’s acting fits the bill (not perfectly, but not as bad too). But here in the drama, Su Mo seems to be a compassionate and upstanding person who would go all the way out to help anyone in need, with or without the power himself. In this respect, Li Yifeng’s acting seems to be lacking as he is stiff and doesn’t carry any emotions on his face, and his shifting eyes make him even less believable. I do love the Su Mo character and Li Yifeng's physical portrayal of the character. With clear directing, Li Yifeng should have done better.

Chen Yuqi’s acting as Bai Ying is passable, but again, she has very limited facial expressions here. For both Chen Yuqi and Li Yifeng, they have not brought out the emotions that their characters are suffering from, especially in times of loss and regrets. Both actors have totally failed in this respect. Viewers also complain that the selection of the main couple pairing is poor as the two main leads’ chemistry is at rock bottom. They seem to be stiff and awkward; there’s no longing, no affection, no emotion that doesn’t seem forced. Despite these criticisms, I do at times sense some chemistry between the lovers, which unfortunately not frequent and consistent enough.

The sequence of some scenes seem to be repeatedly used, and this has made the whole thing rather dull at times. One such scene which is being repeated multiple times that I can predict what is to follow when that event happens: when Bai Ying is injured and unconscious, Su Mo would try to heal her, and in turn, he goes into a coma. This sequence is overdone and gets really boring to say the least.

Zheng Yecheng’s acting here is acceptable. Like in all his other dramas, he doesn’t get his girl in the end. For me, the most annoying character is probably Na Sheng (Yang Zhiwen) with her bubbly demeanor which doesn’t stop despite whatever predicament everyone is in. Her clinginess is even more irritating and hard to watch.

My Verdict
This is supposed to be a story about hatred between the conquered and the conqueror, and between the various races. Love is blind and love blossoms between the enemies; we have multiple cross racial romantic couples here, and the story is supposed to show their torn emotions and pains – choose love or loyalty/duty for one’s country/race. This emotion is totally lacking here. In its place, tropey romances reign. It would have been acceptable had the script writing not been this bad, making the whole story laden with plot holes, bad logic, and poor character development. The ending is probably inspired by the resurrection of Jesus Christ with Su Mo floating/walking on water shrouded in an halo, three years later (versus three days later for Jesus). It is so bizarre.

I am totally untouched by the supposedly heart wrenching story of forbidden love - love for an enemy or a different race in this case. This is rather unfortunate as the original novel is said to be very interesting and touching. It is also said that the animation that has come before this drama is more faithful to the original story and I’m off for it next.

Don’t be deceived by the big names. Unless you don’t have anything better to watch, you may be better off reading the original novel or watching the anime.

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