Hehe. A psychopatic murderer of 5 (and more attempted) is forgiven without any consequences in last 20 minutes or so and he and his survivors and their families have a painting party on a rooftop.
Bonus: most of his victims just vanish from the memories of others, because they don't count enough.
'that's nice, it reminds me of the island since Tae Ho is here' (poop mine scene)
Uhm, ok? Under what moon does this sentence make any sense whatsoever??? That's nice, it reminds me of those times our friend, a psychopath, was killing us one by one? what a time to remember.
Everyone, please don't commit any crimes.
Well, if you have to make an ending for a drama cut 4 episodes, you can as well fuck it royaly.
on a flip side:
1. I haven't seen so much of cool toned lipstick since Missing You,
2. Min Sung Wook's character is neither evil nor murderous! After 6FD he was only getting villainous roles.
/3. Joon Oh renegade outfit. It clicks, all black with red sneakers. There's still a hope for a method in all this.
4. ending of the ep 12 - I'll take it literally as a confirmation of a limbo theory, because it would still make more sense than anything that's going on/
[eagerly looking for more, still don't hate what I'm watching]
nah, I enjoy the mother as a character. After two first episodes I was prepared to fastforward all her scenes, but she won me with her squad, her socks and her general sassiness. Not to mention her open mindedness and resolve :D I only wish she treated her husband better or he finally stood up instead of looking terrorized or (more recently) not giving a damn.
But the girldfriend? I wonder how would you call an actual psychopath that we have here on board then. Like, the one kidnapping random women and doing sick things to them, that jolly fellow.
Min Hyuk is such a refreshing male lead character. I love how open he is with his crush on Bong Soon. I love the…
minus gay game. He's open to himself, to a viewer, to some extent to his assistant. She's in dark. But I sense a potential for some 'how should I prove you I'm not' scenes coming.
/but still, transfering the denial and realisation angst on the 2nd lead - brilliant move indeed.
Idk, it's not *that* bad. At least it's mysterious, characters' motivations aren't clear and from time to time it has this creepy mood.
Maybe low rating is because of identity issues? After ep 3 I'm still not sure what am I watching and synopsis above doesn't match the content. For a noona romance, the male has hardly any screentime (but they're clearly going this way [just please, let the shoelace trope die somewhere miserably]). I'm having Sweet Stranger and Me throwbacks, from its initial phase, when I wasn't sure why certain characters are still there. But genre-speaking, this show is neither noona-romance, nor a serious family drama on infidelity but it tries to fill most of its time with the above. Is it heading towards a weird, low-fluff but somehow comedic love triangle now? I don't know what to make out of it. At this point I think the show could benefit from cutting both male leads out.
/but mainly, it's peculiar and unpopular, so the votes aren't very reliable now.
i wanna watch this so bad but I'm afraid it will heighten my standards higher than they already are, I've…
I read it's because of multiple dialects, they want to have an uniform effect no matter which one is native for an actor. And then they can re-dub a drama into different dialect for different audience. Similar thing happens with bollywood movies, they are re-released with completely redone soundtrack for different dialects. What is disturbing for me is how the sound doesn't sound natural, it has no space, you can hear them like they were in separate booths with background artificially overlayed. Also, it's sometimes strange if you're more prone to remembering voices than faces, because they don't always match from series to series.
i wanna watch this so bad but I'm afraid it will heighten my standards higher than they already are, I've…
never put back a good drama for a mediocre one (two, dozen) in fear of heightening your standards [a message to past-me].
But maybe try seeing some lighter c-drama first to get accustomed to denser lines and dubbing? My first c-drama was Sound of Desert and I felt constantly overloaded so I had to keep hitting pause to follow the subtitles. The lines was much longer than their kdrama counterparts and stuffed with proverbs, poetry and other references which meaning was vague to me. This one is otherwise brilliant, but doesn't have the best pacing*, therefore it may be tiring for a beginner. /* for a tv series watched by a real life human, as a story it's masterfully constructed, but it requires a viewer who happens to have a 50 hours straight of a free time and doesn't need to sleep or wink./
/And generally speaking as a training in a processing of a fast-paced, overloaded content (or just getting immersed into things) I really recommend watching an anime called Yojouhan Shinwa Taikei.
Hi guys, please recommend others worthy C-drama (historical) to follow since Im still depressed having these withdrawal…
I'm still amazed how chinese industry managed to release something so complex and deep as NIF when everything else is several classes beneath it. Are there more dramas like that, but untranslated and unrecognized?
I honestly don't know how to rate this thing. It can be so lame at some parts (those wannabe Tomb Rider traps and dangeons, exploding sci-fi robotic-demon-golem thingie, circle lenses giving everyone blooded eyes,...) and utterly cool at others (white haired witch1). Bonus points for 2nd lead turning evil. Female lead had little to no agency, like a trophy to be fought over. An important plotline is just cut in the middle without serious repercussions. And then it got really overly dramatic.
And yet I finished it in one go. That childish love triangles with possesiveness and angst turned on 100% are embarassingly engaging.
arghh, I so wish it had 12-14 eps instead of 20. Shim Chung doesn't warn Ma Dae Yeong and instead leaves him a drooling mess. Hae Joon Jae doesn't drag the uncertainty and tells her that he knows what she is. Hae Chi Hyun rebels and saves his father. Wannabe girlfriend finds herself a new hobby. The good parts are pure gold, but the drag! The drag is real.
not a spoiler, but a speculation/
I wonder would it be possible for him to hijack his past? Not just observe the outcome in a future, but take the place of his past-self by somehow restraining him (having him restrained by some accomplice, because getting too close would make present-him disappear) and try to fix things? but it'd obviously only messed everything up even more then it was in in the original timeline.
Bonus: most of his victims just vanish from the memories of others, because they don't count enough.
Uhm, ok? Under what moon does this sentence make any sense whatsoever??? That's nice, it reminds me of those times our friend, a psychopath, was killing us one by one? what a time to remember.
Everyone, please don't commit any crimes.
Well, if you have to make an ending for a drama cut 4 episodes, you can as well fuck it royaly.
1. I haven't seen so much of cool toned lipstick since Missing You,
2. Min Sung Wook's character is neither evil nor murderous! After 6FD he was only getting villainous roles.
/3. Joon Oh renegade outfit. It clicks, all black with red sneakers. There's still a hope for a method in all this.
4. ending of the ep 12 - I'll take it literally as a confirmation of a limbo theory, because it would still make more sense than anything that's going on/
[eagerly looking for more, still don't hate what I'm watching]
But the girldfriend? I wonder how would you call an actual psychopath that we have here on board then. Like, the one kidnapping random women and doing sick things to them, that jolly fellow.
/but still, transfering the denial and realisation angst on the 2nd lead - brilliant move indeed.
Maybe low rating is because of identity issues? After ep 3 I'm still not sure what am I watching and synopsis above doesn't match the content. For a noona romance, the male has hardly any screentime (but they're clearly going this way [just please, let the shoelace trope die somewhere miserably]). I'm having Sweet Stranger and Me throwbacks, from its initial phase, when I wasn't sure why certain characters are still there. But genre-speaking, this show is neither noona-romance, nor a serious family drama on infidelity but it tries to fill most of its time with the above. Is it heading towards a weird, low-fluff but somehow comedic love triangle now? I don't know what to make out of it. At this point I think the show could benefit from cutting both male leads out.
/but mainly, it's peculiar and unpopular, so the votes aren't very reliable now.
But maybe try seeing some lighter c-drama first to get accustomed to denser lines and dubbing? My first c-drama was Sound of Desert and I felt constantly overloaded so I had to keep hitting pause to follow the subtitles. The lines was much longer than their kdrama counterparts and stuffed with proverbs, poetry and other references which meaning was vague to me. This one is otherwise brilliant, but doesn't have the best pacing*, therefore it may be tiring for a beginner. /* for a tv series watched by a real life human, as a story it's masterfully constructed, but it requires a viewer who happens to have a 50 hours straight of a free time and doesn't need to sleep or wink./
/And generally speaking as a training in a processing of a fast-paced, overloaded content (or just getting immersed into things) I really recommend watching an anime called Yojouhan Shinwa Taikei.
And yet I finished it in one go. That childish love triangles with possesiveness and angst turned on 100% are embarassingly engaging.
I wonder would it be possible for him to hijack his past? Not just observe the outcome in a future, but take the place of his past-self by somehow restraining him (having him restrained by some accomplice, because getting too close would make present-him disappear) and try to fix things? but it'd obviously only messed everything up even more then it was in in the original timeline.