it's so refreshing that this drama relies on instrumentals instead of three measly songs tortured again and again. I can actually hear people speaking for once.
I started watching this, and I think I got up to episode 6. Should I continue watching this? will it become better?
there's also a Twin Peaks reference at the very beginning (a combo of deer head on a wall, chessboard in disarray and a dead body sitting in an armchair)! :)
(sorry for unburying an old comment, but I'm excited for this show)
Jung Gyu Woon is wasted in roles of cheating, soon-to-be ex-boyfriends these days.
/how come I only found this gem of a drama now, it really doesn't get enough recognition here.
I remember Oh Hae Young once saying it takes courage to be easy or something along that line and it really hit me back then. Although she was very hard for me to understand, because we're very different and it pained me to see her make a fool of herself again and again, I kind of respected that attitude in some twisted way. She somehow made use of being desperate and openly admitting it.
I like the turn it took although I have no idea whatsoever how are they going to fill next 14 episodes. Kudos for Jea Bok for trying to clarify the situation and for the antagonists for keeping their intentions eerily hidden.
But why is that worm of a husband still here.
(Wait, shouldn't it be already over? I guess it got extension.)
Could someone tell me how was Kwon Yuri part? Did she have lot of screentime/importance? Was she bearable?
Ep 14 was so frustrating with the hidden Saimdang portrait. Like, lady, COULD YOU BE MORE OBVIOUS ABOUT WHERE…
Woah, paper armor. Cool.
But fun fact coming: if the Wikipedia article is to be believed (and if I undestand it correctly), then a process of paper making in Flower in Prison is not historically accurate! They were using sieves in that drama, like the one used for making old Western paper and leaving this pattern of ribs on the sheet. Ha, I knew the texture should be different and now I know why.
It's strange watching it after 6FD, I keep seeing characters and almost deja-vu scenes that seem to be a halfboiled ideas waiting to be developed and re-used. It's like how I loved So Ji Sub in Master's Sun only to find out later that all his mannerism are heavily based on the lead of previous Hongs' work, that kind of feeling.
Contrary to popular opinion, I'd recommend watching both Deep Rooted Tree and Six Flying Dragons according to the date of release, because there's much improvement on cinematography and an attempt to connect them both in the end of 6FD. You'd miss those references when watching in a historical order.
But in the end, it doesn't really matter that much, it's not like any of them is incomprehensible without the other.
(sorry for unburying an old comment, but I'm excited for this show)
/how come I only found this gem of a drama now, it really doesn't get enough recognition here.
But why is that worm of a husband still here.
Could someone tell me how was Kwon Yuri part? Did she have lot of screentime/importance? Was she bearable?
But fun fact coming: if the Wikipedia article is to be believed (and if I undestand it correctly), then a process of paper making in Flower in Prison is not historically accurate! They were using sieves in that drama, like the one used for making old Western paper and leaving this pattern of ribs on the sheet. Ha, I knew the texture should be different and now I know why.
Contrary to popular opinion, I'd recommend watching both Deep Rooted Tree and Six Flying Dragons according to the date of release, because there's much improvement on cinematography and an attempt to connect them both in the end of 6FD. You'd miss those references when watching in a historical order.
But in the end, it doesn't really matter that much, it's not like any of them is incomprehensible without the other.