I went into this drama with a lot of trust and hope. Hwang Jin Young amazed me once with Rebel: Thief Who Stole the People, and I was ready to be amazed again - and she did not disappoint.

Set around the year 1636 during the Qing invasion of Joseon, the story centers around the themes of social structures and expectations put on different social classes, inequality of genders, women solidarity, the role of the royal family, all mixed with a beautiful, well paced romance that keeps breaking your heart and mending it back together - the sweetness and the angst perfectly balanced.

The story opens with what one could describe as open ended closure - showing us the future, but just a direction of where it all went, vague frame of the characters’ fates, while leaving enough uncertainty to keep you curious and striving to make your own interpretations and theories.

The core of the show are its characters. Yoo Gil Chae is exactly what I always wanted to see from a strong female lead - realistic depiction of pure survival based on wits and determination instead of unrealistic superhero like skills. She is introduced as a naive, egocentric and slightly delusional young woman, who thinks the whole world centers around her. Her bold attitude and cunning nature is truly refreshing, even if at times cheesy.

As the drama progresses, she shows an enormous amount of emotional strength and wits. The same cunning nature she used to seduce men, she then used to keep others alive. Even though her whole behavior and demeanor changes in a matter of days, it feels organic, believable and right - all the development happens on top of already existing traits she had.

And then we have Lee Jang Hyun introduced as a resourceful casanova dressed in a veil of mystery, surprising everyone with his skills, insightful understanding of politics and unconventional takes on matters of loyalty, patriotism, marriage and love. A man who seems too perfect to ever exist. A man who can make viewers' hearts flutter with sweet teasing and playful flirting, but also sincere confessions and yearning gazes he gives Gil Chae. A man who is willing to try to stop the war for the woman he cherishes.

Compared to Gil Chae and Jang Hyun, who present this opposition to accepted social norms and values, we have Nam Yeon Jun and Kyung Eun Ae, whom I would describe as prisoners of their upbringing and expectations put on them.

Yeon Jun, the loyal subject with an idealistic idea of protecting the royal family when needed. Eun Ae, the perfect pure woman who protects her chastity. His worth lies in his devotion to the king, her worth lies in her purity that should be given only to her husband. Both characters were truly sad to watch and fascinating to analyze.

What more has the drama to offer? First of all, the amazing, and at times painful to watch social commentary, often presented in the format of contrasting scenes intertwined with each other. Patriotic moments put against complete defeat, happy celebration in contrast to upcoming invaders, inconvenience of the royal family opposed to dying subjects. Sometimes just seconds, passing moments that stay with you long after you finish watching.

What adds to the gripping storytelling is the more realistic depiction of war and how gruesome it can truly be for commoners. All the scenes of the invaders attacking villages, killing all the men, the horrifying fate of the women, struggles of the slaves and pain of the ones thought to be the enemies of the Qing. People trying to survive, people trying to get back to normal, even if the peace was not fully obtained.

Everything created ever changing layers of happiness and sadness, pain and survival. How the tragedy hits us harder thanks to the happiness we previously witnessed, and how we appreciate the joyful moments, remembering the pain the characters went through.

All that emotional impact was possible thanks to the phenomenal performances from the cast. While watching Namgoong Min in this drama, I accepted that I will stay single for the rest of my life. My standards in men reached unobtainable levels all thanks to his portrayal of Jang Hyun. You wish to be in mortal danger so he can save you, while also making you want to protect him. The perfect balance of confidence and vulnerability, playful nature and sincere love, bravery against the enemy and the fear of losing people he cares about.

Ahn Eun Jin was the perfect choice for Yoo Gil Chae. An actress skilled enough to present the pure innocence, cunning nature and mature strength in a way that it never felt contradictory. I ended up adoring the character’s little schemes, feeling the pain she was feeling and rooting for her with all my heart in times of hardships and danger.

Lee Hak Joo and Lee Da In had an extremely hard job of presenting characters whose usually praised traits became their flaws. A delivery that at times makes you feel a whole ra(n)ge of emotions. Love them or hate them, but you for sure will not be indifferent.

From the production standpoint, I cannot describe how happy I was with the styling of the characters during the turbulent times. The raw perfection of the imperfections. No porcelain like white skin. The blemishes, imperfections, dirt and sweat - all adding to the realism of the story.

And then we have the touching soundtrack. Only With Heart full of feelings of hope, the innocence of pure love hidden in Road To You, The Painted On The Moonlight filled with longing and the desperation in Unforgettable Love.

Realistically speaking, words cannot describe how much I love this drama. It took complete possession of my brain, heart and soul. It gives you sweet moments that will make you grin from ear to ear and scream into the pillow. It breaks your heart times and times again, and yet you will feel grateful for every tear it made you shed. It introduces uncomfortable topics and scenarios that will make you contemplate your own beliefs and ideas. It served me everything and I could not ask for more.

Is the show flawless? No show is. But if you ask me to name any flaws, I would struggle, because all the tiny issues I might have had seem so miniscule and insignificant it would truly feel like looking for something to criticize just for the sake of finding any negativity. One thing that bothered me slightly in the later episodes: there were some unclear time passage issues, the contextual hints of how much time passed were not always clear and it affected the understanding of the characters, their motivations and emotions. It was not extremely hard to figure out, but it did require a bit more analysis and thinking.

(Some additional analysis and thoughts about the ending of part 1 in comment below under spoiler).