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hell
Usually I have no problem if there are some unhealthy aspects in the relationship of the main couple, but when all the relationships in a show are toxic at various levels (or at least questionable), I might be disappointed.
THE GOOD
Realistic and flawed characters. And oh boi they were flawed. My blood boiled more than once while watching. It did make the story more probable in my eyes though. The bad characters were truly villainous. If you need to find a nice example of a psychopath, you can find it here.
True diversity in female characters. It was not just a bunch of fangirls running around after hot guys, they all had their own personalities and motivations. The chemistry, as I already said, was amazing, but not only between the couples, but also the group of friends - it had such a realistic feel to it. What's worth mentioning: development of some minor characters and how their behavior was turned into these small plot twists.
THE BAD
What was Bright's character? I'm sorry, but damn I hated him badly. The age difference in looks between him and Farm freaked me out so bad so many times. It didn't feel like a dude using an innocent guy, but rather playing around with a child. And while I appreciate where it led Farm's character (that was extremely realistic), I hate how it was not really addressed as something bad by anyone.
THE QUESTIONABLE
As I said, having some questionable things going on with the main couple I can deal with, quite realistic. There is a whole different story when there is literally not even one normal, healthy relationship in the drama. When the most typical and not-problematic one is a student going after his professor... I'd say you have overused the dramatic plotlines to get your viewers interested.
Overall, I did enjoy it, binge watched it in two days. The additional commentary from the subber did make the viewing experience better tho :)
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Fast Food entertainment with a secret ingredient - crack.
This show took me to the times when I was a young teen reading Harlequin Romance and being obsessed over the domineering, rude, but deep DEEP down inside actually good and caring male leads. The best type of trash entertainment anyone can offer.This is just that, but on screen format. Fang Tian Yi is hot and that’s the main trait this man possesses. That and good kissing skills. Saying Dong Ting Yao is brainless would be an understatement. Girl got so easily manipulated and used - customers at McDonalds have more respect for the workers than the majority of the characters had towards hers. The rest of the characters were just place holding NPCs.
The plot? Nothing made sense - her falling in love, him being surprised she does not trust him, the conspiracy and the barely existing investigation. The level of abuse she faced and always being completely fine the next day.
So how come I binge watch it all in one sitting? Because it’s a good type of trash tv. One that does not pretend to be more. One that is here for your entertainment and your eyes, giving your brain a moment of relaxation since you shouldn’t use it watching it. It’s a makjang, but with more shirtless scenes and abs and less kimchi slaps (but overall slaps it delivers). It’s so dramatic you end up having fun even during the intentionally sad scenes. You are here for chemistry and abs only!
Why does it also work? Because it actually has good acting and production. As cheap and ridiculous the plot is, it’s actually packed in a nice to look at box with pretty costumes, pretty faces, pretty make up, pretty set and pretty abs.
Overall, I think it should have been shorter, but it’s still highly enjoyable. I guess even with my brain off, at some point I just could not take how stupid female lead is. Enough is enough.
Now I regret my choices as I drink my coffee trying to wake up. I’m too old to stay till 3am to watch dramas.
Side note - that one guitar string they kept using, am I the only one who got Chuck Norris vibes from it?
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"I will go outside to see the world. I will fail and I will suffer!...
...I want to see what I can achieve in the end!"There is so much to love about this drama. There is also surprisingly a lot I did not, and it only hit me when I got closer to the end.
It’s safe to say this is a perfect drama for all found family trope fans. Watching Li Jian Jian, Ling Xiao and He Zi Qiu support each other under the caring watch of Li Hai Chao was beautifully heartwarming. What amazed me the most was the fact these relationships were not idealized. All characters struggled with many internal and external issues that were well developed and presented. Themes like being scared of being abandoned, or being forced to abandon people you love. The constant feeling you need to act perfect, be perfect, never complain to be worth the support you are getting. That uncomfortable feeling when people who were close to you in the past feel distant in the present. All of these affected their interactions with each other and made the bond that much more meaningful and strong.
Li Jian Jian was such a force of positivity. I know some people disliked her as a teenager, but personally I loved her in all 3 stages of her life. She was adorable as a kid, fun and expressive as a teenager and mature, but still exciting to watch as an adult. She was the person that could be called “home” by many characters and the bond that kept them together.
Ling Xiao was the one who kept his scars hidden the most and it was painful to watch. At times it truly felt as if he gave up on himself - whatever happens, as long as people he cares about are safe. The most passive in response to trauma, the one that kept it all inside. Finding his salvation in Li Jian Jian.
He Zi Qiu who smiled, even if he was crying inside. Fighting his battles alone, not wanting anyone to help, not wanting anyone to pity him. Trying his best not to be a burden, wanting to protect people around him. So caring, so good, so well-natured with such a bright and radiant personality. He became an older brother to all the characters.
And you know what’s the best? The main characters were not the only ones with depth. All the supporting characters had well-defined personalities and individual struggles that were separate from their connections to the main cast. Ming Yue who was limited by her low self-esteem and overbearing mother, Tang Can who felt like she was stuck in place when everyone around her lived their best and successful lives. I loved how Zhuang Bei did not disappear after the high school timeline, how he truly became part of the friend group. Or how Qin Mei Ying was not just a plot device and accessory to Chen Ting.
And then we have the best father in all drama history: Li Hai Chao. He could be used as a gold standard on how to well-integrate adopted children into an already existing family. He made sure everyone felt welcomed without neglecting his own daughter. Being patient was his biggest strength that made all the kids trust him. Putting happiness and well-being over, often meaningless achievements. Purest form of support we all dream about.
Sadly, that’s the end of the short list of the good parents this drama presented, and one of the main issues I had with the show.
Yes, I did like Ling He Ping, but it’s also true that he was a rather neglectful father. Working a lot, not being at home knowing how bad the situation is. Later putting his son in the care of a neighbor.
Not going into details, at some point I found the level and the number of dysfunctional families in this show exhausting and unrealistic. All families have their problems, that’s true. The thing is, Go Ahead does not present your typical issues, it’s all on the level of: you need therapy, these are not disagreement, this is an abuse.
Then we have the issue of vilification of mothers. This one abandoned her child, another did the same. This one is overcontrolling to the point of abuse, this one uses her child to get money. There was literally only one mother without any major issues, who did not mentally torture her child, and she was a mom of the side character. It’s not like the dads were perfect, but their faults were never highlighted as much.
At the same time, the drama gives a rather painful and unhealthy message - no matter what, you cannot give up on your mother, you have to try and make the relationship work, no matter the abuse and how much you are suffering, because it is your mother. Abandoning your child is “a mistake”, but not helping your mother when she struggles is the biggest sin one can commit. Some scenes just made me feel uncomfortable. I know there are some cultural differences and China puts a lot of importance on family bonds and family relations, but there is a big difference between doing your best to fix a relationship with your parents and just accepting abuse for years.
I also feel like the drama unintentionally stigmatizes mental health issues. In some aspects they did a good job, showing how serious are the consequences of emotional abuse, trauma, neglect, stress, pressure etc. The fact it’s not just - I feel sad. How it can affect your daily life, how it will only get worse if you won’t seek help and try to change the situation you are in. On the other hand though, they did blame a lot of toxic and awful behavior on psychological issues. The sad truth is - some people are simply dicks, and they will act like one whenever they struggle with something or not. Some people are just egocentric and selfish and them getting help won’t change that.
My “favorite” part about mental health presentation? Two characters talking about how you cannot get better in just a few months when you struggle with serious psychological issues, while also showing how serious issues were solved in a short period of time without getting into any details on how. All I could do was laugh.
Going back to the good - PERFORMANCES! Personally I believe Zhang Xin Chen and Tu Song Yan stole the show. The strong and beautiful father-son bond these two were able to present was one of the best aspects of the drama. They also had the best overall chemistry with all their co-stars. Whatever these two characters were going through always hit harder and made me feel more compared to when I watched the other characters.
While I enjoyed Tan Song Yun and Song Wei Long for their individual roles, somehow I did not click with their scenes together as their characters became adults. I feel like they had more chemistry playing teenagers. When the three siblings were together, when they had their separate scenes with Zhang Xin Chen, the on-screen chemistry was great, but when it was just the two of them… something was missing.
I don’t really have that much to say about the production value. It was great, but great is kind of a standard now in the industry.
On the other hand, there is a lot to compliment about the soundtrack! There is not one bad song, not one mismatched track - every tune is in perfect harmony with their corresponding scenes. Every song enhances the moments I witnessed, amplifying the emotions.
Overall, I binge watched the whole drama in 6 days, I think that is a greatest proof Go Ahead is an amazing show. It makes you like and care for the characters from episode one, and with each minute you get more and more attached to them and their journey.
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The world-building that lacks the necessary detail.
I knew what I would get, but I honestly wanted to love it. I adored the first two episodes and thought they were as strong as an introduction can get. And then it led to nowhere.The idea was there, it just lacked the necessary detail to make it truly engaging for me. Too many questions were left hanging, the folklore was barely touched, the backgrounds of the characters were shallow, the motivations were not set up that well. I don’t even want to talk about the villain on the human side, because that was some next level of clownery.
Loved the “first act” - the introduction to the characters, the initial set up for the story, the questions that were asked that we were supposed to get the answers for as the drama progressed. All that got me curious - I wanted to know more. The variety of the characters was perfection - we had the hardworking and strong female lead who just tried to survive, the scholar that tried to solved the decades long mystery and the sceptic detective who tried to make sense of all the unexplainable. And behind it all an evil force that seems untouchable and always one step ahead.
Sadly, the second act was just too damn long and not written well enough. Some stories were just dropped without proper explanation, how the ghosts work and what can be done with them was not explained either. A 30 second google search can give me more information about all the types of ghosts that were introduced. They just never explored any ideas they introduced.
What's more, I was just too frustrated with the characters. It took them too long to learn from their mistakes and their actions often were simply stupid. Hae Sang was unnecessarily cryptic refusing to explain anything to anyone until it was too late, San Young was all over the place it’s actually hard to even describe her character, and while Hong Sae was fun to watch, for 80% of the show he seemed out of place for the story written - his bits felt more like crime rom-com than supernatural thriller.
For a story like that to work, you need one of the two: rich and interesting folklore or great teamwork. Revenant had none of these. As I already said, the whole world buildup was weak. As for the scooby gang - we had to wait way too long for them to actually start working together, and when they did… the drama ended.
All that said, I adored the casting for the leads. It was refreshing. Oh Jung Se in a serious and stoic role is what we needed. I'm far more used to seeing him in more animated and exaggerated characters, so this was a fun new take.
Hong Kyung going from Oh Beom Seok to Lee Hong Sae is something I thought I would struggle with, but surprisingly, I had no issue putting my hate behind me and enjoying his character in Revenant.
Park Ji Young as a "weak" character was also so weird, but so good! Kim Tae Ri's role was not surprising since her career is short enough to not be type cast yet. She was also smart enough to take roles that are rather different from each other since day one. Loved the duality of her performances even if I was not obsessed with how Gu San Young was written. Kim Tae Ri just simply never dissapoints with her acting.
The production was great. Can we all collectively appreciate the lack of black eyes as the indicator someone is possessed? No cheap snapchat filters for ghosts. Amazing use of light and shadows, good special effects - it never felt like they overused them. Even the supernatural events felt realistic and grounded in the presented picture.
I guess I just have a love-hate relationship with Kim Eun Hee’s writing. I am obsessed with how creative her ideas are, but I’m also pissed at how she cannot truly execute them in a correct way. I feel like she needs someone who will ask her questions about her stories. How does it work? Why did the character act this way? What was the origin of that issue? How does this premise work into the world you built? Answers that will fill the framework of the idea she has.
Overall, was it a fun watch? Sure. Did it have a lot of issues I just cannot see passed? Yes. I knew the directing would be my style based on the people behind it, I knew I would have specific issues with the writing based on the past works of the writer. I knew I would love the acting and I knew I would overall enjoy it, but I would not be amazed. And that’s exactly what I’ve got.
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Honestly, what happened?
I want to start by saying - splitting it into 2 parts is dumb and I truly do not understand the logic behind it. I refuse to call it a season, because it is not - it’s the same story, same arc, same characters, direct continuation, no?The 6 episodes we’ve got were truly just an introduction to the characters and plot - nothing less, nothing more. And I don’t even think the introduction was that good for a lot of the elements.
Van has no personality and the only interesting and entertaining aspect of his character were the few reactions he gives when interacting with Mi Ho. That’s it. I love Kim Nam Gil, I do, but this role ain’t it.
Mi Ho is fine and I love her chemistry with other characters. The issue was - for a fantasy driven action flick, they wasted too much time telling us who she is in the present time. We don’t care. I couldn't care less about her struggle for power in her father’s company and the nasty aunt. I did not need a lengthy set up on why she had to go to Jeju. Only 6 episodes - time is precious, why are we wasting it? Also, this is a side rant, but every time the magic happened and Da Hee made the moaning sound I was like: girl, this ain’t the sound you should go for in this situation…
Surprisingly, the character I was the least excited about ended up the most fun and entertaining. Kang Chan Hyuk aka Father Johan. Eun Woo should take more roles like that, fitting his personality. Yes, the more "emotional" scenes were often lacking, but overall this is a lot better than many of his previous performances.
The cold emotionless lead is just not his thing. I liked how Father Johan was honestly a rookie compared to the forces he had to go against and he was too confident for his own good. I especially loved him testing Van and how far he can push before Van starts punching back.
Eun Woo as a cheeky priest was to die for. The child became a man. Man of faith and man of kinks for many viewers.
Production was painfully questionable in the CGI department. Just the manifestation of the power/energy was great. The barrier set by “the villain” looked amazing. But then, the design of the possessed was laughable, the execution was wanky. I liked the tree spirit monster, but that’s it. The worst of it all? The CGI models for the actors when they were doing the crazy fighting scenes - the movements were just bad. Then we also have the awkward scenes where the use of harness and lines could not be more obvious. I don’t think they practiced enough…
Overall, a mess. As much as I had fun watching it and joking about it with other users on feeds, the quality of the show itself is just bad. I’m so confused… What happened? I assume they had the budget, the cast was also good… So why was the end product just mediocre at best?
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James did an amazing job as Boo. I believed every second of his acting and it truly broke my heart. I could clearly see how vulnerable he was. How he fought, gave up and fought again. The few glimpses of hope he showed, how it motivated him to take action, but also the fear that paralyzed him at times. The whole arc of the character was amazing. The parallel between the beginning and ending scenes created this perfect, cohesive picture. Truth to be told, when I saw the ending sequence with Boo's narration I was shocked by how perfect it was. I would not change anything. The most satisfying ending I have ever seen in a drama. I could see that a lot of thought and planning was put into filming and writing it.
The good writing can also be seen with Bell's character. In the beginning, the conversation she has with her superior about the connection and empathy she feels to her patients was foreshadowing of what's to come. She was an amazing friend to Boo, but she was truly not that good of a psychiatrist. And I am 100% fine with it, as it was well written for her character. Not only was she just an intern, so she did not have that much practical experience yet, she also picked that specific job because of emotional and personal reasons that made it hard for her to stay objective.
I love how the show tackled the issue of how depression can affect others around them and how hard it is for people who have never been depressed and have no psychological/psychiatric knowledge to understand it. Starting with the dad, who had a hard time accepting his son might have such a big problem, to Simon, who might have had good intentions, but at times his actions were not fitting when dealing with someone struggling emotionally like Boo.
The show hints about many issues concerning mental health. One of the lines that is stuck in my head is "You think because he's depressed, he can't do anything wrong?" said by one of Simon's friends. Just this one line made me pause the show. I started to think, how much responsibility can a person with severe mental problems really take, how can a victim of their actions feel and react when they can't even truly blame anyone for what happened? Who should take the responsibility? There were many moments that just made you stop and think about the presented topic.
I also have to talk about the clever editing and them trying to visually present the symptoms of depression and Boo's feelings. I felt like they truly wanted to make sure the audience would understand the presented content. The perfection of the scene that was Bell explaining to Boo's dad the core idea of what depression is, was too perfect for me to describe. Her psychiatric approach and explanations intertwined with Boo describing how these symptoms express in him... wow. I literally clapped as I was watching this scene, because I was simply so impressed.
That said, even though in my eyes, this show is pure perfection, it's not for everyone. It's extremely graphic and at times emotionally exhausting. It presents the severe case of depression with all the symptoms of it (including self harm and suicide attempts). It might be too heavy for some.
I would recommend it for anyone who struggles with grasping the idea of mental health struggles and feels like it's hard to imagine how it can manifest in a daily behavior and what it truly means. The explanation does not get any better than here.
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It felt like the highlights of a greater story.
You know what? I want to watch either the show they teased in the trailer one year ago, because what we’ve got was just completely different material, or what we’ve got here, but in a longer format.I’ll start with the biggest flaw I saw, to get it over with. Earth was miscast. To everyone who honestly thinks Earth fits the role - drop me the name of your country, I gotta go and find myself a 40 but looking 20 daddy. Don’t know what kind of fountain of youth your government is selling for you to think he is believable “about to be” middle aged man, but I want some of it.
And please don’t start with: some people look younger than their age. Sure, but this is literally not the case in this story. Not once was it part of the discussion how he looks good for his age. I mean, the fact that Wen even asked Jim if Li Ming was his son suggests, Jim is supposed to look his age. He just looked way too much like a peer next to Mix and Khaotung.
Because of that, many scenes that were more hard hitting and emotional, felt simply not sincere. He is the main character, so if I cannot connect to him, the whole show starts to fall apart. This is what happens when profiting from a popular and established pairing is more important than proper casting. Pro tip to directors - if you are not willing to cast age appropriate actors, do not try to make shows with big age gaps between characters or about characters who are in their late 30’ and 40’. (Putting this casting into perspective - the actor playing Heart’s father is 45).
That said, I’m not gonna act as if it will for sure ruin the watching experience for everyone - it will not. It’s just something that I personally cannot ignore, especially since the character’s age was brought up over and over again in conversations.
Putting Jim aside, I actually enjoyed a lot of other characters and their interactions. Wen and Li Ming were truly adorable, with this older/younger brother dynamic, and Wen did a good job being the bridge between the uncle and the teen. He made them both understand each other better.
I also found Wen’s and Alan’s relationship fascinating and wish we would see more of it. It seemed like they made almost every possible mistake to end up in this situation, and trying to fix it right away would be an impossible task.
Heart and Li Ming were obviously fans’ favorites. Did I like them? Yes. Do I feel like their interactions were too similar to My School President and it was a bit like watching the same characters just in a different context? Also yes.
Honestly speaking, Alan was my favorite character and one that I was most curious about. It should also be illegal to give Khaotung such a tiny role taking into consideration his talent. I find it a bit funny how, in my view, two most talented actors in the show were sidelined like that.
While I enjoyed Earth and Mix in their other projects, I did not quite like them here. The main couple was for me the weakest aspect of the whole show. I enjoyed the characters far more with other people, compared to watching them interact with each other.
Giving credit where credit is due, Moonlight Chicken tries to tackle more serious issues and steps away from the typical high school romance. It does not follow the “one relationship for the life” idea, showing the past relationships of the main characters. It gives us a deaf community representation in a tactful manner. It shows that at times putting more effort will not save the relationship, and the most healthy way is to just end it and leave. It shows various types of parents-kids relationships, and how there are no right and wrong universal answers, it all depends on the circumstances.
While I appreciate the writer and director bringing all these important issues to the table, I also feel like they were more of an appetizer than a whole meal. It’s undeniable that they did not have enough time to truly dive deep into any of these topics, so at the end it felt more like highlights of a greater story. Personally, I prefer my slice of life character driven shows in a slower pace, that gives me time to digest everything that is happening on the screen.
The quality of the production fluctuated quite a bit. Some scenes were a true perfection and there was not a detail that had to be changed to improve them. But then some scenes had such sloppy lighting I actually laughed. What I loved for sure though were the set designs. Aesthetically pleasing, but not over the top that it looked unnatural. You saw it and you believed - yes, someone lives/works here.
Overall, it has many great messages, many great lines. Could have been one of the best BLs if the production was a bit more daring, but also selective in terms of the story and the casting.
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62 days in - no signs of true romantic affection.
If you saw the show, you know what I mean. If you did not see, you can vaguely get what I mean. Can’t believe I’m saying it, but it would be so much better if it was not a BL.Let’s start with some positives. I truly loved how everything here was rather selfish, even when they tried to do things for the other person. Good intentions are not always enough, and expecting gratitude just for the effort, when the result is not preferable is again - egocentric. And I loved it.
While the story might have been lackluster, the characters were actually well written and really consistent. No weird change of behaviors because the scene needed it, no quick character development that removed all the flaws and made the leads saints. Both the leads were frustrating (one more than the other), but they also made sense in their behavior - I might have been mad, but I understood where their behavior came from.
Sadly, the plot did not present the same level of cohesiveness. The first two episodes were great in terms of pacing - proper set up and characters’ introduction. Nothing felt rushed, and that’s what killed the show. Taking the sweet time in the first half forced the director to cram all the important plotlines in the last two episodes - just the highlights of a story, nothing gets truly resolved nor developed.
I don’t want to talk about chemistry. It was great when they were friends, but it stayed “friendly” till the end of the show. 2gether hi5 had more romance behind it, than whatever they tried to do there. I loved the low-key angst and the confusion that came from not realized jealousy, but all that buildup led to nothing.
The acting was decent, but got worse the closer to each other the characters got. The editing was fine, but got worse the closer to the end we’ve got. The directing was nice, but got worse each episode. You get what I mean - all went downhill real fast.
Overall, as much as I enjoyed the first 4 episodes, I truly disliked the next 4. Last two? I was just laughing. Conflicts came out of nowhere, none of the characters actually talked about the events and issues, as if they did not exist. We skipped through so much, it was all meaningless by the end.
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CHARACTERS
While the writer had a clear idea for both male lead characters, Dong Sik and In Woo, and both of their stories were quite well developed and concluded, Shim Bo Kyung was left to do what usually side characters do - react the right way to progress the plot.
Dong Sik, the definition of a loser, because of a quite humorous and coincidental string of accidents takes the persona of a serial killer. Having an amnesia and being faced with the reality of either being a pushover or a serial killer, he thinks of the former being more painful and scary and he accepts the possibility of being a psychopath, rationalizing all of his humane and empathetic behaviors for them to fit his new identity.
Seo In Woo, a serial killer who thinks he found his soulmate and killing partner in Dong Sik. His growing obsession over Dong Sik leads him to also credit the main lead with more wits, smarts and planning skills than he is capable of. Never being cared for by people in his environment, he hopes for a place of understanding in Dong Sik.
Shim Bo Kyung, who wished to be a detective until her father's accident. Since that time she kept having hallucinations of her father at the prime time of his career. The hallucinations were nothing more than her repressed hopes and wishes to follow his footsteps in the crime department. Sadly, her character in most cases was just used to forward the plot, the idea of hallucinations was not addressed enough. Not to mention her character was extremely inconsistent in terms of her skills. At times she had amazing intuition and deductive skills, but at the same time she failed to notice and connect many, quite obvious clues.
The combination of these three characters made quite an interesting and entertaining story and the ever changing interactions between them made me question who at the moment has the upper hand.
ENDING (no spoilers)
The fact that the ending was quite predictable from the get go was not a problem, since this drama focuses more on the journey not the destination.
PROS
Good acting of all the main and supporting actors, a variety of different characters that make it easier to find someone we can relate to, extremely good chemistry between Dong Sik and In Woo and the shifts in the dynamics between them.
CONS
Too much comedy took away from the serious aspect of the drama and made the villain less scary and impactful (he is a serial killer after all), unrealistic portrayal of police work to the point of it being ridiculous at times, less entertaining second half of the drama, not a strong first episode.
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Tsuiraku JK to Haijin Kyoshi Lesson 2
15 people found this review helpful
Should have been a special episode only…
Or they should have focused more on Haiba Jin’s point of view. It just did not have much substance for it to be this long.While I still enjoyed all the episodes, the excitement and anticipation from season one was not there. The whole season felt like a filler. There was not much change in the characters, their dynamics, little to no plot/relationships progression. It was just cute and funny scenes with overall maybe 20 minutes of important things happening that had some impact on the plot. Hence it would be better as a longer special episode.
I wish we had a whole season of what we saw in the last episode - finally getting to know Haiba Jin’s side of the story, his struggles. A little bit more of his serious side. Sadly, the majority of the screen time was still us watching Ochiai Mikoto through Haiba Jin’s eyes. More touches, more romantic scenes and more mutual feelings, but somehow I wished for more character’s progression…
I’d be lying if I said I did not enjoy it though. Hashimoto Ryo as Haiba Jin is unreasonably attractive so no matter what he did, I was glued to the screen. Takaishi Akari as Ochiai Mikoto was just as charming (if not even more) as in season one and her witty remarks and breaking the 4th wall comments brought smiles and laughter to my face. I did like how her gloomy nature did not magically vanish between the seasons - the girl is still depressed, but she is getting so much better now, one smile at the time.
I love the visuals and how at times not in touch with reality the show was. I’m sure I’m not the only one who got addicted to the quirky tone Tsuiraku JK to Haijin Kyoshi presents.
Overall, it was not bad, but it has nothing on season 1. Felt like a transition phase, which might be the case if they decide to do season 3.
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When the episodic format was both the best and the worst part of the show.
This is a drama made for all the fans of friendship, bromance, male and female friendships, discussions on the topic of loss and how to deal with it, presented in an easy to digest manner. For all that love great acting and good on screen chemistry. Viewers who like to accompany the characters on their journey to figure out who they are, what they like, what they are good at and who and what they care about. Do you fit in the group? It’s more than likely you will enjoy it.The best aspect of the drama was easily Tseng Jing Hua’s performance and Pu Yi Yong’s character. There is so much depth in that performance. The best part? The gaze. Depending on the situation Jing Hua was able to completely change the way he looked at people and things, and clearly show the viewers all the emotions the character was feeling. With all the hardships he had to go through after the coma and newly discovered "skills" - we were presented with a strong, but also vulnerable lead.
Yi Yong, Guang Yan and Chu Ying became one of the most entertaining trio I have watched this year. Distinctive personalities which at first seem not to mash up well, created a mix one cannot resist and ends up loving. Yi Yong being the most empathic, Guang Yan - smart and genuine, and Chu Ying driven and motivated, three characters perfectly fitting into a well known trope of “heart, brain and muscle”, but at the same time being more than the two-dimensional trope.
While the separate cases of the spirits and their stories were great and had surprisingly a lot of depth and detailed background, I cannot say the same about the overall arc and plot. And that was my biggest issue - I enjoyed the show when I was watching, but I did not feel the urgent need to check the new episodes as they aired.
Most of the longer plotlines were not elaborated and explored enough and the set up to the conclusion was weak. They dropped some information here and there, but they did not diversify the hints enough. You need to literally cut out and paint your own puzzle pieces to truly create a full picture in your head. There are a lot of great revelations in the last episode, but they would be far more impactful if they were spread in time a bit. Instead of dropping all that’s important in the last episode, how about showing bits and pieces in the earlier episodes? Sounds like a more engaging storytelling method.
Basically - they opened with a really elaborate set up for the characters and their backgrounds, then we get close to nothing for most of the show, just to be hit with a tsunami of information by the end…
As I said earlier, Tseng Jing Hua’s performance was one of the best aspects of the drama, but truth to be told, the whole cast did a phenomenal job. Big props to Jack Yao, who played my favorite spirit.
The production was amazing. Brilliant styling and design for all the spirits - all unique in their own way. Everything just created a cohesive and believable picture, which is honestly not that easy to do, when your show has so many fantasy elements.
All the calligraphy scenes? Pure perfection! From the acting of Tseng Jing Hua (again, how the character’s gaze changed each time he picked up the brush just gave me goosebumps), to the design of the whole process, up to the CGI and camera work!
Overall, great drama that slightly missed the target to be an unforgettable beautiful journey.
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Tunnel ★☆☆☆☆
The first short story ended, before it even started. It's hard to have any meaningful opinion or thoughts about it with how short it was. Sure, there was one nice semi-gory picture created closer to the end, but overall - too short to create the atmosphere or to deliver the scares.
The Woman in Red ★☆☆☆☆
Revengeful ghost and vague insinuation on why she even mad. What stood out in this short? Bad acting and bad special effects. When the ghost started to do Spiderman impersonation, I lost it.
Tooth Worms ★★★☆☆
I knew this is going to be a ride the moment they opened it with the perspective of being in someone's mouth as they get check up by hot dentist Hoya. I'm not sure how scary it was, but it did make me feel extremely uncomfortable. Acting wise - Hoya delivered!
Necromancy ★★☆☆☆
This story was more of what I was expecting to see when I started Seoul Ghost Stories - typical creepy pasta type of a deal, with decent effects for a short like that. the acting was also fine.
The Wall ★★★☆☆
That was a short, fun and wacky story. A unique love line if anyone asks me.
The Closet ★★★☆☆
This is scary because of the more realistic scenario. I do wish they were a little bit more clear if there was any supernatural involvement, but nevertheless, this still gave me the most creeps. A bit exaggerated, but something that could potentially happen.
Ghost Marriage ★☆☆☆☆
When horror stories deliver shower abs scenes - I cannot force myself to complain. Sadly, that was the best part of the story.
The Girl in the Mirror ★☆☆☆☆
When you are hunted by the horror snapshot filters, even outside of the app. That's the story. Yes, it's as boring as it sounds.
The Mannequin ★★★☆☆
This was a win. They were able to built quite a tension in just few minutes and the design for the mannequin was extremely good. It just looked so weird and uncanny - and the movement. I would pee my pants if I ever come across something like that.
Escape Games ★★★☆☆
I'm impressed with Alexa's acting (funny how her Korean line delivery was more natural than the English one) and the props aka the bodies. Good stuff. Probably best practical and special effects from all the stories. The concept was not exactly unique - Escape Room meets occultists. Still, a fun watch. Better than majority of the stories in this compilation.
The starts next to the title will tell you how good they are compared to each other, rather than overall quality.
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While I did find the overall idea behind the story compelling, I’m not so sure about the execution, especially on Ikegami Fumiya's side. He did not tell the truth with hopes it will save the relationship, as they can start over, but then he kept making sure to not cross the line between roommates and potential romantic partners. This behavior was something I did not quite understand. My guy was in a risky business - deciding to hide the past in hopes for a better future, without actually being sure Ritsu will never remember their relationship, and without actually trying to be with Ritsu in the present.
That said, I actually find Ritsu harder to figure out and judge. We know little about him before the accident, and his present self was driven by what he forgot - trying to remember and being confused about his place and life. Because of that, he felt less defined than Fumiya and harder to connect to.
Since this is a relationship and character driven show, I put some effort into trying to understand the characters, and that was the mistake. If you try to dig deeper into what is happening on screen, you start to see a lot of small things that make little sense and at some point it becomes a pile too hard to ignore. I think the best way to watch it is just accept whatever they throw at you without asking too many questions.
Acting wise, it had its ups and downs. For the most part I had no complaints. The slightly dull delivery was clearly the directing choice to fit the overall atmosphere of the drama. That one time Honda Kyoya literally squeezed that one tear out of his eye made me chuckle.
That said, I still think it’s a solid melancholic watch. Some of the editing and the transitions between the scenes might be a bit confusing, but for some strange reason it adds to the charm. In a subtle way it shows how all relationships need work, and without addressing the core issues, you cannot start over and be happy, even if you get to hit the reset button.
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Recipe: Loveable characters, relatable stories and heartwarming messages.
20+ minutes long episodes that leave you with hours of reflections and open you up to perspectives you might have never thought about.What the drama does great is showing the variety of issues people who are hard of hearing might have. They are not monolit group - depending on their personal experience, personalities, social circles, environment, they might deal with different hardships. And that’s when communication enters the chat! One of the clear messages of the drama was to speak up - whenever you need something, do not understand something, are curious about something, dislike or like something.
While the hearing disability was obviously on the forefront of the story, the plot was not limited to that. The writing was not stuck in the bubble of presenting the struggles of the minority - for me the writing was clear in showing that even though they have their own unique problems, they also face mundane issues and daily hiccups like any other person. There is far more that we share, than what differs us.
And that’s where the two mail leads shine - Kohei and Taichi obviously shared the same world, and they made an effort to stay connected. Kohei did not blame Taichi for mistakes he made that were the result of his lack of knowledge. Taichi was trying to see the world from Kohei's perspective and understand potential hardships that he himself never had to deal with on a daily basis. It was such a heartwarming story of two people fitting so naturally together, but also working hard to improve their understanding of the other’s point of view.
Even though their connection was clearly deep and obvious for anyone that was watching, it’s hard to call this drama a romance. At some point the writing focuses a little bit too much on Taichi and his personal journey of self discovery, making Kohei seem more like a supporting character in his own story. I’m not sure how I feel about drama that centers around representation sidelining the character that is the key to said representation.
As for the supporting characters - Taichi's friends were amazing. They’ve got exactly as much screen time as needed for me to see them as real people with distinctive personalities and not just fillers for the screen, but I never felt like we are wasting time on them. But then, I do feel like Maya’s story could have been improved. On one hand (this might sound weird), I truly appreciate how they were not afraid to show her as a complete egocentric asshole who is unable to see anything outside of her own perspective, because yes, people with disabilities also have personality flaws. On the other hand, I think they spent too much time on her “annoying phase” and the flashbacks, explanation and development happened way too late.
Performances though - so good. Nakazawa Motoki aced the surprise and amazement every time he looked at Taichi. Kobayashi Toranosuke perfectly presented how bad at hiding his feeling Taichi was, but also how he failed to understand his own emotions, while also understanding others.
On technical aspects, I am still mad about the “fake kiss” camera angle. I do not care how accurate it was for adaptation - some things that work on a still drawing will not on a moving film. You need to adjust to the media you are using.
Overall, with flaws, yet great drama. It’s for sure more than romance, I’d even say romance takes a backseat for the majority of the runtime and I’m not mad about it. Adding one or two episodes to give a bit more fulfilling closure to the relationship the boys had would be preferable, but even with a bit rushed ending, I’m just happy with the journey I’ve got to experience.
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This review may contain spoilers
Staying delulu is the solulu
That was an unforgettable journey for sure. Be it for interesting plot, great scenarios, entertaining main and endearing supporting characters, villains that are actually vile and will make your blood boil, beautiful set designs, fitting soundtrack… and the questionable ending - that one you will for sure never forget.The Spirealm is simply addicting. Bromance was romancing hard and let’s be real, many people started this show because of the censored BL aspect. The same way once the characters enter the first door they cannot escape, there was no turning back for me after the first episode - I was completely in love with the drama.
Ruan Lan Zhu has an extremely enticing charm about him - carefree and confident nature with glimpses of worry towards Ling Jiu Shi that grew stronger as the show progressed. You know there will be angst brewing from day one and you cannot wait for it. I loved how fake he was in the games, shamelessly switching his personality whenever needed. I loved how he slowly became friends with people around him, how he started to care about them and was willing to change his ways to help them. Well presented, not over the top character development. Xia Zhi Guang’s performance just made what was already a well written character shine even more. His expressive eyes stole my soul and turned my brain off. Him being the perfect man makes sense when you think about the fact he was… well, not real. I guess Jiu Shi’s perfect man is also my perfect man, we share the type in the delulu land.
While I liked Ling Jiu Shi a lot, I did find him far less interesting as an individual. I enjoyed his interaction with other characters a lot and he was obviously the force that changed everyone around him with his empathic and emotional side, but for some reason I felt like they accidentally made him too perfect - smart, brave, caring, with a new different perspective that is usually right, driven. The dude had no flaws. Even things that were supposed to technically be negative - at times too emotional and impulsive, were never truly bad. Sadly, Huang Jun Jie did not save the few lacking aspects with his acting. Some performances can elevate the character, here they chopped some of its charm. The emotional scenes were just not it - quite awkward.
Then we have a whole bunch of supporting characters I adored: Li Dong Yuan wholesome “playboy” with a golden heart, Tan Zao Zao bravest of them all, Xiao Ke surprised badass, Zhuang Ru Jiao loyal sunshine. Even though these characters show up just for a few episodes here and there, they did such a good job with presenting their unique personalities it was impossible for me not to get attached. I am surprised how much their deaths hit me.
What’s more to appreciate? The villains. The worst crime a drama can commit is making their villains bland - you gotta either hate to love them, or love to hate them. And I for sure loved to bitch about them while watching. The way I sometimes had to pause the episodes, because they annoyed me so much. The way I could not wait for their demise. And for all that I am grateful. They made the drama more dynamic and the stakes real. They weren’t useless and inferior to the main characters - the similar skill level actually made the watch that more entertaining.
Cannot believe Yan Ba Lang’s Clark Kenting with a beard/lack of beard actually worked and I did not recognize him - I will admit though, I completely lost my brain while watching. No idea what kind of weird subliminal interfering signals this drama was sending, but I was blind to everything and could predict nothing. I was clowning hard with how confused I was about the most basic and obvious things.
All these characters could shine thanks to the game settings and let me tell you, the stories presented in them were actually interesting! When I don’t mind bromance separating and having episodes of them not interacting at all - that’s when you know they were selling a good plot. My favorite door was probably the second door - The Apartment. It was just so weird and creepy - the image just made me feel uncomfortable and unnerved, but in the best way possible.
Honestly speaking though - all the doors were great. The unique stories presented with enough detail and world building you got immersed whenever you liked it or not. The presentation leaned towards dark fantasy rather than horror, but I don’t really mind. I feel like extremely explicit gore would actually be distracting.
And then we have to bromance ( that b is silent). I’m just going to ignore the fact Jiu Shi fell in love with an AI modeled to literally be his perfect man and this is a top level of delulu behavior I have ever seen. I still love these two. Truth to be told, Ruan Lan Zhu carried the romance for most of the show with his loving gaze and overprotective nature. For obvious reasons he could, should, and even had to focus on Ling Jiu Shi. While he might have been written to support Jiu Shi, it’s not the reason why he started, but the reason why he stayed that matters. And let me tell you - he stayed because he loved the boy. \
We also had one of the best love confessions in any (b)romance drama” "Don't worry. I'll protect you. I'll protect you forever. Until your life comes to an end, or my life comes to an end". So what he was saying was "for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, till death do us part" -low key wedding vows. Yes, the censorship made the production team be more “creative” with some scenes for example: ain’t no cheek stroking. Lan Zhu was just removing a car hair from Jiu Shi ‘s face - in the most tender and loving way ever, with eyes screaming worry and devotion.
The performances were mostly strong. Even the more questionable and wacky ones seemed to fit the given characters and scenarios (I am looking at you Zhang Ji Nan). Putting aside Xia Zhi Guang who obviously aced the role, my favorites were Liu Xiao Bei and Lu Meng Lin. I think they perfectly delivered the vulnerability of accepting their own death and it was heartbreaking to watch. As I already said, Huang Jun Jie did well for most of the show, but failed when it mattered. When the angst hit its tipping point and I kept being distracted by his delivery…
Now, let’s talk about the twist and the ending, because I don’t even know how I feel about it. I dislike it, but I cannot be mad about it.
Let’s start with the NPC twist. I almost had to take a break from the show when they revealed it. I did not predict it so I had smack in the face with that revelation hard. To my defense, I think I gave the drama too much credit to be a “decent” sci-fi, when it’s borderline fantasy, so the idea that an AI algorithm can interact with the real world, bleed etc. just never crossed my mind. Him not being real crossed my mind, but on a larger scale - nothing is real, which, depending on the interpretation, could be the case.
Anyway, him being this perfect makes sense when you get to that point of the story. I honestly think my negative reaction to that twist came from me focusing too much on the use of the NPC abbreviation. He is not your typical NPC, he is more of a conscious AI that in all aspects, cannot really be differentiated from humans. They basically made Lan Zhu Pinocchio. So while I hated it at first, the more I thought about it, the less bothered I became.
On the other hand, the longer I thought about the ending, the more annoyed I was. Personally I can see two different interpretations of the ending - either everything that happened in the game did not happen, and it was in fact the result of Jiu Shi’s coma or it all happened and the game can basically overwrite time and space, change the past, present and the future of the Earth and I don’t know what makes me more mad…
If we go with the first one, it’s a full on delulu clownery. What you are saying is - Jiu Shi got so immersed in the imaginary world his brain created, he dedicated his whole real life to create his fantasy world with his fake boyfriend where he can spend his second life. I’ve never seen a more romanticized version of pro virtual reality over real life in my whole life. Why does this interpretation make sense? When Jiu Shi woke up from the car accident, he saw all the players his brain created as people around him. It’s fair to assume he might have crossed paths with all of them one way or another in his daily life, without even consciously noticing them. It does not explain how he knew about the man living in Obsidian’s headquarters though. So while this theory seems fair at first, it fails at the end.
So we are left with “the game is just all powerful”. This makes perfect sense when we take into consideration the original novel is in fantasy and not sci-fi genre. There are no real rules nor limits for fantasy, but there are rules and directions for sci-fi - that’s why it’s so hard to change a fantasy story into a logical sci-fi. Here they obviously failed. It just makes zero sense, and what’s worse - it was so fucking unnecessary. They could have had exactly the same ending of Jiu Shi dedicating his whole life to create The Spirealm and rebuild all his friends who became NPCs and Lan Zhu, after he passed the 11th door without going back into past, before he got into first door, making it car accident and all the players having different lives in this alternative reality. I kind of felt cheated and all the moving and heartbreaking deaths started to feel cheap. Clearly, I did not vibe with the ending…
I think I would rather like the drama ending on the 11th door farewell scene. Make it sad, bittersweet and impactful instead of over the top and illogical.
All that said, I still loved the show. It’s not a perfect drama, but it is perfect entertainment for me. I was thinking about Spirealm daily, wanting to watch the next episode. I skipped some precious hours of sleep for “just one more episode” and spammed friends with reactions and opinions. I’m planning to binge rewatch it soon, maybe even start right away. Once I was in and watched that one episode, there was no going back.
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