timystic

How many pairs of glasses does HSY have?

I'm on episode 20, and trying to figure out whether to continue. The romance is dry and the actors lack chemistry - but mostly I don't see where the plot is going?

I tend to only drop dramas in a rage quit kind of way, or if I find them uncapitivating... So this is kind of new. I'm just not sure if the rest of the drama is worth the hours as there seems to be no big reveal or plot direction.

The clothing is more 1980 than 1890. It feels really anachronistic in a way that's really disorientating.

I'm a big fan of focussing on telling stories about people who experience sexual assault and abuse as survivors rather than victims. Being a survivor is about agency and power rather than pity of forever being treated like a disempowered victim. The plot change (and the way SY responds in his messages) makes the story focus on her victimhood rather than the fact that she is fighting back.

My argument isn't about whether she is believable or not, but about what story they chose to tell and how that impacted the construction of her character and the plot - a drama is not real life, it is a social medium through which we share stories.

Unless the next few episodes really address the possible RAD or Avoidant Personality Disorder or definite PTSD, I think your view of making the character more complex falls through because it will turn into a story of man saves woman without the healing curve that exists in the original novel. And in my experience, a lot of dramas tend to use romantic love as magical healing dust.

I just feel a lot of the change was discordant to everything that had been built up for 20 episodes (which was largely in line with the novel) - like her quitting journalism, or the lack of empathy she has for SY, or even the trust she has built around her friends and mentors.

In essence, this change isn't about creating more complexity but actually completely changes the character of the FL. At the moment, the only reasons I can find for the narrative change is that it makes the reconnection moment that more dramatic, it shifts it back into a typical male-saves-female romance plot, and it allows the drama to visually explore WYF's traumatic past through SY's travels which makes it all the more dramatic.

She is denied growth if you compare it to the novel, where she doesn't run away but instead just protects SY by not telling him things. And then, instead of making SY a knight in shining armour, she goes to him in Yihe to apologise about what happened after high school and explain why she went to Yihe in the first place. It means she makes the intiative to trust him rather than him having to save her from herself.

This plot change makes her run away again which means she repeats the mistake she made out of school (when she felt she had no support) and runs away again. This destroys all the growth she made in the 20 odd episodes before.

No-one expects her to be bubbly or one-note, but repetition is not complexity.

I don't hate her character in the drama, nor do I not understand the meaning behind it. I just feel like it kills her agency and growth in favour of making her more pitiable.

She's not more complex though, she's just more of a victim (as opposed to a survivor). She's denied growth as a character. Basically to make her seem more pitiable, she loses her agency.

I think there is so much symbolism that is lost in this narrative change, and rather than opening the story up, it just flattens it.

That change made me shift from a 10/10 show to an 8/10 because I think it really did a disservice to both of the main leads and destroyed some of the symmetry of the plot.

"My dream is to create a world where people are not forced to speak English" - he says for an English language speaking competition. 😂

I agree with the dream, but just really enjoying the irony.

I think the ending is explained when Hwa Ri explains why she wrote the books in the first place. She wanted fair endings for the people in her life. You could view the author's note as a spell or wish that she wants to write into being - which is pretty true of all the stories we like to tell each other.

Almost all happy endings are wishful rather than real, this was just breaking the fourth wall to highlight that.

Subs are not great, but the actual show is brilliant.

Does the FL get better? Because I really hate obnoxious people who work for corporations who think they are better and more important than others.

I understand that, but people need to face consequences for their actions, regardless of their relationship. She protected him when he shouldn't have been protected. She showed compassion for his victims but didn't do anything that would prevent him doing the same thing again. She's righteous rather than just / fair.

It's a shame that the main female characters in this show are written as love interests rather than given a depth of character themselves.

I think she knows sooner as she is not surprised at all. Maybe in the dream? I can't recall which episode.

Her brother was horrific. And her repeated claims of protecting him were just stopping him from actually facing consequences for his actions. I just don't understand why she pretends to be so righteous about his death when she wasn't to all his victims.

I don't believe that anyone is irredeemable, but making out her brother is affectionate when he s*xually harasses every working class woman he fancies is just incredibly uncomfortable.

6 episodes in and all I want is the drama to turn into a romantic relationship (or sismance, because censorship) between Ren Anle / Di Zuyuan and Princess Anning. imagining them achieving the revenge and then setting sail to travel the world in with a Robin Hood style Pirate Army...

For me, they aren't really fleshed out enough. Su Hao An in particular just comes out a little flat. Even the scenes where we found out his backstory, the way he tells Zhong Si Qiao just falls really flat for something that should be heartbreaking.

The main couple's back story is told through flashbacks but the secondary couple's backstories are explained in long monologues. I always prefer a "show, don't tell" approach to storytelling in dramas.

Honestly the wait is painful when watching it live. I wish I'd followed my instincts and did my usual binge watch. I'm definitely going to have to rewatch it to catch all the subtle interactions that connect the episodes together.

I love how they call themselves archaeologists when this is the furthest thing away from what archaeologists actually do...

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