yeeqianxis

I'm currently on episode 7. Does anyone know if the First Master of the Luo Household has been introduced by then, or no? Just wanted to make sure if he already appeared on screen and I just missed it.

This would've worked better as a limited series. The premise was interesting and yet the characters lacked the depth to truly evoke emotions and make us, the audience, connect with them and care about their survival.

You've got Sometani Shota playing what could've been an interesting character if only the story was fleshed out.

I'm also shocked that this was almost a two-hour movie; the pieces are right there but how they weaved it and presented it to us leaves room for improvement. Then I learned that this was some kind of prequel/sequel(?) to a previous movie that the director made. I don't know, it was rather surprising for me to see the creator of The Grudge do a piece of work that seems to just... exist. The scares were great, though (and glad I stayed until the ending credits to see Araki Towa wake up inside a claw machine lmao)

Either way, Sana's just unhinged through and through. She's evil for evil's sake. There's no deeper explanation, and I love that. She's definitely the star of this movie.

Imagine my shock when I found out he wrote Ossan's Love. He's versatile

This was so all over the place, especially the second half. The first 20-30 mins made me tune in, but I found it messy how they let the story unfold. The interspersing of every bystander complicit to the crime could've been presented better in my opinion. Because of everything that was happening in the climax, I wasn't able to properly absorb the reveal (i.e. how Tong was assaulted by her stepfather).

Honestly, the ending was okay until they slapped that horrendous scene of Tong in juvie. That was so unnecessary. It ruined my good impression of the ending. I just wanted Tong to be free, physically and metaphorically. 🥹

Is this an original screenplay or was it adapted from a book/manga?

Thanks so much for the detailed explanation! That's super great to hear. And such a relief that Japan's finally catching up with regard to streaming and OTT. 😊

Thanks for clarifying! I just wanted to know if they still go with that branding for that particular timeslot as I've read an article a few years back that the dramas under getsuku haven't been pulling good number than what the station has been used to.

Does anyone know if Fuji TV's advertising this as a getsuku drama? Does the getsuku timeslot still exists or no?

This makes sense. I'm just overthinking then.

Oh my god, I just re-watched the first episode and it says he's supposed to be the father, but they didn't show his full photo. I'm still skeptical...

If it turns out he's the father after all, I'll eat my words haha

I'm glad TBS has been booking Bando Ryota since Ousama ni Sasagu. He's such a chameleon of an actor. He reminds me of Nikaido Fumi -- both can adapt to indie and mainstream works.

I wonder if Tachibana Shogo's the brother of Aoi? It doesn't make sense for me right now to believe that he's the father of Lion, when they're keeping the mystery behind Aoi's husband still up in the air. I also wonder what Lion meant when he said in the ep 3 preview that both his parents are gone.

Wow. I was so blown away by the first episode. I have no words.

Also curious about Motoyama's story and family dynamics! It seems she's got a deadbeat dad.

Didn't expect that BUDDIIS cameo! Kira ranting about their expensive acrylic stand is so me haha

I think I'm reading too much into Adachi. I had this feeling he wanted to ask Saizo a favor beyond taking her out for a date in ep 1...

The sukeban gang members are so beautiful!

Love how Ishido was in shock that SKIP didn't have a coffee maker. Welcome to the world of underfunded offices haha

I'm so invested in Spanner's and Lachesis' respective arcs. Their characters are well written, it makes you want to root for them especially for Lachesis.