24
117
7
PeachBlossomGoddess
Hong Kong
When it rains, it pours.
At first glance, this is a tribute drama with low audience appeal. The topic of gaokao 高考 or national college entrance exams is already stress inducing. Throw in the pandemic and the average viewer would head for the hills. I snuck a peek because I like to keep an eye on Rong Zishan's growth as an actor. To my surprise, I was hooked from the first episode of this uplifting story about the resilience of youth in the face of great challenges.
This drama is not about China's urban elite. It is set in Jinhe County, where most of the households are among the two thirds of Chinese households that are not part of the middle class. The pandemic disproportionately affected high school seniors from this class of Chinese society. Gaokao is a life changing rite of passage for them. All the hopes and dreams of their families are staked on their gaokao performance. With less resources and uneven access to the internet, online learning is less effective for many of them. The pandemic exacerbated the economic and social pressures these families were already experiencing. This drama offers some insight into why the Chinese leadership has clung to an extreme zero tolerance covid policy so different from the rest of the world.
The narrative focuses on five students of Jinhe County No 1 Middle School (Pan Xianxuan and Gao Mingyu) and Jinhe County No 4 Middle School (Zhou Bowen, Wu Jiajun and Tian Wenwen) and their principals Wang Benzhong and Shi Aihua. Because it is a small county, there are about three degrees of separation between the students, teachers, their families and the broader community. Bowen, Wenwen and Jiajun are fast friends at No 4 Middle School, where Bowen is the star pupil. He intensely disapproves of his deadbeat dad Zhao Meiren, who is charismatically portrayed by Wang Xiao. Wenwen is left to fend for herself after her grandmother passes away as her absentee parents run a business in Wuhan. And aspiring artist Jiajun suffers from the nightmare oversight of the ultimate tiger mom. They are part of an online student chat group with Pan Xianxuan and Gao Mingyu, students at the No 1 Middle School, which is a boarding school. My favorite character, Pan Xianxuan is a savvy and commercial doer who is not academic oriented. Despite his father's wealth, his is practically homeless as both his divorced parents have long moved on. And finally Gao Mingyu, the most impoverished and driven of them all whose only family is an ailing grandfather. They form a fast friendship and benefit from the care and affection of their principal Wang Benzhong, who is more like a surrogate parent to them both.
Every time I watch a drama with young actors matched up with veterans like Chen Baoguo, Wang Quanyuan and Wang Xiao,I am floored by the seamless and natural the performances all around. I feel fear for the current generation of popular actors whose flaws only become more obvious when they act across veterans because the next generation is growing up fast and there are lots of them. This cast made me invested in their stories from the get go and sharked me into enthusiastically watching a flag waving, sappy, inspirational story, the kind that I have a very small yearly quota for. The message of the story is very clear - often in life, when it rains, it pours but it is in times of hardship that we find our best selves.
While this story does carry some powerful and moving coming of age messages beyond surviving a pandemic, what I didn't like is it is a bit too good to be true. The pandemic turns every flawed character into a better version of themselves. The strong sense of community and the dedication and fighting spirit of parents and teachers can prevail over an amorphous enemy and natural disasters alike. Most of all, the pandemic didn't seem as isolating and as disruptive as it probably was and the government's pandemic control measures are portrayed as very mild. To be fair, this is not set in a densely populated community and it is during the first 200 days of 2020, during which China had effectively contained the outbreak to Wuhan. Nonetheless,, I feel there is a bit too much sugar coating and white washing in this drama that avoids the uglier, more realistic aspects of the pandemic and China's response to it. It also loses focus at times as a result of trying to acknowledge too many every day heroes from educators to health workers.
For a flag waving drama, this is a surprisingly good watch and the propaganda aspects are non intrusive. The youth aspects are well written and wonderfully portrayed. I am happy to rate this a very solid 7.5.
This drama is not about China's urban elite. It is set in Jinhe County, where most of the households are among the two thirds of Chinese households that are not part of the middle class. The pandemic disproportionately affected high school seniors from this class of Chinese society. Gaokao is a life changing rite of passage for them. All the hopes and dreams of their families are staked on their gaokao performance. With less resources and uneven access to the internet, online learning is less effective for many of them. The pandemic exacerbated the economic and social pressures these families were already experiencing. This drama offers some insight into why the Chinese leadership has clung to an extreme zero tolerance covid policy so different from the rest of the world.
The narrative focuses on five students of Jinhe County No 1 Middle School (Pan Xianxuan and Gao Mingyu) and Jinhe County No 4 Middle School (Zhou Bowen, Wu Jiajun and Tian Wenwen) and their principals Wang Benzhong and Shi Aihua. Because it is a small county, there are about three degrees of separation between the students, teachers, their families and the broader community. Bowen, Wenwen and Jiajun are fast friends at No 4 Middle School, where Bowen is the star pupil. He intensely disapproves of his deadbeat dad Zhao Meiren, who is charismatically portrayed by Wang Xiao. Wenwen is left to fend for herself after her grandmother passes away as her absentee parents run a business in Wuhan. And aspiring artist Jiajun suffers from the nightmare oversight of the ultimate tiger mom. They are part of an online student chat group with Pan Xianxuan and Gao Mingyu, students at the No 1 Middle School, which is a boarding school. My favorite character, Pan Xianxuan is a savvy and commercial doer who is not academic oriented. Despite his father's wealth, his is practically homeless as both his divorced parents have long moved on. And finally Gao Mingyu, the most impoverished and driven of them all whose only family is an ailing grandfather. They form a fast friendship and benefit from the care and affection of their principal Wang Benzhong, who is more like a surrogate parent to them both.
Every time I watch a drama with young actors matched up with veterans like Chen Baoguo, Wang Quanyuan and Wang Xiao,I am floored by the seamless and natural the performances all around. I feel fear for the current generation of popular actors whose flaws only become more obvious when they act across veterans because the next generation is growing up fast and there are lots of them. This cast made me invested in their stories from the get go and sharked me into enthusiastically watching a flag waving, sappy, inspirational story, the kind that I have a very small yearly quota for. The message of the story is very clear - often in life, when it rains, it pours but it is in times of hardship that we find our best selves.
While this story does carry some powerful and moving coming of age messages beyond surviving a pandemic, what I didn't like is it is a bit too good to be true. The pandemic turns every flawed character into a better version of themselves. The strong sense of community and the dedication and fighting spirit of parents and teachers can prevail over an amorphous enemy and natural disasters alike. Most of all, the pandemic didn't seem as isolating and as disruptive as it probably was and the government's pandemic control measures are portrayed as very mild. To be fair, this is not set in a densely populated community and it is during the first 200 days of 2020, during which China had effectively contained the outbreak to Wuhan. Nonetheless,, I feel there is a bit too much sugar coating and white washing in this drama that avoids the uglier, more realistic aspects of the pandemic and China's response to it. It also loses focus at times as a result of trying to acknowledge too many every day heroes from educators to health workers.
For a flag waving drama, this is a surprisingly good watch and the propaganda aspects are non intrusive. The youth aspects are well written and wonderfully portrayed. I am happy to rate this a very solid 7.5.
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