25
118
7
PeachBlossomGoddess
Hong Kong
The bugs will inherit the earth.
Three-Body is Tencent's adaptation of the first book of Liu Cixin's award winning sci-fi trilogy Remembrance of Earth's Past. It is an immense, mind-bending and terrifying book that explores the dark corners of humanity and our place in the universe. The narrative is concept-driven and lacking in terms of both characters and plot. This drama adaptation fleshes out the characters and plot while staying largely true to the original works.
An alarming number of leading scientists around the world die mysteriously. One of them, Yang Dong is a friend of nano-scientist Wang Miao. This seems oddly linked to an ominous countdown that only he can see and a virtual reality Three-Body game developed by ETO, a secret organisation. He gets roped into the murder investigation by an irreverent cop Shi Qiang. With the help of Yang Dong's mother Ye Wenjie, they start to pull at the threads that go back to the Cultural Revolution to reveal a conspiracy with existential implications. Rather abruptly, Shi Qiang gloatingly blurts out what is coming before we are are even half-way through the drama! This monumental conclusion is so matter-of-factly accepted without debate that it adds to a sense of anti-climax. Then we get an extended flashback to a brutal, frank and scathing depiction of the Cultural Revolution that unflinchingly exposes the loss of common humanity, the utter despair and loneliness of the period and the rage that must lurk beneath the surface.
The drama does a fantastic job bringing Wang Miao, Shi Qiang and Ye Wenjie to life. They are far better fleshed out in the drama than the book and all three anchor roles are deftly articulated by veteran actors who can convincingly navigate difficult transitions over time periods and into virtual reality. Yu Hewei's sarcastic and badass Shi Qiang is by far the most engaging and hilarious character. I didn't love Zhang Luyi's Wang Miao at first but he grew on me as his rapport with Shi Qiang grew. Unfortunately the other roles are not well written and made worst by vapid (Shen Yufei, Pan Han) or annoying (Mu Xing) performances by mediocre actors whose shortcomings are glaring up against the seasoned main cast. I wouldn't have minded if they got little screen time but unfortunately they featured prominently in extended largely drama-invented sub-plots that were barely touched upon in the book. I had to grit my teeth through the coma inducing preaching with the nationalistic subtext on monotheistic religion and environmental extremism.
High concept hard science fiction stories like this are difficult to adapt because the plot is driven by exposition and there is a lot of that in this drama. These concepts are conveyed creatively in a visually engaging manner to be easily accessible to layman. I enjoyed many of the analogies such as the Turkey/Farmer and the Shooter. However, the production tends to over-explain and tediously repeat the sci-fi aspects. Some judicious editing and higher confidence in audience intelligence would have gone a long way toward making this drama less draggy.
Even though this is shot in movie aspect ratio and a lot of care went into the props and the staging and lighting very artistically captures the bleak and portentous tone of the story, the production values overall are only of average quality. The background music is simply dreadful - jarringly loud and tries too hard to conjure a sense of dread or suspense that is at odds with the dry sci-fi plot points. The use of a difficult to understand and cliched artificial voice over an entire episode made my head throb. But what I was most dismayed by was the virtual world of the Three-Body game. While there is quite a bit of cool stuff like the dehydration and rehydration process, the overall effect is like stepping into a cartoon-like animation. It is just not at all scary. There is no sense of chaos or the searing intensity of the huge atmospheric variations and that gripping fear of what comes next that is described in the book.
The penultimate episode if you can make it that far is the best and only truly thrilling and epic episode in the entire drama. The wrap up is good in the sense that it is faithful to the novel even though the main antagonist is a bit whitewashed and not remorseless enough. This narrative takes over twenty hours to tell you something you already know; that the bugs will inherit the earth! The book covers it in about five hours and there is hope that the movie will be able to do it in under three. This is a good watch if you are in a contemplative mood and wish to indulge in a bit of history, philosophy, math, physics, speculative hard sci-fi and ponder the future of humanity. And if you have time and patience. I only rate this 7.5 because I feel the story could have been much more compellingly told in about half the episodes and not in a way that was a chore to watch.
An alarming number of leading scientists around the world die mysteriously. One of them, Yang Dong is a friend of nano-scientist Wang Miao. This seems oddly linked to an ominous countdown that only he can see and a virtual reality Three-Body game developed by ETO, a secret organisation. He gets roped into the murder investigation by an irreverent cop Shi Qiang. With the help of Yang Dong's mother Ye Wenjie, they start to pull at the threads that go back to the Cultural Revolution to reveal a conspiracy with existential implications. Rather abruptly, Shi Qiang gloatingly blurts out what is coming before we are are even half-way through the drama! This monumental conclusion is so matter-of-factly accepted without debate that it adds to a sense of anti-climax. Then we get an extended flashback to a brutal, frank and scathing depiction of the Cultural Revolution that unflinchingly exposes the loss of common humanity, the utter despair and loneliness of the period and the rage that must lurk beneath the surface.
The drama does a fantastic job bringing Wang Miao, Shi Qiang and Ye Wenjie to life. They are far better fleshed out in the drama than the book and all three anchor roles are deftly articulated by veteran actors who can convincingly navigate difficult transitions over time periods and into virtual reality. Yu Hewei's sarcastic and badass Shi Qiang is by far the most engaging and hilarious character. I didn't love Zhang Luyi's Wang Miao at first but he grew on me as his rapport with Shi Qiang grew. Unfortunately the other roles are not well written and made worst by vapid (Shen Yufei, Pan Han) or annoying (Mu Xing) performances by mediocre actors whose shortcomings are glaring up against the seasoned main cast. I wouldn't have minded if they got little screen time but unfortunately they featured prominently in extended largely drama-invented sub-plots that were barely touched upon in the book. I had to grit my teeth through the coma inducing preaching with the nationalistic subtext on monotheistic religion and environmental extremism.
High concept hard science fiction stories like this are difficult to adapt because the plot is driven by exposition and there is a lot of that in this drama. These concepts are conveyed creatively in a visually engaging manner to be easily accessible to layman. I enjoyed many of the analogies such as the Turkey/Farmer and the Shooter. However, the production tends to over-explain and tediously repeat the sci-fi aspects. Some judicious editing and higher confidence in audience intelligence would have gone a long way toward making this drama less draggy.
Even though this is shot in movie aspect ratio and a lot of care went into the props and the staging and lighting very artistically captures the bleak and portentous tone of the story, the production values overall are only of average quality. The background music is simply dreadful - jarringly loud and tries too hard to conjure a sense of dread or suspense that is at odds with the dry sci-fi plot points. The use of a difficult to understand and cliched artificial voice over an entire episode made my head throb. But what I was most dismayed by was the virtual world of the Three-Body game. While there is quite a bit of cool stuff like the dehydration and rehydration process, the overall effect is like stepping into a cartoon-like animation. It is just not at all scary. There is no sense of chaos or the searing intensity of the huge atmospheric variations and that gripping fear of what comes next that is described in the book.
The penultimate episode if you can make it that far is the best and only truly thrilling and epic episode in the entire drama. The wrap up is good in the sense that it is faithful to the novel even though the main antagonist is a bit whitewashed and not remorseless enough. This narrative takes over twenty hours to tell you something you already know; that the bugs will inherit the earth! The book covers it in about five hours and there is hope that the movie will be able to do it in under three. This is a good watch if you are in a contemplative mood and wish to indulge in a bit of history, philosophy, math, physics, speculative hard sci-fi and ponder the future of humanity. And if you have time and patience. I only rate this 7.5 because I feel the story could have been much more compellingly told in about half the episodes and not in a way that was a chore to watch.
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