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5 college age art students become close friends as they share common interests in the field of art. The newest member of their group is Hagu. She is the niece of an art professor at the university and is known as a child prodigy. Immediately two of her friends grow to like her, Takemoto and Morita. Morita is the type that lives life on the edge, is extremely confident and talented in art. When Morita gets to spend time alone with Hagu, he expresses his feelings to her by kissing her suddenly. His friend and neighbor in the dormitory is Takemoto. He is more withdrawn, not as talented in art, and, even though he is in love with Hagu, tries to act like a friend to her.
The other two friends are Mayama and Yamada. Yamada is in love with Mayama, but Mayama is in love with an older woman, who is also his boss at work.
As they all grow closer together, they must cope with the unpredictable nature of love, as well as find their own respective places in life.
The other two friends are Mayama and Yamada. Yamada is in love with Mayama, but Mayama is in love with an older woman, who is also his boss at work.
As they all grow closer together, they must cope with the unpredictable nature of love, as well as find their own respective places in life.
Takes place against the backdrop of an art museum that belongs to Sung Jin Group, a major conglomerate that holds the reins of the political and financial worlds in South Korea. It is a psychological mystery thriller about the things that disappear when humans become greedy and ambitious for power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Takes place against the backdrop of an art museum that belongs to Sung Jin Group, a major conglomerate that holds the reins of the political and financial worlds in South Korea. It is a psychological mystery thriller about the things that disappear when humans become greedy and ambitious for power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Takes place against the backdrop of an art museum that belongs to Sung Jin Group, a major conglomerate that holds the reins of the political and financial worlds in South Korea. It is a psychological mystery thriller about the things that disappear when humans become greedy and ambitious for power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Takes place against the backdrop of an art museum that belongs to Sung Jin Group, a major conglomerate that holds the reins of the political and financial worlds in South Korea. It is a psychological mystery thriller about the things that disappear when humans become greedy and ambitious for power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Takes place against the backdrop of an art museum that belongs to Sung Jin Group, a major conglomerate that holds the reins of the political and financial worlds in South Korea. It is a psychological mystery thriller about the things that disappear when humans become greedy and ambitious for power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Takes place against the backdrop of an art museum that belongs to Sung Jin Group, a major conglomerate that holds the reins of the political and financial worlds in South Korea. It is a psychological mystery thriller about the things that disappear when humans become greedy and ambitious for power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Yoon Jae Hee is the head of the Sung Jin Cultural Foundation and in charge of operations at “Space Jin,” the art museum owned by Sung Jin Group. She is also the second daughter-in-law of the family that controls Sung Jin Group. Believing that poverty is corrosive to love and that a stable income leads to a steady life, she chose to throw away her long-time lover and entered into a marriage of convenience with Jung Joon Hyuk, an illegitimate son of Sung Jin Group. In order to make her husband the nation’s president, she teams up with the future Public Prosecutor General and goes to war against Sung Jin Group.
Jung Joon Hyuk is Yoon Jae Hee’s husband. Although he is a popular anchorman with his own fan club, he hides an inferiority complex over being labeled “the illegitimate son of Sung Jin Group” for his whole life. He laughs at both ambitious people and those who pretend to have no ambition even as he waits for the day when he can seize the reins of power.
Kaburagi Miyako is a 30-year-old "career-oriented" woman working for a major cosmetics company with an annual salary of over 10 million yen. Miyako is suddenly inspired by a painting and aims to study at the Tokyo University of the Arts to fulfill her dream of becoming a painter. Miyako enrolls into an art prep school while balancing her work. There, she meets Taira Shintaro, a talented young man who keeps failing to get into an art college.
Naho is the deputy curator of the art gallery established by her grandfather, an avid art collector. Naho's husband is the managing director at a different art gallery in Ginza which his family has run for several generations.
To avoid the hectic pace of Tokyo, a pregnant Naho decides to move to Kyoto. There, she finds a painting by an unknown painter. She becomes fascinated with it and soon faces an unexpected truth.
To avoid the hectic pace of Tokyo, a pregnant Naho decides to move to Kyoto. There, she finds a painting by an unknown painter. She becomes fascinated with it and soon faces an unexpected truth.
Asakura Koichi works as a designer at an advertising agency. Even though he works very hard, he does not receive recognition at his job. He is frustrated by his circumstances. He decides to visit a place from his school days, involving Yamagishi Eren.
Meanwhile, Yamagishi Eren has the nickname of "The Southpaw" (“Hidarikiki”) and is a painter in New York. She is gifted as a painter, but, due to her genius like talent, she suffers.
Meanwhile, Yamagishi Eren has the nickname of "The Southpaw" (“Hidarikiki”) and is a painter in New York. She is gifted as a painter, but, due to her genius like talent, she suffers.
Both dramas are about solving crimnal cases also in both of them we have a psychopathic killer who is obsessed about one of the characters (in both of them the psychopath knew the main character as a child but they don't remember it) who is very popular and knowleged in his field and uses his knowled to solve criminal cases. Also two of main characters are polar opposites.
Both dramas look back at past relationships, there is a constant switch between the present and the past. In both dramas, the leads started their relationship in high school. However, since then they have moved on and gone their separate ways, finding new paths in life. By coincidence they meet again years later and restart their relationship.
Both dramas have similar genres (melodrama and romance).
Both dramas have similar genres (melodrama and romance).
Complex Love Triangle with no easy resolution .. character driven .. The D Day event triggers the cascade that sweeps up the characters
Strong Leads with a POWERFUL LOVE triangle Tale.
TOP NOTCH actors who pull off the shades of grey in character, relationships and romance.
TOP NOTCH actors who pull off the shades of grey in character, relationships and romance.
One Sunny Day "OSD" gives the same light heart-fluttering vibes with 2 strangers having to spend a few days together on Jeju Island and unexpectedly find themselves to be attracted to each other at parting, being tentative of their new feelings, and longing after sorting out their emotions. OSD has the added bonus of several scenic sites on Jeju Island as backdrop.
