Recommendations

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

In 1867, Sin Jae Hyo leads the Dongrijungsa, which teaches pansori (traditional Korean musical storytelling). A young girl, Chae Seon, who wants to perform pansori, appears in front of him. Chae Seon has dreamed of performing pansori since she first heard Sin Jae Hyo perform when she was little, but Sin Jae Hyo turns her down because women are not allowed to perform pansori. Chae Seon then disguises herself as a man and enters the Dongrijungsa to learn pansori, but Sin Jae Hyo doesn’t accept her as his student. One day, he hears Daewongun, the most powerful man in Joseon and the father of the King, is going to hold a national competition of pansori performers known as “Naksungyeon”. Sin Jae Hyo decides to teach Chae Seon, who has a true voice to perform “Chunhyangga". If anyone finds out that Chae Seon is a woman, Sin Jae Hyo and Chae Seon will both face death.

Crown Prince Yi Gak finds that he has been transported from the Joseon Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?

Crown Prince Yi Gak finds that he has been transported from the Joseon Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?

Crown Prince Yi Gak finds that he has been transported from the Joseon Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?

Crown Prince Yi Gak finds that he has been transported from the Joseon Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?

Crown Prince Yi Gak finds that he has been transported from the Joseon Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?

Crown Prince Yi Gak finds that he has been transported from the Joseon Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?

Crown Prince Yi Gak finds that he has been transported from the Joseon Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?

Wang Won’s father is the king of Goryeo while his mother is the Yuan emperor’s daughter. He was born with many gifts as he has good looks, the wisdom of a snake, and a magnetic personality that draws people to him. But behind his gentle, virtuous demeanor, he has ambitions to conquer other lands. He has a faithful friend named Rin, who is a royal cousin and comrade with the same ambitions as he does. Then Wang Won has an encounter with a young woman named, San. San was someone that he recalled having met when he was a child and was lodged in his mind ever since. Wang Won sees how bright and confident San is and befriends her as well. But this friendship plants the seeds of tragedy. San’s beauty mesmerizes both Won and Rin and their seemingly strong bond start to fray over one woman