Ticket to Heaven

Man that was sadly underwhelming

This series really did not stick with me emotionally. The whole time I was really wondering if Tanrak was even religious at all. Let me just list all the things I did not like.

> I actually did not like Barth's character. His character felt more like a devil sent to tempt tanrak and not an innocent love portrayed between two people that happen to love each other. He was not very understanding of Tan's hesitation in abandoning the church and just felt overall like a really selfish character. When they are arguing and he tells him God has never done anything for him so why does he even spend time praying... That scene really pisses me off and it seems Bart makes no attempts to understand Tan and his faith. He just keeps trying to get Tanrak to abandon his faith for him like wtffff. I HATED that.

>No one is homophobic like huh... This was very weird, everyone is like "love is love my sweet child and God will love you no matter what." What kind of fantasy world are we living in lmaooo. Even the best friend being like "I am just upset you guys didn't tell me"... Oh okay so yeah homophobia is obviously not a problem in this world I guess. They show a bit of the father being homophobic and some of the classmates but other than that it felt like a very non issue. Even in the big 26 i meet deranged religious people telling me homosexuality is a sin in a fucking Wendy's on a tuesday afternoon like can we be fr.

>Tanrak spent most of his life in the church. His whole life was the church. He lived in the church LITERALLY and was working on being ordained and it seemed so easy for him to just drop that for Barth. Tankrak should have literally been CRUSHED mentally, emotionally and spiritually for his whole life plan to change over night like that. He left behind everything he ever knew. He left behind his dream of meeting his parents in heaven. He left behind God. He left behind his entire life for Barth and it was not treated with any emotion whatsoever. Tanrak should be screaming, crying, throwing up telling Barth "If I choose to love you there is nothing left for me" or something like that. He just is not as devastated as he should have been, I have felt more emotion when picking which monster flavor I am gonna get for the day.

Overall it was a decent drama I still recommend everyone to watch it but sadly it just did not hit as well as something with this type of story should have hit and I won't lie I was pretty disappointed.

Read More

First of all, I know I'll say things that most people aren't going to agree with, and that's fine! Everyone has their own opinions.

The first thing that's impressive about the series is that it's well made. And made with deep care. There are some beautiful scenes, and it's one of the most delicate series in terms of working with more than just words. A lot of BL series focus heavily on dialogue, making sure every point is made super clear… because, let's be honest, the average BL spectator isn't educated in audiovisual, which is fine, but they don't appreciate it as much when things aren't spelled out for them, when it's not screamed and handed to you. When it's not about NCs and boys making out.

TTH isn't like that… for me, it's about what's not said, it's about feelings, and there are some scenes with amazing photography and framing.

I think the visual language is the highlight of the series. Actually, thinking about it more, it doesn't have that much dialogue? Which is something I liked and, at the same time, didn't like. There are parts I would have liked differently, but overall, it's not something I can just call good or bad… it depends. I think it's definitely interesting, though, and very well constructed.

The directing is on point, that's not the problem for me here. The problem for me is more in the screenwriting. I didn't like the way things were organized… not exactly the development, because my problem with the development in the series isn't the narrative itself, it's more about the development of the characters. Well, not the development itself, LOL, but the lack of development.

I hate that we get to the last episode and Tanrak is still the same boy with the same questions… like, 30 years after meeting Barth and being together, he's still stuck suffering in his guilt? And Barth too?

I also don't like how the episodes were structured. In the last episode, a bunch of things happen. And from episode one to five, we have development in a proper structure, then we get to this last episode and it's just a bunch of scenes, time skips, and things happening, with a lot being left unsaid. I understand it's a stylistic choice, but… idk, it doesn't make sense to me. I didn't like it.

But the acting… Fourth, why are you the best of your generation? Gemini is also good and does wonderful work, but Fourth is extraordinary. It's insane. This boy is SO talented and he gets so immersed in his characters, he's so so so talented.

Overall, it's a good series, but I think toward the end they got a little lost in it.

An additional observation, and this one is very, very personal: I understand that this was a very personal work for Aof (the director), since he is Catholic and gay and still attends church. Of course, that's understandable… the whole point of view he's coming from. It's a specific and personal view. I just can't say I liked it, because I understand his point of having faith and hope, and it's beautiful and bright, I understand that he wants to lean more toward the cheerful, brighter side of things. It's just… utopic.

As a queer person who grew up in a Catholic church, in a Catholic family, it feels almost utopic to me… completely unrealistic in some parts. Some of it leans more toward propaganda, and I have strong, bad feelings about that. It was a beautiful, well-made series despite the issues I've already mentioned, it isn't a bad work as a whole piece, but this "detail" bothers me a lot. I can't ignore it.

But this is a very personal critique, because I also understand that it's a personal work he's doing based on his views and his beliefs, and he made that clear the whole time. I can just say I don't like this detail (it isn't a minor detail, but I do understand that it's a very personal point of view).

So… yeah.

Read More

Well-Researched, Yet...

I can tell the director put a lot of effort into researching this series. The behind-the-scenes documentation of the production made me expect that the Catholic aspects would be handled with care, and for the most part, they were. That said, the one thing that kept bothering me was the ordination timeline. I genuinely thought the one who was going to be ordained was BarthTanrak's adopted son (I was assuming they adopted a child or maybe children), but it turned out to be Kongdech instead. I know there's no maximum age for ordination in the Catholic Church, and people can certainly become priests later in life. But speaking about what's usually the case, someone who enters the seminary after high school would normally be ordained in their mid-20s. A "20 years later" ordination puts Kongdech around his mid-30s, and the series never really gives us a reason why his formation would have taken that much longer. It's not impossible—it just felt a little off.
Another tiny thing that lowkey annoyed me was: Tanrak sighs. A lot. Like... "hhhheuy." Every. Single. Time. I kept thinking, "Is your life really that heavy, nhoo?"

Moving on to the good stuff. The idea, the plot, and the execution are genuinely great. What I loved the most was Barth's backstory. His struggle with God wasn't only because "I'm gay, therefore I hate God." It went much deeper than that, which made his character so much more compelling.
And lastly, thank you, Gemini, for bringing back crying with snot. That is, unironically, my gold standard for a convincing crying scene.

Read More

Faith or Love? I Say We Can Choose Both, BarthTanrak's Love Is Eternal ?️?

(My very first review, written only for BarthTanrak (GeminiFourth), because they deserve to be seen, loved, and remembered.)

Grab some popcorn, because this review is going to be a long ride. I have so much to say about this masterpiece.

There are some stories you enjoy, some stories you admire, and then there are stories that leave a permanent mark on your soul.

Ticket to Heaven belongs to the last category.

I laughed with them, cried with them, prayed with them, and at times, I felt completely exhausted carrying their pain and fears alongside them. Yet every single tear and every emotional breakdown was worth it, because what this series gave me was something far greater than entertainment—it gave me understanding, compassion, and hope.

One thing I want to make absolutely clear: this series is NOT against faith, religion, or God.

People who reduce it to that have completely missed its message.

Ticket to Heaven is about the struggles that countless LGBTQ+ individuals face while trying to reconcile their identity with the beliefs, traditions, and expectations that surround them. It is about the fear of disappointing God, disappointing family, and disappointing oneself. It asks painful questions that many people carry in silence:

"Can I still be loved?"

"Can I still have faith?"

"Do I have to choose between Heaven and the person I love?"

And my answer, after watching this beautiful masterpiece, is simple:

No.

We can choose both.

Faith and love should never have to exist as enemies. That is what Barth and Tanrak taught me.

What makes Ticket to Heaven even more special is that it never tries to provide easy answers to difficult questions. It understands that faith is deeply personal, and so is love. Instead of forcing one to defeat the other, it allows its characters—and its audience—to sit with the discomfort, the confusion, and the heartbreak that come with trying to embrace both. That honesty is what resonated with me the most.

For many LGBTQ+ people, the battle is not against God, nor against religion itself. It is against fear, shame, expectations, and years of being told that they must deny a part of themselves to be worthy of love or acceptance. Ticket to Heaven portrays that struggle with incredible sensitivity and humanity. It does not ask us to abandon faith; it asks us to understand people. And that distinction is so important.

Their love was never sinful. It was gentle, pure, understanding, and full of sacrifice. It wasn't rebellion—it was humanity.

Their love was eternal.

The confession in Episode 3 remains one of the most beautiful moments I have ever witnessed in a BL series.

"I'm not God's favorite son either."

That line shattered me.

In that single moment, two broken souls found understanding within each other. No grand declarations, no dramatic speeches—just vulnerability and acceptance. It was one of the most honest confessions I've ever seen on screen.

Episode 3, Heart's Desire, was exactly that—the moment when two hearts finally admitted what they had been yearning for all along. It was tender, painful, and beautifully human. The emotions were so raw that I found myself holding my breath during their confession, knowing that this wasn't simply about romance, but about finally allowing themselves to be seen and loved.

Then Episode 4 gave us Heaven Found.

For a brief moment, they found peace. They found home. They found each other.

Their secret love, their small moments of happiness, and the comfort they gave one another made me smile through tears because you could see two people finally allowing themselves to be loved without conditions. Those stolen glances, quiet smiles, and simple moments together felt more intimate than grand romantic gestures ever could.

And then came Episodes 5 and 6—the true storm, the impossible choice between heart and heaven.

These episodes completely drained me emotionally. I cried. I screamed. I felt their frustration, their guilt, their desperation, and their exhaustion.

Yet that emotional pain is exactly what makes this series extraordinary.

It refuses to simplify something so deeply complicated. It acknowledges that faith is important. It acknowledges that love is important. And most importantly, it acknowledges the devastating reality that many people are forced to believe they cannot have both.

Watching Barth and Tanrak struggle through those feelings broke my heart because it felt painfully real.

The conflict between the heart and Heaven was never presented as a simple choice. It was painful, exhausting, and devastating to watch because neither side represented something evil. One was faith, something they had cherished their entire lives. The other was love, something pure that arrived unexpectedly and changed everything.

Watching Barth and Tanrak desperately try to hold onto both while feeling like the world demanded a choice between them completely broke me.

I cried with them. I laughed during their brief moments of happiness because I knew those moments mattered. I felt emotionally exhausted alongside them because their pain felt real. And despite all of that, I would experience this journey a thousand times over because it was absolutely worth it.

Their journey isn't just theirs—it belongs to countless people who have lived these experiences in silence. And that honesty deserves respect.

There are very few series that can make an audience feel so deeply connected to its characters. By the time Episodes 5 and 6 ended, I wasn't simply watching Barth and Tanrak anymore, I was carrying their fears, their hopes, and their dreams with me.

And perhaps that is the greatest achievement of this story.

I also have to praise the writing and directing. Every episode felt intentional. Every line carried meaning. There were no unnecessary moments because each scene contributed to the emotional journey of Barth and Tanrak. The symbolism, the quiet moments, the lingering gazes, and even the silence itself told a story. It trusted its audience to feel rather than simply observe, and that is something truly rare.

Now, let's talk about Gemini and Fourth.

What can I even say?

They didn't simply portray Barth and Tanrak.

They became them.

I have always believed that Gemini was an exceptional actor, but I genuinely think he was waiting for a role like this to reveal the full extent of his abilities.

This was his moment.

His vulnerability, emotional restraint, and internal conflict were portrayed with such maturity that I found myself completely immersed in Barth's pain. There was never a moment where I saw Gemini the actor.

I only saw Barth.

Gemini has always possessed extraordinary talent, but Ticket to Heaven gave him an opportunity to showcase a level of emotional depth and complexity that many people had yet to witness. I always knew he was one of the best actors of his generation; he simply needed a role that demanded everything he had to offer. And he delivered beyond all expectations.

His portrayal of Barth was subtle yet incredibly powerful. The internal battles, the longing, the fear, and the desperation were all communicated with such authenticity that it became impossible not to empathize with him.

And Fourth...

There is a reason why people call him our miracle, our golden boy.

No title could be more deserved.

The way he communicates emotions through his eyes alone remains one of the greatest gifts in modern BL acting. Every smile carried hidden pain. Every tear felt genuine. Every moment of silence spoke louder than words.

He doesn't perform emotions.

He makes you live them.

Every project proves why he deserves that title, and Ticket to Heaven may very well be one of the finest performances of his career. His emotional intelligence as an actor is astonishing. He understands when to speak, when to remain silent, and when a single expression is enough to break an audience into tears. Watching him embody Tanrak was nothing short of extraordinary.

And together, they are magic.

Gemini and Fourth truly deserve each other as artistic partners because they constantly bring out the best in one another. Their chemistry cannot be manufactured. It comes from trust, understanding, and years of growing together as performers.

Their trust in one another, their chemistry, and their ability to create genuine emotional intimacy are gifts that cannot be taught. They elevated an already beautiful story into something timeless.

And honestly, we deserve them too.

We deserve to witness this kind of storytelling and this level of dedication. We are incredibly fortunate to witness their growth, their dedication, and the masterpieces they continue to create together.

I have watched many BL series over the years, but very few have touched my heart in the way Ticket to Heaven has.

I genuinely believe that Ticket to Heaven will be written in gold as one of the greatest BL series ever created. Not because it is perfect, but because it is courageous. Because it tells a story that so many people are afraid to tell. Because it treats its characters with compassion instead of judgment. Because it reminds us that being queer and having faith are not mutually exclusive experiences. Because it proves that love itself is never the enemy.

And above everything else, it is a story about hope—the hope that one day, no one will ever have to choose between who they are and what they believe.

Years from now, people will still talk about Barth and Tanrak. They will remember their pain, their hope, their courage, and their love.

Because some loves are temporary.

Some are unforgettable.

And BarthTanrak's love?

It is eternal. 🕊️🤍

And finally, if you're still wondering whether you should watch Ticket to Heaven, my answer is simple:

Absolutely yes.

Because this is the kind of masterpiece that everyone should experience at least once in their lifetime. Not just as a BL fan, but as a human being.

What I found most beautiful about this story is that despite all the pain, confusion, expectations, guilt, and countless struggles, Barth and Tanrak never truly let each other go. They held on. They chose understanding. They chose compassion. They chose love. And that is what made their journey so unforgettable.

Barth, you are the definition of a green forest. Truly, THE standard.

No matter how difficult things became, his love never wavered. He listened, he understood, he waited, and he fought—not against Tanrak, but alongside him. He never forced him to choose, never made him feel guilty, and never stopped reminding him that he was worthy of love. That kind of patience and devotion is rare, both in fiction and in real life.

And Tanrak deserves just as much love and appreciation.

Despite his fears, his inner conflicts, and the immense weight he carried on his shoulders, he continued moving forward. He continued loving, believing, and hoping. His journey was heartbreaking, but also incredibly inspiring. Watching him slowly learn that faith and love could coexist was one of the most beautiful character arcs I have ever witnessed.

Together, they showed us that true love is not about changing someone or saving them. It is about standing beside them while they find their own way.

And then...

We got the happiest, most satisfying, and most memorable ending in BL history.

An ending that felt earned. An ending filled with hope. An ending that honored every tear, every struggle, every prayer, and every moment of love that came before it.

I laughed. I cried. I felt emotionally exhausted. But if given the chance, I would go through this journey all over again without hesitation.

So please, go watch Ticket to Heaven. Watch it with an open heart. Allow yourself to feel everything that Barth and Tanrak felt.

Because this isn't simply another BL series.

It's a masterpiece.

And once you finish it, a part of it will stay with you forever. 🕊️🤍

Read More

Heartbreaking and Heartwarming

WOW! This show was a MASTERPIECE. I already had a feeling it was going to be good between the cast and the director, but this is one of the most moving BLs I have ever seen. I felt like every episode made me full the full range of emotions, and they managed to pack it all into an extremely short show. Not to mention, the artistry in the directing was BEAUTIFUL! The way the shots would linger, the tension in the shadows, and the love in the lighting....all of it was genius. The religious imagery was beautiful, and the small details of religion brought into different scenes really made this show feel complete. It's hard to bring religion into a queer show, especially to do it in a way that doesn't feel like it's ridiculing the religion or pitting religion and queerness against each other, but this show manages to do just that.

Tanrak (Fourth) has been raised in the Catholic church, and ever since his parents died, he has been on the path to becoming a priest himself. When Barth (Gemini) transfers to the boarding school, Tanrak is tasked with looking after him; he didn't expect Barth to be a troublemaker who doesn't see the purpose in believing in God. While Tanrak tries to help Barth follow the straight and narrow path, Barth tries to get Tanrak to see things from a new perspective. As feelings start to develop between them, Tanrak is torn between his love of God and his love of Barth, believing them to be mutually exclusive.

The main conflict in this show not being between Barth/Tanrak and the church itself, but being between Tanrak and himself was truly incredible. I feel like oftentimes we see religious parents citing religion for the reason to not accept their queer children, which still exists in this show of course, but I really enjoyed this internal struggling the most. You could really sympathize with both Tanrak and Barth and their reasons for believing or not believing in the things they do. These internal conflicts only grow stronger as we learn more about the characters' pasts, and I am super impressed with the amount of character development we see in such a short series. I of course wanted this show to be longer, but not because it felt unfinished or underdeveloped - I just loved these characters and thought the show was beautiful. And I have to say - Fourth's acting was CAPTIVATING! So much of this story is not told through words but through the emotions portrayed by Tanrak. The struggles he goes through are not things that he talks about, but rather things that show up in his actions and in his eyes. I cannot believe how much storytelling was done simply by a camera pointed at Fourth as he stares into it and WOW it was incredible to watch. Even as someone who is not religious, I found the messaging of this story to be done very thoughtfully, and it definitely has something that can resonate with most people. Overall, this show is one of the best things GMM has put out in a long time, and I think it's worth a watch from everyone.

Read More

Great storytelling.

Some stories ask you to choose a side. Ticket to Heaven asks you to understand everyone.

What could have easily become a simple story about religion versus love is instead a thoughtful exploration of two young men trying to make sense of the lives they've inherited. The series never mocks faith, nor does it treat love as something that needs to be justified. It simply asks what happens when both are equally real to the same person.

Barth and Tanrak are among the most beautifully written characters I've seen in years. Their relationship is built on patience, trust, reassurance, and genuine affection. Even in their most painful moments, you never question how deeply they love each other.

Gemini delivers the performance of his career, while Fourth once again proves why he's one of the finest young actors working today. Together, they create something that feels effortless and unforgettable.

What stayed with me most wasn't the heartbreak, it was the kindness. The quiet conversations, the moments of understanding, the willingness to listen, and the hope that love doesn't have to come at the cost of losing yourself.

By the time the credits rolled, it no longer felt like I had watched a television series. It felt like I had known Barth and Tanrak.

That, to me, is the mark of truly great storytelling.

Read More

Love Wins - Always

Ticket to Heaven is one of those BL/gay-themed series that will leave a lasting mark. It tackles the sensitive intersection of being gay while navigating life as a devout Catholic. From a BL fan’s perspective, the series is beautifully written and acted. It avoids being preachy, instead highlighting the brighter aspects of life—love, faith, and forgiveness.

From a Catholic point of view, however, the narrative feels liberal and unrealistic. It doesn’t fully reflect the traditional, conservative stance of Catholicism—or of Abrahamic religions in general. Yet perhaps that is precisely the point: we don’t need more depictions of division and condemnation.

What makes this series powerful is the emotional journey it takes us on. We feel the tension, guilt, and fear building with each episode. At one point, it even seemed their love story might collapse after Tanrak’s confession to the priest. But the ending offered redemption. After all the heaviness, the series leaves us with hope—the hope that love can endure, that forgiveness is possible, and that we can embrace the person our heart beats for.

Read More