axdxex:
I think for the hashtag it’s PorTeeTee but I think I saw Por and P’Aof say (different posts) that it could be either depending on the show!
On reflection, I think it would be a positive development if Domundi is moving beyond the seme/uke stereotype (older/taller vs. younger/shorter, handsome and more masculine vs. cute, sweet, smiley and more boyish or even androgynous) that we see to varying extents in all of Domundi's successful CPs to date . The seme/uke model can be great with the right actors and story, and I dearly love Tutor/Yim, Zee/Nunew, Max/Nat, Kong/Namping, Thomas/Kong and most recently Auau/Save, but I would also welcome a new CP model, if that's where they're going with Por/Teetee/Teetee/Por.
Same goes for Me Mind Y's two iconic CPs (Boss/Noeul and Fort/Peet), both of whom I adore.
On thinking about the large and growing number of GMMTV CPs, I see much less of this stereotype and more range in styles, so I guess GMMTV should get some credit for that, too.
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And this brings me to Theo's question yesterday about production houses.
I love GMMTV, which is clearly the giant in the BL room. It has many critics, but I like GMMTV-style cute 'n fluffy love stories and the ensemble-cast productions filled with my favourite actors, plus also sometimes they do actually deliver drama with surprising depth (e.g. "ThamePo" right now). So yes, GMMTV is my personal fave, too. I just hope that GMMTV isn't overextending itself with all the new artists. Thank goodness for "P10L", also known as the "GMMTV six-month full-employment project".
Wabi Sabi has a great legacy, but with the decision to exit artist management, I think they have a lot riding on "Fourever You". I very much hope that it survives, especially as "UWMA" is my all-time fave BL.
If Boss/Noeul and Fort/Peet were ever to leave Me Mind Y, would there be anything left?
Mandee has a mixed record, not only of overpromising on trailers and underdelivering on productions but also on long production delays. Their big strength is partner Domundi, which has really gotten great at developing, managing and marketing its artists and CPs (see above).
Beyond GMMTV and Mandee/Domundi, the Thai BL production industry gets quickly fragmented, but Change2561 is quite interesting right now. I hope they soon deliver on their three widely anticipated pipeline projects (“PitBabe S2”, “Goddess Bless You From Death” and most of all “I’m The Most Beautiful Count” with my dearly beloved Supanut).
It's harder to talk about the BL production houses in Japan, South Korea and Taiwan. In Japan, I think the programming is probably driven more by the networks like TBS rather than the production houses they contract out to (?). In South Korea, the only BL producer that jumps to mind is Strongberry. In Taiwan, VBL seems to have emerged as the leader in 2023/2024.
But of course, all are dwarfed compared to GMMTV ...