Huh ? Eun Byeol just filmed it with her smartphone. There is no CCTV here.
Im lost now. I just remember secretary do (or jo, i never remember) shut down CCTV, and the clip is on Eun Byeol smartphone. OK OK OK... Maybe... you got me.. who know ? As a preventive punition, I will just rewatch whole season 1. ah aha ha hahhhahah ah.
OMG, this drama is just too good and crazy, I can't sand it !!! Stop!! Stop, please, stop to be so good, human being are not made for that. She CHOMP and EAT the sim card ?!!!!!!!!!!!!?????!!!!!! T T T T T T T T T T T T T T T T T T
Oh Yeon Joo is sometimes naive and unconscious (dreamy, head in the sky). She really pushes far the chase : - The ML no longer wants to live, commits suicide and dies. - She forces him to resurrect. - Then she says she will write the story instead of her father. But that it will become a romantic story! - So between her and the ML when they haven't decided that they were together. - In addition, she asks him to take care of all the details so that she can visit him without constraint, ASAP, and order he must think of nothing else except doing that. - This when, in any case, the ML is a prisoner of the story, has no real choice, and didn't want any sequel but just die. - And she say all that while laughing a lot ! The nerve of this girl. :-D On the other hand, if he really disliked it, he could have avoided kissing her in the hospital yard. It is the first kiss that is not accidental, and he takes the initiative. A kiss by Lee Jung Suk... or even far more... Kang Chul ! The poor girl is done. ^^
This might not be important but there were news that the music director will be changed from ep9 onwards (the…
Im worried about that because BGM are very good until now. Dark synth wave music, or goosepump arpegio. Only thing I don't like is the horrible song (end episode 4).
after watching ep 5 and 6, the story is getting more interesting, and the plot is also getting better. indeed…
The scriptwriters made a risky bet, and we can see that it failed for part of the international audience. Many comments on various blogs are negative. However, the Korean audience is different.
If you get a chance to see it, the special program The Penthouse (Hidden Room-Hidden Story 2) gives some clues about it. The presenters delve deeply into the intricacies of writing. It's different from the western making-offs based more on visuals. This leads me to think that Koreans are much more attentive to the meaning of the scenes and dialogues. They notice more easily details that we don't understand and are used to Korean scripts, which are now very elaborate, fine and full of correlations.
In addition to this : - Patience! Creating eye-catching first episodes is recent. For a long time, dramas took time to pose a situation, during several episodes, before the drama became really addictive. With this habit, this audience knows the codes and can estimate the future quality of the drama, whereas a westerner will just see boring or incomprehensible episodes. Perfect example "Nine Times Travel". - A certain form of irrationality. Korean audiences are accustomed to their drama styles, and more easily accept that a basic situation is based on unrealistic foundations, as long as the rest of the drama is coherent. Example of random drama "I'm not a robot". An ultra rich guy + an imaginary disease + a perfect cyborg created without his knowledge + cyborg face is that of the creator's ex-girlfriend + she meets the hero in a different way and by chance". It's impossible, but the drama builds on that by taking it seriously.
I think that Sisyphus is based on a rational logic with an explainable foundation (which we are starting to see now). However, the way in which the first episodes develop the script looks like something irrational. This will not bother the Korean audience.
You are like that since Season 1 episode 1 ?Did you call a doctor ? :-))
Really ? amazing. You should check my profile, maybe it could interest you. I don't have any feedback about first episodes of S2. W fan is the best for saying. Also, probably Penthouse is my top10 dramas. ;-)
Let me make sure I have this right-1). Tae-San warning Seo-Hae to stay away from Tae-Sul.2). Sigma has always…
As I analyze the drama, it's that. Then, it would be long to add more information, and there is a lot of unverified theory. The time loop is sisyphus myth and can't be changed. Then we know TS and SH can't be killed until, at least, the wedding. Sigma know that. Previous events are here to lead the timeloop in the same way it has always be. So, the sniper at conference could wait 5 minutes or one hour, he couldnt shoot at the right time. I don't know if it's this or because he got a timeshifting. For me , at first, my theory was Sigma is a concept rather than people, the force that make causality repeating the loop so there is no paradox. then the loop is like a quantum delayed choice experiment in a small portion of history, and don't affect future to change. Maybe Sigma boss is like a servant of gods, guardian of causality.
I think some viewers are disappointed by illogical scenes. And even for a science fiction story, that shouldn't…
It was preproduced I think. Unintentional comedy, or just make it not too serious, or "we laugh too much on the set" (see BTS). I was hoping for a very serious show at first. But hey, now as I like the drama, I just have to accept these weird comedy moments, I can't do else. It add to the fun when we analyze the scenes on the blog I visit mostly. ^^
What the script didascalies of the drama looks like :
Episode 1: Cheon Seo Jin is mad as hell. Episode 2: Cheon Seo Jin is madder and madder. Episode 3: Cheon Seo Jin is hysterical because she is so mad. Episode 4: Cheon Seo Jin is hysterical to an unprecedented degree and pierces eardrums. Episode 5 to 13: Cheon Seo Jin is hysterical to the power 3, then 4, 5, etc. up to 100. Episode 14 to 17: Cheon Seo Jin enters super-sayan hysterical rage mode 1. Episode 18 to 20: Cheon Seo Jin is mad with rage at super-sayan level 2 and flames of hell come out of her eyes. Episode 21: Cheon Seo Jin increases her rage at Sayan-God level and produces a Kaioken of screaming and lightning eyes. The penthouse is disintegrated with half of Seoul.
1 
OK OK OK... Maybe... you got me.. who know ?
As a preventive punition, I will just rewatch whole season 1.
ah aha ha hahhhahah ah.
See her corpse burning ? ^^
Stop!! Stop, please, stop to be so good, human being are not made for that.
She CHOMP and EAT the sim card ?!!!!!!!!!!!!?????!!!!!!
T T T T T T T T T T T T T T T T T T
She really pushes far the chase :
- The ML no longer wants to live, commits suicide and dies.
- She forces him to resurrect.
- Then she says she will write the story instead of her father. But that it will become a romantic story!
- So between her and the ML when they haven't decided that they were together.
- In addition, she asks him to take care of all the details so that she can visit him without constraint, ASAP, and order he must think of nothing else except doing that.
- This when, in any case, the ML is a prisoner of the story, has no real choice, and didn't want any sequel but just die.
- And she say all that while laughing a lot ! The nerve of this girl. :-D
On the other hand, if he really disliked it, he could have avoided kissing her in the hospital yard. It is the first kiss that is not accidental, and he takes the initiative.
A kiss by Lee Jung Suk... or even far more... Kang Chul ! The poor girl is done. ^^
However, the Korean audience is different.
If you get a chance to see it, the special program The Penthouse (Hidden Room-Hidden Story 2) gives some clues about it. The presenters delve deeply into the intricacies of writing. It's different from the western making-offs based more on visuals. This leads me to think that Koreans are much more attentive to the meaning of the scenes and dialogues. They notice more easily details that we don't understand and are used to Korean scripts, which are now very elaborate, fine and full of correlations.
In addition to this :
- Patience! Creating eye-catching first episodes is recent. For a long time, dramas took time to pose a situation, during several episodes, before the drama became really addictive. With this habit, this audience knows the codes and can estimate the future quality of the drama, whereas a westerner will just see boring or incomprehensible episodes. Perfect example "Nine Times Travel".
- A certain form of irrationality. Korean audiences are accustomed to their drama styles, and more easily accept that a basic situation is based on unrealistic foundations, as long as the rest of the drama is coherent. Example of random drama "I'm not a robot". An ultra rich guy + an imaginary disease + a perfect cyborg created without his knowledge + cyborg face is that of the creator's ex-girlfriend + she meets the hero in a different way and by chance". It's impossible, but the drama builds on that by taking it seriously.
I think that Sisyphus is based on a rational logic with an explainable foundation (which we are starting to see now). However, the way in which the first episodes develop the script looks like something irrational. This will not bother the Korean audience.
Also, probably Penthouse is my top10 dramas. ;-)
Episode 1: Cheon Seo Jin is mad as hell.
Episode 2: Cheon Seo Jin is madder and madder.
Episode 3: Cheon Seo Jin is hysterical because she is so mad.
Episode 4: Cheon Seo Jin is hysterical to an unprecedented degree and pierces eardrums.
Episode 5 to 13: Cheon Seo Jin is hysterical to the power 3, then 4, 5, etc. up to 100.
Episode 14 to 17: Cheon Seo Jin enters super-sayan hysterical rage mode 1.
Episode 18 to 20: Cheon Seo Jin is mad with rage at super-sayan level 2 and flames of hell come out of her eyes.
Episode 21: Cheon Seo Jin increases her rage at Sayan-God level and produces a Kaioken of screaming and lightning eyes. The penthouse is disintegrated with half of Seoul.