W two worlds Season 2 sc

Episode 6 was ... damn... crazy ... good !!!!!!!!!!!
A lot of mysteries unfold. Not entirely, but it rock.
Just... FIRST scene... Time shifting !!

Im waiting for Lee Si Eon appereance as guest role.
I like this guy.
Go go go Park So Bong !!!

Vagabond didn't really make the action right. There is big holes and misteps during action scenes. But actions scenes connected with others scenes had a strong hit power about suspens. I was breathless. So good.
I say that, as I enjoy very much this drama, the screenwriters are among my favorite ones, and I'm never disapointed with them. Empress Ki writers !
As I enjoy very much Sisyphus too, here some action scenes are great, even one of the best. But some others are also big misteps. Green screen ones. There is also something else hidden is some action scenes. And when the drama unfold the plots and mysteries, maybe some weird things during some action scenes will have an explanation. This drama hide easter eggs everywhere, it's crazy !

lol, the job of all actors of this drama is a success !! ^^

There some comedy in Sisyphus. Off beat, and Tae Sul act like that.
They laugh too much on the set... At one point everybody don't want make something too serious, or not always serious. It's not my thing, but now, I start to be ok with that, and smile often.

Slower episode, in between. I take it as a "rest", like the characters of the drama, since they can "rest" for a few day, before next big battle. There is some useful informations, but not too much.

She was a super killer, now she's a princess, next she will be a war chief.
LOL, she look like a GI jane barbie girl, 3 models in one. ^^

Yes, I made a name mistake, I was thinking Seo Hae.
All this can be an infinite loop.
Seo Hae young get diary from a previous Seo Hae.
She grow and when adult come back in time, meet Tae Sul.
Then write a new diary, give it to younger Seo Hae, then marry Tae Sul, then die.
Younger Seo Hae grow and do the same.
It don't need a beggining or a end. It's always be like that and it's like that is the time continuum. There is no paradox, just a temporary mix of time.

The future is after a disaster. Disaster we know is from Tae Sul invention. So Seo Hae come back in time and try to meet Tae Sul. A previous self Tae Sul (from a previous timeloop) writed it on her diary : you can prevent war if you meet Tae Sul. But for now, we don't know if Seo Hae was born before 2020. And the wedding photo come from the future, it's Tae Sul brother bringing it (in the suitcase of plane crash). A brother from the future, maybe dead after the 10000m fall in the sky.
GOOD LUCK, and let's watch what coming next, it will be easier. ;-)

Thanks, it's quite an instructive comment.

They are not trained special forces, but top-models. Look more. :-)

Please, put it into spoiler. I avoid to read "spoiler comments", because they speak about who is pushed in the stairs episode 1. And I don't want to know!

I cross fingers for this drama don't change anything about plot, actors, editing.
Don't make audience pay for other people rumors or past mistakes if there is any.
Anyway, if some people don't want to watch the actor, it's already too late.
So, keep the drama good as it is, for people who will continue to watch it.

Why do you cry for Kim So Hyun ?
They both were lead actors of the very good drama "Page Turner".
If it were any problem with the actor, be sure she won't work with him again.

Not as dramatic than I expected, but still, the plot take a big step forward during episode 6.
Now I don't forsee War, but rather Court intrigues.

It can be said that Koreans work miracles with little. Experience and a very prolific industry. Most of the time, the difference in quality is not noticeable. In fact, many of the dramas have aesthetic qualities not seen elsewhere. Whether it's the way of shooting or the atmosphere. But it becomes difficult when it comes to producing shows that encroach on the specialization of Westerners. Such as big action scenes. There's also a difficulty in grasping this type of action. The philosophy is reminiscent of older western series, when the scenes were less realistic.

As an example the Vagabond drama. The action scenes are good (in fact, they are better than Western scenes in terms of suspense and tension, but less good from a technical and realistic point of view). There is, however, a problem of seriousness. One scene shows the characters in a car (ordinary, without armor). They are being shot at by several enemies, at medium distance, from a high position, equipped with assault rifles. The car is pierced with bullets. In such a situation, no occupant of the car could have survived. But the drama uses the (now outdated) cliché of the car as armor. It is true that the trajectory of a high velocity ammunition is not always straight or sometimes fails to penetrate a passenger compartment. But not a flood of bullets as shown in the scene. Especially since a large number of bullets could pass through the windows. So there is a naive and outdated side to some blockbuster action scenes. Whereas action scenes are better in historical dramas, even with almost supernatural movements.
Afterwards, in the case of the Vagabond, it is possible that there is a parodic side, because the screenwriters are great jokers, and they often have an offbeat sense of humor.

Especially since the screenwriters have shown an exceptional mastery to build a perfect kaleidoscope of enigmas and correlated scenes, all finely tuned and full of details. It's quite obvious that this is the kind of story that gives explanations at the drop of a hat while maintaining suspense and mystery.

Yes, it's Barret M82 or M107. Mostly .50 cal.
https://fr.wikipedia.org/wiki/Barrett_M82#/media/Fichier:Sniper_rifle_gun_range_Las_Vegas.jpg
An anti-material rifle. But you see this weapon in all movies/series as an anti-personal gun, because... rule of cool. When Tae Eul and Seo Hae take cover behind the desk, it's near useless. The shooter can't see them, but the ammunition can perforate easely this kind of material.

The drama is both slow and fast, depending it's about the 2 main characters (slow) and secondary characters (fast). I get many feel-good with the 2 main leads, while others part is like moving pieces on a chessboard. All this leading for a very dark times, war & blood, separations. More dramatics events are needed at this point.

When a scene hit the target (me!), I don't see it as a filler, but rather development.
Even here, quite natural and organic developement.
I'm looking for meaning delivered during dialogues between main and secondary characters.