Like a Yellow Box, All of the Important and Beautiful Elements Can Be Found in this Series!

"Move to Heaven" is a little gem of a series that is fulfilling and uplifting in its short 10-episode story arc. The show is like a yellow box that has all of the important things in it, leaving nothing out, and putting no extraneous or unnecessary plot devices into it.

The story is about trauma cleaners. Don't know what trauma cleaners are? Neither did I until I watched the show. Trauma cleaners are hired to go into a deceased's dwelling and clean it. Sometimes, it is not very glamorous, especially if the body of the deceased has been there for an extended period of time. But the key element of the job is to collect those important and necessary items that the deceased has left behind and give them to a relative or someone who was important to the person who died.

Han Geu-ru--who is masterfully portrayed by Tang Joon-Sang and should win every actor award that he's nominated for--is a 20-year-old boy with Asperger's Syndrome who is gifted with unique and special insight. Not only is he able to remember anything with a momentary glance, he is able to piece things together in order to learn more about the person who died. Of course, Geu-ru's world is strictly ordered, and any deviation from that order brings him into hysterics.

After his father suddenly dies from a heart condition, Geu-ru is put into trial custody under his uncle, Cho Sang-Gu, a man who's just gotten out of prison and is an ex-MMA fighter. Cho Sang-Gu is rough around the edges, to say the least, and the last thing he is initially interested in, is taking care of a nephew he doesn't give a hoot about from a brother he hated and despised. Part of the beauty of the story is in how these two grow closer together.

Move to Heaven reminds me a little bit of "Highway to Heaven." It seems like the kind of show Michael Landon would have done. The show runs much deeper than two men packing up items. In each episode, we learn how the deceased lived. There are some truly though-provoking stories of people--who may seem unremarkable--but end up being remarkable in their own, unique ways, that in real life, might not garner much attention. But we quickly learn the invaluable truth" Every life is precious. And every life has a story to tell.

Don't be surprised if a number of episodes has you reaching for a tissue or a hanky. There are many beautiful moments that will have you doing just that!

The story implores people to think about how they treat others. To think about what is really important. We see our share of greedy, selfish, and vindictive people who clearly don't give a hoot about their fellow man. Even when that fellow man is a relative. The story begs us to prioritize and remember, not only WHAT is really important in life, but WHO!

I was more than happy to see that the writers seemed to leave the door open for a second season. Ten episodes went by a little too quickly for me. But it's also a series that I loved so much that it invites repeated viewings.

In short, the world desperately needs more shows like this one!

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"Ships Are Safe in the Harbor, But That Is Not What Ships Are For!"

This is a fascinating character-driven series that I feel that many people will be able to relate to. So many people have suffered unimaginable suffering that they choose a life of solitude in order to prevent something like that from ever happening again. In short, the "defense mechanism" kicks in and the walls go up.

We have two such characters in Nan-Do Ko, and So-yeon Han. Nan-Do is so traumatized by his mother's suicide, that he prefers a world of computers. He locks himself away, immersing himself in his latest project: an AI.

So-yeon is also traumatized, but for another reason in which her memory blocks out the event and also causes her to have facial-blindness, also known as prosopagnosia. In short, she is incapable of recognizing someone by their face. To her co-workers, she comes off as cold and rude because of this.

Little do we know that Nan-Do's invention brings a light to So-yeon, who is pretty much a social outcast. She spends her free time up on the roof of her apartment building, drowning herself in alcohol...her only means of coping with an essentially empty life.

We also find that there is much more to the story than meets the eye, as a tragic event is responsible for Nan-Do and So-yeon's current states of self-loathing.

So then, how are two anti-social people able to come together? You can only imagine the bumps and pitfalls of two people ineptly attempting to navigate the social awkwardness that exists between them, despite their obvious feelings for each other. Uniting them is Holo (Nan-Do's AI) who is only able to express himself honestly as well as unconditionally. In short, he is what many humans aspire to be--not only for themselves--but also for each other. Holo is the ideal version of the best version of a person, no matter how unrealistic he may be.

Love is the simplest thing in the universe, and yet our egoic minds make it the most complex thing in the universe. It requires us to take a chance. It requires us to have trust and faith. And it requires the ultimate form of courage: to be absolutely vulnerable.

Would people love to have their own "Holo?" Of course! But that is not a relationship. It's a fabrication for those who wish to play it safe; for those who do not want to risk being hurt; for those who wish to remain safely entrenched within their walls; for those who prefer to remain in the harbor. It's funny and sad how much our technology today has crippled people's ability to communicate genuinely face-to-face.

"My Holo Love" is only twelve episodes long, but they are rock-solid episodes! I was grateful that the writers didn't attempt to stretch things out.

Performances are fantastic across the board. Especially from Hyun-Min Yoon, who must be given the highest accolades for being able to deftly play two distinct characters. That is not nearly as easy as many people might believe.

My only issue was that the "stage" was almost too small. Such a technological breakthough would not only bring notice from a rival company as well as local law enforcement, but would easily bring the scale to nationwide attention. The National Intelligence Service as well as the government would undoubtedly be involved as well. Still, this is a minor point as the story is well written.

I was also pleased that we didn't get the typical, cliched storylines involving the romantic aspects of Nan-Do and So-yeon that tend to flood most Korean romantic dramas. It not only felt fresh but also much more realistic. I'm glad that there are writers who are still able to think outside the box in this regard.

If you want to immerse yourself in a wonderful series, you really can't miss with this one!

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Rock Solid Romantic Comedy With an UpLifting Message!

This is my first foray into Filipino cinema, and I wasn't disappointed. A great story and wonderful chemistry between Kathryn Bernardo and Daniel Padilla make this a wonderful film. Little did I know that these two have collaborated on several movies and are an "item" in real life. Makes sense.

Jackie is an angry young woman who doesn't like her life or anyone in it. Her dream is to go to New York to study photography in order to leave home. However, she is unable to stay out of trouble and ends up in jail. Her mother pleads with her father to let her come to a small, rural village to do some volunteer work for a week. Her father relents, against his better judgment.

Kiko is a responsible young man, who finds himself caring for his younger siblings while his irresponsible mother is out galavanting with any man she can find. He is also one of the coordinators for the program that provides help to the village.

Jackie sees only what has been done to her. In short, she plays the victim. One can understand her anger and resentment once her mother confesses what happened to her when she was young, but Jackie has trapped herself in a miserable situation. Playing a victim will always do that. Kiko, however, who has a number of challenges of his own, elects to fight through them. He doesn't play the victim, which demonstrates why he's a much stronger and more mature person.

Of course, Jackie is resistant to the volunteer program, and even devises plans to escape. Once locked in, she finds herself in a village without electricity, so she can't be on her phone 24/7 as she likes.

I'm a former Peace Corps volunteer, and there is nothing quite like having all of your luxuries and comforts stripped away, which forces you to deal with whatever is in front of you. Jackie learns this lesson as well. She learns quickly that there are people out there with much tougher situations than she's got. In short, she finally begins to mature and grow up. In short, service to others can induce a powerful healing, which is exactly what Jackie needs.

The film is truly beautiful in how the volunteers work with the villagers. So much of it reminded me of my own service. However, the film doesn't end there. As one easily surmises, it becomes evident that Kiko and Jackie have developed feelings for each other.

It is here that I wish the film hadn't decided to use a cliched scenario to set up the "big ending." Too many films do that. I thought that the confrontation between Kiko and Jackie, when he didn't show up for the wedding, would have been perfect, followed by family resolutions after that. I would have been much more practical and unique. However, I can't complain as the movie still works very well. Still, my heart (and my favorite part of the movie) is when they are together at the village.

And I also have to love one of my favorite songs from my high school days, Starship's "Nothing's Gonna Stop Us Now" and how it's used so brilliantly. I'm looking forward to watching more films like this one!

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Dare to Fulfill Your Dreams!

There is only one person who stands in the way of fulfilling your dreams: you. Anyone who tries to be an obstacle to your dreams is probably not someone you'd want to be in a relationship with. The person you do want to be in a relationship with is someone who believes in you; not only will they not stand in your way, they'll encourage and empower you to do whatever it takes to make your dreams come true.

Ethan is a young, hot-shot producer of shows. He's eagerly awaiting a promotion to production manager, that he feels that he's entitled to and has earned. However, to his disappointment, the job is given to someone else. He's told that the one area he's not very good with, is working with people. He's sent to Bacolod, a small town where he's told that if he can produce a successful show, then he will get the production manager job.

Audrey is a warm, caring young woman who dreams of making shows. She uses her small video camera to record everything for her boyfriend, Tristan, who has been comatose from an accident for over 150 days.

We learn that before the accident Audrey had a chance to go to Manila to learn about making shows. Tristan, of course, objected. In fact, we quickly find out that Tristan is a very controlling boyfriend who spends much of his time telling Audrey, "what to do" and "what not to do." However, it is clear that Audrey loves him...until she sees love for what it truly is!

Love is never about control. It is never about possession. It is about giving the other person the freedom and the space to be who they are. Ethan shows Audrey this type of love. Audrey, of course, is torn between her newfound love for Ethan and being true to Tristan.

Now, one might think that things become a bit cliched at this point, but that doesn't really happen. What makes this story work so well is that Ethan demonstrates and unconditional and selfless character who will simply do the mature thing; the right thing. They say that love conquers all. Well, Ethan is certainly an example of this.

There are a number of touching moments throughout the film, and I love the fact that Tristan is shown as being a "bad" guy. He's not. Despite his ignorance, it's hard not to sympathize with him.

The performances are all first-rate, and you end up feeling good about having watched this film. While many people believe that love is about being true to your partner, it's even more important to be true to yourself. And never let anyone or anything stand in the way of your dreams!

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Rock Solid, Entertaining Show...Until the Very End

Eun-Sook Kim hasn't failed me yet. She is a master storyteller, focusing on deep, rich characters and plots. "Mr. Sunshine" is still her masterpiece with "Descendants of the Sun" just a hair behind it. "The King: The Eternal Monarch" is another great series, even if it doesn't quite hold up against the other two. I still enjoyed it.

I give props to any writer who attempts to tackle "time travel" as a major plot device. It's not easy, and there is so much to keep track of. The best ones tend to provide the best and most feasible explanations. The worst ones tend to make the viewer believe that the writer had no clue how to write using time travel. In my opinion, "Star Trek" and "Star Trek: The Next Generation" always did the best job when it came to stories regarding parallel universes.

The story centers around Lee Gon, King of the Kingdom of Corea, which we quickly find out, is a parallel world to the world that we know. His half-uncle (Lee Lim) seems to be plotting the overthrow of the current king--Lee Gon's father--but we find out that his true aim is to possess a flute that gives the wielder the ability to crossover into those parallel worlds. The coup attempt leaves Lee Gon's father dead, Lee Gon half alive as a young boy, and Lee Lim escaping. However, both are in possession of half of the flute (as it was cut in half), giving Lee Gon and his uncle the ability to crossover.

We find that Lee Gon grows up to be a genious in Quantum Physics, giving him the ability to use mathematical equations to access parallel worlds at various points in time as well as calculate the pitfalls of he and his uncle only having half the flute. Somehow, Lee Lim--not being a Quantum Physics genius--is able to remain a step ahead of his half-nephew.

Lt. Jeong Tae Eul is a young detective in the violent crimes unit as a black belt in Taekwondo. She is the first to come across Lee Gon when he crosses over into the Republic of Korea. Of course, she was immensely skeptical of him when he tells her who he is and where he is from.

Once again, we are provided with rich characters and fantastic actors to play them. Min-Ho Lee (Lee Gon) and Go-Eun Kim are the leads, and it's clear that their chemistry is what helps to drive the story. All of the supporting characters are great as well. The fact that nearly every actor has to play their main role plus their counterparts, was done seemlessly!

It can be a bit challenging keeping track of all the characters and their counterparts, as each character also has a different name in the parallel world. I also wasn't satisfied with the ending. It was as if Eun-Sook Kim tried to find a middle ground for the ending. Would Lt. Jeong Tae Eul become Lee Gon's queen and go to live in his world? Would Lee Gon give up his kingdom and go to live in Tae Eul's world? Both aren't likely, despite the deep love that they have. I know people tend to love "happy endings" so instead, we have both characters spending weekends traversing the multiverse and visitng various parallel worlds. Funny how Tae Eul always has weekends off, despite being a detective, and Lee Gon can simply leave his kingdom whenever he chooses. Nice ending? Sure. Realistic one? No. This wasn't like "Crash Landing On You" in which the two are separated by a wall and have no choice but to make the best of it. This is finding a "happy solution" rather than the "right solution."

Still, I wouldn't let the end prevent you from watching this series. Korean Dramas are fantastic at giving us good characters and good plots that keep us invested and longing to watch the next episode. You won't be disappointed by this series at all.

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One of the Best Shows I Have Ever Seen!

I have been watching movies and shows for over forty years. And, yes, this show is THAT good! After watching "Descendants of the Sun" only a couple of years ago, I was wondering how long it would be before another grand series came about; a series that resonates with the heart and soul; a series with a crisp story and fantastic performances by the actors. And along came "Mr. Sunshine."

I can only think of a couple of series that are on par with "Mr. Sunshine." "Band of Brothers" is one and "Descendants of the Sun" is another.

What is truly sad is that much of the world is quite ignorant when it comes to Korean history, I'm sure. It's a country that always seems to be at odds with Japan, and sometimes China and Russia as well. Its turbulent history has too often been plagued by invasions or other countries attempting to gain control of the small peninsula.

"Mr. Sunshine" tells of the time when Korea was, once again, fighting against Japanese occupation in the beginning of the 20th century. With virtually no real army to speak of and a king with little power on the throne, Korea or "Joseon" found itself relying on rebel guerilla tactics to try and prevent the Japanese from a complete takeover.

Several characters find themselves unknowingly intertwined with each other at the outset of the series. One boy finds himself quickly orphaned and making his way to America to begin a new life. He returns to Joseon years later as a U.S. Marine Captain. Little does he know how the turn of events would pull him into the conflict between his previous homeland and Japan.

The story's focal point is on three men who all happen to have feelings for the same woman, Go Ae-shin; a woman with a background as terrible and wrought with horror as the marine captain's. And yet, she is the heart and soul of the rebel forces. It is admirable and captivating to see this woman spearhead the rebellion, as well as her willingness to do whatever it takes to help her country. Tae-Ri Kim is perfectly cast, giving Ae-shin tremendous depth and complexity to her character.

The cast is simply magnificent from top to bottom. Every role, no matter how large or small, is handled with immaculate precision and depth. However, there is, to my mind, one who stands out just a hair above the rest. And that is Byung-Hun Lee as Eugene Choi, the marine captain. The man has a regal distinction that very few actors in history have been able to pull off with such ease. He may appear to be emotionless in many of his scenes, but to make such an assumption would be wholly inaccurate. I've said many times: an actor/actress who can say more with their eyes than with words, is a true master at their craft. Byung-Hun Lee is such a performer. I cannot imagine anyone else playing this part with the integrity and depth that he brings to Eugene Choi.

This is quite literally a "Do not miss!" series. With 24 episodes, each at about 75 minutes each, you are in for a wonderful treat. This is a show to savor. One might be wishing to quickly move on to the next episode, but I found myself stepping back and letting each episode soak within me instead. Like a perfect French dessert, you relish taking your time and savoring each bite. This is such a series.

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A Truly Loving And Unique Romantic Series About Life Itself!

What is the difference between creation and destruction? Is there a difference? Can one exist without the other, or they merely two sides of the same coin. For creation to occur, there must be destruction, at some point, and the same can be said of destruction. A star is born from material from a supernova, which is the death of a star, which provides the basic building blocks for creating new stars.

In The Lion King, we get a similar explanation for the Circle of Life. Lions eat the zebras, but when lions die, it creates the necessary components for zebras to be able to live.

It has been said that “God” is the Alpha and the Omega, as well as being neither the Alpha nor the Omega. In the Hindu religion, you have Vishnu (God) who creates Brahma, which is the creative force and Shiva as the destroyer. In short, what this is about is Life itself. And this is what this series is about.

Tak Dong Kyung is a young book editor who finds out that she has an inoperable brain tumor and that she only has a few months to live. A young woman with her whole life ahead of her, in her anger and despair, wishes for doom to fall upon the world. What she doesn’t anticipate is Doom responding. And much to her surprise, she finds herself the object of Doom’s interest. He is the destroyer, the entity who makes things disappear, as he puts it in order to maintain the balance of Life. However, Doom’s response plays an integral part in his story as his fate as well as Tak Dong Kyung’s are now tied together.

Doom promises Tak Dong Kyung that the remaining 100 days of living will be painless so long as she wears a small, red, string bracelet. The more time that Doom spends with Tak Dong Kyung, the more he becomes enamored with her, and she with him. As an entity, he has no need to eat or sleep, and he is also able to hear the thoughts of people around him. He also professes that he is incapable of love, although we begin to doubt this claim as the story progresses.

Meanwhile, a lone, young girl occupies a small hospital room, and she appears to be ill. However, we soon learn that she is the one who created Doom in the first place, and she has a mysterious pot with fertilizer but no plant. She waits patiently to see if it will bloom for her Garden. The girl represents “Life” or “Vishnu” or “God.” She represents the Observer and the Observed. Her sole desire is for the happiness of humans and nobody—not even Doom—is beneath or notice or her love. She recognizes and even acknowledges that Doom is a necessary component of Life, but even Doom is given the greatest gift: freedom of choice. He can choose to remain as Doom or “fall” and eventually become human.
Meanwhile, Tak Dong Kyung, who appears to be a strong woman, finds herself facing her own mortality, and it is with Doom’s help—despite him being a force of destruction—still possesses wisdom. As with many people upon finding out that she has a terminal disease, Tak Dong Kyung runs away, and vows never to love anyone. Even Doom knows that this is a supreme act of cowardice and that a person who cannot love, is essentially dead already. This forces Tak Dong Kyung to finally cry out, “I want to live! I want to live and love everyone!” which is an incredibly touching and powerful scene.

Equally powerful is the moment where Doom and Tak Dong Kyung must make a choice: either she dies and secures his place as Doom, or she lives, and thus makes Doom inconsequential or non-existent. Doom sweetly takes the burden from her, as he states, “I am here to save you and to ensure that you live.” And in an act of supreme, unconditional love, Tak Dong Kyung is spared the awful prognosis that had awaited her. But, at what cost? Before he disappears, Doom implores her to live and be happy no matter what, and she does her absolute best to do this.

Having faced her own mortality, Tak Dong Kyung has acquired some Life wisdom of her own, telling her indecisive friend, Na Ji Na, that she doesn’t need more time, she needs courage because you never know how much time you have left. And perhaps, for the very first time, she is able to open up and profess her love for Doom as well as for her family. It’s ironic how many people in this world are literally afraid to love, and yet, it is the only way in which true happiness can be experienced.

Aside from being an incredible love story, this series is a deeply moving and engrossing spiritual journey as well. “God,” “Doom,” and “Tak Dong Kyung” make up the trinity that exists. We find that “God” is not fearful or vengeful, nor is She a dictator requiring unswerving loyalty and obedience. She is the Loving Mother who only desires the best for all humans everywhere. And her love is no less even for those aspects—like Doom—who are simply there to be a vital process of Life itself. She tends a Garden of a sea of flowers, which is a representation of all humans. She is sweet and loving, but also non-interfering, knowing that each person must walk his/her own path. Such is the power of the freedom of choice.

Bo-Young Park is one of my all-time favorite Korean actresses. She was among the first I experienced when I began my foray into K-Dramas, and she’s never disappointed. First with “Oh, My Ghost!” and then “Strong Woman Do Bong Soon.” She’s fearless in her display and expression of emotions. What she feels, we feel. She can also be cute and sassy.

While the rest of the cast is superb, Seo In Guk (Doom) and Jung Ji So (“God) are equally dynamic in their respective roles that truly make this series work.
This isn’t just a feast for romantics, but a magical journey that just might give you food for pause regarding your own beliefs regarding Life and death. Life has no opposite. The opposite of Death is Birth. Life is endless.

In truth, I’ve never seen a series like this one, and it certainly did not disappoint. The writing, directing, and acting were all first-rate. It is a truly touching, poignant, and moving experience to watch this series. And perhaps, the series begs the viewer to ask the question: are you living Life? Or are you simply caught up in the current of Life? Yes, there is a difference.

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Impeccable Series--Nearly Ruined by Writer Park Jae Bum!

I’m not sure how many times I have to repeat myself. I’m a writer of eight novels, and one of the most basic elements of writing is that you never sacrifice character for the sake of the plot. In other words, you don’t make a character do something that goes against the character in order to make the plot work. And writer Park Jae Bum makes a very rookie mistake in Episode 19 that carries over into Episode 20.

For the most part, Vincenzo is an impeccable series that is nearly flawless until those terrible 20-25 minutes—the end of Episode 19 and into Episode 20. We are extremely fortunate that this doesn’t ruin the series. As I said in the series “Mad For Each Other,” if you ruin the ending of a series, you destroy the series itself.

Vincenzo is a character on par with Jason Bourne or dare I say it—Batman (the comic character, not the live-action depictions) in which he’s like a grandmaster chess player. He’s always two or three moves ahead of his enemies. He’s also a master of assessing a situation and making the smart choice, not to mention his nearly infallible ability to predict what will happen next based on his enemies’ last move.

Choi Myung Hee has just arranged for herself to take the fall for Jang Han Seok. Despite the fact that we know why she’s doing it, it should be equally obvious to a character like Vincenzo. And yet, neither he nor Hong Cha Young can see the obvious: that it’s to get Jang Han Seok out of prison. That was rookie mistake #1 by Park Jae Bum

Jang Han Seok has abducted Hong Cha Young and Vincenzo is purposely brought to Jang Han Seok’s house in order to kill him. During the ensuing struggle as Jang Han Seok’s brother—Jang Han Seo—jumps him. Rather than helping Jang Han Seo subdue Jang Han Seok—who has a gun—Vincenzo rushes to free Hong Cha Young instead. Vincenzo would never do that. He would realize that the best way to keep Hong Cha Young’s safety—as well as Jang Han Seo—is to help Jang Han Seo take out Jang Han Seok. Now, if in the ensuing struggle, Jang Han Seok manages to escape, that’s all right. But I sighed with disgust when Vincenzo rushes over to Hong Cha Young instead. He would know that the best way to protect her would be to disable and take out Jang Han Seok. That was awful. And again, it’s something Vincenzo would never do. It goes against the intelligence and nature of the character himself.

Things briefly go from bad to worse as Vincenzo, who is now tending to the wounded Hong Cha Young, is literally watching the two brothers struggle with the gun—and only a few feet away—he still doesn’t rush to help Jang Han Seo. He sits and watches. Again, I was rolling my eyes with disgust at how ridiculous the entire scenario played out. It was obvious that they wanted Jang Han Seok to escape to set up the showdown for the rest of Episode 20.

As I said, the series was running smoothly, for the most part. Aside from some inconsistencies from the residents of the plaza and their fighting abilities as they go from an inability to fight to suddenly being experts, even though the so-called boxing winner can’t even throw a punch mirroring an actual boxer (a true boxer would know how!) the series runs like a fine oiled machine.

One more small issue--which most movies and shows take extreme liberties--is moving the gold bars. We see the bars being put into a piano, taken around in pockets and bags, sometimes 3-4 bars at a time. Gold bars weigh over 27 pounds each! (12.4 kilograms). While it made for some funny moments, it was highly unrealistic.

It's difficult to pen down the actual genre of this series, which often plays out like a black comedy and then transitions into a drama-thriller and then back again. I’ve marveled at the Koreans’ ability to fluctuate and do it seamlessly. It speaks to the genius of their writers, despite Park Jae Bum’s lapse in judgment and writing ability.

Vincenzo is a Korean-Italian consigliere—essentially one of the highest ranks in the mafia aside from the head man himself. He makes no apologies for his methods of dealing with those who would prey upon the weak and the helpless, and he brings his own sense of “justice” to bear against anyone—from lowly thugs to those sitting in power, bathed in corruption. Little do these people in power know who or what they are up against, nor do they realize what Vincenzo is capable of until it’s too late. It’s like watching very good chess players who think they can hold their own—finally meeting their match against a grandmaster. Vincenzo easily exposes their inabilities, and they find out soon enough that Vincenzo isn’t someone who makes idle threats. He means to do exactly what he says he’ll do. Jang Han Seok and his nasty den of lieutenants look at Vincenzo and laugh as though he’s just some character in a movie. But he outplays them and outdoes them at every turn.

“24”’s Jack Bauer—a special field agent for the Counter-terrorist unit once tells a panel of senators, “It’s sad that we live in a world where someone like me is necessary to do what needs to be done.” Vincenzo is of the same ilk. The higher-ups in corporations and political machinations believe they are all but untouchable and that they can do whatever they want. Someone like Vincenzo is able to prove to them just how wrong they are. But it also takes someone like Vincenzo to deal with them in complete and unforgiving ways.

I have always marveled at characters who are smart. I love Jason Bourne because of his ability to outthink his opponents. Batman is the same. And Vincenzo has those same qualities. Oh, he can fight and hold his own, but it’s his wits that make him formidable and such an iconic character. Song Joong Ki masterfully plays Vincenzo—who at times—seems light and almost playful, and other times as an absolutely scary opponent you would never dare cross if you understood him and what he’s capable of doing. He doesn’t play Vincenzo as a simple thug. And despite his background, Vincenzo becomes attached to the people of the plaza and will do whatever it takes to protect them. He calls himself a “villain” and yes, he often comes across that way, but he’s essentially a good man who simply finds himself using terrible methods to get the job done. Much like Jack Bauer, as I stated above.

The entire cast was nothing short of fantastic, and if it had not been for the major letdown of those 20-25 minutes, this series would have easily been a “10” for me. But, alas, those minutes put a big dent into a story that was running along so smoothly and so effortlessly. It’s just too bad that the ball was dropped temporarily. Still, it doesn’t torpedo the series, and it’s definitely worth a look. It’s not as great or as tautly written as “My Name” or “Stranger” but it’s most certainly good enough.

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South Korea is the New Hollywood!

All Hollywood can do anymore is give us CGI-fest films with no depth in character or story, or remakes that are almost all worse than their originals. Typically, the films tend to mirror the demands of their audience; people who can barely sit through anything that actually requires some attention.

Korea gives us a great space story that is a bit of a mixture of Wall-E, Firefly, and Blade Runner. The film also gives us a great balance of story, character, and action. Why does the story work so well? Because like all great storytellers, they focus on the story and the characters.

George Lucas once stated, "a film with special effects and no story is a pretty boring thing." Funny how he would actually end up going against his own proverb, and it is also true of what has happened with much of western filmmaking, as stated above.

The film also has a lot of heart, which will make the viewer all the more appreciative that it isn't just an action movie. This is enhanced by veteran actors like Joong-Ki Song (Descendants of the Sun) and Tae-Ri Kim (Mr. Sunshine) as well as Jin Seon-Kyu.

The movie isn't perfect, but if you want a good story, some laughs, and some great action sequences, you won't be disappointed.

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Why Autopsies Are So Necessary!

This is a fascinating look into the jobs of coroners and forensic scientists in Japan, where the fewest amount of autopsies are recorded of all developed countries in the world. Most death reported as “accidental” or by “natural causes” are never autopsied, thus leaving the door wide open for murderers. You can’t help but speculate how my deaths might be attributed to murder. Most bodies are cremated before they can ever reach an autopsy table, and there are many hurdles that must be jumped through, such as getting family consent.

Misumi Mikoto is the idealist coroner who firmly believes that her job brings piece of mind as well as closure and truth to the cases she works on. She works at UDI (Unnatural Death Investigations), a company subsidized by the government. They don’t necessarily work on police cases but as a private company that is paid by people who want further investigations done. She is the #2 coroner with a troubled past. While her job doesn’t pay much, she’s very good at what she does. She also tends to wear her heart on her sleeve.

Mr. Nakado is the #1 coroner of the group, and we find out that he’s been suffering in anguish for over 8 years since his girlfriend was found dead in a scrap pile. He somehow performed the autopsy himself (not sure how anyone would be able to do that). After finding a “goldfish” imprint inside of her mouth, he firmly believes his girlfriend was murdered and possibly by a serial killer. He tries to check every body he can find for the same “goldfish” evidence with the hope of catching the killer. He barks at everyone, notoriously renowned for calling people, “stupid.” He’s incredibly smart and gifted despite his sour demeanor.

Finally, we have Kube Rokuro who is the new part-timer, who has a desire to be a forensic doctor. However, we quickly find that he’s working at UDI under false pretenses (selling the secrets and stories of what happens at UDI) to a local newspaper, which acts more like a tabloid. However, after finding himself engrossed in the job as well as being smitten with Dr. Mikoto, we begin to wonder how Rokuro will be able to get out of his dilemma, if at all.

The series is an important one. Japan is a generally peaceful country where people try their best to live in harmony. They don’t like to “rock the boat” and will do nearly anything to maintain that harmony, even it means avoiding any kind of confrontation. However, true harmony can never be achieved by turning your back to what is going on; by avoiding confrontation. How can harmony be experienced at the expense of others? I can’t be. It’s an impossibility, and this is largely the reason why this show exists. With only 170 coroners in Japan, they’re desperately trying to get more as well as to change the government policies surrounding autopsies and why they are so vitally important.
While the serial killer story was a fascinating one, my favorite episode was actually the bullying, or as the boy rightfully called it, “Death by Bullying.” This was an especially powerful episode that brings a world-wide problem to the forefront. The UDI group race to solve the “murder” of a young high school teen in order to prevent the death of another. However, we quickly find that nothing is as it seems, and the school as well as the other students involved, realize their horrible mistake; allowing the bullying to happen. Yes, where bullying takes place, everyone is involved, and everyone is responsible. I truly hope people take this episode to heart.

There was only one season of this fantastic show, which is easily better than any “CSI” series I’ve seen, and should be given more seasons. I sure hope a second season is in the works! Not only is the science fascinating but you gotta love the people of UDI!

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Don't Think. Feel!

Charlie Chaplin, in his famous speech from The Great Dictator, wisely stated, “we think too much and feel too little.” Perhaps there is nothing so powerful a tool as the mind, nor is there anything that causes so many problems. This is why Bruce Lee told his students, “Don’t think. Feel.” The mind is like a merry-go-round. All it knows how to do is think and react to everything. We all need to follow our hearts and intuition more and think less. And the biggest catalyst to getting stuck on the endless stream of thought, is playing the “what if” game.

People don’t realize that when it is a soul’s time to pass, there is nothing in the universe that can stop it. There is nothing that can be done to prevent it. It is simply that person’s time. Grief, however, is a peculiar thing. It is a necessary process toward letting go and saying goodbye, and yet it can also induce a person to come up with irrational situations and scenarios; to take responsibility and blame where none have ever existed. Hence, the danger of the “what if” game.

I remember when my father passed away in an accident. Of course, I found a reason to blame myself for it, even though I had absolutely nothing to do with it at all. It took ten years of heartache and needless suffering before I realized the truth. In many ways, I could relate to Gong Woo Jin who believes himself responsible for a horrible bus accident that he believes has killed the girl he loved 13 years ago.

Gong Woo Jin lives as a recluse, closing himself off to virtually all human contact. He often ignores others and gives very clipped responses to questions. This is what happens when a person barricades themselves within the walls of guilt. The irony is that those “walls” are mere fabrications. They only exist within our own minds, and tragically, this is where Gong Woo Jin lives.

Woo Seo Ri is a vibrant young woman who wakes up from a coma after 13 years. She was only 17 when the bus accident occurred, so in many ways, she has the mindset and maturity if a 17-year-old girl. She finds herself transported into the future where everything is different. She feels like a foreigner suddenly dropped in the middle of a city without any idea about how to function. She is very much a fish out of water.

Fortunately, Woo Seo Ri comes across Yoo Chan, who also happens to be Gong Woo Jin’s nephew, and living in the same house where Seo Ri grew up. Yoo Chan is a 17-year-old high school kid who is thoughtful, considerate, and works very hard athletically. The irony is that none of them knows how they are all connected to the past, which includes the monotonal housekeeper, Jennifer, who always has wise and profound idioms and quotes to pass along. And yet, she behaves like a robot. We also find out later why behaves this way as well as her own connection to the past.

Seo Ri spends much of her time trying to find out why her aunt and uncle abandoned her at the hospital. Gong Woo Jin is simply trying to eke out some kind of existence with a design company. Hilariously, he takes measurements of all kinds of furniture so that he can create them to scale for small models, often upsetting or causing fights with people sitting on a park bench or, in one case, seeming to take liberties with another man’s girlfriend. And Yoo Chan finds himself smitten with Seo Ri and gives him a goal: if he wins the rowing race, he’ll share his feelings with her.

This is an especially touching series that demonstrates just how dire and destructive guilt can be. Woo Jin suffers severe panic attacks when Seo Ri says or does something that reminds him of what happened on that fateful day. He is so wracked with guilt that he can’t breathe or even keep his feet without struggle. There is such sweetness in the young Woo Jin and how much he adores the 17-year-old Seo Ri, even though he hasn’t a clue of who she is, and Seo Ri wearing her best friend’s name-badge only complicates things even more.

Of course, as with so many great K-dramas, what we are shown is only half the story, and when we find out the whole truth later on, we can see how unique a person’s perspective is, but also how one perspective isn’t always the whole perspective! The reveal portion toward the end of the series is infinitely touching and we can only appreciate the enormous hurdles and obstacles these two souls had to endure in order to be together.

I’ve been a huge fan of Shin Hye Sun for a while now, but in many ways, it’s Yang Se Jong’s performance that really seals things for this series. He really makes us feel the angst and pain with his eyes and the emotions on his face. I’ll wager that it wasn’t an easy thing to do, and he does this multiple times throughout the course of the series. He is so believable that half the time, I wanted to jump through the screen to try and console him. When he finally breaks down in absolute despair as he’s confessing his supposed “crime” to Seo Ri, it feels as though his very soul is screaming in agony.

I was glad that the series focused on Seo Ri, Woo Jin, and Yoo Chan without delving or contriving some ridiculous melodrama or love-triangle. The writers kept the focus on Seo Ri trying to navigate her new world, Woo Jin struggling with his guilt, and even Yoo Chan’s experiences of a first crush. All three characters are realistic, likable, and relatable.

It was stated that when a door to happiness closes, we should be looking for another door to happiness that opens. As long as a person pursues this course, happiness will be eternally elusive. As long as you believe you must be doing something in order to be happy, you’ll never find it. And when you do find it, it will be brief and then evaporate. Socrates from “Peaceful Warrior” stated, “Most of the world shares your pain. When you don’t get what you want, you suffer. And even when you get exactly what you want, you still suffer, because you can’t hold onto it forever.” The key is to BE happy. When you are able to be happy—which exists only in the moment—then any outer situation will have no power over you; it will never be able to quell that happiness that you already are. You have to BE happy, not DO happy.

And this is why Bruce Lee said, “Don’t think. Feel.” Happiness can, and never will, exist in the mind. It can only be felt and experienced within. And when you can make choices and decisions from a place of “being” you will be surprised to find that the whole world suddenly opens up around you.

13 years of suffering is what Seo Ri and Woo Jin had to undergo because of too much thinking and not enough feeling. Remember that pain is inevitable, but suffering is optional. And we must all try our very best not to get on the “what if” merry-go-round which leads to a needless, endless cycle of suffering—until we change our minds.

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Dare To Take Risks!

This is a series that finally looks through the looking glass from the other side. Instead of having one or more characters coming from wealthy, prominent families, we have four people in their late 20s struggling to make ends meet, just like most of us. What makes this series work so well is that you can relate to the characters.

If you want to get anywhere in life, risks are necessary. Vulnerability is necessary. Those who play it safe never truly get anywhere, and this series is about fulfilling your dreams and taking that big first step outside your comfort zone that just might lead to something great. Complacency and settling are the only true enemies to success. If you have a dream, you have to go for it and let nobody stand in your way. Teddy Roosevelt once said, “far better is it to dare mighty things, to win glorious triumphs, even though checked by failure than to rank with those poor spirits who neither enjoy much nor suffer much, because they live in a grey twilight that knows not victory nor defeat.” This series emulates this truth.

Ko Dong Man is a disgraced MMA fighter, who finds himself doing odd-jobs just to make ends meet. Of course, he hates his jobs, but perhaps not as much as he hates his abusive boss. Still, he knows that he’s not doing what he loves: being an MMA fighter. And he finally decides to go back to it. His best friend is childhood friend, Choi Ae Ra whose loves for Ko Dong Man is only matched by her overbearing, temperamental demeanor. She often acts more like a mother than a friend. Choi Ae Ra is a woman who is also stuck in a rut, working a thankless job at a department store. Her dream is to become an announcer.

Kim Joo Man and Baek Seol Hee are in a six-year relationship and are basically living together as well as working at the same company. However, they aren’t married yet as Joo Man believes that he needs to be able to provide a better life for Seol Hee, even though it’s apparent that Seol Hee doesn’t care about that. Joo Man and Seol Hee share a sweet relationship that has, perhaps, gone a little stale. This leads Joo Man to make some unwise decisions when a female co-worker shows interest in him. Unable to see the situation for what it actually is, he falls into the traps laid out for him by the co-worker.

All four characters find themselves navigating the pitfalls of jobs and romance as they struggle to eke something out of the dreams that each of them has for themselves. Is it possible? Isn’t it safer to just continue to work in a meaningless occupation where neither passion nor fulfillment exist? You might be surprised how many people actually believe that it’s better to play it safe. I’ve even heard parents tell their children this.

There is only one Adrian Balboa. I’m talking about Rocky Balboa’s wife who hated the fact that Rocky was a boxer and routinely got hurt. However, after going through her own fears, she understands that she hasn’t the right to stand in the way of her husband’s passion and dreams. Nobody has that right.

Choi Ae Ra is a woman who loves Ko Dong Man, but she hates the fact that he is an MMA fighter. It’s understandable. How can someone stand by and watch someone they care about continuously get hurt? She can barely watch the fights that he’s in, and most of the time, she is paralyzed with fear that she’s left in tears. It’s not for everyone. However, Choi Ae Ra makes the mistake of giving Ko Dong Man an ultimatum: give up fighting or lose her. This is an unfair and completely selfish demand. If a person can’t handle being around someone else due to their job (military, policeman, etc.) then that person has every right to step out of that world, but don’t ask that person to give up being who they are. I was thrilled when Ko Dong Man refused to give in to her ultimatum and stuck with his dream. After all, he’d already quit on his dream once. Understandably, he can’t do it again.

The cast is first-rate, with Park Seo Joon (Ko Dong Man) and Song Ha Yoon (Seol Hee) being the standouts for me. This is the fourth time I’ve seen Park Seo Joon, and he brings his boyish charm and great sense of humor to his roles. This one is no exception as he virtually steals every scene he’s in. We laugh and cry with him. Song Ha Yoon is the same for me. As much as I like Kim Ji Won, Song Ha Yoon has a veritable sweetness and childlike vulnerability that is captivating. When she is crushed due to Joo Man’s betrayal, she makes us feel it. She is also the more mature of the two female leads.

The series is quite light without any serious drama or any ridiculous love-triangles. We do have Park Hye Ran who keeps trying to get her ex-boyfriend, Ko Dong Man back, but after already been burned once by her, he shows absolutely no interest in her at all. I was relieved. I nearly cringed and said, “Oh, no! Not another love-triangle!” As much as I like K-dramas, they do tend to milk the “love triangle” a bit too much.

I was also pleased with the more mature approach to the relationships. After six years together, it makes perfect sense the Joo Man and Seol Hee are living together. And while we have just a few awkward moments between Ko Dong Man and Choi Ae Ra, it also made sense that they would have a desire to spend the night together. “We’ve known each other for 20 years! How much slower do we have to go?” they ask. It added charm and realism to their situation, which always felt natural rather than awkward. I also tend to cringe in dramas where any act of intimacy (even just hugging or kissing) is treated like a crime is about to be committed. I will say that the scene where Ko Dong Man and Choi Ae Ra accidentally fall asleep in the hotel room together was absolutely hilarious!

I absolutely love how expressive Korean actors and actresses are, especially when you get really good ones like these four performers. You feel everything they feel, and there is no shame in the expression. We see just how crushed Joo Man is when he breaks down in tears after realizing that his naivety has disastrous consequences, or Choi Ae Ra’s reaction to Ko Dong Man getting seriously hurt in his fights. I love how these actors are able to tap into those emotional wells as it makes it all so real and poignant.

If you’re looking for something light and fun as well as something that you’ll likely relate to, you really can’t go wrong with this fun and delightful series!

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All Things Must Pass

There is one constant in the universe: Everything changes. Nothing stays the same. All “Goodbyes” are temporary. Shakespeare may have said it best: All the world’s a stage and all the men and women are merely players. They each have many entrances and exits, and one man in his time plays many parts.

Hotel Del Luna is an extraordinary series about the high price of holding onto grievances, unfinished business, resentments, guilt, and grudges. They create a heavy burden; a weight that must be released. The pivotal theme of this series is “letting go.” Surrender may be one of the most fearful things you’ll ever do, and yet, it’s also so incredibly simple. The fear of letting go is that we lose that which we most care about. The irony of letting go is the realization that we never lost anything to begin with! It’s always been there and always will be.

Hotel Del Luna is a hotel for the dead; the dead who aren’t quite ready to move on due to the reasons listed above. It becomes a bit of a staging area, and the irony is that the guest determines how long their stay will be based on when they are willing to let go of the past. Such is the power of forgiveness. There is only ever one person you need to forgive: yourself. Let go.

Jang Man Wol is the illustrious owner of the Hotel Del Luna. She’s been the owner for 1300 years. What binds her to the hotel is her own deep-seeded hatred and grudges from the past. Rather than face and deal with those things, she chooses distractions (like most people in life do!). She is a woman of opulence who is always looking for something to buy, whether it be expensive cars, clothes, jewelry, or even just money itself. She’s a bit of a con artist who is able to trade various services with her guests for monetary payments. She’s selfish, greedy, and someone who cares little for anyone’s happiness except for her own self-indulgence.

Enter Goo Chan Sung, a young hotelier who has been recruited by Jang Man Wol to be the new “human” manager. Of course, he’s initially reluctant, but he quickly sees the value in the hotel. And more importantly, he helps Jang Man Wol to treat people with respect as well as give her a glimmer into a life she could have if she were able to simply let go of her anger and hatred. Goo Chan Sung represents all that is decent and ethical in people. He chastises Jang Man Wol for her greed and treating guests little more than bank accounts, and he’s never afraid to do so. He speaks his mind, no matter how much the honesty might upset Jang Man Wol. What starts out as a very rocky business relationship, soon turns into one of both necessity and love.

Of course, nothing is quite as it seems, which is indicative of some of the best K-Dramas. We get to know the staff and how each of them has a past that must be faced and let go. They are all likeable, but one can see that there’s something sad about each of them. And why wouldn’t there be? There are fewer things sadder than a soul who is determined to remain earthbound because they are unable to let go of their attachments and their past.

Jang Man Wol is unique in that she is neither living nor dead. It’s as if she has a foot in both worlds. And with that, she has special abilities that help her deal with some of the nastier spirits and protect Goo Chan Sung as well, since he is human and has no true defenses against the dead.

One of my favorite characters is Ma Go Shin, who is a deity who represents the various aspects of the Divine. Some are somewhat cold and methodical. Others are gay and delightful. Each one shows up when it’s most necessary. While she imparts wisdom, she also understands that even she cannot interfere in the freedom of choice. Each soul must make his/her own choices with the understanding that there are always consequences. Seo Yi Sook did a masterful job with these “multiple” roles!

The visuals and cinematography are astounding in this series with vibrant, crisp colors that seem almost ethereal and other-worldly. Hotel Del Luna looms into the sky like a monstrous Taj Mahal that endeavors to touch the sky. And yet, these visuals do not detract in any way from the story or characters. As with so many well-made K-Dramas, the plot and characters are never sacrificed for spectacle.

There are many hilarious moments as well as many tearful and heart wrenching ones. Koreans are masters of never revealing everything all at once. This enables them to go back and fill in the missing pieces that make the story work. This is often done at the perspective of the character or characters which explains their behavior until they’re given “the whole picture.” In short, nothing is ever as it seems! And this keeps the viewer on their toes!

If I have one minor complaint about the series, it’s the chemistry—or lack of it—from IU and Yeo Jin Goo. There’s warmth and respect there, but it rarely strays into love or romance. You just don’t quite feel it from these two. I understand that IU is trying to depict Jang Man Wol is a cold, selfish woman, but chemistry is absolutely vital to this kind of a story. As many actors have stated: you either have chemistry or you don’t. It’s nearly impossible to manufacture. We see tears and a lot of emotion, but I was waiting to feel that angst; that despair of a love that must be let go. However, as I said, this is a minor issue that, fortunately, never really distracts or takes away from the story. It simply would have served the series better if the two leads had had some kind of chemistry which is why it's imperative that casting directors do their due diligence.

“Missing: The Other Side” is still my favorite “after life” series from Korea. This one’s pretty close. It starts at a slow burn and gradually starts moving. This isn’t a bad thing though as there is ample time to understand and get to know this intriguing, mystical world.

The series’ strength lies in its thematic elements of letting go of the past and releasing those resentments and grudges. I’m not sure many people understand or fully realize how important this is. Life is a process of letting go. If you dare to hold onto anything, it’s a lost cause because it’s ultimately doomed to failure which brings nothing but heartache and resentment. Knowing that all things pass away is a blessing. Why? Because nothing is lost, and you will eventually share “the stage” once more with those who have always been there but are simply playing a different role with a different face. How do you know this? Because they are with you now.

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An Epic Series About Political and Business Corruption In Korean Baseball!!!

When I first got into K-dramas about four years ago, my first series was “Descendants of the Sun.” For me, it was like finding a gem after some lackluster TV series in the West. But, I thought that I was only lucky once. Then another series came along, and then another. To this day, I’m still amazed at how finding one “gem” has led to an entire treasure trove!

Hot Stove League is a brilliant series about the interworking of a Korean Professional Baseball team, the Dreams. In the first episode, we find out that this team is terrible in nearly every facet of the game, aside from having one of the top hitters in the league. We also find out that, despite the terrible years of being “cellar-dwellers” the team continues to have a genuine following with its fans. In other words, no bandwagon fans here!

It doesn’t take long for us to realize that there is corruption at the top and throughout the team, whose owners are hellbent on gutting the team from within with the hopes of either selling or disbanding the team. Teams in Korea are owned by corporations. There have been many instances of this type of corruption within American sports teams as well. Donald Sterling (previous owner of the Los Angeles Clippers) routinely traded away any good, viable players. Publicly, he stated, “I only care about making money.”

Enter Baek Seung Soo (beautifully played by Namkoong Min) as the team’s newest GM. He has no experience in baseball at all, but he’s put together championship wrestling teams, hockey teams, and handball teams which won Olympic medals. Clearly, one of the representing owners of the team, Kwon Kyung Min (played by one of the best Korean actors in Oh Jung Se) is hoping that Baek Seung Soo will be a puppet GM who has new clue about what to do. He’s quickly proven wrong, and to everyone’s wonder, Baek Seung Soo quickly begins to right the sinking ship!

Baek Seung Soo has to deal with corruption within his own people, a corrupt scouting manager, and a slugger in Im Dong Gyu, who believes himself to be untouchable and can treat everyone around him with violent disdain.

Baek Seung Soo’s first task is to gain the support of his staff, many of whom are already scratching their heads regarding his hiring. The most charming and hard-working of the group is Lee Se Young (played by the ineffable Eun Bin Park!) and her tenacious assistant, Han Jae Hee.

Baek Seung Soo is a man who cares very little about what people think about him, and yet, he shows off his brilliance like a grandmaster chess player. He also always seems to know exactly what is going on within the staff, the organization, and the players. He’s calm but incredibly efficient, despite his lack of personal tact. He doesn’t engage in pleasantries or anything at all that may seem superficial. In short, he’s confident enough in himself to simply be himself. From other people’s point of view, he comes across as rude and insufferable, which quite frankly, adds to his charm and appeal. We rarely ever see him lose control of his emotions. He reminded me a lot of Mr. Spock from Star Trek; a man displaying wisdom well beyond his years. He may be new to the sport of baseball, but when it comes to playing the political and business game, he’s more than a match of his adversaries.

As with so many K-dramas, the show presents a heartfelt message on the back of an engaging and provocative show. It’s about people who need to learn how to speak up and stand up for themselves, and not worry so much about the consequences of their actions. There is real strength in numbers, and in a culture that is highly competitive, and where “underlings” are expected to bow and obey every order without comment or complaint, the series demonstrates that this is not the way to behave or conduct business. It demonstrates that money isn’t everything and that those who have it are quite often the most miserable people around.

This series has a top-notch cast which cannot be showered with enough accolades! Oh Jung Se (whom I first saw in “It’s Okay to Not Be Okay”), plays the complex, villainous role of Kwon Kyung Min like a master of his craft. We get subtle hints, that despite his pettiness, there is something else going on, and of course, Eun Bin Park is a young woman who can easily do any role that is handed to her, even capturing the funniest line of the series! Namkoong Min, whom I’ve only seen once so far in “Awaken” is nothing short of sublime.

The series reminded me a little of “Misaeng” in which we are given a glimpse into the Korean corporate baseball world and perhaps see that, despite the culture, there isn’t that much difference between East and West when it comes to depraved depths that people will go for money. Indeed, in today’s world, money is threatening to bury all that we love and hold dear about professional sports and why fans love them.

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The Despicable and Deplorable People of Angok!

If you're looking for something along the lines of "Hometown Cha Cha Cha," you will be sadly disappointed. And if you're looking for a mystery/thriller along the lines of "Stranger" or "Flower of Evil" you will also be disappointed. "Summer Strike" is not a romantic series, despite the presumptions one might get as the series begins, and the story is far darker than one might anticipate. In many ways, the writers seem unsure of the story. In many ways, the writers seem unsure of the story they want to tell. The romantic scenes have little-to-no chemistry between the leads, and we're left with a town of despicable, moody, and angry people who aren't very appealing.

Yeo Reum Lee is a 28-year-old woman who acts like she's 18 at best. She's basically a doormat for anyone to use and abuse. She never speaks or stands up for herself and frequently makes poor choices based on the smallest influences from those around her. She's a pleaser who lacks the ability to stand on her own two feet. She's neither a mature nor a strong woman. She flees Seoul for the small seaside town of Angok, hoping to simply live an easy and frugal life. The big question is: is Yeo Reum running toward something or running away? The more we observe Yeo Reum, we can see that she doesn't change. She leaves one abusive life for another because she refuses to see that SHE is the problem. When you move from one place to another, you take your problems with you. They don't get left behind.

Kim Seol Hyun is the weakest of all the actors in this series. She just can't seem to get a handle on her character while frequently uttering her lines in a soft, breathless manner. When she's being chased by the police officer, she doesn't shout at the taxi driver to keep going, she softly says in a mousy voice, "Please don't stop. Please keep going!" Nobody in that situation would react that way! Especially a woman! Kim Seol Hyun can't even manage to put panic into her voice. She was a poor choice for the female lead of this series.

You can pretty much go down the line of characters that will leave you cringing. Arguably the worst is Ji Young Jo, who works at the library, has feelings for her co-worker and childhood friend, Da Beom An, and treats him like an overbearing mother hen. There is scarcely anything appealing about this woman who snaps and barks at everyone around her. She also does her absolute best to control and manipulate Da Beom into living the life that SHE thinks is best, without taking any consideration for his feelings. I'm not sure I've seen many characters in 45+ years of television who are as deplorable as well as lacking in any positive qualities. I'm not sure how anyone would ever find this woman as being attractive or appealing. She's as horrid as a snake with fangs at both ends!

Don't get me wrong, I liked Granny for her sweetness, even though she's a very weak-willed woman who has zero control over her son or anyone else. She's told-even by her grandkids--what to do. She is a perfect example of how Yeo Reum will likely be when she gets to be the same age. I'm not sure what kind of a grandmother would summarily dismiss an attack on her granddaughter and ask her to lie to the police in order to avoid sending the father (her son) to jail. What kind of a family member--who has ANY love or integrity--would make such a decision? It was heinous and sadistic. You would support a man who is physically abusive as well as being a raging alcoholic who nearly kills his own daughter?!

A big issue with Yeo Reum Lee and Granny is their inability to speak up--especially when they NEED to speak up! If you're not a part of the solution, then you are a part of the problem. And it's people like these two who help keep the cycle of abuse going because they are too afraid to do the right thing--and do right by others--and speak up. Make no mistake, by not saying anything, they are just as responsible for the abuse as those who are doing the abusing, which is another reason why I disliked these characters so much. And people who are too afraid to properly discipline their children, are child abusers themselves.

It seems that Chang Soo's wife can only ever vent her anger on everyone around her, including the physical abuse of a little dog. This woman is hateful, and where we are supposed to be sympathetic, all we see is a vile woman who cannot see beyond her own tragedies and problems.

This is actually true for most of the series; moments when--if we felt any kind of REAL emotional connection-we should feel sympathetic toward many of these characters. Kim Bom and Da Beom are the only two characters in the series for whom I felt some sympathy.

For the most part, this series is very dry, uneven, and disjointed, and it doesn't venture deep enough for us to really gain some perspective on characters like Da Beom and Kim Bom. Frankly, the series would have been better served had these two been the focal points of the story. Yeo Reum is hardly appealing, and by the end of the series, I couldn't have cared less about her situation. She was mostly annoying, and by the end of the series, it's clear that she hasn't learned a thing or shown any kind of growth. She's very much like a woman who's never grown up.

Despite all of these problems, the show works for the most part. I'm glad it didn't go beyond 12 episodes because the series was starting to limp toward the finish line at the end. We get the wrapping up of a mystery that already had a very weak foundation and hints of possible romance between the two leads that had no warmth or chemistry to it. Even when Da Beom is hurt or in pain, Yeo Reum just stands there, offering little-no comfort.

Angok is a dark and dismal town compared to the one from "Hometown Cha Cha Cha" filled with angry, immature people who gripe and complain about everything. There's nothing so sad as one person playing the victim as a whole town doing the same. And that isn't inspiring storytelling at all. It's sad, and not in a good way.

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