Master class in storytelling

There are so many arcs about this drama that deserve recognition but first and foremost, an award has to go to the scriptwriter Hwang Jin Young who masterfully created an interwoven piece of fiction with historical events. The flowing narrative of Lee Jang Hyun and Yoo Gil Chae flows within a nation under constant siege.

The acting in this drama is above excellent, especially from Namkoong Min (Lee Jang Hyun), Ahn Eun Jin (Yoo Gil Chae),
Lee Hak Joo (Nam Yeon Jun) and Kim Yoon Woo (Ryang Eum). The romance and stretched ties between Jang Hyan and Gil Chae are neither overdone nor underwhelming. They are a couple drawn to each other, distrustful of one another and yearn for each other throughout. The separation arcs are not contrived but seen as a symptom of the times; those not in the ruling class are at the contrived whims of those that are. There were several times that this drama was put in pause in order to emotionally calm back down.

The secondary parts of Yeon Jun and Ryang Eum are flawlessly portrayed on screen, and I look forward to future roles they are a part of. Yeon Jun is married to Gil Chae's best friend but also secretly attracted to Gil Chae. This character does not act on his attraction, not because of duty or loyalty but because his wife's family could advance his career as a scholar. Ryang Eum was perhaps the most fascinating character because of an illicit longing for the person who saved him from a slave's life: Jang Hyun. He is pitiful, beautiful and selfish and this part in the hands of a lesser actor would have made him an antagonist that left the viewers without thought. Kim Yoon Woo's acting was flawless in the part and deserves recognition for a nuanced and emotional portrayal.

The hardest and most riveting part of this drama was how it handled those captured by enemies and the unflinching pious attitude of elite nobility. A society more concerned with purity, bloodlines and social acclaim than aiding those who were helpless. I've read much about historical Korean standards towards women and most dramas will tell the story but not in a way that involved me emotionally. In this drama, the women, children and elderly who were captured, released and then brutally murdered by a cowardly king and court, shined a spotlight that could not have been brighter on societal hypocrisy. Again, the screenwriter created a beautiful, brutal world that has relevance in modern times. Brilliant and timeless writing by a master.

I've rarely called any drama masterful, but this title is deserved by all involved. If you're undecided if it's worth the time, please push play. You'll never regret it.

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An intense ride

I binge-watched this drama in one day and was clenching my chair by the last episode. The acting is absolutely flawless, and for ten episodes, I felt like the story not only flowed at a perfect pace, but the intensity of the characters and their stories held me for the entire drama. Also, kudos to the writers because they unfolded the story of war and the repercussions endured by those who are helpless to fight or run.

Namkoong Min and Ahn Eun Jin are flawless in their roles, and their chemistry, especially in the last episodes, was off the chart. The dynamic of unsurity between the two characters is methodically played out to the very end, and the next season cannot come fast enough. Good, bad, happy or tragic, I'm all in for the ride.

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There was once a girl who lost her way

Anyone can look at my drama list count and know there is a slight obsessive trait towards Asian dramas. I'm an American who cut cable in 2014 and didn't miss a beat because I discovered the storylines from Korean and Chinese dramas offered a solid story line versus the gratuitous sex scenes in American television, which often times made no sense to the plot. As such, there are times of preoccupation with these dramas, and "Lost You Forever" is definitely one that I rewatch daily.

This drama was lucky and shrewd enough to hire the original author as a screenwriter, and it made this story absolutely rich in detail and pacing. Not once did I hit the fast forward button, and many times, a rediscovery of rewind and repeat was used throughout each of the 39 episodes. Because of my obsession, I found the English translation of the original work, read it in three days, and cried through the last ten chapters. Life is full of choices, loss, betrayal, and love, and this novel allowed each of the main characters to display every human trait to the fullest. If given a chance, please read it because the character's silent voice in the drama helped explain some of their decisions.

The actors in the drama are immersed in their characters, and this allowed me to dive into their world without interruption. The multi-faceted Xiao Yao who feared abandonment; the fierce Xiyan Cang Xuan who was schooled to assume power at the cost of his personal happiness; the gentle and cunning Tushan Jing who longs to escape his clan responsibility while clinging to an ever-fading hope of forever with Xiao Yao; and lastly, the beautiful Xiang Liu, who discovers clinging to the emotion of love is a war with indebted duty.

Needless to say, I cannot wait for part 2, but am watching part 1 daily and picking up details I missed during the first go around. This drama is a masterpiece, and I hope this continues in the sequel.

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Underwhelming

I realize that my review is in the minority, and please, for those who love this drama, don't take offense. I adored Lee Jun Ho in "The Red Sleeve" and view him as a multi-talented entertainer. Im Yoon Ah is also a standout performer, and when I saw this coming out, it was on my watchlist from day one. My particular disgruntled opinion of this drama comes from the writing. The story arc between sister and brother was not explained well and the main FL's ex-boyfriend was unnecessary. There is also a Cinderella approach with Cheon Sa Rang with a feminist twist of "I want to do it myself," that miraculously came with grandma's savings. Really? The class distinction between the two leads was glossed over, and the character development between the two could have started with them finding a common ground between their social statuses. Instead, their noble characters made them fly above. I give it a solid 7 for the acting, total cast, and production. For the rest, I would gently urge the writers to pen a more interesting tale for the viewer. Without that, I hit fast forward a lot.

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Who we are and how we got there

I work with kids from adolescence to eighteen years of age. To sit and listen to about half of this populated group is to hear the hurt....my dad is in rehab, my mom's boyfriend beats her up and we hide. The stories are endless and sometimes, by the time these kids are eighteen, they lose the light in their eyes. Each year, each unforeseen and tormenting circumstance results in hope fading. This drama was the best I've watched at the portrayal of anger, ambivalence and abuse from the trusted caretaker to a child and how these events shape who they are in their journey.

Korean actors never cease to amaze me because I cannot see where the actor ends and the character begins and especially in these eight episodes. Park Ji Hoon, Choi Hyun Wook and Hong Kyung seamlessly show each facet of emotional turmoil they are going through and even though I'm not a fan of violence, the fight scenes were so realistic that I went to check the behind the scenes to make sure the actors were okay. Shin Seung Ho has a small but impactful part in this and in my opinion, lights up the screen in both "Alchemy of Souls" and "Weak Hero Class 1". He will be one to watch out for in 2023.

As for the other three actors mentioned above, flawless performances from all even down to their micro expressions. The weak and strong intertwining for the sake of friendship, the weak and the flawed holding onto each other for dominance, every bit of this is told in a way that won't let the viewer go. Simply amazing.

The only thing I marked slightly below perfection is in rewatch value. To see each character's torment is something I cannot tear myself away from in the first viewing but to go down this emotional rabbit hole a second time this soon would be too much. It's that good, that precise, that realistic to life. I have fingers crossed there is a season 2 to show where the path leads next.

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The value of a meal

I live in Appalachia, which is a part of the United States that has it's own indigenous culture of family meals. What I've learned about Asian dramas and entertainment is that this is a worldwide phenomenon, not just a local custom. "Have you eaten?" is sometimes the first sentence a guest or family member hears as they enter the doorway with the next being, "let me fix you something to eat while you sit and talk to me while I cook".

This drama exemplifies several points about family and does so without being preachy or pretentious. We're human with flaws and driven to decisions that effect the present and future. Yu Hao is a character who strives to always be the better competitor in the cutthroat business world while Su Ke Lan is someone who realizes the importance of family moments. The clash and understanding between the exchange of characters is realistic and wielded brilliantly between actors and script.

I love this drama because it's light and understands the importance, especially in the cell phone world we live, about the gold standard value of sitting down to a meal. I highly recommend it for someone wanting to watch comedy, family and romance rolled into one. You definitely won't be disappointed.

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For the love of a nation, a court, a people....and for the love of a woman

King Jeongjo starts off as a prince of a kingdom in peril and is the wrathful recipient of a grandfather's love through punishment. During it all, there is Deok Im, the court lady who loves at a distance and protects the prince with every moment she can.

Deok Im turns down the prince's multiple attempts at making her his concubine because she values freedom from the court and dislikes the thought of sharing a husband with a nation. Ultimately, she chooses to become his and lives a life that is far from the sparkling princess narrative. Her trepidation to share the love of a husband is human and all too well understood; from the historical point of view, the King lamented her passing and recorded a pained narrative about missing the only woman he loved.

This drama is based on an extremely rich historical story but the drama's narration, directing and acting are flawless. I didn't understand Lee Se Young's portrayal of Deok Im in the first couple of episodes and I'm not sure if she was slowly embodying the character or if it was me getting used to her in the part, but by episode 3, I could not imagine another actress's portrayal. Lee Jun Ho in the role of King Jeongjo, allowed him to display a kaleidoscope of emotions as the prince who endures, as the man and king who must put a nation before any one person. The entire main cast is riveting onscreen but a special shout-out to the secondary character portrayals by Lee Deok Hwa (King Yeongjo) and Kang Hoon (Hong Deok Ro). I felt as if I visually accompanied lives unfolding and cried like a three year old at the end.

This has to be one of the best historical dramas I've witnessed and definitely will be re-watched multiple times. It's just that good and the story is that hard to let go of.

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Very, very well played drama

I'm usually not someone who writes a review unless it leaves an indelible imprint and "Yumi's Cells" did just that. This will be reviewed in three parts: the beginning of the relationship, the middle and sadly, the end.

The beginning: Yumi is suffering after a betrayal of a long term relationship and meets Woong through a blind date. After a somewhat rocky start, the attraction builds between and they finally become a couple. What is so fascinating and believable is the total organic and awkward movements of their first dates. Woong is instantly smitten and Yumi is trying to understand how to emotionally move forward. Everything is perfect in these first four episodes in its portrayal. Also, I'll never get past Woong's lustful dinosaur taking over. I never loved an animated creature so much in my life.

The middle: Woong and Yumi have an established relationship that is constantly tested by Woong's employee, Sae Yi. She's enjoyed Woong's adoration for a while and he was her fallback soother when her outside relationships crashed. This was an absolutely realistic portrayal of the third ghost in the party of two. Woong is reluctant to take her actions serious and the constant possession of Sae Yi towards Woong grates on Yumi's nerves and rightfully so. There comes a breaking point of the three when Yumi, in a mature manner, tells Woong in front of Sae Yi, that she's used him for years and he allows it. As she walks away, she tells him that's he a good person and should be surrounded by good people. I loved the dialogue between the two leads because every emotion is subtly played in every word they spoke. Thankfully, Woong chooses Yumi and I think I cheered in my tv room when that happened.

The end: Woong reluctantly moves in with Yumi after his business experiences financial hardship. What starts off as a rocky cohabitation ends up being something both enjoy. Their easy companionship moves Yumi to blurt out the words "would you like to get married?" Instead of Woong being upfront and honest about where he is in his life and what he is coping with at work, he shuts down emotionally and moves out. When he places her key on the kitchen table, the chasm between the two starts to grow and seeing Woong having lunch with Sae Yi (without Yumi's knowledge) , almost shouted his positional thoughts in the relationship. At the end, he states he's not in the same relationship place as Yumi and walks away. There's no music, no words of thought spoken to the viewer, just the deafening quiet sound of water from a fountain as Yumi watches him leave.

This is the most well written, best acted and most accurate portrayal of a relationship, of the give and take emotions every couple has, the very realistic reasons that it doesn't work out. I'm not a crier but seeing Yumi's reaction during their separation had me in tears. When a storyline draws you in to the point of feeling the characters, it's in a master class of storytelling. "Yumi's Cells" did just that and the characters are going to resonate in my memory for some time.

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"Ending like this is another name for destiny"

I went into this drama with expectations and ideas; I'd seen "Goblin" and "Tail of the Nine-Tailed", which were good, poignant stories and for this very reason, I grappled with the storyline of "Doom at Your Service" for the first four episodes. If the expectation is for the slightly formulaic, well written story, well, "Doom" is one of those in spades but throw out this drama belonging to a standard storyline. In fact, it's so well written, so subtle, it took those first four episodes for me to understand the heart of this show. What does it mean to love, to regret, to live, and to understand that an ending is imminent in all situations?

I'll start with the second stage characters and that is Cha Joo Ik (the editor), Lee Hyun Gyu (coffee shop owner) and Na Ji Na (the author). This is a love triangle in three ways: the love of two men who are closer than brothers, and their love for the same woman. A backstory usually bores me in a drama because the words or actions from the past are usually repeated in the present. Their story unwinds logically, emotionally with their present person wearing the emotional scars of past regret. The friend who betrayed his brother, the woman who vainly searched for a boyfriend lost, the boyfriend who chose to hide rather than face pity. What unfolds is a slice of life that never preaches but displays emotions for the loss of love, of chances, of bonds broken. I've been riveted to the screen with every scene.

The deities of Doom and So Nyeo Shin also have an interesting dynamic. One is the creator and forgives, the other is the judgement and destroys and between them, there is an envy of the other's ability. Their balance and existence is born from humanity but the lack of an ending exhausts and bores Doom. He is the witness to the worst and pities the other deity's existence as she bears the burden of those sins throughout time. At episode 14, I still cannot figure out if there is compassion, affection or disdain for the other's presence

The last to be mentioned is the relationship between Doom and Tak Dong Kyung. Park Bo Young's character struggles through life, relationships and responsibility. Her first meeting with Doom (Seo In Guk) is not love at first sight but rather loathing that needs to turn into affection. His regard for her is one apathy and slight amusement for a person that threw her fate into a wish upon his name. They grow into a relationship and by the time they regard one another with affection, I know longer realize they are performers in a part. The acting craft in the drama is exhibited with flawless execution by all parties and again, by episode 14, there is not one emotion on the screen that I don't feel internally as a viewer.

"Doom At Your Service" is not a feel good drama but one that asks questions and then subtly answers them. I have a feeling that viewers will either find it thought provoking or dropped but ultimately, this story will resonate with me for a long time. What is fate through decision and what is fate unavoidable is something tackled in this story and I'll be interested to see what the last two episodes bring to the table.

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Definitely needs to be watched

I love, first and foremost, a really good storyline. If a lead couple has amazing and sizzling chemistry, sometimes they can over come the plot to make it highly watchable, but those dramas are rare. This is a very richly textured drama from episode 1 to episode 49 and I've enjoyed every minute.
Because it's not a perfect 10, there are minute flaws and the one I'd like to point out is the lack of love scenes between the main couple. They are very, very good actors in their characters but, for some odd reason, have very little passionate scenes. At one point, a pair of parrots simulates their climatic kiss moment and I found this truly bizarre.
Other than this one small detail, this is a phenomenal story, acted with finesse by all and a production that allowed me, as the viewer, to be immersed. Definitely worth every episode of time (minus the parrots).

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A historical, emotional journey

This isn't my first time watching this drama and probably won't be my last simply for the acting of Zhou Xun and Wallace Huo. Don't get me wrong, the supporting cast is outstanding but the two main leads embody their characters; it's like watching the real emperor and empress alive in an unfolding story.

The hardest part of this drama is to observe the cruelty of a king and husband in middle age. He goes from youthful hope to bored tolerance and it is Wallace Huo's very nuanced portrayal that leads to a viewer understanding the heart of a king. In mid life, he rebels against the idea of not being allowed a choice of behavior. The empress calls him out on his callous indifference to a privileged life and the ensuing clash of dialogue is one I could watch daily. Masterfully written, directed and acted, it is a true to life scene between an exhausted wife and bored husband with the concluding split resulting in a husband and ruler slowly facing his flaws.

As a female viewer, it's hard for me to watch the history of harems. To love your husband and observe his pleasure with another woman is something I cannot imagine but, the history was real (pretty much in all cultures) and the emotional damage is displayed. This drama takes an unflinching approach in writing to their family dynamic and I would recommend it for anyone wishing to see a palace drama. It truly is a masterpiece.

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River Where the Moon Rises Review

Honestly, I couldn't think of a catchy title for my review.

When I started Asian dramas seven years ago, I couldn't handle the historical ones. Being from the west, it felt like the culture was so far removed from what I was accustomed, I couldn't grasp the storyline meaning.

Fast forward to the present and now I'm close to being obsessed with the history of the region, the court machinations, the people, their lives now hold my interest from beginning to end. I love how "River Where the Moon Rises" was based on a mixture of folklore and historical truths and the characters within are riveting; the main players are neither good or bad, display tempers, greed, love, compassion and petulance. That's what makes this drama so watchable (along with the acting) and I enjoyed the unfolding and character intersection to the very end. The two main leads are good, Kang Ha Neul absolutely lights up the screen, but Lee Ji Hoon as Go Geon made me never want to miss a moment with him in it. He loves, loses, mourns and regains through 20 episodes and the actor's portrayal had me living this character's emotions throughout.

I definitely recommend this storyline and controversy aside, it was a good, solid drama.

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Perfect Escape

I started watching this drama because of the competition; there just wasn't a whole lot to watch when this started. After viewing the first couple of episodes, I became hooked and / or obsessed with every aspect of this production.

I'd like to break this review down into categories and the first is writing / directing / and production. A blended comedy has to be the hardest genre to write and maintain at a certain pace. I laughed on every single episode except the ending and found myself willingly transported to a snapshot of Joseon history. Everything about this drama is well rounded, but the director and writing staff should be awarded an Oscar because the pace, setting, dialogue and costumes are vividly brilliant. I felt like a first person spectator in fictional Korean and it was magic.

The next category that deserves gushing appraisal is the acting. Shin Hye Sun plays two characters in this drama, Kim So Yong and Jang Bong Hwan. What is absolutely crazy about her acting is that each persona seems to be portrayed by different actresses. When she is Jang Bong Hwan, the screen absolutely lights up like fireworks. Opposite her is Jang Bong Hwan as King Cheoljong. His acting in "Mr. Queen" is understated, deliberate and brilliant. The King's character is somewhat of a chameleon and the way he undertakes the role would leave a lesser actor in the dust beside of Kim So Yong. He is dynamically perfect across from whomever he shares the screen with and I became an instant fan. Last but not least are the rest of the cast that fill out the narrative in such a way that each could have been the center of the story: the Grand Queen, Kim Jwa Geun, Kim Byung In, Royal Chef, Hong Yeon, Court Lady Choi and many more were brought to life with mastering care by their portrayer. I wish there could be an emoji inserted of a standing applause audience because they deserve that and so much more.

My least favorite part of this drama was the ending. Throughout all episodes, King Cheoljong organically falls in love with Mr. Queen; he/she is unruly, abrasive, brilliant and uniquely in the moment. Mr. Queen is the only character who with no hidden agenda and that draws Cheoljong in like the proverbial moth to the flame. He has spent his life being surrounded by people using him and the first forced interactions between the two become compelling moments later. By the end, he lights up when Mr. Queen is near, terrorized when she's hurt. Both actors make you feel as if they would rather not breath if the other is not close by and this is why I think the ending was slightly (just slightly) lackluster. Jang Bong Hwan is thrown into the future, Kim So Yong once again inhabits her body alone and the King and she live happily ever after, crazily in love. The writers probably pieced together the best ending possible with restrictions placed upon them. But, as a viewer, I found Kim So Yong, alone in her body, a lackluster character. She was very much written correctly for her time but after watching the story of Mr. Queen, I missed this character desperately in the end. I would imagine the King did also.

My last point is a big thank you to all for highlighting the life of a real person, that of King Cheoljong of Joseon. Grabbed and placed as a Joseon puppet king by the Kim Clan, he tried his best, with strings tying him, to help the common person in a decidedly corrupt monarchy. Thanks to YouTube, I found out that he was a flawed but caring king and I'm glad that a posthumous heroic ending was written for him, albeit in fiction. The dark and true machinations of the Andong Kim clan were brought to light and I cannot imagine how happy he must be in the afterlife. History is usually written by the victors to shame those defeated and through this drama, a once obscure King now enjoys a posthumous second life. A truly fitting ending.

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A tale of two brothers....

I would quite literally watch Lee Dong Wook stare at a wall for an hour and not move on inch away from my viewing screen. There are actors who have perfected their craft and he is definitely one of them. This story was deftly penned and expertly acted by all involved and the narrative twists and turns unexpectedly. It was everything I could hope for in a story.

My favorite part is the love story between brothers and them grappling and dealing with the emotions of love, disappointment, anger and betrayal between. Lee Dong Wook and Kim Bum had an undeniable onscreen chemistry and made me feel every emotion their characters experienced. The most surprising part was the romance between the ML and FL. Although expertly acted, their story arc seemed to not resonate as much as the brothers did. Jo Bo Ah did a phenomenal job as Nam Ji Ah and it kept bugging me throughout why I did not feel a strong connection between her and the ML. I think the best explanation was the characters were written as such that the romance between them was secondary to the relationship between fox brothers.

Anyway, I'd love to see a season 2 to see the story continue. This drama is truly worth the time spent.

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