It looks like Pavel wanted to cry when Thup called him again and again ... That scene made me emotional because…
I think Victor was the best actor in this series by a large margin. He played naturalisticly all the way through, without melodrama. It was interesting how much scarier than anyone else that made him. I found Bom more frightening than the ghost or his father. Being convincing is more frightening than melodrama.
š¤£ We know the series isn't going well when we can only comment good things about a characters house hahahaha.…
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Iām obsessed with it. My sister and I both love mid-century homes. She goes for the more brutal, heavy on concrete look. Iām into the more delicate natural wood version. This house has exactly the vibe I go for. If this house were here Iād be wanting to buy it. Iāve noticed a lot of houses with this feel in Thai productions. P&Pās home in KinnPorsche had a similar feel to it, and other shows have featured locations like this.
Re. the production: I honestly think itās pure fan service. Itās like My Stubborn, in that the whole thing is an excuse to string together a series of NC scenes together, rather than actual attempt at storytelling. If weāre very lucky the characters might get arcs, but Iām not going to keep watching. I may go back if reviews after the fact mention an improvement in at least two of plot, characterisation, or acting. My Stubborn kept my interest with a few of the cast members, and the fact that there were arcs, but it gave the impression of prioritising NC scenes over the things I value much higher in a romance. My note in this is ābasic wank-bankā for now š
I find it interesting that Koh came up with his way to make art (and money) and as an artist Jira should try to…
GAI is, by its very nature creative violence. The only way to train it effectively to create art like humans create is by feeding it the work of creative human beings. By that very act you are in fact stealing, because none of the art concerned was released by the artists who made it. making a creative human redundant in their vocation is really negative. The impact on art and artists is devastating, and itās based on a really insidious form of plagiarism. Iāve worked in video games, and have many friends who are either fine artists or commercial artists in a range of industries, from games, through film, and into fashion and industrial design, and not one of them would release their work to be exploited this way. I suspect youād have to look very hard to find a really passionate artist who considers what the big AI companies are doing acceptable. Scraping the internet to feed GAI is basically mass piracy that harms creative humans. Itās completely unacceptable. Doing it to artists you know personally and care about is how you turn them into enemies. This point of view isnāt unusual or over the top. Itās wrecking careers, by theft, and the future of creativity by autocannibalism, and selective breeding. Iām not angry as I write this. Iām just kind of horrified that the future ramifications of this havenāt occurred to you.
Itās just a wank-bank so far. Iām bored. I do love Poās house though. The light and decor are fabulous. It would just be nice if they included some acting, plot, and characterisation, and smacked the audio engineer until he stopped using the stretch sound.
Silly, but entertaining. Short vertical dramas are uniformly rubbish, but sometimes amusing. This one is both. Itās actually the best one Iāve seen, but thatās not saying much. Only fun if you have the sense of humour of a prepubescent boy, like me.
Ok, first thing first, I'll be honest: I managed to keep watching only because of Heng and his Saen, who was my…
Iām giving up on it, despite BillyBabe. There are a few reasons, but youāve named the main ones. Iām not even close to half way, and Iām over it. It is well-named š
Earth has improved so much. He really annoyed me in the first season. Heās learned restraint, and doesnāt overact so much any more. I can see his appeal now. The whole cast has upped their game a bit. Iām so glad they made this season š
they took a week off, which is possibly the stupidest thing ever. Itās due out on the 7th (the 8th here in Aotearoa).…
Their fan meets in other time zones and territories strongly indicate, as does their licensing to international platforms, that thatās not all theyāre targeting. Netflix is hardly a Thai-only audience. Nor is iQIYI. They, very rightly, are shooting for global sales.
Iām obsessed with it. My sister and I both love mid-century homes. She goes for the more brutal, heavy on concrete look. Iām into the more delicate natural wood version. This house has exactly the vibe I go for. If this house were here Iād be wanting to buy it. Iāve noticed a lot of houses with this feel in Thai productions. P&Pās home in KinnPorsche had a similar feel to it, and other shows have featured locations like this.
Re. the production: I honestly think itās pure fan service. Itās like My Stubborn, in that the whole thing is an excuse to string together a series of NC scenes together, rather than actual attempt at storytelling. If weāre very lucky the characters might get arcs, but Iām not going to keep watching. I may go back if reviews after the fact mention an improvement in at least two of plot, characterisation, or acting. My Stubborn kept my interest with a few of the cast members, and the fact that there were arcs, but it gave the impression of prioritising NC scenes over the things I value much higher in a romance. My note in this is ābasic wank-bankā for now š