Human Lanterns was a grotesque kung fu horror movie. Two rich men in a small town vied at every chance to outdo and humiliate each other, opening a crack that let in a deadlier presence to further fuel their hatred and destroy their luxurious lives.

The opening scene laid open the conflict as Lung (Tony Liu) and Tan (Chen Kuan Tai) fought over a prostitute at a village celebration. Tan showed off the lantern he was going to use at the lantern festival and Lung determined to outshine him with an even more exquisite lantern. In order to win, Lung had to find a master lantern maker who turned out to be a rival he had humiliated years ago. Thinking money could smooth over anything Lung hired Chao (Lo Lieh) which propelled into motion deadly consequences.

The title refers to lanterns made with human skin and Chao set about using people close to the men to craft the gruesome light fixtures. Lung and Tan blamed each other for the disappearances of their loved ones while the inept police led by Sgt Poon (Sun Chien) flailed about between the two powerful men.

To be perfectly honest, I am not a horror fan and had to fast forward through some of the bloodier scenes of Chao working on his victims. Despite the age of the film, it was disturbing enough for me to try and avoid most of the scenes once he began to work. For the faint of heart, it did show flaying.

Tony Liu and Chen Kuan Tai played their roles stoically with some bravado, pretty much copy and paste from other performances. Neither Lung nor Tan would be considered heroes, more concerned about their rivalry and honor than the well-being of their missing loved ones. The real star of this movie was Lo Lieh who stole every scene he was in with his unhinged performance as the maniacal killer seeking revenge for the loss of his honor years ago. With his facial expressions and fluid body motion he dominated the screen with his malevolent presence.

The movie kept the story moving at a rapid clip, interspersing fight scenes between gore and the over-the-top squabbling between Lung and Tan. Most of the fights were more pose-fu than well-choreographed fast fights. They were slow and then even slower when slow-motion was used. The final fight was the best of the lot, destructive, deadly, and extreme. There was sword work, kung fu, and wire fu. Maybe it was because Lo Lieh was involved that I enjoyed it more, he upped the energy and stakes, regardless, the final fight was intense.

The sets and costumes were well done. The silver lame was kept to a minimum and the sets weren’t some of the cheaper ones designed for people to be thrown through the walls. The wealthy men’s homes seemed appropriately opulent while Chao’s dungeon was eerily macabre.

Unlike many Shaw Brothers films this one has a proper ending. Too often the stories end abruptly as if the crew ran out of film. For the most part, everyone got what they deserved, even if I thought one of the characters got off too lightly. I downgraded the film some due to the grisly scenes only the women had to go through. This older kung fu movie went too far in titillating the audience with female nudity and deaths.

Human Lanterns is not a film for everyone to be sure. At its heart HL was a story about the price paid for hubris and pride. The cast is what drew me to it, HL was loaded with familiar faces and stuntmen. If you enjoy old martial arts movies and/or old horror movies, this one might be of interest to you.