Learn from Experience 2 picks up where part 1 left off. Instead of focusing on Toyomi and Shintaro's ill-fated love affair, this film focused on the friendship of the three women at the center of the story. Given that their friendships were by far the most compelling story element in either film, this was a good thing.

Toyomi has left home and is working at a dress shop having hidden her pregnancy from all but her best friend, Michiko. Yurie and Shintaro became engaged and he is now working for the Ministry of Foreign Affairs. Yurie, in that standard movie feat of incredible coincidence, walks into the dress shop where Toyomi works. They end up becoming fast friends unaware they have shared the same man and that Toyomi is carrying his child. When Yurie and Shintaro go on their honeymoon, Toyomi gives birth to her baby girl. Toyomi leaves the dress shop and stays with a friend of Michiko. Yurie hunts her friend down and generously invites her to come live with her while her husband is stationed overseas for several months. Toyomi resists but Yurie is a bulldozer and soon Toyomi and child are safely ensconced at Yurie's house. The viewer knows eventually Shintaro will return home and realize he has a child which of course he does. And that he will muck it up as well. Which he also does.

This film was more enjoyable for me for much of it because of the focus on the women and how Toyomi was cared for by her old friend and her new one. Even Toyomi's mother accepted Toyomi and her pregnancy. The strength and understanding of the women made this film and it was all the better for the lack of screen time for cowardly Shintaro. Even his friend could read him. "You can't say no to a rich girl."

In the end, Yurie asks Toyomi to give her daughter up so that Yurie and Shintaro can raise the little girl. They will make the child their heir as further enticement. Knowing the uphill climb before her and her child, in 1937 an illegitimate child would not be readily accepted, Toyomi acquiesces. Yurie dearly loves the baby making it easier for Toyomi to let go. As the sweetly uplifting music plays during the finale it feels like we are supposed to think it's a happy ending for everyone. Toyomi has become a kindergarten teacher, finally dressed in western style clothes. Shintaro is playing with the baby and Yurie has introduced the child to her parents. I still found the ending concerning Shintaro galling. The rich, entitled, man married the wealthier of the two women he was involved with and not only gets Yurie and her money, he also gets Toyomi's child. It would have been easier to swallow if Shintaro was constantly stationed overseas, or died when his conscience fell on him, and Toyomi and Yurie like a couple of sister wives raised the little girl together with help from Auntie Michiko and Toyomi's mother.

Perhaps part 1 could have been the only film and let Toyomi walk away tall, finding her way in the world with her unborn child. While giving her child up might have made it easier on the child and Toyomi, Toyomi's grief was not touched on in the "happy" ending. And Yurie never seemed daunted by the character of the man she had married. Naruse was never afraid to twist the knife so I'm surprised everything was wrapped up with a big pink bow on it regardless of the source material. The film had a melancholy slice of life feeling going for it and the nearly 3 hours for both films felt stretched rather thin. The compassionate and resilient women and their stellar performances will be the only memorable things I take away with me from these films and that's more than some films.

2/6/23