This is probably the oldest slice of life jdrama that I've watched but there's probably more before. It's nice to see they were already using the same formula, laidback, meaningful dialogue, fun characters, symbolism, Japanese sensibility at its core. My favorite is perhaps the dog howling episode that one is very deep brilliantly executed.
Mystery, Horror with a bit of social commentary. The mystery is gripping enough to peak your interest but predictable if you go with your first hunch. Horror is perhaps its strongest point, eerie, tense, sound design is really good. Added points to the commentary, it is not in your face, you will only notice it if you pay attention, won't overshadow the mystery+horror theme of this show. Lastly I love Matsuda Ryuhei as main lead, his acting style fits like a glove to the setting and the tone of this drama. It's subtle but can get tensed when the scene requires.
I didn't expect it to be a spinoff to yatterman cause the teaser seems very grounded even up to the end of episode one, where is the tokusatsu tag lol. It's either this version be very different or the tone would shift in the coming episode.
Rewatched . . . In terms of ost for a genre that shows the beauty of the Japanese countryside only this can rival Osozaki no Himawari. Hayashi Yuki is popular now actually VERY popular but only few would know what magnum opus he did in his drama.
Yes. The story for this drama will definitely not spoonfeed anyone. People have to pay attention to the small…
That's what I like about these type of Japanese movies some are so subtle that it's open to interpretation but I can't just consume it whenever I want I need to be in the right mood for it or else I will destroy the experience for myself. It's not the same with any mainstream entertainment type of films which I can consume right away.
Just watched more than words and I realize I've seen him in 3-5 movies, he look different everytime but it's not his appearance but the nuances of his characters is different each time. He's a great actor.
The director really has all the liberty in the world filming this, the style, ambiance and theme . . . it's his canvass, his paint brush, it's all him. I imagine it will have a hard time getting a greenlight from any Japanese local tv stations so thanks to amazon prime for that. This show's biggest strength is also the same magic of those slow Japanese films and that's the "power of mundanity", those small trivial moments contributes so much for the characterization and its realism. In a way for modern Japanese filmmakers it reminded me of Kobayashi Keiichi and Imaizumi Rikiya for the style and based on the flow of dialogue. Subtlety is also one thing people may love or hate, the story won't spoonfeed you about everything you will need to pay close attention to small details, but also for our main trio, do not always take their words at face value. Lastly I keep on seeing debates whether a show is BL or not but now I finally see the difference it's like shoujo vs grounded love stories, fanservice vs reality, and no this story doesn't need season two because in Japanese dramas staying true to its theme is more important than what you want.
Leads that keep longing for their first love like endless love series, sekachu, koizora, be with you, our times, your are the apple of my eye etc. Rule is there should be a time gap, years have passed and they still wasn't able to move on.
Are there any reason why netflix not post this on their main channels or maybe atleast retweet it. Since netflix is global it could be the first time jun-ai genre will be introduced to more people. I know it was popular in asia before but in the west I'm not sure. 5 centimeter per second is not Makoto Shinkai's most popular work and Love Letter is not as popular as in the east. I wonder if it will become a hit.
These type of shows reminds me of Fish Story a lot, the editing, colorful characters how they are connected and the fun nonesense it brings well not really nonsense since this has lesson at the end. I will always comeback to that as the magnum opus of this formula. I'm curious about Ito Marika's part, those youtubers she's watching seems the ones with the dog that attack that Yamane guy.
Filmed not like you typical Japanese drama it has that indie movie vibe to it, shaky camera, dialogue heavy but it's so natural that feels you are watching real people, the banter is really good. It seems this is more of a character study for Mieko and Fujino Ryoko is darn good, the characterization for main characters is superb, a masterpiece potential.
Finally watched it after a year WOWOW indeed the MVP of Japanese dramas able to make Kanna Hashimoto look very effective I think the reason why they cast her is because her facial expression is perfect for the thriller genre. The pacing, writing and acting is very good cinematography is also fine but it's the thriller that separates this to other great dramas. It's perhaps one of the best Japan can offer Suzuki Honami's facial expression is also me after Yuri narrates her story. Shinozaki Eriko did it again heavyweight after heavyweight Saka no Tochu and now this I'm curious what she can do to a Keigo Higashino story. Lastly I said it before and I say it again WOWOW always get the good Japanese composers Yuki Hayashi's music works wonder contributes so much to the atmosphere and the chills.
Shinkai power might boost her career just like the former two but wherever that takes her for me she will always be that girl in that catchy toothpaste song in why don't you play in hell.
The final part is pure catharsis the theme is really strong he got back to his senses and maybe not only him but I'm not hoping as this is not a feel good movie. I'm curious about the novel because the story, setting and theme is really good also the music they use at mid part is so damn fitting sadly I can't find it whatever method I use. I wonder why Yusuke Iseya stopped directing the movie seems made by someone who attend film school but it's not boxed he manage to give it an identity.
Thanks lol I never thought I would see my comment 7 years ago. The drama is pretty good the ambiance, the location and the music just chill nothing too serious. I love the ending too. It's nice to see Takahata Mitsuki pre Kahogo no Kahoko I kinda miss these type of roles from her.
Spot on casting for female lead acting-wise Minami Sara is alot better than Tabe Mikako at same age. Mikako is more idol trendy actress which is common back then atleast this one did indie projects to build his acting resume. I guess It will all come down to their chemistry, the production and how much material this version will cover. Also watch commenters saying OG is better blah blah if you watch the anime you know you can't put all of those into a 2 hour movie. Remove your nostalgia glasses people.
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https://www.youtube.com/watch?v=2uUsdnT-Jmk
https://www.youtube.com/watch?v=EimPuMgkzFs
STUTS - タイミングでしょ feat. Awich
Let's support the artist guys
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