An absolutely amazing psychedelic experience blurring any palpable outlines of the reality or, in other words, a bright illustration of the ambiguity of our reality and of the choice we have to choose the type of reality we feel close to our hearts.
All the time I was watching the drama I was feeling like intoxicated, I even couldn't get rid of the goosebumps. However it was a wonderful experience: surreal but also introspective and capable of reminding some philosophical concepts one knows but often forgets.
The storyline consisted of the main intrigue (the srongest point of the drama) and some sporadic detective episodes (very traditional and probably the weakest aspect of the drama). Although many times the events reminded a traditional detective, the main story never failed to captivate.
The acting of Jung Kyung Ho and Park Sung Woong was absolutely amazing: convincing and delicate, undoubtedly, above the average in the kdramas.
Although the soundtrack didn't damage the atmosphere, considering the quality of the drama could be better. Also, in spite of the wonderful experience you have while watching the drama, the strongest point of it is the intrigue and the psychedelic efects which are the strongest the first time you feel them, so it's not the type of dramas you usually will choos to overwatch many times.
However, its a drama with a strong impact witch doesn't leave you indifferent.

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I was really surprised with this drama. To tell the truth I've always considered A Million Stars Falling from the Sky one of the most underestimated jdramas, as to me it seems have a wonderful dark atmosphere, elegant aesthetics, more complicated plot and characters. However the drama doesn't have neither half of the popularity like all these superficial school dramas like Hana Yori Dango or at least like Pride (in my opinion so famous because of amazing chemistry and Kimura's acting). Unfortunately, I've seen a lot of dramas of a style of A Million Stars... and I really searched for it. But finally I bumped into Todome No Kiss which has really a huge amount of similarities with my favorite Kimura's drama.
The plot is really amazingly twisted, although the final was banally predictable and the final decision of the main lead dramatic in an absolutely silly way. However, all the atmosphere, the aesthetics, and this type of dark, frustrating, intense, a bit ill love story were so charming that you can forgive all the defects of the drama. Also the acting was really convincing and the second male lead (Takauji's character) undoubtedly catching the eye (well we don't find here so outstanding actors like Kimura Takuya but the main actors do an undoubtedly good job). So I highly recommend this drama ;)

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To tell the truth I have a really ambiguous opinion about this drama. If I didn't know that it's based on a novel, I would say that it's a clear copy of Goblin: a similar supernatural love story of a woman and a supernatural being united by the fate, a bromance between two supernatural beings living in the same house but actually being enemies (incomparably more charming and subtle in the case of Goblin), the atmosphere, etc. In such a situation I must say that Goblin has a much higher quality in all aspects (including the acting, undoubtedly). But... I've give ten for the acting in this drama. Why? Well, I've never been a fan of Lee Seung Gi, he always seemed to me a bit too much immature but here his character is almost impeccable. Also I must say that there are quite a lot charming, impressive, unexpected moments in this drama which don't let you simply drop the drama. Somehow you keep remembering its atmosphere, some moments, the acting... So I resign and admit that I really enjoyed it ;) (although if there are quite a lot of scenes with an akward humour... :/ )

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This is undoubtedly my number two in the BL dramas. To tell the truth, the Chinese are capable of making the best BL stories with the best actors, only that these BL become bromances and it's suffocating. Well, this drama is a real BL only... not finished because of the Chinese politics. So it's truly sad that a country with probably the best abilities to make beautiful, aesthetic, interesting and passionate BL stories with a wonderful cast, doesn't have the opportunity to realize it.
However, in this drama we can see such an amazing chemistry between the main characters that one can't give less then ten points, although it's not finished. Theoretically, the plot is very simple, an ordinary school story but the charisma of the main leads captivates you and doesn't let you go. I simply loved Huang Johnny's character as he, being so playful and manly too, created an incredible tension in his relationship with Bai Luo Yin. Somehow, you want to rewatch the show a lot of times because of an infinity of charming moments created by Johnny's character.

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I can perfectly understand why this drama is so popular: the brilliant cast, a really well written story of one of the most original kdrama screenwriters and quite rare in Asian dramas camp the war thematic. I really watched this drama with a great pleasure, only that thinking about it, firstly come to mi mind this adolescent love-story conception when a kiss acquires more significance when all the war. Or to be precise, when the love between lovers becomes so prudish that they, even after crossing the most risky situations, still feel to embarrassed to make love, as it were much more fearsome than all the danger they survived. And the most terrible that this prudish behavior occupies the center of the drama in like two or three episodes. It's too much, especially thinking about the age of the characters.
However, all other aspects of the drama were great. It's has a really interesting plot where even many supporting roles seem necessary (not all but really quite a lot). A war story is certainly a good material and here even the production is impressive and obviously expensive. The characters are really charming and the chemistry about the main actors (well, as we can see in reality... ;) ) is at the point. Song Hye Kyo is undoubtedly my favorite Korean actress because of her elegant expressiveness and here she's a real pleasure. I also like very much Song Joong Ki and here these two actors create a real field of charisma :D
Well, the soundtrack, unfortunately, can't be compared with that of Goblin but... the drama was fine... 9,5 :D

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Yo Seung Ho acting here is absolutely incredible: he is capable to transform a superficial story to a real human tragedy. And somehow, although, the story seems an absurd, you can feel every main character's emotional impulse. It's really something when a guy who has to play a rich man with an unique allergy to the people and an affection to a robot girl, makes you feel it as a real thing. Only because of his acting it was worth to watch it and even to rewatch it. So, the story is more than ridiculous but the Yo Seung Ho's acting lifts it to a much higher level, even to an existential drama. But what can I say about the drama itself? Well, it's aesthetically beautiful and emotionally pleasant but other details are really superficial. However, the acting... ;D

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Well, it's a really charming jdrama with a good cast. To tell the truth, I'm not a fan of Japanese absurd comedies but the characters here and their friendship are represented in a very colorful way, although, let's be frank, the main strength of this drama is a duo of two of the most charismatic Japanese actors: Kamenashi Kazuya and Yamapi. However, they are really great here and the chemistry between them is undoubtedly one of the most beautiful bromances in the jdramas I've ever seen. Well, the character of Horikita Maki here often seems quite annoying but somehow all the time you can feel a cozy atmosphere between the main characters.
Talking about the story, it's an usual school story with a bit of bullying. Nevertheless, the good point of it is that the characters (especially Kamenashi's role of a popular guy) are reflected with really convincing doubts and confusion. The weakness of this cool guy seems realistic and the improving of his pusillanimity quite well developed. So, it's simply refreshing watching this drama.

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On the one part, is an usual, iconic Asian tragic love story. On the other side, it's one of the most fulfilled aesthetically and emotionally of the kind.
One thing that I love of this drama is the poetic power of the scenes, the combination of music-view and a perfect symbolic charge of many moments (as the very first scene, one of the best introductions to a drama I've seen, where Rain's ans Shi Min Ah's characters are laying surrounded by the nature but in different scenery and a wonderful play of light and a deeply touching song make you feel the complicated fate laying in the atmosphere; or, for example, their arms protruding through an open window, capable to transmit the sensation of wind even to a spectator). The story itself, as I've said, is really quite predictable but it's emotional tension is at the point (I don't speak only about the central love story but also about brothers relationship, especially then one of them is disabled).
The acting of the main characters is wonderful. To tell the truth, I'm not a fan of Rain as his characters usually look silly to me but here I can give him 10 points without any doubt. He's complicated, mysterious, attractive, charismatic and moving in this drama. An absolutely flawless acting. Then he feels pain, you can really believe in it (in other dramas I've seen with this actor, unfortunately, I felt a lack of moving strength). It's also my favorite role of Shin Min Ah. She's really very convincing and charming here.
The soundtrack is also absolutely perfect to the drama and one of the best I've ever heard in an Asian drama. Also, somehow the drama has a certain integrity, a strong and captivating atmosphere. It's really worth to watch, although the rating is suspiciously low :O

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Well, it's probably my number 3 in the Japanese drama list. The main cast is undoubtedly brilliant: Takizawa Hideaki and Nishikido Ryo, two of the most interesting Japanese actors. However, although after One Liter of Tears I expected more from Nishikido Ryo than from Takizawa Hideaki, I must admit that Takizawa's character here is much more developed and captivating (definitely my favorite role of his repertoire). Here he has a really complicated nature and a mysterious aura. Nevertheless, Nishikido does really well in his a bit too positive role and I dare to say, adds to it more charm than it has by itself.

Another thing that I love about this drama is its philosophical nature. In a quite mythological style, the story analyzes different existential and moral questions what, unfortunately, can't be found so often in Asian dramas. Then we can find a powerful atmosphere and... Somehow you want to return to this drama, so I strongly recommend it. One of the few disadvantages I can find here is too much politics, however, it's too a question of taste ;)

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An absolutely charming and sensible Non Hee Kyung's (my favorite drama screewriter) and Kim Kyu Tae's (one of my favorite drama directors) work with an incredible cast. I couldn't mention any disadvantage of this drama (well, to tell the truth I dislike one song but as, all in all, this drama has one of the best soundtracks I've heard in dramas, so, it's easy to forgive...).
The story-line is playful and mature at the same time. You can see here a really interesting and complicated theme of Schizophrenia and also, the thing that surprised me, is that some of the different stories showed in the psychiatric clinic, seem unexpectedly well analysed, considering that they are only side stories. You can really find out here about various mental disorders and the potential ways to resolve them.
Another essential aspect of the drama are strong characters incarnated by such actors as Jo In Sung or Gong Hyo Jin. Firstly, I should pay a tribute to Jo In Sung, as I must admit that he's undoubtedly the most talented Kdrama's actor. It's just that judging his acting skills, one must admit that he's the less static and the most realistic, emotionally fulfilled actor we can see in a Kdrama. Although there are many Korean actors I like very much but I must admit that even in their presence Jo In Sung's talent seems incomparably brighter. Jo In Sung has really an exceptional expressiveness. And in this drama his charismatic and complicated character seems more than credible.
Talking about Gong Hyo Jin, I should say that's undoubtedly the best of her characters I've seen. She really differs to many Korean actresses and her individuality helps her to create a very interesting character. Also, the chemistry between these to is absolute.
One of the best things in this show is that even the supporting roles here are incredibly dynamic and well-acted, it's one of these rare cases I didn't want to skip any scene. So it means that this series is a sincere work without the necessity to drag on the series.
Finally, the soundtrack. There are very few cases you can see such a harmony between the soundtrack and the scenes. They really matches one another.

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To tell the truth to me this drama is one of the mystic cases because of its popularity: it's not the worst I've watched but... The story doesn't have nothing by itself: a ''handsome alien'' and a 'pretty, depressed super star''. They fall in love. Well, if the story is bad, theoretically it's possible to make the show captivating by choosing a great cast, creating nice atmosphere and charming moments to distract from the banality of the plot (an example could be ''I'm not a Robot'', also a trivial plot but with a wonderful Yoo Seung Ho's acting and unexpected, well planned moments and some profoundness beyond such a superficial plot). However, in my opinion, Kim Soo Hyun here doesn't act (I haven't seen him in other dramas, so I don't know if he's capable of it). He simply goes from one place to another with the same insipid expression. That's all. Jun Ji Hyun acts a little bit more. The rest seem incredibly superficial. The atmosphere is poor. So, it's one of the big enigmas to me how is it possible that You Who Came from the Stars could be one of the most popular kdramas and, what the main actors are the best paid in Korea... :O

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Well, this drama is undoubtedly a deserving hit in the area of kdramas. It's just that Kim Eun Sook is really one of the best screenwriters of kdramas, as she manages to create absolutely fulfilled and fresh stories, where even the secondary story-lines have their power. The only disadvantage of her works is that the last episodes become dragged and a bit too sweet but as it's something common in the dramas (the exception would be probably the best kdramas screenwriter Noh Hee Kyung, the author of That Winter the Wind Blows and It's OK, that's Love), I guess we should simply get used to it...
However, Goblin is my favorite Kim Eun Sook's drama and there are a lot of reasons. Firstly, here we find a really strong mystical atmosphere and an interesting world with its own rules (I cannot appreciate the perfect musical choice witch makes you really submerge into the fictional world). Also the humor side here is one of the best in the Korean area. Another wonderful thing is, obviously, an incredible cast and the diversity of original characters. It's really nice to see such a charming character as Lee Dong Wook's Grim Reaper, the main lead is also very good, then Kim Go Eun, Yook Sung Jae... And there are so many moments you can watch for a thousand of times and so few moments you prefer to skip... So, undoubtedly 10 ;)

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To tell the truth I don't understand why this drama has such a relatively low rating. I mean, yes, I know that it is dragged on, some secondary comic characters are simply weird but the hell, the story of the main characters, full of tension, drama, shadowy passions and the incredible charm of Lee Dong Wook and Lee Da Hae, is something really refreshing aesthetically. Also, I have to say that there're very few dramas I like with Lee Dong Wook but, however, because of his acting in Hotel King and Goblin, he became one of my favorite Korean actors. I must say that him suit so well intense emotions, that later I was enormously surprised by seeing him in Goblin: so good in a comic role (even more interesting then the lead there).
Talking about the story of Hotel King, it's not original but it's well acted and well showed, without all these awkward kisses and superfluous dramas of a girl (Lee Dae Hae is really capable of creating a bright and powerful role), although yes, some final episodes were dragged by the dramatic behavior of the main lead. However, the chemistry and charm of Lee Dong Wook and Lee Dae Hae (now much more mature then in My Girl and in a much more developed context), is really worth of seeing (just skip the secondary comic storyline) ;)

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The story is incredibly well written, there are much more maturity then in a regular kdrama, the plot is really captivating, and the cast is wonderful (to tell the truth I was really impressed by Yoon Sang Hyun because of his absolutely brilliant and touching acting, especially when even without talking, only with his eyes, he was capable of transmit powerful emotions), only there is one disadvantage: Lee Jong Suk. I know that he's famous because of his face and I really have tried to get used to this guy because he's one of the most popular Korean actors and I'll have to see him but, somehow, in such a good, unusual drama and with such a flawless acting as Lee Bo Young's and particularly Yoon Sang Hyun's, it seemed unbearable to me see all the time the inexpressive Lee Jong Suk's face with the same insipid emotion of discomfort. Well, the true is that about the chemistry between him and Lee Bo Young we also shouldn't speak because such doesn't exist. And it was really strange to see the deep connection and attraction between the female lead and male second lead, while the main couple was absolutely forced (also, these silly typical Korean reactions when the male lead wants to kiss the girl more passionately and she doesn't let him "cross the boundary"... all this relationship was the only unbelievable and annoying element). However all the rest has made me such a good impression that the only evaluation I can give is 10.

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Ok, I've seen it so many times what it's obvious the only possible rating of my part is 10. It's just that the drama has an intense, dark and profoundly touching charm. There are many few Korean dramas with such a captivating melodramatic plot and equally few cases of such a chemistry as Ji Sung's and Hwang Jung Eum (fortunately, both of them reunited in "Kill Me Heal Me" and I couldn't say where they were better, as they really managed to play absolutely different characters with an amazing naturalism).
I love the aesthetics of painful beauty laying in the relationship of the leads, an interesting development of the characters and another wonderful feature of this drama: the supporting plot disgorged into the integrity of the drama with an absolute naturalness. There are a lot of brilliant dramatic scenes and somehow one can admire it as a good cocktail.

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