scenophile

Nuance and Cinematography

This is hands down the most nuanced and most fleshed out version of Hana Yori Dango (that I've watched), and for a drama that seems so chock full of cliches and out-of-the-blue plot developments and cliches, it felt like F4 Thailand was the most cohesive of them all too — I never once felt like things were underdeveloped or came out of nowhere. Side character arcs were all given their time and space.

I really love how modernized this is in terms of all the tropes; HYD is basically a hodgepodge of all the tropes but F4 Thailand managed to pull them off without making them seem tired and annoying. The bullying, insecurity, economic class, familial pressure themes were kept really consistent throughout the entire show even as different characters come in and out.

I do think the vibe of the show was pretty modernized as well — older versions of HYD added a really dramatic layer to some of the scenes and I was glad that everything just felt a little more realistic (as realistic as HYD could be, at least). Gorya was a really likable protagonist who used her brain a lot and didn't rush into things without thinking. Thyme's character development was done really well. The downside, and I don't know if this has to do with the fact that I know the story, but it's that I never felt as though the stakes were very high.

I have to admit that HYD was never my favorite drama so there are some arcs that I wish weren't included but of course they were, and there were other arcs like Kavin/Kaning that I wish had gotten more time to be developed.

I also think that for the most part, the actors did a great job — but you could definitely tell who was experienced and who was a rookie; I felt as though I could feel Bright and Win's emotions with my entire soul, but when other characters were crying or breaking down, it sort of just felt like acting.

Overall, definitely the best version of HYD out there; I think a bigger HYD fan might enjoy it but I admit it was never one of my favorite stories anyways. Even then, I felt like cinematography throughout the entire show was beautiful and I really liked that there were even mini tropes that were gently subverted in small scenes. The OST is beautiful and these are pieces of artistry that anyone can enjoy.

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Thought-provoking and masterful storytelling

This is the type of movie that starts out quiet and funny, but spirals down into something more scary and dramatic, all without being jarring. The subtlety was one of Parasite's best traits, and it's why I couldn't stop thinking about the symbolism, the theories afterwards. I've found so many small hints that I missed while watching it and now it just blows my mind more

The cinematography was beautiful. My favorite was the montage of the family carrying out their grand plan for the housekeeper, but throughout the movie you could tell that every scene was thought-out and its message about the distribution of wealth and elitism was depicted brilliantly in the cinematography alone.

Overall, Parasite was so cleverly made, and all the characters were very realistic, and the movie sets up people on both sides without vilifying anyone. The music was also edited in really well — when things were about to happen, the music got sinister and I felt nervousness. In the moment, though, there was nothing that really made me feel surprised. The epilogue and ambiguity of many plot points are things that you grow to appreciate, but it's a movie that you have to think about afterwards.

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Insightful but a little less charming

This series continues to be so creative with its portrayal of different emotions and thoughts, and I love how we get to see the importance of events that typically seem very minor or commonplace. Yumi's experiences are so relatable and I just really enjoy how down-to-earth this drama is.

This season is, I think, a little less charming than the first. I think we see a little less of the cells of other characters, and the pacing is a little off. If I hadn't read the webtoon and didn't know what was coming, I feel like some plot points would feel a little rushed and half-baked to me.

Still, I really like the continuation of the series and how we got to see characters from season 1 grow and develop. Yumi herself grew a lot this season and it was great to follow. Looking forward to the next season!

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A sweet watch

This one doesn't have unnecessary break-ups or misunderstandings, which is refreshing; the romance is pretty cute and I really liked the coming-of-age/friendships angle as we followed the boys' sports team. In fact, I think I actually cared more about the kids than the adults, and I wish we got more about the soccer team and the sports itself, in addition to the more conceptual themes of friendship and perseverance.

There are other things that didn't work quite as well for me (though none of them were real negatives). Esther Yu picks great scripts but her acting doesn't really feel natural enough to me and this was no different; I don't think I felt really convinced by any of the more highly-charged or emotional scenes, and it doesn't help that I wasn't the biggest fan of the mystery/investigation plot. The dramatics of it felt a little out-of-place in a drama that felt mostly down-to-earth.

Still, I appreciate that none of the aforementioned things led to frustrating developments between the leads. It's always so refreshing to see communication in dramas.

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Not your typical drama

For everyone who's looking for a typical romance cdrama, this is NOT that. I think this show did a really good job at showing ALS's physical AND mental effect on the person diagnosed with it, as well as on everyone who cares about them. It's a really interesting to think about what you'd do in this situation — both if you'd want to put your loved ones through the pressure of caretaking, and also if you would be willing to become one if someone you loved was diagnosed. Lin Yi does a really good job at showing the progression of ALS, and Landy Li also does a really good job with emotional scenes.

Other than that, I actually found this drama to unfortunately be not as engaging. While I understand that the romance and "getting together" part wasn't the point of this show, I felt like the leads got together too early and quickly for me to connect with their love story, and the second couple was also a skip for me — I found them more irritating than anything else and their tone really clashed with the seriousness of the ALS plot. The second male lead also did not really add much. It's weird because all of these characters were great when they were reacting to the male lead or interacting with the ALS plot, but their love lines were not fun to watch.

Ultimately, while I like how this tackles a heavy topic pretty well, I don't think I actually really connected to the characters and story as much as the disease just being sad. For a similar plot, I'd highly recommend One Liter of Tears (jdrama) instead, though that one is about SCA and not ALS.

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Peak enemies-to-lovers slow burn

Ooooh. I am so happy I watched this beautiful show.

This is exactly what I want from my enemies-to-lovers slow burns — two characters who are each intelligent, independent, and strong — are actually, like, "I will murder your entire family" enemies. I found the entire romantic development SO satisfying, and the chemistry was great throughout all stages of their relationship.

The plot was pretty good as well, intertwining stories of politics and wars with conflict, both internally and with each other.

My only comment would probably be that the final battle — particularly the confrontation between the ML and main antagonist, played out quite fast. In fact, the female lead wasn't really involved in the final conflict at all, and while it was okay to see storylines alternate focuses in previous arcs, I think the final arc needed both of them.

Otherwise, amazing romance and so memorable. This one is going to put me in a historical mood for quite a while, because the high stakes just hit so different.

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Brilliant characters and backstories, but confusing antagonists

I loved how character-focused this show was; though the multiple flashback-only episodes might seem long, I think these episodes actually turned out to be my favorite episodes in the entire show. All the parents have such interesting backstories and the romances add so much to their characters. With the characters so fleshed out, the relationship dynamics are all really strong, particularly the familial themes — in all three families.

Where the show sort of hiccups for me is the actual action plot. It starts out very promising, with one antagonist leading the charge as they work their way through the super-powered people. As we get more information about the parents' backstories, however, the drama introduces more and more antagonists. There are more layers to the South Korean government, and then there's North Korea, and I feel like the main mission is never really clear. The antagonists get some last minute flashbacks and developments too, which I couldn't really bring myself to care for because it was just too late and the characters were too minor.

I commend this drama for pursuing a style and genre I don't think kdramas have ever ventured in before, but I wish the conflicts were a little more focused.

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Great, but not as great as S1

This was still really great and captivating — I couldn't wait to see how the mystery would turn out now that we were getting into who was behind the killer, and it definitely felt like the villains and the good guys were going head-to-head and you didn't know who would have the upper hand and where. There was a lot of great tension whenever they had to sneak into places or were trying to work undercover.

I think the way the story plays out is just okay though; it doesn't quite feel as fleshed out, and there are reveals that I was looking forwards to that ended up being sort of underwhelming.

The best part of this season, however, is absolutely the trio of Ren Fei/Lian Yan Dong/Ji Si Qi. They hit this perfect balance of being in law enforcement and working outside of it, while giving off this "found family" feeling. I REALLY wish we got more of them, whether they were plotting or having an awkward meal together.

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The best short drama there is

For a short drama, this was amazing. I was impressed with the story, the production value, the OST…everything.

One issue that has plagued a lot of cdramas is draggy pacing — it’s hard to manage when a show has 40 or even 50 episodes. Being so short absolutely worked in Provoke’s favor. Not a single minute was wasted, and it felt like the show trusted its audience enough to pick up on the story fast. It was simply really convincing.

The actors should also get their flowers for this. This chemistry between the main leads is very good throughout every single step of their relationship. The tension, relief, playful banter — it was all there. I really enjoyed seeing their dynamic develop, and the show really hit the sweet spot between making them stubborn and strong individuals and still having them communicate and respect each other.

The humor is really clever and well-timed, and the side characters all played their roles too. Ultimately this was great. It’s probably my new favorite short drama out there.

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Inferior to the prequel

On a surface level, I don't think either this film nor the first film were that unique — the premise and plot development is all relatively expected. But while Part 1 had a really powerful screen presence from its main characters, Part 2 opts for a more cliche, unspeaking "fish-out-of-water" superpowered lead, who doesn't really stand out from the overwhelming number of side characters (there like like four different antagonist groups) who all have the same "badass bad guy" personality.

The plot itself does feel less directed. Whereas there was a clear goal in the first one, this one felt much more passive; we spent basically the entire movie waiting for the bad guys to catch up to where our main characters were, siting still.

With that being said, as someone who understands both English and Mandarin, I did not really enjoy either of those groups. The English sounded fine, but the acting was not good, and it was very annoying to hear "Chief! Chief!" every other line. The Mandarin just did not sound good.

I think the final thing that just made this film feel more unserious was the special effects. There was something very nerve-wracking about all the Part 1 fights being up close and personal, even though everyone had super strength. It made everything scarier and bloodier. In this one, they opt for something in the vein of what the kdramas Strong Woman Bong-soon and Strong Girl Nam-soon went for — people getting punched and flying back 500 feet. It feels more comedic and doesn't at all match the serious tone the film seems to want to go for.

While I didn't dislike the main character, she was just...fine, especially in contrast to the main character from Part 1. In fact, it was amazing how much screen presence Ko Ja-yoon had when she finally appeared, and I realized I'd rather have gotten a story about her journey to getting where she is now, rather than time jumping to her return.

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Captivating...but too much girl-on-girl hate

So I didn't realize, before going into this, that there was a supernatural element to it. It definitely added a lot to the show's intrigue and made Nanno a very (satisfyingly) overpowered character, though I found I had to suspend disbelief several times. The anthology aspect of the drama also added a lot to that, knowing that she would win and everything would start over in the next episode.

The downside of an anthology, however, is that there are always stronger and weaker episodes — and in this case I think the show front-loaded its stronger ones. My favorites were The Ugly Truth, and Social Love, with maybe Lost & Found as an honorable mention. The weaker ones were the three at the end before the finale: Trap, Thank You Teacher, and Rank.

I'm also a little mixed on the themes. While I enjoyed the variety in the stories and they do cover several different topics, from class/wealth disparities, to social media, to beauty standards, there's one running theme that's very frustrating to see, and that's girl-on-girl hate. 90% of the episodes have girls attempt murder to set up SA situations with either Nanno or other girls over a boy's affections, and it's a little frustrating that so many plots resorted to this instead of finding new character motivations and exploring other aspects of dark human nature — of which there is much to explore.

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Slow burn of everything

It took me a while to really understand the world-building of it all, but once you do it's so rich I wish I could live in this world and just explore it on my own. The characters are by far the best part of the entire drama. The chemistry between the leads is great and the development of their relationship is gradual and believable.

I enjoyed the balance between funny moments and darker plotlines, but the pacing did feel really slow. I don't have a problem with the romantic pacing — after all, slow burn romance is my favorite — but plot-wise I noticed that it took multiple episodes to just get to the next thing. My interest in the secondary and tertiary characters went up and down but for the most part I enjoyed the romantic subplots and how it intertwined with the main story.

I do, however, think that we didn't have to see so much of the villains and their schemes. It started to get a little repetitive and not only was there really no need to follow every tidbit of it, but I also felt like I craved the feeling of suddenly seeing that our protagonists had been outwitted by worthy villains, and it was impossible to get that if we already saw it coming.

Nevertheless, this was a great watch; if I ever rewatch any part of it it'll 100% be Janguk/Mudeok scenes.

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