Kate

What a pleasant surprise - well done tropes, little fun changes to established often used plotlines and themes, the variety of the characters with vibrant personalities and experiences. No unnecessary additional murder mystery that drags the whole plot, no family drama no one cares about. It has exactly all that romantic comedy needs and nothing else. And that’s perfect.

And what does romantic comedy need? First and foremost: romance. Whenever we are talking about leads, second main leads or just supporting characters, they serve and deliver. Shin Woo Yeo and Lee Dam gave me a perfect example of fighting against all odds, defying destiny. I especially loved how they used the red string of fate in the drama (not only in context of leads) - be it to add more angst and internal (and external) conflict, give closure to certain plotlines, or expand on presented themes. Probably the best use of red string I have seen in dramas for ages.

Usually I really dislike the “innocent, inexperienced, pure female lead”, but here I cannot even be mad about it, because it was fitting the context, and while she was inexperienced in love, she was not naive in terms of other relationships. They did not make her dumb in all areas to show how little she knows about love, and that is something we usually don’t see. I truly appreciate the variety of experiences presented depending on the characters. Some were experienced in both love and casual dating, some were inexperienced in one, but more experienced in the other, some were inexperienced in both. That’s why female leads “innocence” (for the lack of better term) was not that annoying, and did not stand out too much - she was just one type of many we witnessed.

Then we had Shin Woo Yeo and I adore how imperfect he was. The boy had flaws, major ones. He got jealous and not in a cute way. He was egocentric in his thinking, made many mistakes trying to find an easy and quick way out of complex situations, his communication skills could left a lot to desire and even when he was literally told straight to his attractive face what someone expects and what would hurt them, he confidently more often than not made the wrong choice. All that made him much more interested character.

Then we have the recycled trash Gye Sun Woo - cannot believe, with what he did, I still somehow ended up liking him by the end. This ain’t your loyal puppy second male lead. He would for sure fit the cold main lead who turns soft by the female lead role more. And it’s so refreshing to see this trope being placed into the role of simping over a female lead with no choice of getting her - it’s like reliving your youth with Gu Jun Pyo getting what he deserves. All that said, even though I would never get on this ship, I also love how there was in fact great chemistry between Sun Woo and Lee Dam - maybe in a different drama life this could work.

All I can say about Yang Hye Sun and Do Jae Jin is that they were the most adorable characters ever. The fact I love both Kim Do Wan and Kang Han Na made it even easier to adore the characters they played. They were kind of a reverse version of the main leads, but not a complete copy just switched. Do Jae Jin, while innocent, was not inexperienced. Yang Hye Sun while experienced in love and the heartbreak that comes with it, was still open to romance and innocent. While they mirrored the “one more experience than the other” dynamic of Shin Woo Yeo and Lee Dam, their different personalities led them to completely different choices and attitudes.

Then we have a whole cast of well written supporting characters with their tiny twists. Choi Soo Kyung was for sure the comedic relief, but her character was also established to be extremely smart. Younger siblings of the leads were not the annoying teens, you could see the family bond even through the bickering. Jung Suk almost had no screen time, but still did not feel like a filler character - be it his friendship with Lee Dam or connection with Soo Kyung, even if not many, his scenes were also fun to watch.

Not all characters were as well written though. We could not escape dumb bullies who gossip, because they have no other thing to do and have low self-esteem. There are just some things in k-dramas you cannot avoid.

Plot wise, I appreciate how long they did not fully explain how the male lead can turn into a human. Not that I’ve put a lot of mental power to try to figure it out myself, I was just taking whatever they were showing with little neurons firing in my brain - but that tiny mystery had solid pacing that I was curious "how it works", without being annoyed how long it takes to get the answers. All the plots got proper closure, some expanded and explored more than others, but the ratio of how much we see of each point was well balanced, without random slide quests overshadowing the main story.

The acting was mostly great. I enjoyed how the actors were able to present many instinctively viewed as contradictory traits and made me feel like the characters still made sense. Shin Woo Yeo was not interested in humans and love, yet he was still a rather warm person even at the beginning of the story. Lee Dam was innocent and inexperienced in love, but strong and assertive in her relationships, Yang Hye Sun had that sophisticated air around her, when she was in fact on the little dummy side, Do Jae Jin was highly emotional, but at the same time emotionally strong. It’s really not that easy to present characters like that without making the audience feel like their personalities change to whatever the story needs to at any given time.

In terms of production value or soundtrack - all adequate to the story they tried to tell, but not mind blowing in any way. Do not remember one song nor any scene that was especially visually stunning.

Overall, for sure one of the better rom-coms in recent years. Why? Because it did not try to be more than that. It did not try to blend 643857485 different genres jumping from one theme to another. The story was simple, but told in an engaging manner, the characters were easy to love, the romance was romancing.