Kate

There is a level of stupidity even horror movies should not cross - they crossed it.

Kind of a Paranormal Activity meets The Exorcist, but worse. It did not have the fun campy feeling as paranormal activity had. Neither was it able to create the atmosphere The Exorcist delivered. Kind of all over the place, with a bit too exaggerated plot. I simply feel like they tried way too hard on this. It was also unnecessarily gross.

The things the possessed girl did were so over the top I could not stop laughing. At times it felt like a poor attempt at a dark parody movie. The level of stupidity of other characters? Unimaginable. I could have excused it, if the main lady was not literally a professional shaman - she should have known better. All these characters could easily achieve Darwin’s Award. They truly contributed to human evolution by removing themselves out of the gene pool of that fictional world.

I mean, when the movie tries to tell you a person can be possessed by the grass, you know this is going to be a crack ride. Sadly… it was not even silly entertaining - the movie dragged so much I could not even finish it in one sitting. It’s disappointing, because I actually enjoyed the first 40 minutes.

I don’t really have that much to say about the movie. It was so stupid I feel like I have to restart my brain.

It was pretty though. Quite a few screenshots taken.

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I want to start by saying:
Roy Chiu is extremely good looking and I legit got distracted by his beauty a few times.

The movie did exactly what I expected it to do - entertained me. The plot is fairly simple and they explained the lore of the ghosts enough for me to understand what is going on. The funny scenes made me laugh, and the emotional ones made me feel things (though I'm easily moved, so this is an extremely subjective statement). I enjoyed all the characters and random English words thrown by them.

I must say, the way the movie was filmed and edited was exactly my type. From the beginning I was enjoying the aesthetics of it.

Any flaws? The final scene between the big bad guy and the hero was... extremely anticlimactic. It was built up well. I could see that male lead is trying to outsmart the villain, while Hsueh is dealing with, let's say, trauma. Sadly, what followed was weak. With how entertaining the movie was, I expected some epic fight by the end.

Overall, a short, fun movie for a relaxing evening with which you don't have to strain your brain too much. If you are searching for pure entertainment based on some crime/supernatural elements, go for it.

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Whatever cautionary tale it tries to present, you cannot focus on that aspect - you keep getting distracted with how dumb the characters are. Not to mention, the lack of realism completely ruined the poor attempt of “social commentary”.

Female lead was dumb, the police were dumb, the friend was dumb, even the villain was dumb - don’t let people fool you into thinking it’s some tight cat and mouse chase with a brilliant killer who outsmarts everyone. It’s not hard to outsmart idiots. It does not make him a genius.

What’s good? Acting and editing, some directing choices. I liked the shots presenting the world from the eyes of the phone user, and then from the angle of the camera. We never really think about how much our phones see, as we assume the camera is off. So it’s creepy to see how much one could spy on us, if they had the access to the camera itself. Overall, there were many pretty shots, they knew how to make it visually interesting.

As a side note about the “social commentary” - I am so tired of this “phones are dangerous, be careful how you use them” topics. How about showing what the true issue is: lack of laws and procedures when the cyber crime happens, lack of police involvement when the crime is being reported, worst case - ignoring the reported crime because “nothing can be done”. Criticizing the government and police for the lack of protection of the citizens should be the focus, not “people use phones in irresponsible ways and depend on them too much”.

Overall, what a waste of time, even for Im Si Wan fans.

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Refreshing concept with basic execution.

Honestly speaking, I don’t even have much to say. I’m not the biggest fan of the reincarnation trope, but it is something new in the BL genre, hence I gave it a try.

As I said, the idea behind it is fun - not only do we see the reincarnation trope, but also a new twist to it - female to male reincarnation. How many interesting ideas for plots and conflicts we could get out of it! Do we get them here? Not really, and the few we get are barely developed.

Yeon Seok was quite a fun character in a constant mode of panic for various reasons. I did enjoy Jin Gun’s performance, even though sometimes it became a bit too comedic for me. On the other hand Jeong Ha Yeon as a character just did not catch my attention at all. Jeon Chang Ha acting in some more emotional scenes requires improvement, but overall, I was not mad about his delivery.

Overall, I don’t regret watching it, but I could do without it too. It does not really bring much to the table.

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Not scary, but disturbing.

More than once I asked myself: what am I watching? Either because the scenes were truly graphic and they did not shy away from some triggering scenes, other times the picture they were framing was simply funny in my eyes. I think that's the unique quality many Japanese horror films have: they just go for it and see no limits.

To some extent, the story led nowhere. Did I mind it? No. From the beginning it was more about questioning what will happen to the characters next, and not where they will end. As we all know, usually horror stories are not that nice to the main characters. That said, the plot was still at times confusing (especially closer to the end) and some stories were for sure not explored enough. Given we only got 25 minutes for each episode, I still believe they did a fairly good job with the plot.

The thing that amazed me was for sure directing and editing. I was in love with the style the whole drama was shot in. They committed to show the gore and violence and some of the worst sides of humanity. The sounds and music used in it were PERFECT choices.

The acting, damn it was good. Ririka's performance was especially to die for. Truly believable and raw. You could feel all the emotions Kiyomi was feeling, though at times I would rather not be able to see and understand it all.

The goal of this show was not to scare, but to make you feel uncomfortable. There are no jump scares, but we did get some long scenes showing the most despicable acts. As I watched it, I questioned how bad these people are and how much their actions are influenced by the supernatural.

Overall, I would like to say trigger warning for rape and gore. If you expect some cheap jump scares followed by loud sounds, this ain't for you. If you are grossed out by gore, this ain't for you. If watching serious abuse is too much for you, this ain't for you. It's a good show, but the target audience is rather small because not many would enjoy watching it.

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It’s hard for me to be objective with the review since I knew the whole story as I have seen the Korean version. That said, I do believe this show executed it better.

At first I was not sold on the cast. I loved Namtan as Mind, but could not get into her acting as Mean. Luckily, I got on board in later episodes. I also felt like Krist is a bit too old to play a high schooler, but again, got used to him as I watched more episodes. They both did an amazing job in conveying all the emotions and bringing these characters to life. For sure I liked Kay and his portrayal of Gun more than Sungjae’s performance. Jan did a stunning job as Tida. I hated her quite a lot, but still felt slightly bad when things started going against her wishes.

I think the only problem I had with this version was that I did not care about the romance at all. I much rather watch the friendship blooming and skip any romance altogether. While the guys looked truly in love with Mind, I could not feel the same emotions from her. I saw she liked them and felt a lot of gratitude towards them, but the romantic feeling was not there for me.

The plot is for sure intriguing, but not exactly on the realistic side. Did it bother me? No. It was cohesive and exciting. I can imagine how nerve wracking it must be for someone who has not seen the Korean version. The anxiety that keeps one on the edge of the seat every time Mind almost gets caught. I wished I had never seen the Korean version to appreciate this one more.

The leading premise of the show is clearly “bullying is wrong”. That said, I appreciate how many times the “kids/teenagers” made exactly the same mistakes, judged each other before even trying to find out the truth, called each other names and blamed each other without proof. It made the message more realistic. Many young people claim they would never partake in bullying, but they are… They just think their reasons for it are valid and the person deserves it. It’s not easy to change and it’s not easy to see faults in your own actions.

Overall, I would for sure recommend this over the Korean version. It's produced with less over the top style and is more grounded in reality. The characters are more likable too. The only thing that drove me mad were these long af bangs Mind/Mean had. Poor girl, my eyes hurt every time I looked at her.

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“I couldn’t properly embrace myself once, in my entire life. So I suffered.”

This review is extremely subjective. I won’t even try to pretend there is anything objective in it. Knowing there will be some kind of plot twist ruined the show for me. Before it happened, I was feeling a lot of frustration and impatience to know what it is, but since I predicted it early on, I just felt disappointed when it was revealed.

Here’s the thing, while the show has some amazing moments, life lessons concerning treasuring your life, every little moment, appreciating people around you etc, I truly did not like the majority of the characters. The last episode sucked all the sympathy I might have had for Kim Hye Ja with just two or three scenes. That’s an achievement.

I do believe the show was unnecessarily depressing and sad. After 10 episodes of misfortunes that were multiplied in the last two episodes, the closing narration just completely missed the mark for me. It was like putting a plaster on a plane crash victim.

Talking about the twists - if you start the drama knowing there will be one, there is a high chance you will predict it. For me, the expectations of some unexpected, well built twists made me disappointed when in reality it was the most obvious scenario that could have happened. Because of that, the last episodes just had little emotional impact on me - the disappointment was too strong for other emotions to surface.

The acting was truly amazing. I was especially amazed by Ahn Nae Sang, Lee Jung Eun, and surprisingly Nam Joo Hyuk's performance. While Ahn Nae Sang and Lee Jung Eun aced the more subtle emotions, Joo Hyuk truly delivered with the strongly emotionally charged ones.

Overall, I don’t regret watching it. As I said, it had great messages and moments, many memorable lines and conversations. Yet, the primary emotion I will associate with it till the end will be disappointment.

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Sadly, season 2 was far less consistent in terms of quality of the episodes. Some were great, some were rather boring.

Here’s the thing - the cast is amazing, brilliant, funny, and has perfect chemistry with each other, but the concept of the episodes lack creativity and clever directing/planning. How many times can we watch an episode about food and restaurants? What is this, mukbang? All the episodes that focused on anything other than food were, just based on that aspect, better.

Many times the production team focused so much on making the fake place “bigger and better and more shocking” they forgot to actually make it “work”. This is not Pimp My Ride Restaurant Edition. They should focus less on the place/building, and work harder on the writing of the story behind the place and the people working there. Simpler ideas would be so much harder to guess.

One more thing that started to annoy me as the show progressed was the love line joke between Jessi and Sang Yeob. Yes, at first I found it hilarious, but at some point I felt like it went too far? I started to truly just feel uncomfortable with it.

That said, it was still overall extremely entertaining, all thanks to the cast. Nara was the awesome older sister trying to fight against her bad luck, So Min made me cry while laughing because of her unusual jokes and out of the box behavior. Jessi was the queen she usually is, with a straightforward attitude and Mi Joo was the pure chaotic energy and the master of body gags. And then there are Jae Suk and Sang Yeo trying to run the show and survive.

If you liked season one because of the cast, you will still love this season. Even with some flaws, I still believe it’s funnier and better than the majority of the variety shows I have seen.

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Why am I watching this? Why am I doing this to myself? - these questions I asked myself after finishing each episode. And yet, I could not stop myself from clicking on the next one. There is something strangely addicting about this rather poorly written and acted story that makes it impossible to drop once you start.

It’s been a while since I have seen a story as predictable as this, that still managed to surprise me with some ridiculous plot lines and reasoning behind the characters' action. We get to know rather stereotypical student Sky, brainwashed Sun with some serious issue of Stockholm Syndrome, Bank - a cute puppy and Pitch, the only redeeming quality of this drama. We follow their love stories, where every conflict (and I truly mean each and every one) is based on the complete lack of communication and honestly, while at the same time, the characters complain the other party is not honest and does not communicate their feelings ¯\_(ツ)_/¯.

In the background, serving as a thrilling angst addiction, we have mafia schemes that led to our main boys being beaten up here and there, almost losing their lives too many times for me to care by the end.

For a romance driven show, the chemistry between Sky and Sun was not as golden as their blood apparently was. At the same time, I found it refreshing that there were more emotions and sparkles in the scene where they stood one meter apart, compared to all the kissing scenes.

On the other hand, Bank and Pitch were rather a nice surprise. The unsureness of their feelings and slow development of their relationship felt more grounded and reasonable. The playful chemistry of them bickering while smiles did not leave their faces was just bliss to watch.

The best acting for sure was served by Sugus - that smile alone could kill. Sadly, Gun’s performance was mediocre at best. Unintentional comedy bits that were the crying with no tears scenes truly made the watching experience that much more fun, but for all the wrong reasons. I could see how hard he tried to squeeze these tears, and I truly felt bad for him for failing each time.

Overall… I have no idea why I watched it, but I for sure do not regret it. It’s one of the cases of mindless entertainment, when you just accept nothing makes sense and the quality of the whole show is questionable at best, and yet you keep watching.

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I have strong, conflicted emotions right now, after finishing it. On one hand, it was such a beautiful and well done movie, I don’t think it could have been improved in any way. On the other hand, I cannot stop thinking about the potential this story had to be a drama.

The writing got me on a few plot twists that I didn't see coming. Some bigger, some smaller, but all executed quite well. With a limited screen time, they did a good job at giving enough exposition to ground you in the story, but not waste time on unnecessary details. The characters were interesting, and surprisingly I got attached to them quite fast. The chemistry and the switching dynamics and testing each other between Po Xiao and Feng Ren was perfect and by the end of the movie, I craved for me.

It’s definitely worth talking about the visual aspect of Wuliang - it was an aesthetic feast. Even if the plot was not as interesting, I would still finish the movie without skipping a second just to appreciate the beauty of it. The background music perfectly enhanced the atmosphere the visuals created.

The acting was also amazing. I felt everything the characters felt. Well, sometimes I went on more of an anger ride, when they felt sad, but that’s given. The emotional delivery was quite detailed. Nothing to complain about.

Overall, I highly recommend watching. It’s an old tale of “with great power comes great responsibility”, but it focuses more on the characters, building trust and understanding each other's motives, while trying to survive.

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Idealistic in themes, realistic in presentation.

It’s truly a good and dark drama, but I am also truly not the target audience for it.

On one hand they went full realism in presenting really shocking and painful abuse. They were not holding back at all and it was sadly not just in the past. We got to see how “hurt people hurt people” as Haoran and Chihiro kept hurting each other (mostly Haoran hurting Chihiro) - none of them knew what healthy boundaries and relationships are.

On the other hand, they by all means went with “broken people making each other whole again” which is an extremely idealistic way of viewing the situation and has little to do with realism. And that mix of realism and idealism just did not work for me.

It’s a horrific story of how discrimination, lack of social acceptance and support system can degrade someone’s life, and how breaking off that vicious circle of unfavourable external circumstances often feels like an unachievable goal, until you find internal reason to make it happen. And I think Haoran and Chihiro became that reason for each other.

The acting was amazing, and it made watching the show that much harder. Poorly delivered trauma can be just entertaining angst, but well delivered pain just cuts you deeply. With that, it’s not a show you “enjoy” watching, but you do end up appreciating it.

Overall, I would probably recommend the drama, but at the end of the recommendation added a quick “sorry” for the pain and frustration it will cause to the person who’s about to watch it.

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It’s not a drama, it’s meditation.

Not gonna lie, as much as I loved this show, by in the end I had one thought: maybe instead of watching it I should have gone outside and touched the grass myself.

No story, little to no dialogue, pure healing vibes. You watch it to detach from daily stresses and relax a little bit. Following The Walking Man on his walks filled with little moments of his imagination was a bliss to experience. Mundane in the best possible manner.

Iura Arata is an amazing actor. Roles with no dialogues are so hard to nail - expressing the feelings without one of the main channels of expression: speech. Not everyone can do that. He aced it.

Then we have the sceneries - the beauty of nature mixed with tradition. The peaceful coexistence. The sounds of nature, little encounters with animals, simple chats with people.

Overall, a drama not for everyone, but for those who enjoy projects like this, it would be a therapeutic experience. Highly recommended as a morning meditation to start the day with good vibes, or evening meditation after work, to heal the stressed body.

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"Art of Barely Making It" manual by Wu Xie

Time Raiders is the drama to start your The Lost Tomb journey with. Putting aside the fact chronologically it makes sense to start here, I also think the storytelling and directing is the most digestible of what exactly is going on and how this, at times chaotic, fictional world works.

Yes, the whole lore is extremely complex and detailed. The story feels greater than life. The adventures are thrilling, exciting, sometimes scary. The plot is interesting, but for me I always watch these shows for the characters. They are what draws me in and makes me want to pick up different titles from “The Lost Tomb” series. And the versions of the characters presented in Time Raiders are some of the best and most loveable ones I have seen so far.

Starting with Wuxie. What’s to love? He was amazingly animated, hilarious, but also resourceful and less of a damsel in distress than in other versions. It’s one thing to have all the skills, it’s another thing to have a survival instinct. While he might have lacked in some areas, he for sure had a strong will to live. You don't have to go full martial arts in dire situations. Sometimes a simple “stab stab” with a knife is enough. He did what he could instead of standing there scared hoping everything will miraculously solve itself out.

What’s more - even though it was obvious he lacks some skill and expertise, they made it abundantly clear he has so much potential to grow. That’s how the opening of any story should be - starting with a character we can witness the development of. With each adventure he gets better instead of being this unstoppable force since day one.

On the topic of unstoppable forces, we need to chat about our lovely emo boy Xiao Ge, who in this version felt like an actual human being, even if he still had his supernatural emo magic qualities I love. The number of times he actually used his words was amazing. Some of these instalments are determined to turn the character into a silent film edition. Not here though. He still has this mysterious aura about him, speaking only when it’s actually necessary - man of few words, but many actions, but it feels more like a persona than performance.

Short note on bromance - great set up. You can sense there is a connection between them before they even know it.

For the other characters, similar to Wuxie and Xiao Ge, this is also the best Pang Zi - dude was actually funny and not annoying. Some of his lines and reactions were almost the highlights of the episodes. But as funny as he was, they made sure to present him as a skilled and useful addition to the team.

Francis Ng aced his performance as Wu San Xing - what a natural delivery. Even when he was in the background he used 100% of his abilities. Not a second nor a frame was wasted.

On the frustrating side - A Ning will forever be annoying, why not just let her die? She would have zero issue leaving them all for death. Sometimes you just need to stop being a gentleman if being one makes you a dumbass.

Plot wise, I greatly appreciated the actual stakes that made me tear up a little bit. Unexpected to be honest. I don’t exactly watch these dramas to be moved, but to be entertained. I expect magical over the top solutions for serious troubles, so it’s refreshing to see characters lose and there is nothing they can do about it. Seeing them deal emotionally with the consequences of their actions, witnessing how it affects everyone around them, making plans to lessen the impact - great way to add emotional weight.

Time Raiders somehow was able to deliver even pacing - 18 episodes for two stories seemed like the perfect choice. We had enough time to explore the area, lore, witness different interactions between the characters, and enjoy both the fun and the scary parts of the adventures.

The comedy was flawless. The funny lines, little moments, or even longer scenes focused on the hilarious set up were incorporated into the script effortlessly, lightening the mood without taking away from the tension completely.

As for the production - great. The CGI was actually mostly good. There was one scene that went a little bit (a lot) over the top, but it was hilarious to witness. I loved the sets - the caves, dark corridors, awfully tiny spaces that triggered my claustrophobia. I loved the lighting - well balanced when it was realistically dark for the setting, but bright enough for me to see what was happening. Good balance between realism and the accessible presentation for the viewers. And god bless these underwater scenes, because these were some of the best I have seen in any Chinese drama for ages.

The soundtrack perfectly accompanied the drama - got me tense when needed, hyped up for some cool action scenes that were about to happen. And they also knew when to not include any sound at all, which is in fact a valid and sometimes correct choice many directors forget about.

To add last note about the performances: Sometimes in dramas acting and the chemistry between actors is so good you start to question how much of what is happening is actually part of the script and directing, and how much is just the actors vibing and it just working together well. The delivery was so good if you told me they just let the actors act like themselves for realism, I would believe you.

Few extremely random thoughts I had while watching I don’t quite know where to place in the review:

We got a borderline Bollywood action scene and I lived for it.

Can we talk about how good at throwing Cheng Xiang is? Or how well Xu Zhen Xuan runs? What I mean is - I did not have to convince myself what they did could happen, because they committed to present it in a realistic fashion. Things need to be thrown into the ceiling? We are running away from something dangerous, or towards something we really want? We will be using all the muscles in out body. We are sprinting like an athlete, not half jog like it's a PE we don't want to be in. I hate when characters throw shit like a 5 year old kid using as little muscles and movement as possible and we need to pretend it was a great aim and strong throw.

The whole “oxygen issue” in the second story was an intentional comedy when you find out you have from 3 to 7 hours of oxygen left even when you are buried alive in a coffin. Ain’t no logic in that high stake, but I did not care.

I just love how every Tomb drama ends on the note that leaves you in a complete state of confusion, more questions than answers.

Overall, I’d say this is the perfect drama to start your Lost Tomb journey with. The story is presented in the most digestible manner while also making sure you understand there is a bigger picture behind these 18 episodes - you just opened the door, you did not even take a first step into this wacky and fun journey.

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Braincells left the room…

I honestly feel like whenever there was a choice between right and wrong writing wise, they took the lightspeed towards the latter.

I did not even hate the premise. Was it ridiculous? Yes. But it could have been fun if executed well. It was not though. Which is sad, because friends to lovers is one of my favorite tropes.

We have Akk and Theo - cute best friends separated because of evil forces of emigration. They also are brainless amebas. The number of “I knew, but didn’t tell” and “I didn’t know, and didn’t ask” and “I was confused so I assumed” was ridiculous.

When the big reveal happened, that it was in fact Theo who acted as Enchanté, I already checked out of reality, but then they tried to explain his reasoning, and it just killed the 3 remaining brain cells I had. You made this whole ass ploy to get attention from Theo? That’s just psychotic. They could have just given him DID.

Akk was not better - not surprised with a mother like that. I still cannot believe that 20 minutes before the drama ended his mother LITERALLY told him Theo probably likes his friend from France more, and that this friend is better for Theo than her own son. Wild. And then the next day when Akk said he does not deserve Theo, she did not even try to deny it. Who needs enemies when you have a mother like that.

Then we have musketeers of fake romance and one “artist”. Natee changed his crushes more often than teenage girl, Wayo legit needs to go to rehab, because he has serious gambling issues, Phupha who was borderline stalking Theo and Saifa was who was so chill he literally barely existed.

Last two episodes? Fever dream. Conflicts coming out of nowhere, resolutions being even less logical. My boy Akk having lower self esteem than poor female leads from early 2000s kdramas curing his issues with one 20 seconds chat with a friend. Divorce, separation, emigration, break up, proposal… damn they truly threw everything at me hoping something will stick.

Till I see true improvements I’ll keep saying it - maybe during the workshops they should practice other scenes not just the romantic ones. Yes, all these BL boys aced the “I’m in love” and “I’m pinning” look, but the moment they need to deliver any normal everyday line, they fail… painfully.

One thing I did actually enjoy was the music.

Overall, fun for the wrong reasons.

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Who are you - the question we don’t have an answer to.

Realistically speaking, I understood around 80% of the movie. There are many things that are just hinted at, especially about the details of the resolutions/conclusions. Does it bother me? No. If anything, it makes me more interested in potential rewatch to see if I missed anything. The movie presents a lot of questions, but not all the answers.

How much do we change and curate ourselves to match social expectations and responsibilities set by the roles we decide to take? On the other hand, is following our desires the true freedom or just another cage? Driven by desires or led by society - where is the freedom in both, where is the place for personal choices?

These are the questions I kept thinking about while watching Cure. It also reminded me that we as humans love to simplify everything - binary thinking is easier. Extreme solution to mundane problems - that’s how I saw the freedom Mamiya was spreading. Momentary freedom that led to more restraints. Because living is not as simple as always doing what others expect you to do, nor is it simply following your current needs. Forcing others to adhere to your narrow definition of freedom is not setting them free, it’s just taking the leash in your own hands and controlling them by your own standards.

Cure is a great psychological mystery that masterfully crafts the tension. The longer I watched, the more I wanted to get the answers, but by the end, I was fine with still wondering. Strangely it felt as if I was given the freedom to find my own conclusion. It’s not a typical crime movie where we want to know who did it. Rather, we desperately try to figure out why it was done. It’s slow and atmospheric.

With a script like that you need charismatic actors to pull it off. And I was blessed with Yakusho Koji’s performance as Takabe Kenichi - a detective and husband, who struggles with maintaining these two roles, slowly cracking under the pressure. Hagiwara Masato as Mamiya Kunihiko was simply terrifying. Something about that detached, but piercing presence made me feel extremely uncomfortable.

Editing and production was truly perfect. From longer and uncut scenes that created the tension, or the quick cut flashes of moments and frames, that in addition to giving important clues, served as a good indicator of the shift of perspective and the connections the main lead made.

Overall, highly recommend to all the folks who liked to be asked questions and not get conclusive answers, making your own brain do the work. Less investigation, more philosophical. Slow pace might deter some people from watching - proper watching conditions might be the key to enjoyment.

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