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This review may contain spoilers
Coming of age, becoming your own person.
What I looked for was a shallow feel good fluff slice of life, what I’ve got was so much better. Be it in terms of romance, character development, the depth of storytelling or the quality of presentation - it went beyond what I expected. As much as I enjoyed the romance, the portrayal of the hardships these characters had to go through and how they supported each other was what truly won me over.The complexity of abuse and neglect - difference between physical and emotional abuse, direct and indirect, intentional and unintentional behavior. Truth to be told, both Jin and Haruki were abused by their parents. One could argue Jin was “only” neglected, but is that true?
In the case of Hirukawa Haruki it’s really clear - he was psychically and emotionally abused by his father, who used him as a relief for his own issues. Fueled by his grievance about divorce, sense of abandonment and alcoholism, he channeled all his anger, hatred and sense of incompetence into abusing Haruki. It was awful to witness, but the scene that actually broke me was when Haruki blamed himself for his father’s death. This is the true horror of abuse. It’s not the bruises, it's not the physical pain, but the way your personality, identity, confidence, self-value shatters. When you start blaming yourself for others’ choices and the consequences that follow.
I also do not want to give any slack to his mother. There is no way on the planet she did not put two and two together that his father was abusing him. She just did not want to acknowledge it, even to herself. The lack of interest in her own child’s well being was just sad to witness. She cared enough to make herself feel good and blameless in this situation. She failed as a parent as much as the father did. And it’s not just her neglect about Haruki’s current situation, but what led to it in the first place. The fact it was Haruki who thought he needed to protect his mother and her new family, instead of him feeling like she should go to her for help tells you all you need to know about their relationship and her role in his life.
Minase Jin’s family situation does mirror Haruki’s. Even if initially it feels less severe, long term it has similar consequences. Here we have an abusive mother and neglectful father. From one perspective his family situation was worse, because it did not seem like neglect and abuse. When your father beats you up, people know it’s wrong. When your mother tries to control every aspect of your life and emotionally guilts you into obedience, how do you even explain it to people? When you say you are scared to leave, because your abusive father might actually kill you, people understand your fear. But if you say you are scared of making your own decisions and being disobedient to a parent, because you fear disappointing them - that’s so much harder to grasp for someone who looks at your situation from the outside. People won’t say that you should be grateful to your father for beating you up, because he did it for you and he had good intentions. But people will try to convince you that your mother is dictating your whole future and telling you to not have friends and only study for your benefit. Abuse that does not seem like abuse is scary, because in most cases you won’t get external validation for wanting to get out of it, you won't get support or understanding.
And I think we see it in the drama - after Hirukawa Haruki’s father dies, he is able to chase his own dreams, build a stable life, reach his goals and set new ones - find his identity and thrive. On the other hand Minase Jin still somehow lives his mother’s dreams. We know he got to the university of his first choice - was it his first choice, or was it his mother? How much of the path he is taking is what he wants to do, and how much is it him appeasing his mom and just going with her plan for his life? This is one aspect of the show I wish they explored more - Minase Jin family relations in adulthood.
For romance, I’d say this is the perfect example of meeting the right person at the right times - the plural here is important. Usually I am completely against the couple breaking up when tough times come, to lessen the burden on their partner, but here it just made sense and was the correct choice. They were extremely young, inexperienced in any and all areas of life, confused about who they were and what they wanted. What they both needed is alone time to explore and to grow and I think staying in a romantic relationship at that time would only become another cage that stops their progress. The deep feelings they had for each other would lead to them always prioritizing the other person and that’s unhealthy.
They were the source of each other's strength in the dark times, but without some growth and exploration as individuals, the support they gave each other would turn into co-dependency. That’s why I was fine with them saying their goodbyes as teens, and meeting again as adults. I wished the transition between these time periods was a bit smoother and better presented, but I am for sure not against the idea of separation itself.
For the production I especially want to talk about the make up for the injuries and bruises. Whoever was the make-up artist, they need a raise - these were truly well done. It’s one thing to half ass the job when the story does not center around abuse - throw that red paint and call it a day, sure. But for a plot where the injuries are in fact important, they are used as a tool to progress the development of the relationship between the characters, a way to portray the harsh reality Haruki was facing, you need to put more effort, and effort they put! Truly amazing work.
What’s more, the drama had its poetic flavor mostly delivered by Jin and that tone quite well contrasted the expectations put on him and the strong opposition to arts his mother had. I feel like this was another way of showing the internal conflict and confusion our main character had to deal with. Getting a glimpse of his writing style in his novel we can see that he does enjoy arts, that he has an artistic soul in him that was squashed by his mother's expectations. That directing choice just made me appreciate the drama more, even if I am not exactly a poetic person myself.
Acting wise I highly doubt anyone can have any real criticisms. Be it the chemistry between the leads, the fluffy moments that brought a smile on my face, the abuse and hardships they faced that made me want to punch a wall, the development and growth they achieved that made me feel like a proud mom - they cooked, I ate, no crumbs were left.
Overall, I went into it expecting fluff and a cute slice of life. What I’ve got had far more depth and realism. It presents a surprising quality of storytelling for a short drama dealing with such complex subjects. You understand the full picture of what the characters were going through, and how they overcame all the obstacles without each and every moment of their existence being spelled out.
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Dark version of a Scooby Doo adventure…
…just with real supernatural elements and no shady imposters.Let’s get some facts straight - this is more of a movie in parts, than a show with episodes. It flows well as a binge watch and would be even better if it was not cut into pieces. There are no real cliffhangers between episodes, no designated events and parts of the plot happening in the episodes - it’s best to view it in one sitting.
It’s a bit of a group possession, supernatural phenomena, just a hint of psychological aspects since (as always with shows like that), it’s all rooted in the negative emotions and the vulnerable minds. Each character is facing some kind of trauma or is driven by greed and selfish reasons, which makes them more prone to get affected by what is happening in the town. And that’s how the big baddie can have its fun.
The plot is extremely simple, everything gets explained in a way that’s easy to follow. For some it would be too simple. I rather have this than clusterf**k of plots. That said, this show might be boring for quite a number of people and I totally get it.
The acting was… hard to judge to some extent? Most of the main cast did amazing. But then there were the monks and I just could not get on board with their delivery.
I especially enjoyed Shin Hyun Bin’s and Kwak Dong Yeon’s performance - vastly different characters with different delivery, especially during the emotional scenes, yet both convinced me with their acting.
Production wise, they truly tried to bring the old classic horror elements in it, but they were painfully misplaced. The dramatic violin, the low color saturation, less cuts between frames, longer shots often following the movement of the characters, slow zooms in and out - all clearly stylized to mimic the old horror vibes, but somehow the whole picture just seemed off. The old styling sadly feels too artificial and not organic at all. That said, that directing and editing did not survive more than 2 episodes, and the rest of the show was kept in a more typical k-drama fashion.
I’m sure it was not intended, but with dramas and movies like that, they always give me the soft criticism of performative religiosity vibes. Everyone is religious, but not many actually believe in what their religion says. Picking and choosing what parts of their faith fits their lifestyle and personal opinions. That’s why when the Buddhists warned the town, no one cared and no one believed - that includes some of the monks themselves.
The random rap soundtrack at the end of all episodes (also a bop if you ask me) reminded me of Sweet Home with the random songs that at some point started to strangely fit the story.
Overall, just have low or no expectations and accept whatever this throws at you and you will enjoy it. This was a rare case when even though I found a lot of senseless things, I was somehow not bothered. I think the biggest issue people might have with the show is how simple the plot is and how slow the pace is. Chances are, if I watched it in a more hyped and energetic mood, I myself would find it boring.
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I heard many people complaining how it does not have enough kissing/hugging/etc., but it made perfect sense for me as it was. I liked the realism behind their relationship and how unsure about himself Arthit was presented. How scared of other people's reactions and opinions he was. Most BLs show, as if everyone is cheering for the gay couple, they have fan clubs and ship names. This was closer to reality and made the story more moving.
The whole Arthit arc was amazing and Krist did a brilliant job portraying all the emotions. When he cried, I wanted to cry too, when he smiled and was all cute and shy, but in love, I had fireworks in my brain ;) That said, because the whole focus was on him, other characters and plotlines suffered quite a lot. All the side couples were there, but not developed. They were mostly happening off-screen and it was hard to follow them and get engaged, since we could not witness the development.
That said, I still believe it was a good follow up after season one. I have watched the whole season in one sitting, so I guess it must have been entertaining for me.
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10 episodes long exposition of the plot that should happen after the last 4 minutes.
I am honestly not sure how I feel about this show. It had an interesting premise, some nicer plot twists, but nothing was set and built properly - neither the sci-fi elements, nor the world presented, or the characters we followed and there was no conclusion to it all.The biggest issue I had with this show was how the plot was paced. The first 5 episodes felt like nothing more than a too long exposition. Everything that happened in the first half could have been summed up in max 3 episodes and we would not miss any context nor important information. Then episode 6 felt like the plot would finally move forward and we would slowly start getting some answers, but in episode 7 to 9 we went back to big nothing. It was simply impossible to give a satisfying ending with that set up, and we ended up with no answers, more questions and new characters introduced in the last 2 minutes.
We literally spent more time watching Seo Kang Joon look at his screen at work, than some of the main characters’ scenes combined during the first half of the drama. Know your priorities, guys. Use your screen time wisely. Don’t waste 10 minutes of the screen time in the last episodes for the lovey dovey stuff, when you still gave the viewers zero answers for all the questions you presented.
The idea of time travelers setting up a device in the past that will protect the Earth was interesting. How the present people knew enough about how Grid works to operate it and make it run, but could not truly grasp how it was built to use the technology for other things.
I understood the desperation to find the inventor, not only because of the circumstances and the crime committed when the Grid was set, but also for the knowledge they possess about future technologies. How much could the Earth change in the present if we understood the scientific and technological discoveries of the future? Sadly, this was never truly explored, just hinted with a few lines side characters said here and there.
A lot of characters were rather useless. Song Eo Jin is the main character, but did he do anything? No. They could literally remove him from the show and nothing would change. His character was not essential to the story and the few things he “contributed” with could have been done by literally any other character.
Another issue were the characters - a lot of them either had no personality or barely any personality, clear motivations and reasons for why they do what they do.
The acting was fine. A lot of the characters were so bland it’s hard to judge the delivery. My favorites were Kim Sung Kyun as Kim Ma Nok and Jang So Yeon as Choi Seon Wool.
The production was good. They did not try to overdo special effects - added just the right amount in the scenes that truly needed it. Loved the whole set design and scenes that were happening in the “alternative” present times. I feel like it showed a realistic portrayal of what could potentially go wrong without going over the top.
Overall, I would not recommend it. I would say it’s a slow mystery with just some action and sci-fi elements, mostly present in the last 2 episodes. They waited too long to start explaining things, so at the end everything was left to interpretation and the few answers we’ve got felt rushed. I don’t think I will ever move on from the disappointment the last episode was.
ps. They did not announce from the start it will have 2nd season, so I am judging it as a stand-alone production. And as such, it sucks.
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Every change begins with the word if, followed by the will and small first step.
This is for sure more of an office slice of life with romance, rather than romance set in the office. Rather than the story leading to romance, the romance is part of the greater self-discovery and development journey of our cute protagonist - Kano Akihito.The thing is - I went into this completely blind not even knowing there will be a fantasy element (imagine my surprise at the end of episode 1), but no matter the set up it became clear to me this is Kano’s story and everyone else is there to highlight his improvement and growth, and I was all in. At first I was scared that the parallel world would hinder the romance and make me not invested in the plot, but romance is honestly not the goal here, but rather a result of a character driven story. It’s the cherry on top, not the main course.
There were many important life lessons in it, but two that for sure I enjoyed the most were:
You should not compare yourself at the beginning of your journey to someone who is miles ahead of you. You underappreciate your own abilities and also the other person’s hard work to achieve what they did.
Often how people treat you is a direct reflection of how you treat them. Taking the initiative and the first step can help you form close bonds and dear friends who will help and support you no matter what. You can all learn from each other and grow as people. Instead of staying in the vicious circle of being distant towards people because they are distant towards you, and them being distant towards you because you are acting distant towards them - take that first step to close the gap and create a healthier environment.
That said, even if the romance was not the highlight, it was still great. I cannot just ignore the height difference - even if it does not play an important role in any of the scenes, and it’s just existing there quietly, it’s enough for me. I also love how obvious to us the dynamics between them is, and how oblivious to it Kano was. But that’s the charm of the drama - we can witness how Kano figures out that words can be used for communication between people, not only powerpoint presentations for work. The love story in it was honestly great. It’s all in small gestures, unspoken worlds, stolen glances. It’s about taking care of the other person, not wanting them to suffer, wanting to support them and lessen their burden. It’s slow and gradual, but it’s well executed. Wish the change of heart was a bit better presented though. With Kano I kind of get when and why, but I don't fully feel it.
Acting wise I loved the performances of both leads. Kano Akihito as this slightly neurotic salesman and Ogami Seiji as the stoic and what seems like a perfect senior. But it’s more than meets the eye - they both had their insecurities, hesitations, and fears. They both thought they made the right choices to help the other to later find out it was a misunderstanding and misstep for both of them. Especially big props to Nakagawa Daisuke with his dual performance, which had to seem close enough that it could be the same person in parallel words, but also different enough to justify the set up in the first place. Also, his tiny pinning moments? Amazing.
Overall, what a pleasant surprise. I went with the idea that fluff office romance will be enough, but instead got food for thought, soul and heart.
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Beautifully shot basic story.
A perfect historical drama for a novice, who never saw any. It combines all the most popular, but also cliche plot lines, without being too gruesome and heavy with tragic stories. We have smart and moral Crown Prince, pushover king, evil ministers, sus Queen and "queen to be", childhood connection and sweet romance with just enough love triangle to keep it going.That said, for someone who saw a fair share of period dramas, this was just not enough. The plot was amazingly predictable, the political schemes were underdeveloped in favor of romance, which was a pain of itself. The whole middle part was barely anything more than Won Deuk and Hong Shim being awkwardly cute with each other.
The show being so focused on romance was the biggest problem for me, since I felt close to no chemistry between the leads. I'm not the biggest fan of Nam Ji Hyun, and this show just made me more sure why. While she is a good actress, and her delivery is great, I feel like she never had a good chemistry with her co-actors up till now. Not once watching her drama I was interested in romance, because I never felt the sparks on the screen.
Acting wise, the whole cast did an amazing job. Do Kyung Soo's role was not the most challenging, but his performance was great. The highlight of the show were his scenes with Kim Seon Ho. If the show focused more on them working together to discover the ploy of the bad guys, and develop the political background a bit more, this would be a fun watch. Make the plot happening in the village a lot shorter, come back to the palace quicker and truly dive into the conspiracy part - that would save the drama.
I also wished we saw more of Moo Yeon. His character had the most depth behind his actions and sacrifices, and it's a shame it was not used to its full potential. His connection to all the characters made me curious about his future and the choices he will make. I wanted to know more about how he deals with the situation he is in, and what will be the end result of it.
One thing that the show aced was scenography and cinematography. Truly stunning views and scenes, that made me take screenshots all the time.
Soundtrack wise, I do not remember one song from it. They were fitting for the situation, but not memorable.
Overall, there are plenty of better historical shows both in terms of romance and political schemes. I have watched the whole second part in 1.5x speed, since the show was directed in an extremely "slow" way. Everything seemed slow: the shots, dialogues, action... 1.5x speed truly did not feel that fast. It's a shame, since the cast was outstanding in many ways, but the predictable and not well balanced writing made the drama average at best.
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If you want to watch it because you loved the Sungkyunkwan Scandal, don't bother.
If you want to watch it, because you like the comedy aspects cross dressing scenario brings, this ain't for you.
BUT, if you want to watch a light, fun and unproblematic show without much melo that will just simply make you happy and entertain you, this one is a perfect choice.
The best aspect of the drama were the characters and their friendship, and I don’t only talk about the main cast. The drama focuses on the relationship between Wen Xi, Cheng Jun, Lei Ao and Le Zuan - who they are and what their convictions are. Each of them lives a vastly different life, yet together they were able to create this light and cheerful chemistry on screen. We follow them as they navigate and try to change the current school system by challenging the school president (ma boi best boi Zhi Sheng) and trying to uncover the truth of the past events.
Compared to other historical shows, or even to the Korean version, this one stays away from heavy politics and all the branches of corruption. We still get the basic storyline, but it's not nearly as overwhelming as it sometimes happens in similar productions.
As I said at the beginning, there is barely any romance. Did it bother me? Not really. At some point I started laughing and questioning if we will even get any romantic scenes before the show ends. Still, the interactions between the characters were entertaining and amazing to watch even if it was heavier on friendship rather than romance for the majority of the episodes. No painful second lead syndromes. They didn't feel that much pain, so I could watch with a calm heart too.
Overall, the show is just extremely pretty and PG. Jing Yi is cute as Wen Bin and stunning as Wen Xi. Wei Long is purely adorable and his smile can melt any heart. Richards Wang, even though he plays the "strong" guy, made me want to protect him, as his character was just so pure. Wen Jun fitted his role perfectly, guiding and uniting the characters and being the voice of reason. The set and costume designs were beautiful too.
I started this drama with zero expectations, and this might be the reason why I enjoyed it so much. Even the flaws were charming. The last episode was slightly disappointing, but that also just made me laugh and be like: sure.. makes no sense but I'm okay with that ¯\_(ツ)_/¯.
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Lonely Enough to Love, also known as Dating is Annoying, But I Don't Wanna Be Lonely (which is a superior title, and that’s the fact) had a great, funny and exciting beginning, but lost its way half way through.
It started as a simple romantic comedy that exaggerates the clichés making them more of comedic scenes. It was a perfect watch after a day full of hard work. I could just laugh and enjoy the “easy to follow” plot. Later they introduced many side plots, yet none was explored enough. Instead of giving each tenant one dedicated episode, they gave a few scenes here and there, but by the end, I was not sure what their stories were truly about and what the writer wanted to tell me through them.
The love triangle was painful to watch, since I adored Hyun Jin, but could not relate nor truly understand Kang Woo. Both him and Na Eun had a complicated relationship with their parents, but it was presented in such a messy way, I kind of don’t really understand what is going on and where they are standing and what they wanted to do with it.
There is not much to say. It had great potential, but it was mostly wasted. Most characters were interesting in one way or another, but nothing was done with it. The whole show felt like just an introduction to the story.
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One of the best parts of the drama for sure was the acting. Dare I say, this was the best Seo Jin Goo’s role. While I am sad we did not get more scenes with the mad king (boy he was an amazing character and interesting to watch), Jin Goo's emotional scenes as Ha Sun were just as captivating. The duality in his performance left me in awe. I also appreciate that we as viewers could easily see which character we were currently watching on the screen. They had distinguishing characteristics, so I was never left in confusion.
That said, the whole show was stolen by Haksan, the loyal Chief Royal Secretary. The most complex character in the drama, with an amazing development and true depth. The internal and external conflicts he had to face were heartbreaking and made me cry more than once. I always anticipated his scenes and wished there were more of them, even though he was already one of the main characters. Kim Sang Kyung truly aced the role.
The weakest parts of the drama were romance and the villains. While Queen So Woon might have been a loyal and nice person, there was not much to her character, except for being the support for Ha Sun.
It was interesting to watch the villains try to win, but from the get go it was obvious they had no chance in this fight. All of the battles were too weak and they lost too easily and quickly.
All things considered, somehow this drama worked perfectly and was a true enjoyment to watch. Would recommend watching it for sure and I'm extremely happy I decided to try it myself.
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The most preventable outbreak of zombies ever.
The fact it all started because rich folks found a suspiciously looking fish and decided to eat it anyway. What could possibly go wrong? Apparently many things.Was it anything more than a fun zombie movie? No. Was it a fun zombie movie? Yes. And that’s completely fine. The action scenes were actually good. The fighting seemed realistic at least in terms of choreography - punches, kicks, using whatever you have around you to defend yourself. We did not see people flying and doing 4 pirouettes before kicks for aesthetic reasons.
The make up and special effects used for zombies were also fun. Especially the final stage of mutation, which I wished happened earlier. Blood and gore was mostly realistic except a few extremely obvious cgi splashes here and there. The move was dark enough though to ignore them.
The plot was nothing more and nothing less than “trying to survive”. What stood out for me is the fact we from the beginning start with the post-apocalyptic set up caused by climate change. There is no unnecessary time wasted on setting up the world, explaining the changes that happened because of the zombie outbreak - the world looks like it survived 3 zombie wars before we even see the first zombie anyway.
What’s most important - the characters are good. Yes, Sing was a bit too indestructible, still interesting to follow. The fact Mark is good looking does help too. That said, the best character was for sure Buddy. It’s a child so of course he makes a few extremely dumb choices, but they are in the realm of my understanding based on the shock this tiny human must have survived.
On the not so great side - what was that right before the credits roll scene? That makes no sense. It’s a clear way to set up the second movie (which I would not mind watching), but it could have been done in a better way. Based on the fact our lovely ML left the mutated fish at his house, and it seems like theft is common, we can assume the fish was in fact eaten, and now people eat each other even outside of the hospital - aka perfect setup for the bigger, more epic zombie sequel.
One major complaint - there was a moment in the plot when non-infected people started fighting with each other, while they were also fighting against zombies and it made exactly zero sense. Why are you fighting guys? More brains, less muscles please. And these slow motion close up punches? Stop.
Overall, it was fun. Requires zero brain power, keeps the tension high for most part. The characters are well grounded and likeable, you do want to see them survive, which is always a plus for a horror movie.
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Enjoyable, but not groundbreaking.
Realistically speaking, I knew where the plot was going since episode 2. I did not mind it and I was ready for an exciting ride. While it was entertaining, the show lost me a few times.Plot wise, I’d say that’s the glow-up I enjoy watching - when with a new hairstyle come deadly skills and not rich boys. Yoon Ji Woo’s story is quite a chaos filled with questions: who did what, why and what will she do about it? We follow her on the journey of discovering the truth behind her father’s death, which became her sole life mission. Observing her trying to fit into two completely different worlds - crime driven gangs and justice and revenge driven police, made me binge watch the whole show in one sitting.
Honestly speaking, none of the characters had true depth, nor novelty to them - I’ve seen them in similar stories. You know what the characters will do, before they do it. That said, it does not take away from the entertainment value. Action genre was never a plot focused deal for me, I just want to get my blood boiling with fun fighting scenes, countless backstabbing and revenge. My Name delivered in these aspects fairly well.
The strength of Han So Hee’s performance were her physical abilities - the fighting scenes looked really good. We could see her using the skills she learned at the beginning throughout the show. While she nailed the action, some of her emotional scenes fell flat and I could not connect to her character.
Park Hee Soon served us an outstanding performance. It’s not often for me to feel bad, or rather feel anything towards a character like Moo Jin. For making me feel things, I thank Hee Soon.
Production wise, it’s Netflix, of course it’s good. Personally, I didn’t like some of the editing, especially around the training and the undercover beginning - it was too much too fast. There were also some weird choices made by making the camera go out of focus in some scenes.
Truly enjoyed the soundtrack. Just a few notes made me feel excited and ready for some bloodshed. They perfectly supported what was happening on screen, elevating the overall quality.
So, what did not work out? Not enough backstory of Ji Woo’s father. We did not really get to see him do much, either in terms of his daughter nor his work. Some flashbacks here and there are not enough for me to understand why he was such an important figure in so many people’s lives. He was the catalyst of the whole plot, but at times I didn't quite understand why.
Some turns the plot took were truly ridiculous and brainless. “Okay, it makes no sense” was the only response I could give. Some plot lines - unnecessary. I hoped the writing would emphasize more on the internal conflicts Ji Woo felt - girl was dealing with a lot.
The ending was so mediocre I could not stop myself from feeling disappointed. It’s not an open ending, but since they did not really explain many aspects surrounding Ji Woo, it felt like it. The plot is finished, there is not much that could potentially be explored in another season, so what now? Why couldn’t they give some proper closure?
Overall, I loved the fighting, the connection between Ji Woo and Moo Jin and their dynamics, the visual aspects of the show and the performance. The writing could be a bit more polished - cut some parts out, develop some more. Would recommend it if you feel like watching an action flick and want to be entertained. If you are looking for more, you might be disappointed by the plot.
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When the daddy turns dad, and the thriller turns makjang.
I went into this drama for the most shallow reason ever - Yoo Yeon Seok looked extremely hot in the trailers being all possessive and domineering. And since that was my only expectation, I’d say the drama did not quite meet it. It gave me other things to enjoy though.Was it a fun watch? For most of it. The middle part became a bit too repetitive, and the ending went straight to fancy makjang territory. Some twists were more predictable than others, but overall it was a rather engaging watch. Did the plot make much sense? Not really. I mean, the majority of the characters did not even have half of the working brain cell and watching them making the wrong decisions over and over again, and being so painfully blind to the most obvious things was probably one of the most entertaining aspects of the whole drama.
On the top of that clownery we have Baek Sa Eon - for a smart guy he was really dumb. Did I care? Nope. Why? Because he was hot. Yes, that was my reasoning. Baek Sa Eon during the first few episodes was THE hot possessive toxic oppa and for that I am grateful. Whenever he went just the right amount of unhinged when something concerned Hui Ju, I went - yes! The angst, the low-key anger issues, the suits and them hands (the production team knew what they were doing with all the close ups of his hands). Exactly the guy you love to watch on the screen, and would avoid in real life. And then he did 180 in the second half and I became convinced that the perfect husband was cosplaying as toxic oppa.
Hong Hui Ju was honestly a placeholder. She had a few great moments here and there, but at the end of it all, she was just an overcooked potato. Which is fair - with the amount of trauma and abuse she went through, if she had more of a spine, she would leave. Since she stayed, we should not be expecting her to give us much spunk. Being in danger was her full time job, and saving her was Sa Eon’s life mission.
Surprisingly, the characters I got really attached to were Sang U and Yu Ri. The investigative duo with such fun chemistry. Waiting for Netflix to contact me, because I have the plot for the spin off of them already planned in my head. The way he became so conscious of her presence, and she was so oblivious about it all is my type of a connection.
The villains were villaining, but they were also so generic I did not really care for their shenanigans. So much happened plot wise, and yet it kind of still feels empty? When the Phone Rings had an extremely strong beginning, and lost its focus half way through. The issue might have been how packed the plot was -, they did not really have time to explore on a meaningful level any of the plotlines. One thing happened, and we moved to another thing - nothing felt developed, nothing had a proper closure. All had a closer, but none truly had THE closure.
Performances were mostly great. Yoo Yeon Seok aced that silent anger and concern. Whatever scene he was in, he delivered. On the other hand Chae Soo Bin… I know she is a great actress. I loved her in all the previous titles I have seen her in, but this role was just not it. Would I dare to blame the directing? Yes. Even though I thought the drama went downhill in the second half, her performance got so much better. First few episodes she was just a surprised big eyes victim with no facial muscles working.
Production was fine. As I already said, I'm grateful for the close-up shots of Yoo Yeon Seok’s hands. Some of the editing was questionable - too much repetition of what happened in the previous episodes - the viewers do not have goldfish brains like the characters, we do not need constant reminders.
Overall, what I thought would be a fun wattpad-esk romance with an entertaining dynamic between Sa Eon and Hui Ju, turned into a family mystery makjang with low level of brain energy. Still had fun though.
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Step into the right direction, but we are still walking, not running.
On one hand I want to give big props since this drama is a massive improvement in terms of directing, editing, storytelling and acting compared to many Thai bls. It includes genres that are not often used, being more daring and bold in tags. On the other hand the execution still feels sloppy. The pacing was draggy at a few points, the horror aspect slowly vanished as the drama focused more on the romance. There were times where I felt like they tried too hard to be artsy, fancy and serious. And I don’t even want to talk about the conclusion.What Khemjira does well is create a cohesive and rich in cultural details world. What I mean by it - the culture was an integral aspect of the story, not just decoration. For most parts I understood the strength and limitations of everyone's powers and the impact they have on them and people around them. They also did a good job showing how capable Ramphueng was in action not narration - that’s always a big plus.
What’s more, I actually strangely enjoyed the sometimes questionable moral takes this show presents. Personally I find the idea of Karma that follows you in different reincarnations unjust, but because of that I found the reasonings the characters gave for certain storylines fitting the overall themes, even if I personally disagreed with them.
I also truly appreciated all the characters, not only the male leads. With how much was already happening plot wise, I felt relieved that they did not create unnecessary mundane drama with cheap cliches. Rather than that, they used what usually is an annoying trope for a little bit of a mood change with positive characters that brought a smile to my face (looking at you Phong).
I was also extremely surprised with how good the special effects and styling was. Visually speaking this drama is a feast (yes, Master is a whole damn meal alone, main course if you ask me). Especially Ramphueng - the way her styling and make-up gradually changed, you don’t notice it at first, but by the last episode you see how badly she is affected by everything that happened. With how supernatural was not just a little part, but the driving force, all the magic, ghosts and various beings were presented in a really… tasteful manner? I could see that they took their time making sure all the details matched and it was not some “stock idea”.
On the positive side I have to talk about acting. First my favorite - Green. Her performance was so strong I started to root for her in the second half. The more we knew about Ramphueng, the more I connected to her character. Her delivery was so strong, I could feel every emotion she portrayed.
Then we have FirstOne. This man managed to show so much depth in what could be easily presented as just a comic relief character, I have to applaud him. Be it silly jokes and remarks or truly raw and heartbreaking moments - he aced them all.
Truth to be told, I loved almost everyone in the cast. Keng was able to balance Peem’s stoic persona with deep emotions, Tle balanced the nerdy, but also mature side of Chan well.
And then we have Namping… I am sorry, but for me he cannot act. It was not obvious at first - he does well with simple daily mundane scenes. Happy, surprised, little scared, hesitant, flirty. But when the story took a more serious turn and required to tap into these deep and raw emotions, he failed every scene. He was trying to squeeze these tears, sometimes managing to get one or two, but I felt nothing watching him on screen. His level of reaction was less “life or death” and more “dropped the last piece of pizza on the floor”. He also struggled with switching and moving from one emotion to another. He always pulled that hard cut between being heartbroken and fine.
Though I do think some of the issues with his performance came from directing choices too. There were a number of scenes of him crying, stopping for the dialogue to happen, and then crying again - like the emotions were being paused to deliver the lines. Some other characters also had similar issues - weird pauses between words, weird pauses between replies.
Since I was not convinced by the performance, I did not connect to the character, which led me to truly not care for the overall plot. The only reason I could potentially feel emotional is the reaction other characters would have, rather than what would actually happen to him. This is bad, real bad. He is carrying the whole story, everything revolves around him, everything is connected to him… and here I am not caring about him at all. Boy was the center of it all, but he also did nothing.
Here’s the thing though about the story - with how much the villain went through and with how poorly Khem was portrayed, I kind of was on her side. Sue me, but I will die on that hill.
Another issue I had was the fact they truly did not know how to hold the tension and transition between different scenes that had different moods. They built something up just to break it up with silly jokes and comedy so neither the serious nor the fun actually landed.
Then we have the conclusion, the lack of explanations and the “because it had to happen” as if this would be enough for me to just accept and move on, when the whole plot was built on the mystery of the curse and how to break it. The drama ended and I still do not fully understand the curse… I asked around and honestly no one gave me a proper explanation just “maybe it’s this or that”... The ending was just disappointing.
Strangely I think I have more positive feelings about all the side stories rather than the main one.
Anyway, I'm done, but it feels more like the show is done with me after slapping me in the face with random shit over and over again in that last episode. I was obsessed in the first half, but when my expectations were not met I got more and more disappointed.
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The production as rough as the relationship between Wu Suo Wei and Chi Cheng.
Why, oh why did they not keep it short and simple? You truly do not have to adapt everything that is in the novel. You can in fact just pick one aspect and make it happen. We had so much going on, but somehow nothing was really happening.Revenge Wu Suo Wei planned, Chi Cheng family drama, whatever was going on between Chi Cheng and Cheng Yu, second leads romance, Yue Yue and whatever she was doing, the snake business, the art business, Wang Shuo and his drama, Wang Shuo’s bro who was there to look hot, make Chi Cheng jealous and make us hope they would develop his not so bro like relationship with Wang Shuo, Wu Suo Wei’s mother’s health issues… I am sure I am missing some other side plots.
I could feel that people involved in this production actually cared about it, but maybe they cared a little bit too much so they were not able to let go of some aspect that would in fact improve overall quality. The actions and decisions were as misguided as the ones of the characters.
If we just focus on the love and chemistry between Chi Cheng and Wu Suo Wei it would be perfect. I adored the love and devotion I saw in Chi Cheng’s eyes when he was looking at Wu Suo Wei. The way on his side the connection moved from pure curiosity, to lust and then to love was done in a perfect manner - be it performance or pacing wise.
And then we have Wu Suo Wei who not only had to deal with his unexpected growing fondness towards Chi Cheng who was by all means his enemy, but also his newly discovered interest in men. Baby boy went into complete panic mode more than once. But the fact these two ended up completely in love is undenied.
Then we had a second couple and I’m only left with disappointment. I love Guo Cheng Yu, I love him the most out of all the characters. He was the true man of the story. Every new scene with him made me just love him more and more. The way he did not take advantage of Doc being drugged, the way he took revenge on Doc’s ex - how patient he was during the relationship - he kept gaining points from me.
But then we had Doc - Xiao Shuai… oh boy. He did not deliver on the romance at all. First of all, I rather have no kissing scenes than watch a scene where one clearly is not enjoying whatever is happening. I could sense how awkward Liu Xuan Cheng felt while filming it, and I should not be feeling what actors are feeling, I should be feeling what the characters were supposed to feel. Liu Xuan Cheng did the best in the silly down to earth scenes between him and Zi Yu and their friendship baby girl energy. But when we talk about any more serious scenes, emotionally heavy ones or romantic ones - he failed, over and over again.
Yes, Chu Cheng did a number of questionable things, so did Wu Suo Wei - that’s not the issue. The bigger problem was how writing wise they were not always consistent with how the characters were written in the first place. Example: Chi Cheng could not bear to actually hurt Wu Suo Wei and he did not want to force Wu Suo Wei to sleep with him. And yet that’s exactly what he did by scheming and manipulating Doc. If your lover's reasoning for sleeping with you is anything other than them actually wanting to sleep with you, you are doing something wrong.
Any other dynamics worth mentioning? Whatever was going on between Chi Cheng and Cheng Yu. I am sure these two characters at least once thought about sleeping with each other. No way their feelings were not even slightly complicated in their past. I loved it. I also loved the friendship between Wu Suo Wei and Xiao Shuai, even if some of their schemes “against” each other that were aiming for their own good, would for sure cross my personal boundary.
And here comes the biggest surprise, I actually ended up adoring Wang Shuo. This idol snake stole my heart. He was the greatest source of never ending entertainment. The cheekiness and boldness that was covering up his deep sense of insecurity was one of the best aspects of the drama. I wish we saw more of him and his “bro not really bro” with whom he clearly did not have bro chemistry going on.
Yue Yue was boring, the off screen conclusion of her character was boring.
The sick mother plotline was annoying and I wish it was shorter. The lack of communication and the whole plot was so poorly written and annoying, I was rolling my eyes so hard I could see the neurons dying in my brain. That said, the actual conclusion and the death of the mother was shot in a beautiful and touching way - cannot deny that.
Production wise… questionable? The dubbing was painful. But it is something you can get used to. By episode 3 I was not bothered by it at all. Honestly, compared to others the dubbing did not bother me that much. What bothered me was the song choices, especially two tracks. One gave Twilight vibes, the other gave me hallmark christmas movie vibes. It does not matter what scene they were playing for, I could not stop laughing. On the good side - I actually liked the set design and the outfits the characters were wearing matched their personalities perfectly. Yes, a bit too… on the nose? But somehow it matched the overall tone of the story - it was cliche, but fun.
On the sad note: not even the strongest toxic gege can fight censorship. It is a proper BL, don’t get me wrong. We get plenty of kisses and intimate scenes. But we also get less and less of them as the show progresses. In later episodes we could see how they cut the scenes shorter and the transitions were not smooth at all. I get that external limitations of what they can show are something they could not do anything about, but you can always be smart while filming. Film scenes in a way that even if you are later forced to cut short, they still feel completed.
Then there is the issue of them being casual about really serious topics: Chi Cheng making gang rape happen. Wu Suo Wei pretending he wants to kill himself in front of Doc, who in fact in the past tried to off himself. I know they tidied up a lot of "problematic" things from the novel, but then why leave these few scenes that are simply not necessary anyway? It's like you deep clean your house, but leave a shit in the middle of a living room. I’m not necessarily against dark romance and I enjoy problematic relationships as forms of entertainment too, but they need to be presented in a proper context. Here they made the story more cute, at times even wholesome, but still left some bits of that typical darker story. It just did not mix well at all.
Overall, it was fun, but so unnecessarily long. Maybe if they actually kept the plot more tight and made the show shorter, the censorship police would not have caught them fast enough and we’ve got the whole show without the obvious re-edits and cuts done in the second half.
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This review may contain spoilers
A Tale of Green Privilege.
I am salty, not gonna lie. I was totally in love with the show for the first seven episodes, but the last three were simply a writing joke and left a bad taste in my mouth. For me, the writers completely failed to deal with and give a proper closure to a topic they decided to showcase.Starting from the positives, I have to talk about acting. I usually keep my standards rather mid range with Thai BLs - here they exceeded my expectations. The performances weren’t Oscar worthy, but damn they were good. I see a trend in Thai BLs with casting new yet extremely talented actors for the main roles - Zee, Win and now Mix. Some actors did a better job than the others, but overall everyone portrayed their characters well.
The production value and the attention to creating realistic settings was quite nice. The village seems like a real close community - the interactions and relationships felt genuine. Loved the kids and how each one of them had their own individual characteristics, and they were not just “a group of kids”.
The slow progression of Tian and Chief’s relationship (excluding episodes 8-9). They were adorable. Well paced and natural way of presenting two people falling in love. Ain’t no “love from the first sight” or “forcing your presence on the other person until they give in” (which is done in many shows both in the physical and emotional aspects). Just two people working around their insecurities while the attachment and emotions grow.
“Your feelings come from your freaking brain” aka clear message that Tian is just Tian, and his character development and feelings come from him and not the heart he received from Torfun. All the similarities in his behavior towards other people did not come from the heart - it was Tian acting on what he read in the diary. I truly appreciate that they clearly expressed that Tian is his own person.
Onto the bad aka everything that happened after episode 7: complete lack of consequences (both legal and social) for people who broke the law. In real life, Tian would be hated by society - a rich kid who got away with breaking the law (organizing an illegal car chase in which someone died, and with how it was presented, it was not the first illegal car race he organized and took part in) thanks to the parents' money.
And I’m sorry, but feeling guilty is not enough of a punishment. We have legal systems for a reason. I’m all up for a redemption arc, but a character needs to pay for their crimes first. Same goes to his parents - all they did the whole show was bribing people for various reasons. The whole show could have happened only because Tian’s parents were able to buy his way out of trouble with money, and the true victims were simply forgotten. Torfun got no justice, nor did her family and friends. Everyone involved in her death got off scot free. That part of the plot and how writers dealt with it just simply angered me and ruined the show.
For everyone who claims that since Tian was not behind the wheel, he should not be held responsible for everything that happened to Torfun, remember that Tian was the one that suggested the car chase. Him and Tul organized the whole thing. When Tian started to feel unwell, Tul suggested forgetting the race, but Tian said no, because he did not want to look like a coward (to this random person he met in a bar and will probably never meet again - pride much?). He sent his friend to take part in the car chase on his behalf. He is not blameless.
And yet, he hasn't once been criticized or even scolded. Everyone just kept telling him how he was not at fault, how Torfun would forgive him, how he should stop feeling guilty, and my favorite and most disrespectful line of the whole show “Maybe, Torfun was the one who chose to give the heart to you” - it came from the person who was close to Torfun, someone who in first episode said “Everything can be settled with money. Easy, isn't it? I will never forgive the person who did this to her” - newsflash Chie’s, Tian was one of the people who did this to her, and his parents were the ones that used the money to make it go away.
Then there is the whole aspect of Tian wanting the freedom of choice, when everyone around him made the decision for him. This could have been a really good arc if they actually showed Tian being capable of making these decisions. Up till the end of the show, while his intentions might have been good, they often led to putting others in danger (sometimes almost dying). Tian is not exactly a responsible human being. How many times his actions need to have negative consequences until he starts to release, maybe double or even triple checking his ideas would be a good way to go?
All the problems I have, were the result of episodes 8 and 9 happening. It turned from a really wholesome story of self-discovery, development and improvement, to overdramatized mess with no cohesiveness. I loved and adored Tian in the first seven episodes, to be left with no sympathy by the end. I just could not stop feeling bad for Torfun and how poorly her character was treated in the show - all as a way to make Tian look better.
The last episode was quite enjoyable. Full of clichés, but since the cast have good chemistry, it did not bother me that much. The MVP was Tian's mom at the airport. Her reactions were comedy goals.
Overall, I have no idea. I am extremely conflicted - it’s not like the whole show was bad, good or decent. There were things I loved with all my heart (Tian’s and Longtae’s friendship being truly the best part of the show), but some were laughably bad (I did laugh throughout episode 8-10). I guess this show just made me feel frustrated on a whole new level just because of the two episodes close to the ending.
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