Kate

2x speed to the rescue.

I have barely any thoughts, because this had barely any plot. They just threw things at me without establishing them well, so for each conflict that happened all I could do was ask “why?” or “since when?”. How did I view the plot? They did not have the content for 12 episodes, each 45 minutes long, so they stretched whatever they had to the oblivion. When you have a slow paced show, with your actors moving slowly and delivering their lines slowly, you should not be adding slow motion on top of that. 2x speed to the rescue.

The thing is, there were a lot of good elements in this. Great acting from both Mark and Zung. The supporting cast delivered a stable performance too. The chemistry was heartwarming and clearly there. The cooking scenes were beautiful and the soundtrack, even though at times cringy, overall, made me happy, and that’s the point. The directing just lost me.

Internal and external conflicts Aek was facing were not there until they suddenly were, and I was just supposed to accept that. Since when? All his outbursts of emotions made little sense and they never explained why he was so paranoid about every little thing in his life, when most of problems were exaggerated and could be solved with one conversation. The writer made him do quite a number of things that did not line up with how he was written in the previous episodes, just to insert more unnecessary drama.

Aue and his ex should never happen. One of the side plots that did nothing to either plot progression nor character development. She was there to add screen time. Instead , they could have shown more attention to the contest plot, explain why it's important for each character.

Overall, I don’t know. The show happened. I loved the first two episodes, good slow paced beginning to establish the characters and their surroundings, but then the pacing never picked up. It was slow the whole time, with few plot bombs dropped here and there. That said, I am excited to see more projects from both Mark and Zung, since I quite enjoyed what they delivered on screen.

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Honestly, what happened?

I want to start by saying - splitting it into 2 parts is dumb and I truly do not understand the logic behind it. I refuse to call it a season, because it is not - it’s the same story, same arc, same characters, direct continuation, no?

The 6 episodes we’ve got were truly just an introduction to the characters and plot - nothing less, nothing more. And I don’t even think the introduction was that good for a lot of the elements.

Van has no personality and the only interesting and entertaining aspect of his character were the few reactions he gives when interacting with Mi Ho. That’s it. I love Kim Nam Gil, I do, but this role ain’t it.

Mi Ho is fine and I love her chemistry with other characters. The issue was - for a fantasy driven action flick, they wasted too much time telling us who she is in the present time. We don’t care. I couldn't care less about her struggle for power in her father’s company and the nasty aunt. I did not need a lengthy set up on why she had to go to Jeju. Only 6 episodes - time is precious, why are we wasting it? Also, this is a side rant, but every time the magic happened and Da Hee made the moaning sound I was like: girl, this ain’t the sound you should go for in this situation…

Surprisingly, the character I was the least excited about ended up the most fun and entertaining. Kang Chan Hyuk aka Father Johan. Eun Woo should take more roles like that, fitting his personality. Yes, the more "emotional" scenes were often lacking, but overall this is a lot better than many of his previous performances.

The cold emotionless lead is just not his thing. I liked how Father Johan was honestly a rookie compared to the forces he had to go against and he was too confident for his own good. I especially loved him testing Van and how far he can push before Van starts punching back.

Eun Woo as a cheeky priest was to die for. The child became a man. Man of faith and man of kinks for many viewers.

Production was painfully questionable in the CGI department. Just the manifestation of the power/energy was great. The barrier set by “the villain” looked amazing. But then, the design of the possessed was laughable, the execution was wanky. I liked the tree spirit monster, but that’s it. The worst of it all? The CGI models for the actors when they were doing the crazy fighting scenes - the movements were just bad. Then we also have the awkward scenes where the use of harness and lines could not be more obvious. I don’t think they practiced enough…

Overall, a mess. As much as I had fun watching it and joking about it with other users on feeds, the quality of the show itself is just bad. I’m so confused… What happened? I assume they had the budget, the cast was also good… So why was the end product just mediocre at best?

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Being honest with everyone: there isn’t anything amazingly fresh nor outstanding about this show. Whether you will like it or not, depends all on whenever you will like the characters and their interactions.

It’s another show about a confident jerk male lead and a nice and madly in love female lead who is willing to get dumped countless times and still cannot give up on the dude. What is surprising, though: they are both somehow likable (many would disagree, so don't quote me on that). I wanted to slap Soo back to reality more than once, but I also loved all his scenes and found him to be an interesting character. Woo Yeon, even though desperate with her unrequited love, still seemed like a strong character that is slowly gaining more confidence and learning how to put herself first. The flaws were presented in a way that made me curious about the development, rather than annoyed with their current state.

The show is full of cliches, but I was weirdly not mad about them at all. I saw these plotlines in other dramas, I should be bored, but somehow I wasn’t. Why? Because I cared for these characters. I was emotionally attached to them and was genuinely interested in their stories.

I also have to appreciate they at least tried to give a better explanation for Soo being such a selfish jerk. It wasn’t just random, short conversations we usually get in dramas to explain the behavior. His past was mixed well in the overall plot and, even though it did not excuse his actions, it made me understand him more.

They took a similar approach with Woo Yeon. While she was a weak person in terms of her love life and the desperation she presented, she also was strong and striving to achieve her dreams. She wasn’t weak in all areas of her life. She was flawed in one. And that made her an interesting character.

The chemistry between all the characters was amazing. Not only romance felt natural, but also the friendship between the main and supporting cast. Nothing felt forced or unrealistic. Great acting from the cast for sure helped achieve that.

The sub-plots were also interesting, with 2 supporting couples bringing something different to the table. We got comedy and we got melo. Such a striking difference, but even when their scenes were one right after another, it never felt disconnected or like they belonged to different shows. The flow and transitions were just right.

For me it was just a fun romantic comedy that had a good amount of sub plot surrounding the main one. Nothing felt like useless fillers for me (though I am sure many people would disagree).

Do I think this drama could have been shorter? Sure. I honestly believe getting 12 and not 16 episodes would be ideal, but I have exactly the same opinion about ALL romantic comedies. They are just not meant for a longer format. The last 4 episodes were painfully full of cliches. I'm pretty sure I saw my brain a few times when I rolled my eyes so hard. That said, I am unable to name even one rom-com that avoided cliches at the end. I think it's just given and expected in the genre.

Overall, if you cannot get over the over-confident male lead that is extremely selfish most of the time and desperate for his love female lead, this ain’t for you. The characters are far more than the flaws, and I myself found them likable, but if these are your personal pet peeves, you will not like it.

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That was a proper rom-com with actual plot, good pacing, characters that you learn to appreciate and relationships you root for. That said, it still leaves me craving for more.

I’m not even mad about bls delivering all the cliche tropes, romances based on misunderstanding, the amazing soft angst, the naive lead falling for the grumpy lead that we’ve got in the post from straight romance stories. These plots sell, these plots attract the biggest audience and these plots are simply entertaining. And this is kind of what we’ve got from the Unintentional Love Story.

It was a fun journey to follow. While Ji Won Young was a painfully frustrating character at first, I cannot deny - this child grew on me. Surprisingly, he delivered some of the best and most mature lines out of all the characters. Yoon Tae Joon was one of the soft emo guys that makes your heart ache just the right way. Dong Hee and Ho Tae were rays of sunshine impossible not to love.

Truth to be told, at some point I started to be more curious and invested in this second couple, and I cannot stop myself from being quite disappointed with the lack of screentime and development, and only hope for a separate show that will follow their story.

The quality of acting depends on which actor you will focus on. Personally I enjoyed Han Do Woo's and Won Tae Min's performances the most (which was also one of the reason I enjoyed following their characters’ story more).

Cha Seo Won did an amazing job with the “I’m hurt, but I want to hide it and control my facial expression, but I still need to show it enough for the audience to see” scenes. Moments when we need to both clearly see what emotions the character is feeling, but also understand they want to hide it. On the other hand, Gongchan delivered a deer caught in headlights acting - mostly looking confused or scared with his pretty big eyes.

The kissing was basically like trying to stick two magnets together by the same pole. I could literally see how much force they had to put into getting so close together. I laughed... badly.

Production was great. Vast improvement from many k-bls. Would appreciate a little bit less smoothing filter on the actors’ faces though.

Overall, for such a nice watch. Not as emotionally touching as I wished it would, but something I for sure do not regret watching and would probably recommend others to check out.

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A piece of advice to whoever wants to watch this movie: watch it alone. Watching it with a group of friends might ruin it for you. The ideas of where the plot is going might make the ending feel flat.

The story is quite complex and the characters' motivations make you question their every behavior. At the same time, a quick guessing game will lead you to the correct answer, because at the end of the day, the ending is not as unexpected and surprising as one could wish for.

The acting was for sure the best aspect of the movie. To say I was impressed would be an understatement. While Haneul aced the role, I didn't expect any less of him. I was the most drawn to Kim Mu Yeol - acting and character wise. He showed both a soft/friendly, but also mad and driven performance, and both were done perfectly.

There was one moment in the movie that caught me off guard and I could not stop laughing for a good five minutes. One of the quite common tropes used in Korean dramas, that turned this movie into a comedy. Thank God it was close to the end, because I wouldn't be able to take any scenes seriously after it happened.

Overall, the process of watching the movie and guessing where it's going was more entertaining than the movie itself.

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When the characters regress and you are questioning reality.

After watching one episode one would think the female lead will get an amazing character development and slowly will learn how to prioritize her own needs. One could not predict she will infect male lead with her Jesus complex - and yet this is kind of what happens.

Not gonna lie, Takumi was adorable. The twist on the contract marriage and the initial presentation of him as a cold male lead was done perfectly and set my expectations for the rest of the show slightly too high. On the other hand, Yae was just frustrating. While at the beginning the situations she put others’ needs ahead of her own made at least some sense, later it was just too much to handle and the script was leaning into some ridiculous territories.

I think the writer just fails to deliver a character development. I know not all characters need one, but her behavior was truly pathological on a whole new level. If anyone needs character development, it’s her. What’s worse, I feel like her “giving up so others can be happy” persona started to influence male lead too, which led to at best questionable last episode.

That said, I did enjoy them as a couple and their scenes were adorable and blast. The actors had amazing chemistry and as a viewer it was clear to me how in love they are. I also really liked all the side characters - which, surprise surprise, actually got more character development than our leading lady…

Overall, a decent rom-com that is lacking in some major areas.

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Mild angst, major miscommunication.

Can I even call it miscommunication? Was it not just a reverse delulu - Shirasaki Yuki truly lived in his unfounded convictions and denied any possibility of mutual feelings between him and Hayama Asami. The only thing left for me to do was keep watching and keep sighing - little guy was chickenblocking himself.

Truth to be told, I actually loved the plot itself. I'd just tweak how Shirasaki Yuki was written to make him a bit less frustrating. His character effectively lowered my rating with each action he made. Dude kept acting as if he was rejected without being rejected. At some point his explanation of Hayama’s actions became so illogical all I could do was laugh. What the drama failed at was convincing me there was a valid reason for him not even thinking there is a chance Hayama might like him.

I do appreciate how it led to a nice pinning and angst from Hayama Asami tho, which was in fact the highlight of the show for me. With just two episodes focusing on his point of view, I somehow believe I understand his character and reasoning far better than Shirasaki’s. His hesitation made sense. How cautious and at times passive his behavior towards Shirasaki was - it was well explained and it was the most fun part of the drama to watch. I’m a connoisseur of mild angst and I was quite pleased with what I’ve got from 25 Ji, Akasaka de.

How about the chemistry ( which is undeniably important in romance driven shows)? Depends on which scene we are talking about. The first kiss the part shared was atrocious. It was not even a dead fish kiss. It was not a cute peck, they literally just put the lips together, barely touching, and stood there. The context of this scene made it even more ridiculous and I almost dropped the show when it happened. Luckily it only gets better from that point, so don’t give up hope (not that it could get any worse).

For the acting - it was good, just not my preferred style. I did not quite connect with Shirasaki Yuki’s character and Niihara Taisuke’s acting did not help either. I would not even say Komagine Kiita did an outstanding job either, but I just prefer the subtle ways emotions are shown, and that’s how the character was written and the performance directed.

Production wise I did like the drama a lot. Not only they wanted to present a cohesive story, but they wanted to do it in a visually pleasing way, that’s always a plus in my book.

Overall, it’s a nice show, but it’s not something I’m going to talk about and recommend after some time. I enjoyed it as it aired, and will have no issues quickly moving on to other new titles.

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Baiting a neck bite should be illegal…

Truth to be told, the whole story was only baiting a vampire plot line - it barely existed in any meaningful way. You could change the set up to rich and poor lead, mafia, soldier and civilian, undercover agents and almost nothing would change. Almost all scenes with the “we can’t be together/we can’t get closer” were not vampire specific and that’s a bummer.

I think I would enjoy the drama far more if it was not set up initially as this “forbidden romance”. Rather than staying away because it’s wrong to be together, it’s dangerous, it was just “it’s too much unnecessary drama, so I’m giving you a cold shoulder”. But it felt like the mix of two so it was neither this lighthearted supernatural romance, nor this angsty thrilling love story.

All that said, I did have fun watching. I found all the characters extremely charming with unique personalities that did not feel like AI generated prompts based on stock material. Dong Ha was adorable, but he was not a pushover. Ju Won was stoic, but not emotionless. Seon Jae was cheeky, but not cheap. Gyu Min and Eun Ho, while being this comedic duo, also brought some nice more serious moments between them. All the characters also had great chemistry - be it romance, friendship or rivalry driven.

The production value clearly keeps increasing in the Korean BL industry. I liked the set designs, I thought the styling of all the characters matched their personalities and behaviors. There were a number of pretty shots worth screenshotting too.

Overall, it was fun, but it could have been so much more…

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The black hole of brain cells the Alphas had - the true entertainment.

Where to even start? The manipulations, red flags, black flags, assaults, temporary and plot convenient “face blindness”, amazing brainpower versus negative brainpower - the mix of everything one can imagine. And my brain struggles with comprehending all of that. But maybe that was the point?

The best and the worst aspect for me? Shen Wen Lang. I loved him and I hated him so much. How can one character be this dumb? It’s magical. And so entertaining. Frustrating too, but in an entertaining manner. I think the key to enjoying the show is to… not feel bad for any character and keep reminding yourself it’s just a makjang werewolf coded Omegaverse trash tv. It’s a bit like a horror movie - you are not supposed to feel bad for the victims… That’s sounds bad, but it is what it is ¯\_(ツ)_/¯

So first we have the biggest victim - Sheng Shao You. That’s your smart-dumb male lead who knows enough to be impressive to others, but also lacks any street smarts and insight to see through Hua Yong’s schemes. To be manipulated this bad for this long is a skill itself. Still, one thing I did appreciate a lot was how his pairing with Hua Yong went against typical conventions. The “top” was the scheming feminine force, and the bottom was the manly man. It was surprisingly well written and delivered.

Then we have the blackest of black flags - Hua Yong. What a casting to be honest. Huang Xing was able to deliver the feminine vulnerability and the badass bitch energy seemingly without any problems and both cases were perfectly believable and made sense for the character he was playing. The fake smiles, smirks delivery when no one was watching, fake tears, anger issues, complete obsession and devotion. All so wrong, all so entertaining.

Gao Tu was the most heartbreaking character of them all. Of his own making, that’s also true, but no matter how you look at it he was a victim of his social and economical situation. Truth to be told, his character was the only one that made me feel uncomfortable while watching There was one scene, a close up moment to his face that lasted maybe 3 seconds, but it was so raw and felt so wrong, even thought I was laughing like a maniac few seconds earlier because of the ridiculous plot, this one moment slapped me in the face with how wrong what I was watching actually was. And dear lord, that was such a bad choice from the production team. The way to enjoy these shows is to NEVER make them hyperrealistic, they are not supposed to be taken seriously.

As for the plot itself - what a mess. The only well written and delivered things were Hua Yong’s schemes. All the rest? Oh so bad. Starting from anything related to business - why? 80% of business related scenes were useless and had no impact on the overall story.

Then we have a joke that Gao Tu and Wen Lang story was . I do not care that they had even less presence and development in the novel. The good adaptation knows how to fix the shortcomings of the source material - you either remove bits you know you cannot elaborate more on, or you expand on the bits that were underdeveloped to create a more cohesive story with a strong and fitting conclusion. Here we have just wasted the potential that their dynamic was. And I don’t even want to talk about the clownery the conclusion they received - I cried, screamed and laughed, because I could not believe that was it.

Acting was hit and miss. Huang Xing and Li Pei En easily delivered a solid and convincing performance. Qiu Ding Jie was a hit or miss depending on the scene - overall passable. Jiang Heng gave me nothing. That’s the “I got dragged here by a friend and got involved, but I don’t really know what I am doing” vibe. Kind of hope acting is not his dream job (oops).

The production… Where to start? I did like how they managed to film and deliver the intimate scenes. There are obviously limits to how much they can show since it’s a Chinese BL, but without showing much, they were still able to deliver the sensual and at times a bit spicy image. Maybe I’m just tired of the soft porn we are getting from Thailand? Anyway, this was a pleasant surprise. They did go a bit too artsy with some filters, but since they used them to "censor" certain things - I will give them a pass. They clearly tried to do their best with the limits they had.

But then there are the ridiculous issues with editing - especially sound design and dubbing. There was one scene that lasted a good 10+ seconds where the characters were obviously talking, but there was no dialogue sound, just the background music. Stuff like that, things related to post production and smart planning more than the budget are hard to excuse.

Overall, what a bullshit drama it was, but how entertained they made it amazes me. There were a lot of things that should have been fixed, but I’d be lying if I said I did not have fun watching. But it’s for sure not the “it’s so good I love it”, but rather “it’s so bad, I love it” type of a deal. I ranted after every episode, my blood kept boiling, but I could not drop it, and I watched all episodes as soon as they dropped.

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In a circle we run, away from a cheeky teenager.

If you are ready for a whole lot of frustration, running in a circle, kids being scary straightforward and adults acting like shy teenagers - this is a perfect watch for you.

Here’s the thing - it was so exciting, fun and enjoyable at first. Being more or less the same age as Minato, I could easily understand his panic about starting to have feelings for a high schooler. Even the idea is scary. That said, I feel like they failed with Minato writing wise, since he just... existed and everything was happening around him. The guy did not try to process it at all and it left the viewers with repetitive scenes and plots, since nothing was changing character wise.

Shin was saving grace with his pro flirting, honesty and undying motivation to make Minato his. He was far more dynamic of a character, actually showing some change in his behavior depending on the situation and the circumstances.

There were also a few nice side characters like Sakurako and Asuka who added some wholesome platonic moments to this romance driven show.

Plot wise, we've got whole side plot of Sakuma Takayuki which was stretched so bad, taking too much screen time and becoming quite an annoying addition to the drama. The teacher might have been the sweetest dude ever, but that plot should have been resolved in 2 episodes max.

Performance wise I do not have any complaints. Kusakawa Takuya did his best with Akira - the character was just not it writing wise. Nishigaki Sho truly impressed me. He did quite well with some more subtle emotions and perfectly presented the angst related to the first big teenage love.

Production wise, it gave a high budget since of life webdrama vibes - which personally I truly love.

Overall, I am honestly not sure how I feel about it. On paper it works, but when I watched it, I was getting either frustrated or bored, and I was wishing for the show to finally end. I don’t regret watching, but I’m also not sure if I would recommend it for others to check out. I also crave second season or at least a special episode, because the payoff after all the running away was quite short-lived.

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No logic, no cohesiveness, no brain… and I have no self respect for watching this.

When watching this movie, every new revelation made me ask one simple question “why?” - everything about the characters, their relationship and plot progression was so unnatural all I could do was laugh about the piling up cliches.

Alpha male with a soft heart and an innocent kid with a warm nature will give you a second hand embarrassment with every little ridiculous interaction and painful dialogues. Who needs decent writing when you can just throw poorly executed cliches at your audience?

And the ending? I don’t think I would manage to write something similar even on crack. What happened? How high were the characters? How high was the writer? It took me 30 minutes to finish the last 10 minutes. I kept pausing because my brain could not take this level of prolonged idiocy.

Acting wise… I think it’s time for me to leave the delulu land and admit Zee is not really a good actor, he is just good at delivering heart eyes. It truly pains me to say, since I basically wrote an essay about how amazing of an actor with great potential he has 4 years ago. On the other hand NuNew did quite well trying to deliver good performance even though the script made it an impossible task.

Overall, I regret watching it alone. I think this is a perfect title to group watch and joke about all the stuff that makes no sense. The movie truly invites you to rant your heart out.

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U-turn on expectations and clichés.

Not gonna lie - I dropped the show after the first two episodes. They were fine, but did not grab my attention. Next week I felt like watching a rom-com, so I picked it up again, and from that moment I just enjoyed the silly ride it took me for. They really played into, and at the same time broke all the cliches of kdrama rom-coms, and it was so much fun to watch

The story is something we have seen countless times - a fake relationship leads to a real one. Rich guy falls for a poor girl, yet few twists made it much more compelling and interesting. The female lead was not a damsel in distress - she is competent, friendly, strong. The male lead was not a cold lead - he is a cute and soft potato. The father was not evil, rather funny and a bit childish. The best friend second lead deal is dealt with in a realistic manner.

While the conflicts and issues between the main couple come from their different backgrounds, the second couple’s issues come from the differences of their personalities. Thanks to that we see a variety of interesting situations that kept me entertained.

That said, there was one side plot situation that had quite an impact on the characters and their behavior, but then was gone and never mentioned, simply because the current plot progression did not need it anymore. I wished we had some kind of closure or explanation for it.

The characters were all quite fun to follow. Except for the main cast that delivered a good performance, I want to talk about Seo Hye Won who played Jo Yoo Jung Young Seo's cousin. The girl was hilarious. Her random English lines with cartoonish subtitles on screen were some of the best scenes. She was extremely over the top, but it worked perfectly in the context of the show and overall tone.

While I have no huge complaints about any of the performances, I was slightly disappointed with Kim Min Gue. His character lacked expression. I get that he was this well mannered, stoic, logic driven guy, but I was just not completely convinced by his delivery.

It’s an over the top romantic comedy - funny sounds, funny animations, funny subtitles on the screen, but all of that was rather fitting and elevated the scenes - be it making them more funny, cute, sometimes cringe. I mean, the whole show is cringe, but I appreciate how they embraced that. Sometimes it’s the way to go - don’t take yourself too seriously, so people can enjoy it for what it is.

I don’t really have much to say about the soundtrack. All the songs were nice, cute and matching the drama, but the only one that truly caught my attention was Han Seung Yoon’s Whatever You Want.

Overall, if you are in the mood for romance, I don’t think you will find any better production from the past few years. It was cute, entertaining, did not have any over the top problematic plot lines, no random murder mystery we sometimes see in Korean rom-coms. Sometimes all one needs is good looking people falling in love with each other and all the cringe and sweet butterflies that come with it.

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Hated every second of watching it - would highly recommend.

And this is how you present a dark romance in a realistic manner. Perfect timing with the growing popularity of the “alpha male losers” type of behavior in society. Destigmatizing being manipulated and hurt like that no matter what someone’s gender/background or social status is was a good move on the writers and production.

I don’t think I have ever seen a better presentation of this type of psychological abuse. The way it was not exaggerated, and yet so horrifying without crossing into the telenovela idiocy territory. It was real, awful and frustrating to watch. Here I was watching every episode, knowing it would make me feel extremely angry and frustrated, feeling the cortisol's level rising with every passing minute... being abused and taken hostage by this drama... oh, look at me, compared to the female lead, I actually became a victim of my own making.

Here’s the thing though - Yan Ling was a victim, more than once. With the guilt placed on her for her father’s passing, being groomed by the family friend who was like an uncle and father figure for her, to then accidentally getting pregnant and becoming a single mother. To end with the king of the pathetic losers Luo Liang in her life. This woman could not catch a break. More than once I caught myself feeling more negative feelings towards her than Luo Liang, which only added to the already existing uneasiness I was feeling. I knew and understood that all that is happening is not her fault and he shouldn't be blamed, and yet emotionally I felt the growing frustration with how she kept blaming herself, overexplaning every action, becoming so submissive.

At the same time it was fascinating (for the lack of better word) to watch how slowly, but steadily Luo Liang dismantled her personality, confidence and life. Starting with just kindness and evoking some curiosity, to making himself a safe space, someone who would always be on her side, defend her no matter what, tell her exactly what she needs to hear. And when she was emotionally attached, slowly getting her distance herself from other people, making her doubt her every action, turning his own faults into her mistakes. And when there was no one around her, and she saw him as the only constant and familiar element in her life, that’s when he started to go back on his words, saying how she should be blamed for everything bad that happened in her life, making her feel like she is not worth of anything. Making her believe that even though it’s not easy to be with him, there is no one else, and there will never be anyone else who accept her with all her flaws. Truly tragic.

On the other side, hilarious how Luo Liang kept calling Yan Ling out on her “victim mentality” when he was the biggest pathetic constant victim of them all. I think that’s what made the show so realistic. He was not this smart, hot, competent and confident toxic gege - he was a loser. Notice how in these “teaching” scenes they always claim you will learn how to get and control any woman you want, and yet the first thing they actually teach you is how to pick the vulnerable target. Why? Because deep down they know they are just small boys with no confidence and maturity. They know they cannot get any woman, that’s why they spend so much time learning how to pick ones that are easier to manipulate. All the baby boy needed was a fucking therapy, but nah - rather be led by his trauma and bad experiences, have low self esteem for the rest of his life and target people who are vulnerable since he cannot "handle" anyone else.

And the worst thing is, you cannot win against people like that. The only way to “win” is to cut them off from your life completely. You CANNOT reason with them, you cannot make them understand your point of you. They know, they understand and they act against it to make you be in the defense position, always justifying yourself so you do not have time to question their actions. They will never respect you or view you as equal, there is no kind way to move away from a relationship like that. You cut them off without an explanation, you never look back, you do not care what they think about you.

On the bright side, big props for making sure this drama does not become too preachy “women good, men bad”. We had male victims and female perpetrators. We had psycho dudes ruining lives for fun and to feel better about themselves, and courageous and hard working men trying to stop them. Shout out to Lu Yi Feng and Paw Patrol.

Lu Yi Feng was for sure not flawless. I am still annoyed how the one night stand even happened and how it should not happen. Yan Ling was drunk, and thought he was someone else. He was not drunk. No way he would actually physically struggle with trying to control her and not sleep with her. This is this gray area that makes me feel extremely uncomfortable. I know he is a good man, he does his best to help her any way he can, he risks it all in the present timeline. He is a good father and boyfriend. But that past action will taint him forever in my eyes. And that's great. It's makes his character more interesting, it makes the show less black and white. It does not make it easy for you to decide how you feel about certain characters.

Then we had Li Zhi Heng. No, he is not this amazing badass detective, but he is what we never get in dramas - just a normal good cop who wants to do his job well and help victims get justice. Honestly amazing. Similarly, in any other drama Wang Hao Ying would be this semi-annoying girlboss who knows it all, but here she was not. She knew how to value people around her, how to work as a team. She didn’t need to be in a spotlight all the time.

As for the performances, they are ridiculously good. Not gonna lie, I did start the show for Wu Kang Ren. Was I expecting this type of role here? No. Was I disappointed? Hell nah. On one hand I totally see how he could charm all these women, on the other hand it was clear how pathetic he actually was. To deliver these contradictions was perfect. To make me feel disgusted despite his hotness? Deserves applause. We all love our hot toxic oppas/geges and we often go crazy for even serial killers in them dramas, so to give a performance so realistic and repulsive the good looks stop working? Give him an oscar.

Susan Sun was probably the one that made me feel the biggest range of emotions. Yes, mostly frustration, but at the end, when she finally saw and understood the truth and confronted Luo Liang I was full of excitement and happiness. And again - the gradual progression from hiding her pain, to having her pain being used and exploited, to accepting her pain and becoming stronger because of it - all well paced and delivered perfectly.

I think overall, the drama plays well on expectations versus reality. Luo Liang looks like a confident man, but is in fact a pathetic loser. Yan Ling looks like a confident and competent woman, but is in fact someone with many scars and vulnerabilities. Both Li Zhi Heng and Lu Yi Feng look like puppies and cinnamon rolls that need to be protected, when in fact they are really driven and brave. Wang Hao Ying looks a little bit like a snob that cannot be wrong, but is in fact a real team player and knows her limits. That’s something that can only be achieved with amazing acting and solid directing.

For the directing - masterclass. One of the examples of how they just knew how to convey the changing dynamics without literally spelling them out with dialogues: during one scene Luo Liang placed his hand on Yan Ling’s cheek, but she herself moved it to her neck... which is a far more vulnerable place and shows how submissive she became. Or how so many times she physically lowers herself in his presence - sitting somewhere lower than he is, kneeling in front of him.

What’s most important - none of that came out of ass. From the start it was clear she is not as confident and sure of herself as she presents, and he is not as kind and sane as he fakes to be. Certain reactions, behaviors, words spoken slowly build the full picture of how they are both pretending to be something they are not. So when their dynamic solidified, it did not feel weird, it was not a jarring difference from how they were at first. We just stripped the layers of lies.

Putting aside the structure of the story and its visual presentation, this drama is just pretty. Sure they overused some scenery transition scenes, but I rather they do that and use the money to make the scenes that actually matter look good, and not waste money on filming more shots of the city that bring nothing to the story.

Soundtrack wise, I don’t remember any song. That tells you nothing about their quality since usually I do not pay that much attention to OST as long as it’s not awful.

Overall, I hated the experience, and would highly recommend it to everyone. I was also surprised by how well they balance the ending. We've got the positive ending on the micro scale - the characters we grew to know got their justice, the villains got punished. But on macro scale we kept the realism - Luo Liang being punished does not mean much, because there will always be men like that, ready to take his place.

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Calming and mundane. Wrapped in a thin layer of sadness that gets thicker as you watch.

"People can die of longing. Still, we were diligently making memories that we would be longing for every day."

Even with the heartbreaking theme, the show had this peaceful aura about it. While not much was happening (with half of the episodes being cooking scenes with Han Seok Kyu’s narration over it) it just felt right. This show gives you pause to breathe and enjoy the moment while also slowly taking the breath away when you know what’s coming at the end.

It has gracefully balanced between the warm and happy moments and the harsh truth of the reality the family had to face. Recipe for Farewell does not show you the whole journey. It gives you bits and pieces, the moments, but it’s enough to understand the whole process and relate to the characters.

It’s a small story, happening in a small area with a small number of characters, yet it has a big heart and many amazing messages. It’s going to make you smile, laugh, cry. You are going to feel grateful for what you have, appreciating all the small things we usually ignore and take for granted in life. It talks about loss, grief, accepting the inevitable, maturing and putting aside our egocentric nature, reconnecting with people in your life.

All of that was possible thanks to the great writing and directing, but also phenomena acting from the whole cast. I cannot even describe how amazing of the job everyone did in this project.

Is this show for everyone? No. And I don’t mean it in a rude way, as if only “intellectuals” can enjoy it. It’s just truly character driven, truly mundane and truly not focused on the entertainment aspect. As much as I enjoyed it, I can easily see someone else finding it boring.

Overall, it’s a true gem. It’s not a show you watch for entertainment. It’s not something you put as a background while cleaning. It’s something you should enjoy at your own pace, free from external distractions.

Side note at the end, but Yang Su Won is one of the most amazing characters from all 2022 drama. On the other hand, closer to the end I started to strongly dislike Yeo Jin…

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An essay about an unforgettable journey.

I’m not gonna lie, I hyped myself quite a lot while watching. I heard how complicated and mindblowing of a ride the show is, and how hard it is to predict the twists, I thought of it as a challenge. And a challenge it was - frustrating in the best way possible.

The issue with mystery shows is, they are either painfully predictable, or unpredictable to the point of randomness, when there is no point in trying to figure things out yourself, because the writers never give enough hints to make it happen. Someday or One Day is a hidden gem that was able to both deliver enough information I could somehow puzzle the pieces together and form my own theories, while keeping the mystery alive. A miracle most shows are unable to achieve.

It’s truly a masterfully crafted time travel, and I always have some issues with time travel stories. Me saying it’s good is a statement I never thought I would make about a time related story. With all the time lines, all the crossed paths and changes to the events, nothing was lost, nothing was contradicting, nothing felt out of place.

What is even more surprising, the plot itself is truly not that complex if you strip all the time travel aspects away. It’s a tale of loneliness, friendship, sacrifice and love. It was like a labyrinth that had an entrance and exit point right next to each other. Simple story presented in a complex and enticing way. While the core of the show were the characters and their relationships, I do believe it was more plot than character driven overall.

Was everything about the plot perfect? No. I do believe the psychiatrist's time traveling was one time travel too much and that arc was borderline makjang material. At the same time I accept that without it, it would be impossible to deliver the same conclusion to the story, which, after I slept on it, I found actually fitting and strangely beautiful.

Since it was not simply time travel, but actually body migration, I was disappointed how it was never truly a topic of conversation. How the characters never stopped to truly think about how morally questionable it is to live in someone else’s body. It was briefly mention at the end after Yun Ru’s suicide, but it was not enough for me.

I do believe some sequences are unnecessarily put in incorrect, non linear order, just to make the viewer more confused, when I felt the story was confusing enough without it. Yes, it all came together at the end, it is still a fact that at times I felt like I needed to start writing notes to make sure I can keep up with the story.

The last 3 episodes are something that is hard for me to make a judgment on. While I was not thrilled watching them, since the tone shifted from tight mystery to personal drama, after some consideration, they were necessary to give the show closure. As much as it was a love story, it was also a journey to acceptance of the loss.

Huang Yu Xuan was a character desperate to find her lost lover, to go back to the blissful days they shared. She was not able to heal from her loss, so when the opportunity arose to fix the future she could not accept - she took it. And yet, all that was futile and by the end, she had to accept she cannot produce the future she wants without hurting other people. I found her decision to destroy the tape brave and selfless. Not only did she give up reuniting with the love of her life (as she could not truly be sure they will be able to find each other in the future), she also gave up all the precious memories she had with him - all to keep the people she learned to care about alive.

It is true that she had faith that they would find each other, but she could not be sure about it. She took a chance, gave up the control over the events and put her trust in the connection they had, that was able to overcome countless setbacks.

Then we have Li Zi Wei. While I did find him adorable, dedicated, dreamy and perfect in all boyfriend type of ways, I did think he as an individual character did not have much to offer. Someday or One Day is his love story, but he does not really exist outside of it like the rest of the characters. And it makes it hard for me to truly talk about him, because there is not that much to address. He survived years of pain with the hope of reuniting with Yu Xuan. His love for her was deep. And yet, somehow I craved any scenes that were not connected with Yu Xuan, for example his friendship with Jun Jie. Things that would make him more than just Yu Xuan soulmate, lover, 2nd half.

The 3rd of the trio friends - Jun Jie. The character that was the hardest to read and one that left the most space for viewers interpretation. Was his love for Yun Ru based on his desire to save her? Or was he interested in her because he thought they were similar, could potentially understand each other? Personally, I found him to be one of the more heartbreaking characters. He made so much effort and yet it was inevitable he would be hurt by the end. All the tweaks to the timelines, all the changes and attempts to make things better, and yet he was always the one to suffer the consequences. I’m honestly happy that by the end of the show his life got back to normal and it was no longer affected by the two main characters trying to find each other and create the future they desperately wanted.

Talking about the characters, I cannot ignore both Chen Yun Ru and Wang Quan Sheng. First of all, justice for the boy. He got nothing from it. He suffered alive, got his body used by a lovesick guy after his death, and by the end of it all, his future was not affected in any positive way, he still ended up taking his own life. How much he was used in this scenario is honestly quite sad.

Chen Yun Ru had a little bit more agency. We get to know her more, understand her struggles on more than a surface level. She gets her 2nd chance and hopefully learns how to heal. Sadly, I find her story to be both hopeful and questionable with the presentation.

I am not sure how I feel about her change of heart at the end. Someone with such deep psychological issues getting better after hearing “manage your expectations” seems just silly. The vague message makes sense, don’t get me wrong. Many people are unhappy with their lives as they don’t see and don’t appreciate the things they have, fixating on things they want, but cannot achieve. And when their expectations are not met, they become even more unsure of themselves and unsatisfied with their lives. The issue is, Yun Ru was not just a gloomy and pessimistic girl who had issues making friends. Depression is not something you can easily change by fixing your mindset, and she was depressed. She tried to kill herself, and asked to be killed. So the idea that the few lines from Yu Xuan made such a huge difference felt flat.

I also feel like the message was quite conflicting. On one hand we were told her suicide was the result of the judgmental society who tried to changed her to match their expectations, the idea that whatever she did, it was never enough, because people did not accept her for who she was. But then they end her arc with the idea that it’s her who had to fix her expectations, not the society's approach towards people who do not meet the “norm”. So which one is it?

Time to talk about the glorious performances. Ko Chia Yen amazed me. Being able to deliver a believable portrayal of not only 2 characters, but in different stages of their life, making sure the small changes of approach and personalities make sense, making sure Yun Ru and Yu Xuan truly feel like two different people - she achieved it all.

Greg Hsu Li Zi Wei was painfully beautiful. The striking difference between his take on the teenage boy with cheerful demeanor and the adult version who suffered both physically and psychologically was perfect.

As for the production - I will never ever listen to Last Dance EVER again. This song goes right next to The Heirs “Moment” as the song used so much in a drama I’m actually sick of it. It’s a beautiful song, but I think I heard it enough for the lifetime.

Visually speaking it was low key beautiful. It felt like all these stunning moments we can actually encounter in our lives if we pay enough attention.

All that said, at the end of the day it’s a simple story about love and loneliness, presented in the most complex and convoluted, yet best way possible. It’s not a perfect drama, it’s not a perfect story and it’s not a perfect presentation of it, and yet I was invested from beginning till the end. I made wild theories and tried to uncover the truth as I watched every episode, and for that I am grateful. It made me rethink many issues and consider various situations from different angles. It invited me to explore various takes on the same problem and how, depending on one’s personality, preferences, expectations and past experiences, other people might see them in their own distinct way.

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