7
16
3
xinya
Lothlórien
At times I felt that I must somehow be watching a different drama from everyone else …
I initially wrote a review for this drama a few months ago when I decided to drop it at episode 27. But I ended up giving it another chance, and this is now me rewriting my thoughts after finishing all 50 episodes.
I REALLY should have liked this drama. It has fantasy, epic bromance, sweeping landscapes, touching loyalty, battles, an ancient setting, undying devotion, powerful magical objects, tragic friendships, and famous swords. It’s basically like someone took everything I love (aka all the ingredients of The Lord of the Rings), put it in one drama, and somehow came up with a far more unsatisfactory result that I would have imagined possible.
There was a lot in this drama that just wasn’t as good as it could have been. I largely blame the lackluster directing, which somehow managed to bore me in scenes that should have been powerful. There were a handful of moments when I genuinely felt touched by the connection between the two leads, but unfortunately those moments were rare highlights in 50 episodes that I otherwise felt indifferent to.
The storytelling is muddled, to say the least. It jumps back to the past and stays there for about 30 episodes. In principle, I don’t have a problem with a nonlinear timeline, but it didn’t really work here. I don’t think the importance of the time skips were clearly communicated to the viewer. Though learning that Wei Wuxian betrayed everyone was certainly an intriguing hook, I spent so long waiting to see how that would come about that by the time I actually reached that point, it was rather anticlimactic. If it had just gone chronologically, it could have been a heart-wrenching twist, rather than a disappointment. The transitions between scenes sometimes felt abrupt. There are also times where they hide information from the audience for the sake of dramatically revealing it later. Perhaps they thought it added a bit of mystery to Wei Wuxian’s character, because we were missing pieces of his story, but I didn’t see much point.
Even though I think there was a pretty good overarching story, I was often bored out of my mind while watching this drama. I guess I could say that this drama had pacing issues, or that the dialogue scenes were too long, but I don’t think that’s truly my problem with it. Some of my favorite dramas/films are slow-paced and dialogue-heavy. The problem is that the execution of these scenes often made it feel unbearably tedious, even when I thought I should be interested in what was going on. Far from being compelling, the acting often felt cheesy, the script was bland, and the directing brought little interest, except in sometimes succeeding at being simultaneously overdramatic and exceedingly dull. “Humdrum” and “uninspired” adequately describe the execution, and when you stretch that out over long back-and-forths between characters, it’s not something you can really get away with. Every so often, I did feel like the director had put some thought into how to construct a scene beyond the most obvious, utilitarian option, but there are only a few scenes in the entire drama that I would really say were well-done.
As for the plot itself, the first half primarily consists of the mustache-twirling-evil Wen clan plotting to kill everyone and a steady stream of fantasy-action scenes wherein the good guys fight the bad guys or the evil monsters they’ve conjured. This would probably work if the action scenes were really epic, but the choreography is boring and special effects aren’t particularly good, so not so much. The second half is pretty much Wei Wuxian and Lan Wangji hunting down mysterious evil-doers, followed by a face-off with the bad guy. My impression was that it was a little lighter on the action scenes and a bit more focused on the interactions of the leads, which is probably why most people seem to like the second half better. However, I have to say that the only part of the plot that was particularly interesting were 5-10 episodes in the middle of the drama.
Unfortunately, the climatic battle is pretty laughable, because all these extras are randomly swinging their swords at nothing. I’ve been told that they’re battling invisible “resentment energy” or something like that, but that hardly changes the fact that all these supposedly seasoned martial artists look like they belong in Monty Python and the Holy Grail. So people are dying and I’m supposed to be sad, but all I can think is “Lol, look at that extra.” I don’t have particularly high expectations for well-executed battles in Asian dramas, but this was a new low. If you can’t make the fighting look good, at least make it inconspicuous enough not to distract from the other elements.
I was quite surprised to discover many people consider this drama rich in moral themes. On further inspection I admit that some of these themes are there. However, I don’t think they can really be said to have been well-developed, explored in depth, or presented in a new way. Personally, I never once found this drama to be thought-provoking. The only themes I felt were treated with some consistency were rumor and reputation, but even then, I’m not really sure what I got from it other than, “people are judgmental and will believe what they want to believe.”
I have to say I was also a little disappointed in the development of Wei Wuxian’s character. He’s certainly interesting, but some of his character transformations were not very well communicated, in my opinion. I also thought he was shaping up to be a pretty great character around the midpoint of the drama, but I didn’t really feel like it followed through on all the potential. Nor did I think the morality of his actions was really explored in a satisfactory way. Lan Wangji is less complex, but I found his progression to be more even and satisfying. There were a few supporting characters that I thought I should like or find interesting, but the only real emotion I felt towards any of them is some petty annoyance at the villains.
The acting is below par. There really isn’t a single strong performance in the drama. Actually, Xiao Zhan was occasionally excellent. The problem is that he was very inconsistent. He would go from good to bad to great to mediocre. Overall he was definitely the strongest actor in the drama, but it was far from a top-notch performance. I do think he’s talented, just very unpolished at this point. I would call Wang Yibo’s performance barely passable. He was never terrible, but he was rarely good either. He did manage to hit the right notes in a few important scenes, but spent most of the drama playing his stoic character a bit too stone-faced. Perhaps the even bigger issue, though, is the number of supporting actors who were overtly bad. Sometimes it was just a bit annoying, other times it completely ruined tragic scenes, because all I could think was how fake the actor’s crying looked. I think Jiang Cheng, in particular, was far too important a role to be portrayed so incompetently.
In terms of cinematography there are some pretty landscapes and moody blue-tinted shots, but it’s not 2009 anymore, so that doesn’t really constitute a stunning drama. Plus, there are a lot of awkward camera angles, dated-looking zooms, unattractive color grading, etc. The design of the sets and costumes had some nice details, but they often looked rather cheesy. And well, since I’m being a gloomy storm cloud anyway, I may as well just say that I have some issues with the design as well, particularly many of the materials they chose for the costumes. I mean, wrinkled (faux)leather hanfu? Seriously!? I do think this drama made an effort with the visual aspects, but the result wasn’t so great. By 2019 standards the production is mediocre at best.
I initially had very little opinion about the music. It simply wasn’t very unique or memorable to me. However, since people raved about the soundtrack so much, I started listening more carefully. Unfortunately, rather than appreciating the music more, I began to notice how unsuited some of the background music was to the scenes or the drama in general. I think I know what they were going for, but it really didn’t work. It was just bizarre. I will say that some songs/pieces were very pretty, so the music definitely had it’s high points, but it also had some low points, and overall I can’t say it’s a particularly great soundtrack.
It probably seems like I absolutely hated this drama. I really didn’t; there were a few parts I even liked. It was just incredibly frustrating to me, especially since the longer I watched without becoming immersed in the story, the more my nitpicking tendencies took over. Had there been some element that was truly brilliant, I might have been inclined to overlook this long catalogue of flaws (I can be pretty forgiving if you give me a reason to be), but even the things this drama got right, did not strike me as exceptional.
Overall, it's a story with potential, hampered by poor execution. I can kinda understand this drama’s popularity. However, given the very mediocre quality of the acting and production as well as the lack of compelling direction or storytelling, it’s hard to rate this drama as anything more than average (personally, I think it's below average). I really fail to see how this drama could possibly merit the oft used term “masterpiece,” when the skill and craftsmanship that created this drama is far from extraordinary.
I REALLY should have liked this drama. It has fantasy, epic bromance, sweeping landscapes, touching loyalty, battles, an ancient setting, undying devotion, powerful magical objects, tragic friendships, and famous swords. It’s basically like someone took everything I love (aka all the ingredients of The Lord of the Rings), put it in one drama, and somehow came up with a far more unsatisfactory result that I would have imagined possible.
There was a lot in this drama that just wasn’t as good as it could have been. I largely blame the lackluster directing, which somehow managed to bore me in scenes that should have been powerful. There were a handful of moments when I genuinely felt touched by the connection between the two leads, but unfortunately those moments were rare highlights in 50 episodes that I otherwise felt indifferent to.
The storytelling is muddled, to say the least. It jumps back to the past and stays there for about 30 episodes. In principle, I don’t have a problem with a nonlinear timeline, but it didn’t really work here. I don’t think the importance of the time skips were clearly communicated to the viewer. Though learning that Wei Wuxian betrayed everyone was certainly an intriguing hook, I spent so long waiting to see how that would come about that by the time I actually reached that point, it was rather anticlimactic. If it had just gone chronologically, it could have been a heart-wrenching twist, rather than a disappointment. The transitions between scenes sometimes felt abrupt. There are also times where they hide information from the audience for the sake of dramatically revealing it later. Perhaps they thought it added a bit of mystery to Wei Wuxian’s character, because we were missing pieces of his story, but I didn’t see much point.
Even though I think there was a pretty good overarching story, I was often bored out of my mind while watching this drama. I guess I could say that this drama had pacing issues, or that the dialogue scenes were too long, but I don’t think that’s truly my problem with it. Some of my favorite dramas/films are slow-paced and dialogue-heavy. The problem is that the execution of these scenes often made it feel unbearably tedious, even when I thought I should be interested in what was going on. Far from being compelling, the acting often felt cheesy, the script was bland, and the directing brought little interest, except in sometimes succeeding at being simultaneously overdramatic and exceedingly dull. “Humdrum” and “uninspired” adequately describe the execution, and when you stretch that out over long back-and-forths between characters, it’s not something you can really get away with. Every so often, I did feel like the director had put some thought into how to construct a scene beyond the most obvious, utilitarian option, but there are only a few scenes in the entire drama that I would really say were well-done.
As for the plot itself, the first half primarily consists of the mustache-twirling-evil Wen clan plotting to kill everyone and a steady stream of fantasy-action scenes wherein the good guys fight the bad guys or the evil monsters they’ve conjured. This would probably work if the action scenes were really epic, but the choreography is boring and special effects aren’t particularly good, so not so much. The second half is pretty much Wei Wuxian and Lan Wangji hunting down mysterious evil-doers, followed by a face-off with the bad guy. My impression was that it was a little lighter on the action scenes and a bit more focused on the interactions of the leads, which is probably why most people seem to like the second half better. However, I have to say that the only part of the plot that was particularly interesting were 5-10 episodes in the middle of the drama.
Unfortunately, the climatic battle is pretty laughable, because all these extras are randomly swinging their swords at nothing. I’ve been told that they’re battling invisible “resentment energy” or something like that, but that hardly changes the fact that all these supposedly seasoned martial artists look like they belong in Monty Python and the Holy Grail. So people are dying and I’m supposed to be sad, but all I can think is “Lol, look at that extra.” I don’t have particularly high expectations for well-executed battles in Asian dramas, but this was a new low. If you can’t make the fighting look good, at least make it inconspicuous enough not to distract from the other elements.
I was quite surprised to discover many people consider this drama rich in moral themes. On further inspection I admit that some of these themes are there. However, I don’t think they can really be said to have been well-developed, explored in depth, or presented in a new way. Personally, I never once found this drama to be thought-provoking. The only themes I felt were treated with some consistency were rumor and reputation, but even then, I’m not really sure what I got from it other than, “people are judgmental and will believe what they want to believe.”
I have to say I was also a little disappointed in the development of Wei Wuxian’s character. He’s certainly interesting, but some of his character transformations were not very well communicated, in my opinion. I also thought he was shaping up to be a pretty great character around the midpoint of the drama, but I didn’t really feel like it followed through on all the potential. Nor did I think the morality of his actions was really explored in a satisfactory way. Lan Wangji is less complex, but I found his progression to be more even and satisfying. There were a few supporting characters that I thought I should like or find interesting, but the only real emotion I felt towards any of them is some petty annoyance at the villains.
The acting is below par. There really isn’t a single strong performance in the drama. Actually, Xiao Zhan was occasionally excellent. The problem is that he was very inconsistent. He would go from good to bad to great to mediocre. Overall he was definitely the strongest actor in the drama, but it was far from a top-notch performance. I do think he’s talented, just very unpolished at this point. I would call Wang Yibo’s performance barely passable. He was never terrible, but he was rarely good either. He did manage to hit the right notes in a few important scenes, but spent most of the drama playing his stoic character a bit too stone-faced. Perhaps the even bigger issue, though, is the number of supporting actors who were overtly bad. Sometimes it was just a bit annoying, other times it completely ruined tragic scenes, because all I could think was how fake the actor’s crying looked. I think Jiang Cheng, in particular, was far too important a role to be portrayed so incompetently.
In terms of cinematography there are some pretty landscapes and moody blue-tinted shots, but it’s not 2009 anymore, so that doesn’t really constitute a stunning drama. Plus, there are a lot of awkward camera angles, dated-looking zooms, unattractive color grading, etc. The design of the sets and costumes had some nice details, but they often looked rather cheesy. And well, since I’m being a gloomy storm cloud anyway, I may as well just say that I have some issues with the design as well, particularly many of the materials they chose for the costumes. I mean, wrinkled (faux)leather hanfu? Seriously!? I do think this drama made an effort with the visual aspects, but the result wasn’t so great. By 2019 standards the production is mediocre at best.
I initially had very little opinion about the music. It simply wasn’t very unique or memorable to me. However, since people raved about the soundtrack so much, I started listening more carefully. Unfortunately, rather than appreciating the music more, I began to notice how unsuited some of the background music was to the scenes or the drama in general. I think I know what they were going for, but it really didn’t work. It was just bizarre. I will say that some songs/pieces were very pretty, so the music definitely had it’s high points, but it also had some low points, and overall I can’t say it’s a particularly great soundtrack.
It probably seems like I absolutely hated this drama. I really didn’t; there were a few parts I even liked. It was just incredibly frustrating to me, especially since the longer I watched without becoming immersed in the story, the more my nitpicking tendencies took over. Had there been some element that was truly brilliant, I might have been inclined to overlook this long catalogue of flaws (I can be pretty forgiving if you give me a reason to be), but even the things this drama got right, did not strike me as exceptional.
Overall, it's a story with potential, hampered by poor execution. I can kinda understand this drama’s popularity. However, given the very mediocre quality of the acting and production as well as the lack of compelling direction or storytelling, it’s hard to rate this drama as anything more than average (personally, I think it's below average). I really fail to see how this drama could possibly merit the oft used term “masterpiece,” when the skill and craftsmanship that created this drama is far from extraordinary.
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