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A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
Because "Her Trajecting" is the Chinese adaptation of the Korean series "Marry My Husband". It's literally the second adaptation of the Korean series, before the Japanese adaptation.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
Same level of silliness.
There is crossing over to the other side.
You go in thinking one thing then after the episode you are like: "what did I just watch?" But you cannot stop yourself frm watching.
All characters, even minor ones, acting are on point.
There is crossing over to the other side.
You go in thinking one thing then after the episode you are like: "what did I just watch?" But you cannot stop yourself frm watching.
All characters, even minor ones, acting are on point.
A strange foreign woman arrives at a Japanese provincial temple to attend an abbot's funeral. No one knows where she comes from or why she came here. Clearly, she has no place to go. She gets shelter to help in the temple. Jennifer, or 'Jenifa' as she is called, barely knows a few words of Japanese, but soon finds a common language with all residents except for one quiet boy. He lives secluded from others and works all day in a field. Residents call him "Prisoner A" behind his back. Jennifer shows genuine interest in the quiet boy and wants to help him overcome his alienation from the inhabitants.
Live Long and Prosper is similar to Legend of Zang Hai because they are both male centric drama with lottle rolance.



