Im usually a fan of short series and to others, four episodes (er, actually more like three and a half) can be more than enough to tell a full narrative arc. However, this is clearly the show's weakness. There wasnt enough time for real character development and by the end of the series I wasnt really sure if the two leads are actually really inlove. Instead of getting to the point, the show is filled with too many useless fillers. After only 3 episodes they even have the audacity to show us that shi**y recap montage perfect with those rotating blue stars. Wait did i say shI**y? I meant shiny.
This is exactly how i felt when watching the director's "Make it Right" Series. He has a tendency of adding too many scenes and secondary characters that actually do nothing but waste our time.
Its such a shame because for the most part, they got a gem with their two lead cast - War and Yin are almost good and both are very HOT and charming.
Pacing could have been snappier but instead we got a collage of scenes that jump from one to another without letting us digest them. It felt like important details were left out. If only they used their time wiser, we couldve figured things out better. I think the makers forgot that not all viewers are readers of the book.
They intentionally diluted a strong sadistic affair and made it a forgettable tiny puppy love. I have to give them props for twisting and romanticizing an unsolicited sex predatorship and turning it to sunny yet full of rainbows love story. And for adding a girl character just to make her the villain, because yes, this is a BL and all girls are enemies. Yes, im being sarcastic.
Is it a good watch? Yes, if only for the eye candies. Dont put this in your priority though, just watch it when your flight is delayed for two and a half hours and youre stuck in the airport. They missed the opportunity of making this a meaningful watch.
Edit: A full blown series is coming our way soon, and i cant deny Im excited. They may finally be able to give justice to the story.
Was this review helpful to you?
1Verdict: Emotion Sustained, Logic Dismissed
Phantom Lawyer opens with a premise that sounds like it came straight out of a quirky 판타지 meets 법정 mashup. Shin Yi Rang is introduced as a kindhearted, almost too pure-for-this-world lawyer who keeps failing job interviews because of his father’s stained reputation as a corrupt prosecutor. With nowhere else to go, he opens his own law office, and this is where the drama quietly tells you to suspend logic. I could not help but side-eye his decision to rent a place that practically screams “haunted real estate discount.” One incense stick later, and Yi Rang gains the ability to see ghosts tied to talismans left behind by their loved ones. These spirits carry regrets, resentment, and unfinished stories, and Yi Rang becomes their unexpected counsel, helping them resolve what they could not in life.From there, the story settles into a case-of-the-week format. Each ghost client brings a new emotional thread, and Yi Rang handles them with unwavering kindness. The emotional angle is clearly the drama’s priority, often choosing heart over legal complexity. Cases tend to resolve a little too neatly, sometimes relying on convenient turns rather than solid groundwork. Early on, many of Yi Rang’s cases overlap with Han Na Hyeon, an elite lawyer with a flawless winning streak. While their rivalry is meant to create tension, the constant overlap feels more like coincidence doing overtime than organic storytelling. Some cases wrap up so quickly that they barely leave room for legal depth. Evidence appears just in time, confessions come easily, and loopholes that would normally spark debate are brushed aside for pacing. It feels less like a courtroom battle and more like a moral fable dressed in legal robes.
The structure does not do much to support a larger narrative either. Most cases exist in their own bubble, rarely tying back to a central conflict. Yi Rang’s father’s scandal is positioned as the emotional backbone of the story, shaping Yi Rang’s struggles and reputation. Yet, this supposed main conflict only truly takes center stage in the final stretch, and even then, it resolves within roughly one and a half episodes. The investigation feels rushed, the evidence conveniently detailed, and the resolution lands more on the comical side than the impactful one might expect. For a storyline that had been quietly looming since the beginning, it lacks the weight needed to deliver a satisfying payoff. The drama stays consistently light from start to finish, which is not inherently a flaw, but it does limit its potential for a memorable climax.
The final family dinner scene tries to pull everything together emotionally. The concept is touching, almost designed to be a tearjerker, but the execution does not fully land. Choi Won Young, as Shin Gi Jun, delivers a standout performance that adds genuine emotional depth. His presence elevates the scene, making you feel the weight that the script struggles to carry. Unfortunately, the rest of the ensemble does not quite match that intensity. Kim Mi Kyung plays the mother with a restrained expression that borders on flat, while Son Yeo Eun, playing the sister, shines in brighter moments but falters when the tone turns heavy. There is even a moment involving Yi Rang’s coma that feels unintentionally awkward due to the uneven emotional delivery. One small but nagging detail is Yi Rang’s niece, who never questions the bizarre situation unfolding around her, which feels like a missed opportunity for a more grounded touch.
Character writing is where the drama struggles the most. Yi Rang’s defining trait is his endless kindness, but it is written in a way that feels exaggerated, almost like a morality lesson aimed at children. Yoo Yeon Seok has proven in other works that he can portray warm and selfless characters with nuance, but here, he is boxed in by a script that leans too heavily into idealism. Han Na Hyeon undergoes a similarly jarring shift. Esom initially brings a sharp, charismatic edge to Na Hyeon as a win-at-all-costs lawyer, but after her sister’s arc, the character pivots into a softer, justice-driven persona who suddenly becomes shy and romantically inclined. The transition feels abrupt, like a switch flipped without enough buildup.
Yang Do Gyeong is perhaps the most confusing character of the bunch. His personality swings between intimidating, obsessive, comedic, and eventually sympathetic. At times he seems unstable, at others almost childlike, and by the end, he reveals a more grounded motivation tied to his desire for his father’s approval. There is an interesting idea buried there about pressure, resentment, and morality, but it never fully settles into a clear or consistent portrayal.
Then there is the question no one in the drama seems eager to answer. Does Yi Rang actually make money? Representing ghost clients is noble and all, but unless there is a living client willing to pay, the business model remains a mystery. It becomes one of those lingering thoughts you cannot quite shake, like a plot hole in a courtroom drama that refuses to be objected to.
To give credit where it is due, the drama does sprinkle in some enjoyable elements. There are playful references to Dr. Romantic and Hospital Playlist that feel like little winks to fans of Yoo Yeon Seok. The humor leans heavily into slapstick, but it does land more often than not, adding to the overall light tone.
In the end, Phantom Lawyer is best described as an easy watch that blends ghosts and law without digging too deeply into either. It prioritizes emotion over logic, warmth over realism. If you go in expecting a legal drama packed with intricate cases and sharp courtroom battles, this will feel like res ipsa loquitur gone wrong. But if you are in the mood for something light, occasionally funny, and gently emotional, it serves its purpose. It is not bad, but it does not quite leave a lasting impression either, like a case that is closed without ever truly being argued.
Was this review helpful to you?
An Exquisite Xianxia That You Shouldn't Miss!
When I initially came upon Ancient Love Poetry, it was being slammed from all sides, but I still decided to watch it for some reason.Now, 49 episodes later, it has blown my expectations and is perhaps one of the best dramas out there in my list. The unique storyline, outstanding performances by the entire cast, numerous lovable characters, villains that make your blood boil, suspenses that leave you worried along with numerous tales of sincerity and undying love completely bewitched me. I'm so glad that I didn't pay heed to all the negative reviews and kept going. Bear with me, my review will be long and I have tried covering a few points that might put off many viewers and the things I loved about this drama. I hope that it convinces you to give it a chance:
1. Don't be fooled by the bland beginning. Ancient Love Poetry has one of the most unique storylines I've seen. And they did not kid around with the title "Ancient God". The story takes place waaay before the existence of humans. In the God Realm - where our lazy female lead, Shangu, is forcefully pushed to master the Power of Chaos in a race against time to stop the Tribulation of Chaos and also protect the Three Realms as the power that protects it begin to dissipate, something which only she had the ability to permanently solve. Her master happens to be Bai Jue, one of the True Gods, who is rather cold and strict towards her, but slowly warms upto her rather humble nature, eventually falling deeply for her. Her hardwork pays off, but the tribulation turns out to be her ultimate test which no one is able to stop. But, destiny has more in store for her....
The story is also the most strongest point of Ancient Love Poetry. It delves away from the Heavenly Realm, focussing on the life of the Ancient Gods, the most powerful beings across all Realms, which was a first for me. The events and mysteries unravel in a rather ominous and nerve wracking manner. I paused an episode and decided to spoil myself as I couldn't handle anymore surprises that were often accompanied by painful experiences. The plot purposefully takes a drastic turn after a certain point, but it did not feel disconnected and maintained the right flow. The chronological way of narration is done right in Ancient Love Poetry - it might have been shot that way to avoid unnecessary flashbacks to the past and helps us connect with their present selves better.
[The author of the novel, Xing Ling herself was involved as a screen writer. While the story does deviate from the original work at times, it stays true to the novel for several major plot points. And the script is well plotted despite having some issues at the beginning, but that was necessary for the plot.]
2. The timeline - is a MAJOR factor that no one probably notices. A single episode may consist of several days or even months, hence the romance is pretty fast paced. Right from EP1, it's implied that several days/weeks had passed. Three months and 1000 years, all pass within two episodes. Shangu's training might have taken months or years, but we see glimpses of it. This might be off putting for many, but I personally was not bothered by it. The actors played the roles really well and nothing felt rushes.
3. The characters, particularly the leads and even the supporting ones are the pillars of the whole story. Get ready for an emotional rollercoaster.
The Female lead is very unlike the ones we usually see - she is not stunningly pretty or the typical Goddess type. While she might not be everyone's cup of tea, I think she is beautiful and was the smartest choice out of the cast to be chosen to portray the young, innocent Shangu who grew up to become someone who was wise enough to hold the title of the "Chief God". I had begun watching ALP for the lead - Zhou Dong Yu is well known for her acting skills in movies, but I can tell that she brought justice to her character here just like she did for her other roles. She managed to portray the duality of Hou Chi and Shangu beautifully. I missed her smile as Shangu and I don't think anyone could have played that role and still managed to maintain a smooth balance between emotions.
I loved Xu Kai's role as Bai Jue. I think most people have seen him before in his previous works where he played lighter characters, but its good to see him in something new. As for stereotypes and how comfortable we are with the actors, its upto you, reader.
The supporting characters, I have to mention, left a deep impression on me. Particularly in EP15. Even the ones that had only a few minutes of screentime managed to convey the emotions perfectly. Characters like Gu Jun (a flood dragon who ascends to the God Realm), Tian Qi (a noteworthy, naughty True God of Demons and the one who brought Shangu up), Yuemi (Tian Qi's closest friend who spoils Shangu with him) , Zihan, Hongri... all manage to steal our attention. They were very well portrayed and I'm sure that I'll never forget any of them anytime soon and will definitely be looking forward to their future works.
4. The romance... has a more "natural" feeling, particularly for Shangu and Bai Jue. Their relationship is not forced, even if it seems rushed. Ancient Love Poetry is not heavy on physical display of affections, but their sincerity towards each other is completely driven by their actions. There are no declarations of love or confessions, but their actions are strong and silent enough to convey the depth of their devotion to each other. When the second arc begins, we see a whole new side of the "fire and ice" relation of the Gods. This change is particularly delightful as we get to see the "Ice Cube" be warm and talkative while the "Bubbly and strong" Shangu becomes the meek and powerless Hou Chi. Their story in the second arc is particularly well written with plot twists, villains and schemes that puts them against the Immortal Realm.
The romance is not just for the leads. Two supporting characters in particular, had, good solid relationships that managed to make me root for their happiness. They might have not had enough screentime, but were beautifully portrayed with such intensity that many of us wished for their happiness. The plus side was that no one imposed themselves on the one they care about, but accepted their choices and supported them, never once becoming an ill wisher. (In short, no serious love triangles.)
There are several other memorable relationships, may it be between the Gods and their Divine Beasts or just plain loyalty and friendship between each other. The God Realm arc might be a bit unsatisfying to many, but I yearned for those precious moments and missed the characters from the first arc terribly during the second one. The bromance between the Four True Gods, Yuemi and Shangu are noteworthy. While the second arc might be serious, we have several supporting characters such and Fengran, Chang Que , Jingjian and Jia Ye who lighten up the mood for Hou Chi and Qingmu as well as for us. Their banter and loyalty to their friends was constant throughout the drama. It's worth watching even if its just for them.
5. The Antagonist: That's one major question. From my perspective, it has two. An intangible entity that can not be stopped and an actual vile villain.
What sets this drama apart for me is that the 'villain' is not introduced as such. Rather, the seeds of what lies ahead are already planted in the earlier episodes and we see the gradual transition to the current state. Driven by covetous intentions, the disgusting actions and motives sets them aside from the ones I've seen. And the absolutely stunning portrayal by the actor alleviated the character to such a level that we are beyond disgusted whenever the person appears on screen. Not to mention, the character was an actual crook, who was cunning and clever. Never have I wished for a character to stop breathing as much as I did for this one. Whenever the abode of the 'evil one' appeared, I wished that the episode would move faster and go back to the locations where I feel calm enough to watch.
As for the former antagonist I mentioned... watching the drama might give you a better idea about why I mentioned it.
6. The CGI is hands down the best one I've seen to date in a major xianxia drama. It doesn't lack in intense action scenes too. One thing I noted was that most of the Gods and Immortals used a mixture of both magic and weapons in a combat, which is the first time I saw such excessive use of CGI. I was impressed with the God Realm in particular. As I mentioned in my earlier review: The make up and costumes compliment the scenery so well that each shot seems to have been spun from dreams.
While the costumes may lack in colour (something minor, but that may put off a lot of viewers), the production team went so far as to visit historical sites and attempt to weave the details into them.
7. The OST: I suck at evaluating music, but the song "Perseverance" is heartbreaking, even without the scene. I get goosebumps whenever I listen to it. Many of the BGMs were my favorite. The lighter fun music during the initial arc were really memorable, but turned to nostalgia inducing everytime I heard it in the second arc.
8. The Finale: As a hint, the drama ends exactly like the novel. I loved how the writers managed to provide closure to two storylines in 49 episodes. I, for one, am left with a bittersweet feeling of parting with my favorite characters. I grew to care for many of them, both major and minor ones. (Special mention to Sen Yu, Chang Qin, Chang Que and Jia Ye, Hongri, the Gods of God Realm, Puhua.)
All in all, I'm glad I picked up this drama while it was being avalanched by negative reviews. (There were some with valid criticism, but 80% of the CNets slammed it just for the actress's looks and the ratings and general reviews almost made it seem like an unwatchable atrocity.) I have to warn though, it might not be your cup of tea. In the end, it depends on preference. I usually drop dramas within the first five episodes, but this one being a Xianxia, I had to give it a go for some more.
Does it deserve a 10? Maybe not. (I knocked off a .5 from the Rewatch value cause the pain is real. But, this is the second CDrama that I did not drop this year and one of the best in terms of cast and story as a whole. And based on it's quality and storyline, it deserves a better rating albeit its faults. Watching it was a truly delightful experience. It made me go through a roller coaster of emotions. We see multiple hardships and sacrifices being made by people for the ones they care about. Almost every character was memorable in their own ways, even the bad guys.
And I certainly will not be forgetting the Legend of ShangGu and Bai Jue anytime soon.
‐---‐-----------------------------------------------------
I left my first impression/review below as a memory. :)
June 20, 2021: The major drawback of Chinese Dramaland is the predictability of storylines and the numerous over used tropes that pop up as a result of it, particularly for Xianxia and Wuxia genres. Which is why it is hard to find something that captures my attention.
One of 2021's highly anticipated xianxia dramas, Ancient Love Poetry follows the progress and growth of our Goddess of Chaos - Shangu. I have to admit, I needed three episodes for the drama to finally pique my interest. The rather slow and uninteresting first episode, coupled with the carefree attitude of the female lead who is still unaware of what lies ahead is jarring for viewers looking for a fast paced drama. I have to note, the MDL synopsis seems to spoil the furure of the plot, but gives enough hint to know what trials the happy-go-lucky Shangu is yet to face. I have not seen anything yet and I'm on EP6 at the time of writing this review.
Zhou Dongyu nails her role... if the character Shangu is whom I perceive her to be - she is not dumb or stupid, but had been pampered for too long and shielded from evil by Zhiyang and Tianqu (two amusing Gods) until they are left with no choice but to ask their fellow God Bai Jue, who had retired to the lower real, to return to train Shangu as she would soon have to bear the task of protecting the dangerously thinning barrier between the Nether world and the other realms.
Xu Kai fits his role as Bai Jue, the cold God of War and his performance is convincing enough to know the power and grace he wields.
The slow moving tale (as of EP6) has scattered several hints of what lay ahead and I am curious to know how the legend of Shangu and Bai Jue come to conclusion.
The romance is... 'natural'. I have no other words to describe it. It's not mushy or cringeworthy, but there's something real about their interactions which are the highlights of the first few episodes.
Another strong point: usually the VFX of CDramas make me frown. This drama exceeds expectations. Taking place completely in the God Realm, the CGI is top notch and can be on par with many Hollywood productions. The make up and costumes compliment the scenery so well that each shot seems to have been spun from dreams.
Rather light colored without being flamboyant, the costumes are surprisingly stunning. The make up doesn't look too bright, but just good enough without being overbearing. Most of the "supernatural aura" is carried by the actors' performance. None of them disappointed me as of now.
I will rate this an 8/10 as of now. I recommend that you check it out for atleast three episodes before deciding to drop this. Long Chinese dramas often have a slow start. So far, this is one of the better hyped up fantasy dramas Tencent rolled out this year for me. Now, I'll wait to see if this one can leave a remarkable impression in Xianxia land to stand the test of time...
Was this review helpful to you?
1Glorious Disaster
You might notice that I have the story a 3 and the acting a 4, yet an overall score of 7. I have a true story to relate to help explain. In high school, my chemistry teacher was a PE teacher who I'm guessing was filling in for someone who died or something. One day the subject was potassium. He was trying to get a small piece of it to react with water, but dropped a big chunk of it, caught it with his bare hand, realized what he had done, and thew it into the sink, where it exploded, blew a hole in the ceiling, and set off all the fire spinklers, which of course caused a huge amount of damage and forced the evacuation of the entire school.So that's a "1" in "story", a "1" in "acting", but a 10 in ultimate result. This is similar. It's a total catastrophe, but I haven't cackled with laughter like that in a while.
If you're worried about a lot of graphic BDSM, you can stop worrying about that right now. The BDSM is what you would expect a junior high school girl to imagine - a very, very sheltered junior high school girl.
The story is about Kim, a young man who ends up having a one-nighter with a gangster who immediately falls in love with him. The casting is disastrous, with the young and baby-faced Yoon playing the most unconvincing crime lord since... well, ever. In the finale he says he's 36 years old, which made me spit up the food I was eating. He has the most ridiculous tatoo I've ever seen. I think it might have been CGI, or maybe somone spray-painted his back over a stencil of a tiger or something.
Kamol is domineering and horrendously overprotective, locking Kim up in his house and not allowing him to do anything unsupervised. Except play with his pet tiger. You are not misreading that. He's not allowed to pee unaccompanied, but frolic with a tiger, no problem. Not that the tiger is in any state to frolic. The thing is stoned out of its mind - in its head it may be flying through pink clouds with castles atop them inhabited by penguins in Ayutthaya attire, but its body on earth won't be doing much of anything. It does't even react to, or appear to have any awareness of, its head being stroked.
If you are sensitive about water being wasted, you might want to avoid this series, or take a beta blocker first. People take baths wrong. Most people, I think, would fill the tub and then turn the water off - but here, the water is left running throughout the entire bath. I'm not sure where all the water is going - I guess the drain is open. People also turn on the sink for no apparent reason and then have long conversations while the water is running. I'm from California, and I can't sleep if I can hear water intermittently dripping somewhere, so my entire attention was focused on the water and controlling an incipient panic attack during scenes like that. Also, and this seems particularly odd in an Asian drama, people are fine with climbing across beds with shoes on. Not slipper shoes, sandals, even Birkenstocks, but dress shoes they've been walking around in all day.
Managing a criminal empire apparently entails sitting at an implausibly and unncessarily large desk and holding out your hand (without looking) to accept folders from subordinates coming in and out and then glancing at things before signing them. I have a job that entails a lot of paperwork, and I haven't seen an actual physical document in a decade. I don't even have my computer hooked up to a printer. I guess crimelords have never heard of Adobe or Docusign.
The plot is so ridiculous and random that it's better to just go on the ride and stop trying to understand why anyone does anything, because trying to make sense of it will only make you feel sad inside.
People have bodyguards. They should really save their money, because the bodyguard labor pool seems not to have attracted the best and brightest. I don't think there's even one single incidence of successful bodyguarding in the entire series. Besides letting your charge enter a tiger cage alone, guards who have been ordered to defend people with their lives are very easy for villains to convince to go get something out the car, allowing kidnappings right out of your walled mansion.
Speaking of bodyguards, there is a scene I really, really appreciated that gave us some insight at what bodyguards do while off-duty. If you see a scene where guards are discussing who should go shower first, prepare yourself.
The music is awful in the best way. Whenever someone grabs someone's wrist, there's an instrumental flourish more appropriate to someone impaling an opponent with a lightsaber than a gentle wrist grab, and any very slighly elevated moment of drama or activity inevitably leads to the ridiculously overwrought piano theme being fired up.
The leads have no chemistry, and Kim is so withholding that a crimelord Dom is reduced to meekly asking permission to administer a peck on the cheek and is usually admonished for being some sort of demented pervert for even asking. Kamol is the worst dom ever. Strangely, the chief bodyguard, who you will probably not notice at first but by the end will be panting over (especially after his sleeveless striped shirt at the resort) has really intense chemistry with the maid's underage son. Pretty much everyone in the audience was only suffering through this travesty of a series for them, even though we all knew nothing would happen between a 30-something and a high school kid.
I'm not sure I can recommend this - if you're looking for something serious, or are excited at the prospect of actual BDSM in a BL, this will not make you happy. If you appreciate it when something is so bad that it's unintenionally hillarious, this is worth your time.
Was this review helpful to you?
This review may contain spoilers
So... I just finished this drama and I have a LOT to say. Note: there will be some minor spoilers in here! And, many typos! Because I was very passionate about how I felt about this drama! I have a lot to say! Bear with me!
Before diving into this review, I want to make clear that I'm so happy so many people enjoy this drama! Chinese wuxia dramas go highly unappreciated and are rarely praised to the extent of this drama. Everyone is entitled to their opinion. If you love this drama, that's great!
With that being said... I've pulled my hair out trying to figure out what all the fuss has been about for this drama.
First things first, the story of this drama feels incredibly odd. There really is no major "conflict" throughout the entire drama, instead many small ones that sporadically occur and get resolved quickly and get all muddled together. And any conflicts that DO occur happen not because they should. What I mean by this is how the plot fails to connect together, the resulting effect of one scenario loosely ties in to the next. For instance, the beginning involves Mo Yuan... and then he just isn't in the drama for 30 episodes. This causes the drama to feel laggy and have zero suspense, because the audience is just constantly expecting what's inevitably going to occur. Further, when something does happen, or a character triggers something to occur, their motivations should align; that's how a story can make sense. I was expecting a big twist or revelation or SOMETHING for everything to all of a sudden make sense, but that never happened.
Now let's talk about characters. As there's no clear conflict that drives the story, you'd expect the characters to be a major reason you'd want to keep watching... but NOPE.
Let's start with Si Yin/Su Su/Bai Qian. I didn't really have a problem with Si Yin other than the fact that she was pretty boring. Honestly, the entire first "world" the drama takes place in is pretty dull, so it's pretty hard for her to make me care. Then, we move on to Su Su. I probably like her the most out of the three, as she's the only one I really felt emotion for. I truly felt pity for her because of the treatment she got as a mortal. As for Bai Qian, she's probably the biggest disappointment of all. She's promised to be an older, wise, witty, strong goddess who kicks ass and drinks all the time. Unfortunately, we get an immature and feeble character who isn't strong to anyone unless she's bullying other women. Legitimately, she only turns "hard" and "strong" when it comes time to use her power against other women (not that some of them don't deserve it, but we'll talk about the "villains" in a bit). She acts rude to what feels like 3/4 of the female cast. If you don't believe me, look at the fact that she immediately becomes timid, soft, and loses all her characteristics when she's around Mo Yuan, Ye Hua, any of her disciple brothers, the king, her brothers, Li Jing, etc.
What's worse than Bai Qian's character, is the relationship between her and Ye Hua. This is probably my biggest problem with this drama, and I've bumped the rating low to a 6 because of this. I haven't seen any reviews really addressing this, so I'm scratching my head wondering if I watched the same drama. Ye Hua borderline sexually harasses her in nearly the ENTIRE third "world" portion of the drama (in the episodes from when Bai Qian reawakens to near the damn end). Ye Hua will jump on top of her, hug her, kiss her, and flirt while she's literally PUSHING him away, exhibiting uncomfortable body language, or telling him to STOP. Is this some kind of unfulfilled fantasy for some people? Is this just a young demographic? Am I in a simulation? Anyways... it's not until near the last ten episodes this changes, and Bai Qian begins to reciprocate affection. Even though her feelings changes that doesn't excuse Ye Hua's behavior prior, and the type of message this sends makes me disgusted. This easily could've been changed by toning own Ye Hua's actions to stop when Bai Qian says no, or just directing Bai Qian's character completely differently. This may seem like an exaggeration, but with such a large audience, dramas need to be aware of the kind of behavior characters act in, even if this medium is only fiction.
Ye Hua doesn't really have a personality, his sole purpose is really to be in love with Bai Qian/Su Su. He used to have somewhat a personality before he meets Su Su, but this pretty much dissolves. Instead of character progression, this character only reverses backwards.
As for Feng Jiu and Dong Hua, they're... fine? They didn't do much harm, but I don't think they added much to the drama either. It's just a stone-faced Dong Hua being chase by a whiny Feng Jiu.
Now we have the villains. I'll be damned if I ever find a drama where the villains aren't some petty jealous women who are jealous of the main lead because they're not as pretty or they don't have the main lead's man or god knows what other stupid reason. Nonetheless, these villains are dumb as hell, they have a stupid motivation, and they are not menacing at all. A villain should be providing a threat, a conflict, an obstacle that stops the hero. Instead, these villains just fill up screen time and provide a major eye roll.
Despite being nearly 60 episodes long, none of the side characters get very fleshed out. Instead, they remain very one-dimensional and forgettable. They're there for the purpose of providing "plot" to the main characters. Albeit, there are MANY, MANY, MANY side characters, so it's kind of hard to make all of them memorable anyways.
Now, on to acting. I've seen Yang Mi in countless dramas, and her acting isn't really anything spectacular or worth major praise, and here's no exception. I think her performance here is adequate, she pulls off the three different characters and cries when she needs to. Mark Chao was pretty decent as well. He can pull off a large variety of expressions convincingly and you can clearly see him acting two different characters. Honestly, I wasn't really blown away by Yang Mi and Mark Chao's chemistry. I don't think it's bad, but I feel pretty underwhelmed after hearing endless comments over how amazing their chemistry was.
However, one thing that bugged me throughout the drama is how awkward the dialogue was delivered. Particularly with the side characters, they literally feel like they are just flat out reading the script in front of you. This isn't really to the fault of the drama, as these character's voices are dubbed so there's no avoiding of this problem.
For cinematography, this drama looks pretty good some scenes but then looks like completely crap in others. The costumes can be overdramatic and look incredibly silly. The CGI is god awful, I'll just put it out there, but when has CGI in Chinese dramas really ever looked good?
But yes, this concludes my rant review of Eternal Love that probably nobody's reading!
Was this review helpful to you?
This review may contain spoilers
The Hunger Games Without Substance...like eating a cake shaped piece of cardboard.
I struggle to rate this drama highly. On one hand, it was well done with beautiful cinematography....on the other hand it is a pretty overdone genre across all countries. Sick, demented, rich people playing a game with less fortunate people's lives. I didn't really see anything new or innovative in this tale, it's the same old story dredged up again with blood spouts sprinkled in for effect. It's one of the single most overdone themes in horror. And, while the backstories and human character development made it tolerable, I still struggle to understand why this sort of show still draws viewers.Recently, I watched Alice in Borderland, which is a similarly themed violent games survival drama. Alice in Borderland was much more effectively done, however, and added in the mystery element of who was controlling the game much more effectively along multiple other story arcs. Squid Game, on the other hand, focused more on trying to force parallels between the players' poverty lifestyles and the lifestyles of the game creators/betters. Simultaneously trying to convince you that all people are vile while also fighting to convince you of the opposite through various redemption arcs. The main theme that a select few characters seem to be fighting against is that all human beings are morally depraved monsters when their life/money is on the line.
In the end, I think the drama tried to be deeper than it was. It spent too much time forcing the viewer's opinions of people/situations into trite knotholes and ended up limiting itself with its inane rhetoric, especially at the end. Usually, I'm a fan of dramas with dark themes and ambiguous, unhappy endings...but this one I didn't like much. It's just another regurgitation of depraved humanity with nothing new or insightful to add to the existing backlog of dialog from exactly the same story.
That said, the lead actor was great in this drama. He did an incredible job realistically depicting a wide variety of emotional states. His reactions were on point in almost every case. Unfortunately, he was pretty much the only one who produced that range of emotions, so the viewer is forced to interpret situations based almost entirely on his reactions.
One of the best elements of a good Kdrama is how intensely they develop even minor characters. This drama had only 5 or so developed characters out of hundreds, the rest were just fodder for the blood cannon. Even characters that seemed initially well developed, actually end up being just cheap tools to reiterate the drama's main theme. Like the police officer looking for his brother, you eventually realize his only purpose in the drama is to get a peek at behind the scenes horror. His story didn't matter, all that mattered was that the audience had another set of disposable eyes to look through. The North Korean defector's story ended up being the same, pointless and just tossed in to provide a single tear jerk moment and a generic plot device for the lead to rebound off of. The characters, apart from the lead, had zero depth, the entire thing was intensely superficial.
Overall, I wouldn't watch this show again. A season 2 where the lead (minus that horrible red hair) fights against the game creators would be interesting, but a season 2 with the same exact show and a different cast I wouldn't go near. It was vile, but vile without the usual Kdrama depth of philosophy/morality exploration. I can't see myself ever recommending it. Out of every Kdrama I've ever watched I can only think of a small handful that I gained nothing from watching, this is down there in the heap with those few. Challenge my ideas, make me think about the world in a different way, or at the very least entertain me...if you can't do any of that, gtfo.
Was this review helpful to you?
MUST WATCH DRAMA
Excellent GL drama series. Freen Sarocha portrays the BEST Khun Sam with her excellent acting skills.The narrative between both lead actresses are touching, soft and absolutely beautiful.
I am not a fan of roncoms but this series hits different though I do not speak or understand thai language. The emotions and attention that they placed into all the details are just spectacular I highly recommend this drama, waiting and hoping for both lead actresses to have another series together
Was this review helpful to you?
The exceptional beauty of most of the cast members were at times distracting. But for the most part, I think everyone did a good job. There was good chemistry between the main characters as well Moo Ra and Bi Ryum. Also a special mention for Im Joo Hwan who is always such a consistent performer. The rest of the supporting actors didn't have much to do because of the weak script.
Music was one of the best parts of the show. This soundtrack will stay on my playlist for a long while.
So to sum it up, you'll enjoy the show if you go in with little expectations. Give it a try, the romance and awesome music might just win you over.
Edit:
2 years and dozens of dramas later, I stand by my initial review. I think rewatching it helped me understand it better. Forget about the comparisons with the manhwa. On its own, it was great and doesn’t deserve nearly as much criticism it gets. The story was well planned and tied together in the end. The fact that all the answers came in the final episode made it feel a bit too artificial but other than that I have no major complaints. My only gripe is that they sort of abandoned Shin Hoo Ye’s storyline. I would have loved it if they’d have elaborated on his ending, perhaps showing some hope of gaining acceptance from the other gods that he so desired. All in all I’ll say that it was a great watch the second time around. So everyone please give it a chance and decide on your own rather than relying on the reviews.
Edit #2:
I’m coming back here 8 years later in 2025. After watching nearly 350 k-dramas since this one first released, I can confidently say that this drama is still in my overall top 5. By no means is it perfect. They could have easily done away with all of the human side characters and limited the series to 12 episodes like what we see today. That aside, I now retract statement in my first review. This isn’t a messy drama. It was actually very well thought out. When you rewatch it, you’ll see there were many things that were foreshadowed and the building blocks were there right from the beginning. The Bride of Habaek is like a well worn novel. You keep being drawn to it and upon each rewatch you discover things you hadn’t noticed before and you fall in love with it all over again. To sum it up, if you’re here for a fantasy/mystery story you might be disappointed. If you’re here for a tale of star-crossed lovers, the love story of Habaek and So Ah will stay in your memory for a very long time. It has everything I could want in a drama: beautiful romance, well thought out story, and outstanding music 10/10.
Was this review helpful to you?
1This review may contain spoilers
my beloved time... wasted.
FULL REVIEW, SOME SPOILERSi have never been as disappointed in a drama as i was with this one. because truly, i wanted to love it. it started off well, with beautiful cinematography and osts, with a fun plot and good actors, but thats where it all ends. after the first few episodes it all felt monotonous and repetitive. i expected fun bickering, lovey dovey moments, thought out characters, an unexpected twist with the documentary, DEPTH. the initial trailers seemed fun, fresh, nuanced and promised all of this, which the first few episodes somewhat delivered. afterwards, everything was a dull filler. let me explain.
my biggest issue was this: despite all the love professions and cute moments, i didnt care for the couple very much. after showing us how yeonsu constantly broke up with him whenever she wanted, the immature miscommunications, the imbalances in the relationship, i just didnt want to see them together. your first love is not often the person you stay with forever, and thats okay. this wouldve been a great healing drama, where the leads heal individually and learn to love themselves without the other. instead i felt the opposite, like they were codependent: ung could only sleep with yeonsu by his side, yeonsu felt empty without him.
therefore I think the drama should’ve gone in a different direction- a story of forgiveness, growing up and growing apart, getting closure. i wanted them to meet again, learn more about each other now that they were broken up, heal separately and stay separated. that would sent a better message, and it also wouldve worked better given the set up. if they were to end up together, there shouldve been a different backstory. all we saw initially was them bickering, which was cute in highschool, but we never really saw them grow to like each other. more specifically WHY they liked each other.
they were complete opposites and the drama never went deeper with their relationship past superficial conversations and longing gazes. this lack of depth made it hard to imagine how this was a love strong enough to last YEARS. they had so many problems, i mean, yeonsu’s “if i leave you just come back to me” what? how is this in any way cute or goals?
speaking of, i felt that the characters werent created equally. yeonsu was given so many flaws while ung… wasnt (especially in the beginning) and it made yeonsu look like the bad guy. i wish he had been more stubborn, or complacent in the misunderstandings so i wouldnt have to “pick a side”. especially when ung was defending yeonsu to us, saying he saw a different side of her: her ripping notes just to give it to ung, her refusing to see the flowers then bringing ung petals, etc. this whole “mean to everyone but me” trope is outdated. if the ending had to be them together, then the backstory should’ve been more “right person wrong time” and less “pointless couple break up for dramatic effect”.
and yes, they matured in the present day relationship, and there were cute moments. but yeonsu and ung were kinda boring , both in and out of the relationship. i didnt ever feel that they had that strong of a connection, and i never even got why they kept breaking up and getting back together in the first place. overall their relationship just didn’t work for me. and yes they were cute during the end, but it doesnt make up for everything else.
everything outside of their relationship was also undercooked. yeonsu went to work every few episodes (to not do work), ung barely drew. and these were their main traits. rather than being fully developed it felt like they got a traumatic little backstory which led to them having ONE issue: yeonsus pride and ungs attachment. what happened to the first few episodes, to the driven yeonsu? why didnt they explore more of how she burnt herself out from working too hard? or what jobs she had before landing the one we barely see her go to now? why not delve more into ungs wishes to live a peaceful relaxed life? how he even got famous considering it’s the complete opposite of his life goals? these questions are all unanswered because all the drama cares about depicting was their relationship.
lack of depth affected the other characters as well, with them being mere stepping stones for the main relationship. producer ji for example, giving him mommy issues and a never ending crush doesnt make up for the lack of personality. and am i supposed to believe he hung onto his crush with the girl he barely talked to… for YEARS? why not go more in depth to his relationship with ung and ungs parents instead, or even his won parents? in the present day he didnt seem like a very good friend, so depth is much needed. his documentary thing wasnt developed at all, even though the documentary aspect was initially what made this drama so unique. it felt like filler instead of its own character, and didnt connect with jiungs arc at all.
yeonsus best friend- aka the only character with some pizazz- was not on screen nearly enough. all we know about her is that she had a lot of boyfriends and has a strict family. ungs manager just fangirls over nj, i found him unbearable. couldnt he have been given ONE personality trait? nj pops in and out when we need some drama when she couldve been such a GREAT character. we had her tiny subplot with online bullies, and that was it. why not showcase the pressures of being an idol, or maybe even ONE scene of her singing or dancing or modeling or acting or SOMETHING?? mr jang, who i assumed would be the SML, never showed up after the first few episodes after he said he liked yeonsu?? what even was that ?? yeonsus coworkers are only there to gossip about her love life and their boss- i dont even know why hes there. i just wish the other characters were more delved into, like in hometown cha cha cha. its been proven that this CAN be done and still leave enough time for the main couple. and they certainly couldve spared some screen time. i know this is a romance drama, but there is such a thing as too much romance.
overall,
this drama felt undercooked. it could’ve been fantastic, really. highschool romances, bickering couples, cold leads, this has all been done well before. look at fight for my way, hometown cha cha cha, its okay thats love, etc etc etc. this drama shouldve taken notes from those that did it well. instead, they created a perfectly average drama that relied on cute moments and filler to make up for poor writing and direction. no slice of life, just romance. a poorly written, average romance.
Was this review helpful to you?
big problems in story progression (characters, especially evil/expendable characters keep making insane choices to escalate things and keep the story going), and standard characterization flaws (villains keep doing unreasonable things, side characters are one dimensional; only used as a lever progress the story and then forgotten/kept in limbo the rest of the time.
I think Yoon Se Jun and Do Hye Ji (eldest son and wife) were among the more interesting characters in this drama. They had their own goals, and pursued them seemingly relentlessly but without being "too evil". They were a unit, always supporting each other, and I was interested to see more of them but in the end they are left alone just be used as comic relief and not much else. This my be one of my biggest disappointment with this drama.
Was this review helpful to you?
This review may contain spoilers
so much male ass so little everything else
i didn't know we were allowed to make entirely new shows and release them like its the season 2 of a well-established show. where the FUCK was song kang. they think that they could just show his ass for a little bit and i wouldn't realize that the MAIN CHARACTER was GONE for like a long ass time?? i do need to talk about how the writers were so fucking horny for song kang tho like. that lab monster fight was real fetish content. why is this strong milky smooth FULLY NAKED BARE ASS MAN being slow motion drenched in blood full-on carrie style. like sloppy dirty blood bathed glittering red breasts of a man. they didn't need to have him naked there like its soooo extremely harder to choreograph a fight scene when you can't show a character's swinging bare dick but NO. they needed to give us song kang’s bare ass. and i gotta respect that but sadly we didn't get much else beyond ass. i like the intense homoerotic tension between him and that spiky monster goo guy if they let them fuck i would be more ok with the rest of the season. but yeahhhhhh...... the rest of the season.... what the fuck was that.... like they were trying to replicate the large cast of characters trapped in a tight space trying to survive with their complex inner mechanisms but of course it's not gonna work if ur trying to introduce like 30 characters to me halfway through season two like i don't give a FAWK. where is song kang. the only characters remaining from season one is fuckass eunyu with that fuckass bob and then the little kid that got annoying way too fast and the lady that births a kid made out of mud in a frozen lake, disappears for a couple of episodes and comes back all oiled up with a pixie cut. and her baby is not even made out of mud anymore like damn. like their arc actually pissed me off so fucking much. like look at the set up here my god we could have seen this extremely weird and fucked up mother-daughter relationship develop as ms pixie learns to deal with the weird ass situation that she's in. like damn. this is a kid that literally ripped its way out of me and its a monster and its weird and dangerous but its also just a kid and its my kid and i have to take care of it and as she grows she understands her own place in all of this between monster and human or whatever the fuck but they thought that the best way to tell this extremely complex and delicate story would be to skip out on it for two episodes and then give us a few flashbacks. because it was SOOOOO important to instead show us eunyu just wandering around a bunch. god i wish they knew how to write female characters. why is every woman in this show stoic cold blooded bad ass and fucking BORING. eunyu could have a compelling arc about finding her brother but they make it so dry idk theyre sooooo worried about making her stoic cold blooded and bad ass like what happened to HAVING A PERSONALITY. IM BEGGING YOU FOR WOMEN WITH PERSONALITIES. from the new characters i dont give a fawk about anyone. why did that guy kill his mom that shit was fucking weird. and ofc he had to explode so we could see yet another man bathed in blood from head to toe. he wasnt naked this time but i know a kink when i see one. priest guy is hot ofc hes a priest and he's cool and he smokes and he has a lot of sexual tension with another one of the guys BUT WE ALREADY HAD THAT CHARACTER IN SEASON ONE!!! AND HE DIED!!! YOU CANT JUST GIVE ME SOMETHING TWICE AND EXPECT ME TO LIKE THE CHEAP ASS SUBSTITUTE. i want all the generic army guys to explode. (not the pretty face micro bangs one, he's safe) like do ANY of them have a personality. would it KILL you to idk. make one of them like a little weird or something. like maybe one of them could have a lisp.. or... a really big mole in the middle of his forehead. i guess there was the one with the scar on his cheek but hes still BORING. idk man anything to make them stand out from the other million army guys like none of them had personalities distinct from each other and they all wear the same clothes and u just gave me like 30 other characters to keep track of like who do you think i am. was i supposed to be writing this shit down. idk man shit was just boring. WHY WERE WE NOT FOLLOWING YIKYUNG AND HYUNSU'S PLOTLINE THE WHOLE TIME...... I FUCKING HATE SHIT THAT GETS EXPLAINED RETROACTIVELY LIKE THIS FOR NO FUCKING REASON. why would the best way to tell this story be through a flashback with narration over it. bitches never heard of show not tell. song kang grew his hair out and u want me to care about anything else.. he raised the mud baby for a bit and i dont get to see that at all? the set up to that whole thing was soso good they did it so dirty and then concluded it in the weirdest way possible. like not even a hint of resolution character growth or anything. i do think its compelling for yukyung to want to kill her kid! there’s so many interesting themes surrounding this crooked lens of motherhood but it was almost like they couldnt really commit either way… she wouldnt fully make an effort to truly accept what her daughter is but also she wasn’t really trying to actually kill her.. she just…. walked into a boat on fire… and then got fucked up at the end i did not understand the purpose of her monster transformation like is this supposed to have any relevance to the plot or to the character orrr.. did we just want a monster transformation here… and same with the mud baby like they do soo much tell not show in this stupid season like ok she hates people….. WHY. like i can see oh ok they tried to kill her a bunch and her mom kind of hates her but i cant FEEL it. and the moment where she like goes evil and tells hyunsu she actually wants to kill people and make them suffer its supposed to be this very like. intense and sad moment of this literal kid being so confused and grief stricken by her place in society that she cant do anything else but retaliate but like ive never really known this character before. i cant feel this shift from her. there’s nothing she’s turning into if that’s all she ever was and so that moment is just super flat like i dont really know this kid! idk man.... this was just messy.... like im mostly confused what was the plot here we just had a bunch of stuff happening with no particular purpose or goal. absolutely no single great story arc at all. what did we achieve.i love that fuckass little monster tho that little shit was so cute. it would just go oooouuugggg... grrrr nnyeeeeooowww brrr ggrreeeaoouggghh... like yeah baby lets hear it. let him speak!! i could have more thoughts but idk…. ending was weird… like i actually dont get it…. i am however soooo glad eunhyuk is back AND we got to see his ass like who decided that this show needed this much male ass and why are you right… anyways…. i just want to see lots of eunhyuk hope he’s a little evil twisted next season idk give me something fun to look at.Was this review helpful to you?
A Dream Within a Dream: Not Confusing—Just Smarter Than Average
Some viewers struggle with A Dream Within a Dream because it doesn’t follow the usual formula. But that’s not a flaw, it’s intentional. This drama asks you to engage with nuance, not just react to surface-level tropes. A Dream Within a Dream isn’t trying to fit into a neat box. If you go in expecting a straightforward love story, you’ll be confused. But if you’re open to something layered, emotionally complex, and structurally bold, you’ll find a drama that rewards attention and rewatching.💫 Let’s Talk About the Heroine
Too many viewers get stuck feeling sorry for Nan Heng and overlook the true emotional core of the story, Song Yi Meng. She’s one of the most realistically strong females leads in Chinese drama, not because she’s cunning or hyper-competent, but because she’s deeply human. She’s smart, but not infallible. kind, but not self-sacrificing. Her strength lies in how she adapts, how she processes each new revelation, and how she makes decisions that balance survival with integrity.
From the start, Song Yi Meng is shown only the side of Nan Heng that reinforces her fear and distrust. She doesn’t get the luxury of seeing his inner turmoil the way the audience does. What she sees is threat, manipulation, and the looming shadow of a fate she’s trying to escape. And yet, she never sells out her family, friends, or even Nan Heng to protect herself. She navigates a world designed to test her, and still chooses compassion over cruelty, discernment over desperation, and love over fear.
🎭Exceptional Acting That Elevates Every Scene
Liu Yu Ning
Liu Yu Ning’s performance is powerful; he begins as a divine threat and gradually unravels into someone heartbreakingly human. His micro expressions are razor-sharp, a flicker of pain, a restrained smile, a glance that carries centuries of grief. He doesn’t overplay emotion, he lets it simmer beneath the surface, and that restraint makes every breakdown hit harder.
In action scenes, he’s magnetic. His physicality is fluid and commanding, never stiff or ornamental. Whether he’s wielding a sword or simply standing still, he looks like someone who belongs in a myth. And when he speaks? Every line is delivered with intention. He doesn’t just recite, he inhabits. His voice carries weight, his pauses are deliberate, and his emotional control makes even the quietest scenes feel charged.
Li Yi Tong
Li Yi Tong portrayal of Song Yi Meng is exceptional. The character is unpredictable, emotionally layered, and sharply funny. She had the difficult task of playing two versions of herself, one who naively falls for Nan Heng without knowing the full consequences, and another who is self-aware, burdened by knowledge of the original script, such as what happens to her, her family, and the cost of loving him. As her real feelings for Nan Heng deepen, she’s caught between foreknowledge and vulnerability, and Li Yi Tong navigates that tension with remarkable finesse.
What makes her performance even more compelling is her comedic timing. She brings a brand of humor that feels distinctly 80's 90's Hong Kong, quick, clever, and emotionally agile. Humor is notoriously hard to play, especially in a drama this emotionally charged, but she nails it. Her tonal shifts, her misdirection, her ability to pivot from satire to sincerity in a single breath, they’re masterful.
💞 A Love Story That Feels Earned
One of the most refreshing aspects of A Dream Within a Dream is how it builds its central romance, not through forced tropes or exaggerated tension, but through quiet, intentional intimacy. The love story between Nan Heng and the Song Yi Meng unfolds organically, shaped by trust, vulnerability, and emotional growth. It’s not rushed. It’s not manufactured. It’s earned.
Their chemistry is undeniable, but it’s not the kind that screams physical attraction every time they share a scene. Instead, it’s the kind of closeness that feels like two best friends slowly realizing they’ve become each other’s home. There’s a tenderness to their connection, a shared language of glances, silences, and emotional weight that makes every moment between them feel grounded and real.
And when the Song Yi Meng finally chooses to love Nan Heng, it’s a quiet resolution. Her trust in him is unwavering. No back-and-forth mistrust, no last-minute misunderstandings just to stretch the plot. Their connection doesn't lean on dramatic declarations or surface level chemistry, it grows from shared pain, mutual respect, and the quiet realization that, despite everything, they choose each other. Theirs is a relationship that feels lived-in, like two people who’ve been through the worst and still find comfort in each other. It’s subtle, satisfying, and deeply human, the kind of storytelling that respects both the characters and the audience.
🧠 Writing That Asks You to Think
Some viewers say the writing lacks emotional logic, but that’s only true if you’re expecting conventional payoffs. A Dream Within a Dream isn’t built for easy consumption. It’s a drama that questions its own structure, and in doing so, asks the audience to think more deeply about character, consequence, and emotional truth.
The dialogue is masterfully constructed. Every scene unfolds with intention, layering emotional tension, character insight, and thematic callbacks in ways that feel organic. You don’t just follow the plot, you start caring about every character, even the ones with limited screen time.
And the humor? It’s woven seamlessly into dramatic situations, never feeling out of place or forced. It’s clever, culturally resonant, and often used to highlight emotional absurdity rather than undercut it. Near the end, the writing revisit earlier themes, especially the concept of scene reset, with such precision that it brings the entire narrative full circle. It’s not just a callback; it’s a culmination. The story doesn’t just end, it resolves, emotionally and structurally, in a way that rewards viewers who’ve been paying attention.
🎬 A Finale That Actually Delivers
Unlike many dramas that leave secondary characters dangling in ambiguity, A Dream Within a Dream gives every major character a proper send-off. We see where they end up, what choices they make, and whether they find peace. It’s rare to get that kind of narrative closure, and ADWAD does it with elegance and intention.
🎶 Sound That Speaks
One of the most underrated strengths of A Dream Within a Dream is its music. The soundtrack isn’t just beautiful, it’s narratively precise. Every lyric is paired with its scene like it was written for that exact emotional beat. Whether it’s heartbreak, revelation, or quiet defiance, the music amplifies the moment without overwhelming it. It’s rare to see a drama where the OST feels like part of the script, but here, it absolutely does.
🔁 Rewatch Value That Keeps Giving
This is a show that rewards multiple viewings. On your first watch, you’re caught in the emotional whirlwind. On your second, you start noticing the patterns. By the third, you begin to understand each character’s position in the loop, what they know, what they fear, what they’re trying to change. Every rewatch offers a new perspective, a deeper understanding, and a fresh emotional angle. It’s storytelling that evolves with you.
📚 Let’s Talk Comparisons
So many reviewers on this site throw shade at and rate down A Dream Within a Dream, while praising The Prisoner of Beauty with a kind of disingenuous enthusiasm.
Let's be clear, there is obviously a bias at play, one that colors their entire viewing experience. They watch ADWAD through a lens of skepticism, picking apart characters and storylines that are simply too complex for them to understand or appreciate.
TPOB is fine. It’s an average romance story with familiar emotional beats. But it doesn’t take risks. It doesn’t challenge genre. It doesn’t ask you to think about storytelling itself. A Dream Within a Dream does all of that and more. If you rate TPOB higher, that’s a matter of taste. But let’s not pretend it’s because the writing is stronger. ADWAD is simply operating on a different level.
Was this review helpful to you?
This review may contain spoilers
So Much Potential, All of It Wasted
Project Wolf Hunting had the cast that it needed to become a hit, but the scriptwriters squandered its potential.A group of despicable Korean criminals – rapists, mass murderers etc. – are being expatriated to South Korea from the Philippines by cargo ship. When one of these notorious convicts, Park Jong Du, sets his plan to escape into motion, all hell breaks loose on board.
This premise, while not unique to the genre, is solid. Had it been well executed, this movie would have been enjoyable, especially if action is your cup of tea. The scriptwriters made a mess of the story, though. The script is all over the place. It can be used as a guide to how not to write action:
1. Do not complicate the story too much.
In action movies, the bulk of the screen time is devoted to action scenes. This means that if your movie is two hours long, you have an hour or less for plot, so your approach has to be realistic and economical. You should not attempt to cram the story with a zombie-like monster, sci-fi tropes, and dystopian world-building. This is enough material to base a whole series on. You should not try to fit it into a movie about notorious convicts escaping captivity because the result will be absurd, disjointed, confusing, and boring.
2. Do not kill the most interesting character in the first half of the movie.
Nothing adds as much flavor and thrill to an action movie as a charismatic main character. What would Pirates of the Caribbean be without Jack Sparrow? It would be what this movie becomes without Park Jong Du. Evil, creepy, and completely crazy, he catches your attention immediately and does not let go of it. You are torn between hating him and being entertained by his murderous flamboyance. Most importantly, you become invested in his fate. Whether he will manage to escape is the question that keeps you watching. When he clashes with another convict, Lee Do Il, sparks fly, and you are promised a great dynamic: chaotic vs. lawful evil. Then, Park Jong Du is suddenly killed.
Scriptwriters, why did you make such a poor choice? If you wanted him dead, you should have killed him in the end. Instead, you made us viewers lose interest by answering the question way too early. Furthermore, you tricked us into thinking that a character is important only to kill him off like an extra, not even halfway through the movie. The only difference between his death and those of the extras is that sad music plays when he dies. Underwhelming.
3. Do not introduce two-dimensional characters only to utilize them as one-dimensional extras.
It is nothing new, of course, that in action movies many people are shown just to be killed. However, there is no reason to waste screen time on lines and scenes for these characters if they will not contribute anything to the plot. You do not make the viewers sympathize with them. You make them wonder why these characters were introduced if they die quickly.
Overall, this movie is not worth watching unless you are into plotless, extremely graphic gore – Squid Game level gore, if not worse. It does not deserve the rating that I am giving it. I would have rated it lower, but the actors all delivered brilliant performances. Seo In Guk is phenomenal as Park Jong Du. The unhinged look in his eyes alone deserves praise. Such great acting should not have been wasted on this mess.
Was this review helpful to you?
AFTER KINNPORCHE I NEEDED THIS.
THIS BL is written by MAME thus naturally carry CRASH OF OPINION'S and CONTROVERSIES.In terms of their relationship, this might be one of Mame's least toxic relationship that she has written. EVER. BUT I can see the development in their characters BUT when it comes to intimacy, they become unhinged and wild.
(TW: toxicity, kinks, fetish, one night stands, sexual favors, manipulation, non-consensual touching, mind games, kidnapping, torture, gaslighting, rape, PTSD]
After kinnporche ended i though i would not be able to watch any BL. Like seeing BL's like UN and CO killed my brain cells. But this i can say is one of the good bl's out there. No its not great but its better than other. Forget better its actually one of the best bl's out there actually.
See i am one of those people that need some dose of a LESS 'lovey-dovey' and 'green flag' relationship. I need my dose of RED FLAG'S and a little bit TOXICITY from time to time. And NO this doesn't mean I encourage abuse of any form but sometimes you need to be realistic.
This BL felt realistic. IT's not your typical green flag relationship which we see in BL's. It was controversial, many scene's seem to have the non- con problem in them but they were not overdone, they conveyed what they were meant to. People had many problem with it being toxic and shit but honestly i didn't see that much of toxicity. NO this was not 100% healthy relationship but it was really realistic cuz it really happens in real life.
I felt people have connected MAME'S name with toxicity. Where people saw sexual verbal abuse i actually saw flirtation, like come on guys don't you dirty talk with your partner or tease them??? they may not have the best relationship but they were TRUE AND REAL AS THEY CAN BE.
BOTH COUPLE'S relationship is RAW. Its raw and passionate. They are INTENSE.
I MEAN IT WHEN I SAY IT'S RAW. The tension is real. YOU can see the LUST, THE PASSION, THE CUTENESS AND EVEN THE LOVE IN THIER RELATIONSHIP.
The chemistry is sizzling and scorching hot. DESPITE the facts that all the 4 actors are newbei's they have really acted well [i can even say better than most of the famous bl actor who still don't know how to act.]
AND FOR ONCE THEY CAN ACTUALLY KISS AND ITS NOT THE 'TYPICAL' COLLEGE ROMANCE. Thank god for that.
LEGITIMATE 18+ ranking. i am not kidding. THIS IS ADULT, There are quite a LOT OF detailed NC SCENE. And for once NC scene are actually amazing, like hatsoff to the actors and production. The NC scene are RAW and HOT like their chemistry.
I´m impressed by the visual quality. The music of the series both main theme song and the background song's are amazing and well placed. Both the thai and English song they have put in the series are AMAZING.
The cinematography of this series is so good, like you can see the money in the camera quality and shooting places. Like the production was in bar with the production of Kinnporche and cutie pie. The screenwriting was done really well.
The side characters are also really good, firstly they can act and for once you would actually be interested in them as well.
MUSIC. CINEMATOGRAPHY, PRODUCTION, VISUALS AND CAST get a full on 10/10 from me.
OVERALL, the PLOT may be simple, but the couple's killed it with their chemistry. The production is amazing ang this is what was needed honestly. IT's new and fresh. THE story will hook you.
PAYU AND RAIN'S story was the fluff and sweetness i needed before they dropped the bomb of RAIN AND PRAPAI, there story was full of heartbreak and pain. I FELT FOR SKY SO MUCH. Prapai was such a sweetheart.
PERSONAL OPINION- SkyPrapai >>>>>>>>>> RainPayu
Was this review helpful to you?
This review may contain spoilers
Two words: Criminally underrated!
However I can't blame anybody who doesn't like it. If you don't pay a lot of attention even to the smallest things, you will lost and think: it is a mess with so much plot hole and stupid decisions. It's a hard drama to watch and the amount of characters makes it more harder. A notebook fit well with this series. It was a not so good decision to not tag it as a Sci-Fi since the basics (DNA, surgery) are in fact not be too far from the truth. (Google is your best friend!)My recommendation is do yourself a favor and find out soon who is the serial killer, because later on -after episode 6- it won't be the focal point of the story. So you can focus on another really important details which will lead to the only big twist. From episode 7, the real question is not Who is? but What happened? and in the last episodes: Why? It's not a big deal to find out who is our psychopath tough you have to know what you should search for. (Checkpoint is on the end of the rooftop scene in episode 6!)
Sometimes the story seems over-complicated because it's overcrowded. It's a thrilling experience with a dark and very twisted world. I know It's hard to concentrate every single detail all the time but at the end it will pay off.
That's very interesting how the show presents its characters. We can't embraces the most of them. Maybe you can sympathize with them. The most likeable character is Moo Chi who has the biggest character development. We can feel his sadness and grief, sense his motivation... and what about his deep depression which led to his alcoholism. These characters are complex and interesting with morally questionable motives.
The bad guys are bad all through! Some of them are born that way (as a psychopath) and some become monster cause of events. (Not all murderers are psychopaths and not all psychopaths are murderers!) Our main serial killer is a mentally ill psychopath who murders anybody within his own rules. And the rules are very sick like him. He is a true psychopath with god-complex and delusions. His smile gives me goosebumps. But he is not the worst!
Technically, the cinematography and sound-design is excellent but in some scenes the edition and lightning is poor. I also don't like the censorship but its my overall problem with this genre in the Korean film industry. The themes are very interesting and important. There are a lot of social problems and moral controversies in this series. Viewers can see how detailed the criminal side of the show. Also Pyo Chang-won - a very famous Korean criminal profiler and expert on police studies- worked in the show and his lecture was an important part of the script. (He has a short cameo in the last episode) . There are references to real crimes as the infamous Cho Doo-Soon case which was inspired Bong Yi' s background story. Congratulation to the cast, especially to LSG. This is his best role without any question. If He won't win any award for it I will be angry as hell!
On the whole, It became my favorite psycho-thriller k-drama with its complexity. It is well-made and well-written but not for everybody. Who don't mind blood, violence, dark themes and world, just start it! This drama is unique in its genre.
Was this review helpful to you?
