Reviews

Nothing has truly unfolded

What a waste of potential. This drama had all the ingredients for an interesting thriller but failed to execute them in even an average way. Perhaps the limited budget played a part, but the story already had a spark. It just needed a little more fire to deliver a truly compelling performance.

What frustrated me most was that the end credits consumed almost half of each episode’s runtime. Considering the episodes were already very short, it felt like a huge waste of screen time. On top of that, the lack of proper character introductions resulted in messy pacing, making it difficult to connect with the story.

So why did I keep watching despite all these negatives? As I mentioned, I held onto the potential, the hope that the series would eventually redeem itself. The thriller premise genuinely caught my attention, and the lead actors were handsome with promising chemistry.

Unfortunately, by the end, nothing was really revealed. The only shocking moment was when the three main characters were suddenly shot one after another, with no real buildup or sense of danger. I was also disappointed that the drama never explained why the librarian resorted to violence or how she was connected to the crime in the first place.

The series ended with a “To Be Continued” message. I’m not sure if I’ll give it another chance, but if a second season does happen, I hope the production significantly improves and finally delivers the quality this story deserves.

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The Unwilling Ghostbuster

The story opens with the King’s crown princes dropping dead one by one, with his third (eh or was it the forth?) prince getting sick and behaving like a possessed kid. The King has no choice but to seek help from the temple, despite not believing in spirits. Kidnapped and later coerced into doing some ghost-busting in the Joseon Royal Palace, Gu-cheon, a freeloader who is recommended by the temple ghost-buster monk, found himself granted by the King with a witty and curious ghost-hearing assistant, Saeng-gang. A ghost busting job that started as the hunt for a pond spirit turned into a battle against an ak-gwi, a spirit with powerful resentment who has killed souls, while fending themselves against the King who is concerned that they would unravel the royal family’s 30yo secret.

This is totally giving off The Haunted Palace vibe, though I must say this is definitely better with the actors not trying to hard at the romance thingy. There are considerable plotholes that left me thinking “huh?” along the way, like how did Gucheon turn into swordmaster in the spirit world but look like a clutz in the real world, and how the heck did he survive a cut through the neck, but i try not to think too deeply on it. One thing for sure, I liked the main characters Gucheon and Saenggang, a duo that started off suspicious and disliking each other but ended up sticking to each other even in life and death.

The villains here are really vile with a special kind of class, the King doesnt care about his own kids’ life and death, the Dowager Queen of course cares even little since the King isn’t born from her, though i gotta say, the King’s mother is probably the vilest of all. These characters made me thought why the heck do people fight for the throne so badly just to end up with such dysfunctional family with crooked and unhappy life in the end. Anyway, the actors for villains play their role really well I wished for the cruelest death for each of them real bad.

The CGI is really good here, didnt look cartoonish at all, and that ggeomoksali is too damn cute. Gotta say korean ghostbusters really had the worst occupational hazard of all ghost-busters i’ve seen, they literally had to die first to even start ghost-busting. 😫

Love the bgm and the ending is really good.

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A disappointment.

I was VERY excited about this show. Now I’m barely holding on to even pressing play on it. The start was already horrible we had no information on this killer ghost, and yea I get it the point is mystery. But don’t just give me abrupt random scenes, give me something to work off. Genuinely how are we gonna rush a beginning with little details thrown at us. Now actors wise I like both. But the female lead, yea let her stick to rom-cons she’s not built for thriller acting or face wise. This is the first I ever was such a hater towards a show but it’s that ass. The CGI on the monsters was splendid tho they looked sick and the plot of him going into the underworld through water was also so cool. I think the kings daughter plot just ruined it for me. Rip.

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The Shape of My Heart is Twinkling

This is my first-ever [Twinkle Love] series, and I was completely shocked—in the best way—by how unhinged and unconventional this dating show turned out to be. I'm not going to compare it to other dating shows because it's operating on a completely different level. I won't even compare it to its predecessors since this season follows an entirely new format.

In short, I believe [Twinkle Love 5 : Winter] is criminally underrated and deserves to be recognized as one of the best dating shows ever produced. The filming locations are absolutely breathtaking and mesmerizing. Every destination makes me want to travel there myself.

One of the biggest strengths of the show is the absence of panelists. Aside from the occasional sponsor segments, the story flows naturally without outside commentary influencing the audience. We experience the journey exactly as the participants do—their emotions feel raw, genuine, and minimally edited. This approach creates a much more personal and intimate viewing experience, allowing us to connect with the cast on a deeper level.

Plot
There is no scripted storyline. Instead, the participants follow scheduled activities and missions while navigating 12 Magical Lamp wishes, secret missions, and arranged, random, or fate-driven dates that gradually shape—or completely alter—their relationships. I absolutely love this concept.

Cast (CP)
There are 12 participants (6 pairs) in total.

The show begins with four pairs before introducing one additional pair, followed by another. Sadly, however, it ultimately ends with only five couples.

Every participant brings something unique to the show. No one is perfect, and that's exactly what makes them so relatable. Some personalities are immediately charming, while others take time to appreciate, but every cast member gives viewers someone to root for, whether individually or as a couple.

Their youthful journey is filled with endless possibilities. Just when you think you've figured everything out, fate throws unexpected twists into the mix. Some relationships develop smoothly, while others face setbacks, heartbreaks, uncertainty, and difficult decisions.

The show offers almost every romantic trope imaginable—only portrayed in a realistic way:

- The cheesy-lovely couple
- The teasing-bickering couple
- The "she fell first, he fell harder" couple
- The rough-pursuit couple
- The late-bloomer couple
- The "what if" couple

Whatever kind of love story you're looking for, there's probably a couple here that will resonate with you.

Most importantly, every participant feels sincere. They are honest about their emotions and fully committed to the experience.

What impressed me the most was how authentic their reactions felt. Watching their personal growth through subtle glances, shy smiles, nervous laughter, and quiet moments was incredibly rewarding. They leave lasting impressions on one another—not only during the show but beyond it—and as viewers, we become emotionally invested in their evolving relationships.

The series also offers meaningful life lessons about courage, acceptance, forgiveness, kindness, patience, and camaraderie. The friendships that develop into genuine brotherhoods and sisterhoods are just as touching as the romances themselves. Whether their stories end happily or heartbreakingly, every participant earns supporters who continue cheering for them long after the show ends.

Music
The series features a wide variety of songs that perfectly complement each participant's personal growth and each couple's emotional journey.

Rewatchable : Indefinitely.

## Spoilers ##
[Cheesy-lovely] : Yuna × Sean
[Teasing-bickering] : Jason × Nora
[She fell first, he fell harder] : Zhou Yu × Eon
[Rough-pursuit] : Lily × Jack
[Late-bloomer] : Min Zhou × Xiwen
[What if] : Hao Chen × Olivia

Favourite CP : Zhou Yu × Eon (YuYang CP)

Top 3 Favourite Quotes
1. "But I'm afraid that staying without being 100% sure might hurt you again."
2. "Don't you dare say I'm heavy."
3. "I might not be able to get up."

Top 3 Favourite Scenes
1. The reenactment scene from Light and Princess drama.
2. Graduation Day, where everyone finally confessed their feelings.
3. After show : Yu Yang CP farewell and confession letter.

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Home Was Always Each Other

Love for You is a poignant story about two souls tied together not by blood, but by circumstance and fate. Set against the backdrop of the late 1990s, Chen Yi and Miao Jing find themselves living under the same roof after their parents' relationship changes the course of both their lives. Although they are never legally family, they slowly become one in every way that truly matters. What begins with resentment gradually turns into trust, then companionship, and eventually love. They weather loss, loneliness, and hardships side by side until tragedy pulls them apart. Years later, fate brings them together again, forcing them to face the ghosts they left behind. On paper, it has everything needed for a memorable angsty melodrama. Unfortunately, while the destination is satisfying enough, the road getting there loses itself along the way.

The drama constantly alternates between the past and the present, and its strongest chapters are undeniably the childhood and teen years. Miao Jing and her mom arrives at the Chen household carrying nothing but good manners and the hope of finally belonging somewhere, while Chen Yi greets her with resentment born from wounds much older than she could ever understand. Despite his coldness, he never truly wishes to hurt her, and little by little, both children discover that they are carrying burdens far too heavy for their age. Miao Jing longs for a family, yet repeatedly finds herself abandoned by a mother who chooses survival over presence. Chen Yi struggles with an abusive and distant father while desperately missing his mother. They become each other's home. She finally has someone who protects her, while he finally has someone worth protecting. Home, after all, is not always a place. Sometimes it is simply another person.

A huge reason why these early episodes work so well is because of the child actors. Zhou Yu Chen delivers an incredibly convincing performance as young Chen Yi, effortlessly expressing anger, sadness, fear, resentment, curiosity, and warmth with remarkable emotional honesty. Chen Zi Xuan is equally impressive as young Miao Jing, capturing the vulnerability and quiet loneliness of a little girl searching for someone to rely on. She also resembles Zhang Jing Yi surprisingly well, making the transition between younger and older versions feel seamless. Together, these two young actors establish the emotional foundation of the entire series, setting a melancholic atmosphere that immediately pulls you into their world.

The high school years continue that emotional momentum. Once Zhang Jing Yi and Song Wei Long take over, the drama becomes even more heartbreaking. Family problems, irresponsible parents, and financial struggles force two teenagers to shoulder responsibilities that should never have belonged to children. Chen Yi sacrifices his dreams and works countless jobs simply to provide for both of them, even paying for Miao Jing's education. Meanwhile, Miao Jing studies tirelessly, hoping scholarships will lessen his burden while helping however she can. The tragedy lies in the imbalance. Chen Yi keeps descending deeper into darkness just so Miao Jing can continue walking toward the light. It is painful because his sacrifices grow larger while she remains too young and innocent to fully understand what he is giving up for her. Once she reaches adulthood and both can no longer deny their feelings, they finally become a couple. It feels like the natural culmination of years spent growing together rather than a sudden romance. Their chemistry also sells this progression well. They convincingly transition from sharing a family-like bond into becoming lovers, even if the emotional line separating those two stages occasionally feels a little blurry. Real life is often messy like that.

Their melodramatic scenes are easily among the drama's biggest strengths. One line that particularly stayed with me was when Miao Jing asked, "Do you have any idea how much it burns to live in a future built on your scars?" That dialogue cuts surprisingly deep because it perfectly captures the guilt, gratitude, and helplessness that define their relationship. The emotional writing is at its strongest whenever the story allows these two characters to simply exist together without unnecessary distractions.

Sadly, that strength begins fading after the incident that separates the past from the present. Throughout the episodes, the drama repeatedly teases glimpses of a mysterious fire and Chen Yi's involvement in underground fighting. Naturally, I expected those events to become the emotional centerpiece of the story. Instead, the narrative suddenly skips forward, shows the breakup, and moves straight into adulthood without properly exploring what actually happened. The separation itself feels less like fate and more like prolonged miscommunication. Chen Yi pushes Miao Jing away because he wants to protect her from his darkness, while Miao Jing believes he is destroying the only home they ever built together. Then they reunite years later, with Chen Yi running a billiards business and Miao Jing working as an auditor.

From there, the drama starts feeling like an entirely different show. Rather than continuing the heavy emotional storytelling it spent over half the series building, it leans into a familiar reunion romance filled with denial, push and pull, misunderstandings, and emotional games. Miao Jing appears cold and manipulative while Chen Yi keeps keeping his distance. They obviously still love each other, but watching them circle the same emotional drain eventually becomes exhausting. The only thing that kept me invested was wanting answers about Chen Yi's missing years.

Unfortunately, those answers arrive far too late. The truth behind the fire and Chen Yi's time in the fighting ring is only fully revealed during the final stretch, mostly through dialogue and courtroom testimony. Instead of letting the audience experience those traumatic events alongside the characters, the drama simply tells us about them. Considering how much these mysteries shaped the entire narrative, the payoff feels surprisingly anticlimactic. Chen Yi's time in the ring should have been one of the darkest chapters of his life, yet it receives only brief attention before the story quickly moves on. It feels like enormous emotional potential was left untouched.

The tonal shift also becomes difficult to ignore. Around episode 22, the series suddenly embraces fluffy romantic comedy clichés that feel completely disconnected from the atmosphere established earlier. I enjoy romantic comedies, but genre shifts only work when they happen organically. Here, it feels like watching someone replace a violin concerto with party music halfway through the performance. Instead of strengthening the emotional core, these scenes dilute it. Some moments become so cheesy and predictable that I found myself laughing at scenes clearly meant to be emotionally powerful. It almost feels as though the drama became unsure whether it wanted to remain an angst-filled melodrama or transform into a conventional romance mixed with a justice story. In trying to balance both, it never fully commits to either. That said, the whole arc with Zhang Bin’s business also dragged that I found myself losing focus at times and just want to speed it up.

Thankfully, the cast remains consistently excellent. Zhang Jing Yi beautifully portrays both versions of Miao Jing, balancing youthful innocence with the confidence and intelligence of adulthood. I especially appreciated how natural she looked during the teenage scenes without relying on glamorous styling. Song Wei Long once again proves that stories built around growing up together fit him exceptionally well. He captures Chen Yi's quiet darkness while never losing the warmth reserved exclusively for Miao Jing. Their chemistry remains believable throughout, carrying even the weaker parts of the script.

The supporting cast is more uneven. Chen Yi's two close friends bring welcome warmth to his otherwise lonely life, although they never leave a lasting impression. Zhou Kang An and He Wen Jie, however, stand out as the parental figures Chen Yi and Miao Jing deserved from the beginning. Their kindness gives the story some of its most heartfelt moments, making their eventual fate both heartbreaking and unsurprising. Zhang Bin, on the other hand, never quite works as an intimidating villain. He spends so much time making you question his true nature that, when his role finally becomes clear, he still lacks the presence needed to feel threatening. Ironically, the most memorable thing about him might be his impossibly perfect teeth. Other supporting characters such as Chen Ye and Linda contribute enough to be remembered, while Tu Li unfortunately feels like a character searching for a purpose. She functions neither as an effective love rival nor as a meaningful friend, making her entire storyline feel unnecessary despite He Rui Xian giving a pleasant performance.

Visually, the drama does a commendable job establishing its melancholic atmosphere. The muted colors, soft lighting, and restrained contrast create a quiet sadness that perfectly complements the first half of the story. The cinematography is pleasant without being particularly memorable. The soundtrack generally supports the emotional tone well, although one recurring rap track feels oddly placed and occasionally pulls attention away from scenes instead of enhancing them.

The finale attempts to reconnect with the drama's original identity by returning to life and death stakes involving Chen Yi, Miao Jing, and Zhang Bin. By then, however, the story has already become so predictable and overstretched that some supposedly tense moments unintentionally come across as more amusing than suspenseful. Even so, the ending provides enough closure to feel emotionally satisfying. Rather than ending with a grand promise or symbolic status, Chen Yi and Miao Jing choose something much simpler and more meaningful. They promise to become each other's home. After everything they have endured, that feels like the most fitting conclusion they could have received. As Miao Jing asks, "Will you be my home?" In many ways, that single question captures the entire essence of their journey.

Love for You ultimately feels like a house built on an incredibly strong foundation that slowly loses its architectural blueprint halfway through construction. The childhood and teen chapters deliver a moving, emotionally rich story about two lonely souls finding home in each other, supported by excellent performances and heartfelt chemistry. Sadly, the latter half trades much of that emotional depth for familiar romance tropes, underdeveloped mysteries, and a justice storyline that never reaches its full potential. I eventually watched the final episodes at double speed, yet I still genuinely wanted to know how everything would end. That, perhaps, is the drama's greatest strength. Even when it stumbles, it never completely lets go of your curiosity.

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Bad acting & no chemistry, gosh I was bored to tears

I have a column on reddit where I compare 2 short dramas that are based on one source. I found out that this drama is suitable for my column. I watched and...felt disappointed.

What I liked:
1. FL characterisation - I liked that FL was a Traditional Chinese Medicine practitioner.
2. Supporting characters - I really liked ML's mother. She was smart in her approach to get to know FL. I also liked FL's adopted family who was kind to her.
3. ML characterisation - He was Mr Nice Guy.
4. Romance - It was sweet with both being faithful to each other. No bai yue guang drama, well that imposter's act didn't last.

What I disliked:
1. Acting - Huang Hao Wen was stiff that he made the ML bland. There was no chemistry between him and Shi Tong. The couple felt like 2 friends who just happy being married. I was bored to tears watching this drama. I wrote an article on my laptop with this drama playing on my tablet.
2. Antagonist - FL's ex was horrible and so was his mom. His bai yue guang was manipulative.

Favourite scene
When they went on expedition

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A place where we belong is cute drama with andrewgregson as main lead btw I'm fan of john Dylan and Andrew gregson

The series focus on athit (Andrew) and his live in farm of his grandmother after graduation he goes to work for his grandmother as a farmer .where he met a girl name nee who's always jealous of whenever she seee him she couldn't stop herself from cursing him Andrew work very hard on land without salary in ecxchang of his sisters education expense as the time pass he becomes grandmas fav grandchild
Grandma is sweetest person in this lakorn she believes in athit and a biggest match maker for athit and nee
At first nee behaves very bad always doing bad things to athit and dislike him a time when I hate her when athit was going to grow domestic bananas she hurts him a lot changing the story to worst .another thing I don't like about this lakorn it has total 13 episodes bit if feels too long to me every girl get ml before fl first the porn star then toon nees friend who's crazy for athit then when finally we get to see some improvent of main couple from ep 9 they don't give much scenes to main couple it's like before the ending they finally match them together so we can have ending I repeated last episode many times so I can watch them together the series seems to long but still lack of scenes for main couple focusing on every stupid thing over all lakorn is good if u wanna watch it

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Worst directing with that excellent cast

It's the only drama made me headache with the first shot of the first episode...

I don't know what is the reason for this kind of worst making ?

The setup of the "switched at birth" plot and the tragedy that falls upon Ren Susu's family felt incredibly rushed. I felt they were being force-fed traumatic backstory at 2x speed without being given the time to emotionally connect with the teenage versions of the characters.

The camerawork in the pilot episode was "weird" and shaky. In an attempt to make the Republican-era setting look dynamic, the camera panned and moved too aggressively, making me feel dizzy.

*Low-Budget Lighting and Filters
*Bland Pacing
*Choppy Editing
*Unsympathetic Character Trope

Director and the Production/Post-Production Team for terrible editing, cheap aesthetics, AI usage, and failing to deliver a cinematic experience worthy of the actors' star power.

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Ahh this could've been a solid 5 stars if it didn't fall apart towards the end.

It was a very new (to me) plot and genre, and for the most part vastly engaging, the good vs evil, hunters vs fiends part definitely could've been more fleshed out.

Dilraba, Chen Xingxu and Zhang Li all did really good jobs, especially the two leads. Dilraba and Chen Xingxu have to work together again, this can't be the last time we see their incredible chemistry and sexual tension.

As for the characters, the leads have the most fleshed out personas, we see their reason and motivation for everything and we are led to understand them as people and their various relationships with the rest of the cast (i would've liked it a bit if Yan Tou's crisis was shown was he found out about Lin Xirou, I mean the emotional turmoil would've been incredible to witness and I'm sure CXX would've done the scenes justice).

Aside from them Zhang Li's Lin Xirou was charismatic, eerie and hauntingly beautiful, she completely embodied that haughty, rich chairwoman vibe, but any closer look would show you that there is something... other about her.

The cinematography is insanely beautiful, it was just cinema every shot, I mean if you had Reba and CXX and managed to fumble their combined face cards then let's revoke your directing license.

Now, for the rest of the cast and the things I didn't like so much:

The Nanshan Hunters:
Oh my god, how can an organization that has been around for hundreds if not a thousand years be so disorganized and underprepaired? They don't even give you the feel of a group of people that are competent, their weapons are at least several centuries old, they don't have good documentation of anything, nor good structural hierarchy, and no one fucking knows anything! Like there should've been a plan in place already in case something happened to Jiang Baichuan and the rest of the elders, then something did happen and they descended into chaos. Xing Shen, the leader that JBC chose is so closed off and complicated and only does things his own way that there is no way for any of the other hunters to know what he is planning let alone have an input in it. Its no wonder 97% of them died at the final battle.

And on the topic of Xing Shen, god he is so fucking annoying, I get he didn't trust Yan Tou but he made him suspicious and caused him so much suffering at the hands of the Fiends. And there was no need for him to die like??? Just to take out Xiong Hei?? His "sacrificial" death had zero build up and zero impact and was ultimately useless.

The Earth Fiends:
I really wish we saw more about how they were able to transform (revert?) to human forms. Aside from Lin Xirou and her eerieness, we got to see at least Feng Mi and the sick one actually act like humans. Feng Mi was so interesting, because as the Fiend that knew Yan Tou the least, she had the most compassion for him and truly seemed to understand human emotional complexity, that Yan Tou could not just simply forgive them and even felt sorry for him, i hated that she died while protecting him too (especially considering how useless he was in that fight).
The other Fiend I liked the characterization of was the sickly one that did not want to live any longer. As for Xiong Hei, everything Yan Tou said was right, he only wore a human skin and did not understand at all what it meant to be human, he was still underneath that skin a monster that resorted to violence at the turn of an eye.

LXR and Yan Tou's relationship was so bittersweet, on the one hand here's the woman that raised you from childhood, gave you everything and spoiled you endlessly, but on the other, she is also the woman who ruined your family's life, killed your parents and sister, stole your mother's identity and your father's company, and also has emotionally abused your other sister (Lin Ling) and aggressively controlled her entire life.

I do believe though that she did have maternal feelings toward him after all those years, and no its not because he was of no use to her—he was, he was heir to RoadSound Group and the face of the company's activities in the light, the ones she couldn't handle considering her non aging— there was something she said when everything was already exposed, that he was the only thing that allowed her to pretend to be human, "But Xiao Tou, without you, Aunt Lin has also lost her home." She wore the skin of a human but it was this foster son that allowed her to truly feel like one.

Unfortunately, at the end of the day she could not understand how he couldn't set aside all her crimes against his family and still keep being her doting son, even calling him ungrateful, which... ma'am you raised him with his parents money 😭? Which brings me to the conclusion that the Fiends really could not be left unchecked no matter how she kept saying that she did not want to be enemies with the Hunters. They needed blood bags, which meant constantly killing off generations of a family since they didn't age, and also what if others became carnivorous and went rogue like the first one? Its all a very black and white thing and yet not really.

The Final Battle/ Episodes:
My biggest gripe with the show so far, there was so much buildup only for it to fall woefully short. The Nanshan Hunters are most useless, we know that. They were going to die, we also know that, but damn were they complete shit. The Mad Blade pill and its consequence being madness would've been acceptable, what the fuck is the cliche last minute amnesia. Also how did NJL forget to kill Fiends and got injured instead, and Yan Tou was just walking around uselessly with that tranquilizer gun he did nothing with. It made no sense to have LXR killed by NJL's mother and not NJL herself or YT (poetic justice).

Also NJL and Yu Rong were both holding their own very well against XH and the other guy at the shop so how come five of them now couldn't take them down and three had to die to do it this time?

Anyway if i keep nitpicking we'll be here all day, there's plenty of things to enjoy and plenty not to so just give it a try to see if its to your liking.

And shoutout to our resident lesbian couple, Yu Rong and Quecha, the only acceptable thing to come out of the Nanshan Hunters.

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Your Dear Trope!

This is saccharin-sweet story that is surprisingly entertaining for the right reasons, even if the premise is not necessarily a new one. It also has a few unexpectedly touching subplots that are effective from an emotional perspective. And, as of late, what is also happening, many of the supporting characters are just so much more entertaining and varied that they become the central figures. Unfortunately, the protagonists are becoming your standard-formatted tropes. There is nothing new or creative about them. It is not that they are not trying; there is just nothing in the script or plot to make them unique anymore. They are becoming, for lack of a better term – “ordinary”.

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Another waste of my precious time

I don't like this new thing drama started of waiting for last episode to get lead characters together. If you are gonna tittle it a romantic drama atleast put some romance. Drama dragged too long and l even forgot what the plot was about.
The chemistry died as the episode progressed due to lack of communication and decisions that don't make sense… the writers spent so much time repeating same thing rather than explore more plot
Phewwww I’m exhausted from Chinese drama and plot holes
Note : pls give FL a drama where she don’t keep chasing after ML same thing with lighter & princess
It’s a loop

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The chemistry between the two main leads is a chef's kiss

This is my second series featuring FreenBecky. My first was GAP: The Series, which I watched solely for their chemistry and romance. While that series didn't really work out for me, The Air is completely different!

It is not boring at all. While it isn't heavily story-driven, their chemistry alone is more than enough to make me rewatch it multiple times. The comedy lands really well, and another highlight is the villain's backstory—the accompanying background score gave me chills (even if only for a brief moment).

Overall, if you are a fan of FreenBecky, this series is a full meal. Even if you aren't a fan yet, give it a try—you'll fall in love with their chemistry and acting.

NOTE: This review is coming from a LingOrm fan (so you know you can trust my review!), but I genuinely love FreenBecky too!

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