Reviews

Home Was Always Each Other

Love for You is a poignant story about two souls tied together not by blood, but by circumstance and fate. Set against the backdrop of the late 1990s, Chen Yi and Miao Jing find themselves living under the same roof after their parents' relationship changes the course of both their lives. Although they are never legally family, they slowly become one in every way that truly matters. What begins with resentment gradually turns into trust, then companionship, and eventually love. They weather loss, loneliness, and hardships side by side until tragedy pulls them apart. Years later, fate brings them together again, forcing them to face the ghosts they left behind. On paper, it has everything needed for a memorable angsty melodrama. Unfortunately, while the destination is satisfying enough, the road getting there loses itself along the way.

The drama constantly alternates between the past and the present, and its strongest chapters are undeniably the childhood and teen years. Miao Jing and her mom arrives at the Chen household carrying nothing but good manners and the hope of finally belonging somewhere, while Chen Yi greets her with resentment born from wounds much older than she could ever understand. Despite his coldness, he never truly wishes to hurt her, and little by little, both children discover that they are carrying burdens far too heavy for their age. Miao Jing longs for a family, yet repeatedly finds herself abandoned by a mother who chooses survival over presence. Chen Yi struggles with an abusive and distant father while desperately missing his mother. They become each other's home. She finally has someone who protects her, while he finally has someone worth protecting. Home, after all, is not always a place. Sometimes it is simply another person.

A huge reason why these early episodes work so well is because of the child actors. Zhou Yu Chen delivers an incredibly convincing performance as young Chen Yi, effortlessly expressing anger, sadness, fear, resentment, curiosity, and warmth with remarkable emotional honesty. Chen Zi Xuan is equally impressive as young Miao Jing, capturing the vulnerability and quiet loneliness of a little girl searching for someone to rely on. She also resembles Zhang Jing Yi surprisingly well, making the transition between younger and older versions feel seamless. Together, these two young actors establish the emotional foundation of the entire series, setting a melancholic atmosphere that immediately pulls you into their world.

The high school years continue that emotional momentum. Once Zhang Jing Yi and Song Wei Long take over, the drama becomes even more heartbreaking. Family problems, irresponsible parents, and financial struggles force two teenagers to shoulder responsibilities that should never have belonged to children. Chen Yi sacrifices his dreams and works countless jobs simply to provide for both of them, even paying for Miao Jing's education. Meanwhile, Miao Jing studies tirelessly, hoping scholarships will lessen his burden while helping however she can. The tragedy lies in the imbalance. Chen Yi keeps descending deeper into darkness just so Miao Jing can continue walking toward the light. It is painful because his sacrifices grow larger while she remains too young and innocent to fully understand what he is giving up for her. Once she reaches adulthood and both can no longer deny their feelings, they finally become a couple. It feels like the natural culmination of years spent growing together rather than a sudden romance. Their chemistry also sells this progression well. They convincingly transition from sharing a family-like bond into becoming lovers, even if the emotional line separating those two stages occasionally feels a little blurry. Real life is often messy like that.

Their melodramatic scenes are easily among the drama's biggest strengths. One line that particularly stayed with me was when Miao Jing asked, "Do you have any idea how much it burns to live in a future built on your scars?" That dialogue cuts surprisingly deep because it perfectly captures the guilt, gratitude, and helplessness that define their relationship. The emotional writing is at its strongest whenever the story allows these two characters to simply exist together without unnecessary distractions.

Sadly, that strength begins fading after the incident that separates the past from the present. Throughout the episodes, the drama repeatedly teases glimpses of a mysterious fire and Chen Yi's involvement in underground fighting. Naturally, I expected those events to become the emotional centerpiece of the story. Instead, the narrative suddenly skips forward, shows the breakup, and moves straight into adulthood without properly exploring what actually happened. The separation itself feels less like fate and more like prolonged miscommunication. Chen Yi pushes Miao Jing away because he wants to protect her from his darkness, while Miao Jing believes he is destroying the only home they ever built together. Then they reunite years later, with Chen Yi running a billiards business and Miao Jing working as an auditor.

From there, the drama starts feeling like an entirely different show. Rather than continuing the heavy emotional storytelling it spent over half the series building, it leans into a familiar reunion romance filled with denial, push and pull, misunderstandings, and emotional games. Miao Jing appears cold and manipulative while Chen Yi keeps keeping his distance. They obviously still love each other, but watching them circle the same emotional drain eventually becomes exhausting. The only thing that kept me invested was wanting answers about Chen Yi's missing years.

Unfortunately, those answers arrive far too late. The truth behind the fire and Chen Yi's time in the fighting ring is only fully revealed during the final stretch, mostly through dialogue and courtroom testimony. Instead of letting the audience experience those traumatic events alongside the characters, the drama simply tells us about them. Considering how much these mysteries shaped the entire narrative, the payoff feels surprisingly anticlimactic. Chen Yi's time in the ring should have been one of the darkest chapters of his life, yet it receives only brief attention before the story quickly moves on. It feels like enormous emotional potential was left untouched.

The tonal shift also becomes difficult to ignore. Around episode 22, the series suddenly embraces fluffy romantic comedy clichés that feel completely disconnected from the atmosphere established earlier. I enjoy romantic comedies, but genre shifts only work when they happen organically. Here, it feels like watching someone replace a violin concerto with party music halfway through the performance. Instead of strengthening the emotional core, these scenes dilute it. Some moments become so cheesy and predictable that I found myself laughing at scenes clearly meant to be emotionally powerful. It almost feels as though the drama became unsure whether it wanted to remain an angst-filled melodrama or transform into a conventional romance mixed with a justice story. In trying to balance both, it never fully commits to either. That said, the whole arc with Zhang Bin’s business also dragged that I found myself losing focus at times and just want to speed it up.

Thankfully, the cast remains consistently excellent. Zhang Jing Yi beautifully portrays both versions of Miao Jing, balancing youthful innocence with the confidence and intelligence of adulthood. I especially appreciated how natural she looked during the teenage scenes without relying on glamorous styling. Song Wei Long once again proves that stories built around growing up together fit him exceptionally well. He captures Chen Yi's quiet darkness while never losing the warmth reserved exclusively for Miao Jing. Their chemistry remains believable throughout, carrying even the weaker parts of the script.

The supporting cast is more uneven. Chen Yi's two close friends bring welcome warmth to his otherwise lonely life, although they never leave a lasting impression. Zhou Kang An and He Wen Jie, however, stand out as the parental figures Chen Yi and Miao Jing deserved from the beginning. Their kindness gives the story some of its most heartfelt moments, making their eventual fate both heartbreaking and unsurprising. Zhang Bin, on the other hand, never quite works as an intimidating villain. He spends so much time making you question his true nature that, when his role finally becomes clear, he still lacks the presence needed to feel threatening. Ironically, the most memorable thing about him might be his impossibly perfect teeth. Other supporting characters such as Chen Ye and Linda contribute enough to be remembered, while Tu Li unfortunately feels like a character searching for a purpose. She functions neither as an effective love rival nor as a meaningful friend, making her entire storyline feel unnecessary despite He Rui Xian giving a pleasant performance.

Visually, the drama does a commendable job establishing its melancholic atmosphere. The muted colors, soft lighting, and restrained contrast create a quiet sadness that perfectly complements the first half of the story. The cinematography is pleasant without being particularly memorable. The soundtrack generally supports the emotional tone well, although one recurring rap track feels oddly placed and occasionally pulls attention away from scenes instead of enhancing them.

The finale attempts to reconnect with the drama's original identity by returning to life and death stakes involving Chen Yi, Miao Jing, and Zhang Bin. By then, however, the story has already become so predictable and overstretched that some supposedly tense moments unintentionally come across as more amusing than suspenseful. Even so, the ending provides enough closure to feel emotionally satisfying. Rather than ending with a grand promise or symbolic status, Chen Yi and Miao Jing choose something much simpler and more meaningful. They promise to become each other's home. After everything they have endured, that feels like the most fitting conclusion they could have received. As Miao Jing asks, "Will you be my home?" In many ways, that single question captures the entire essence of their journey.

Love for You ultimately feels like a house built on an incredibly strong foundation that slowly loses its architectural blueprint halfway through construction. The childhood and teen chapters deliver a moving, emotionally rich story about two lonely souls finding home in each other, supported by excellent performances and heartfelt chemistry. Sadly, the latter half trades much of that emotional depth for familiar romance tropes, underdeveloped mysteries, and a justice storyline that never reaches its full potential. I eventually watched the final episodes at double speed, yet I still genuinely wanted to know how everything would end. That, perhaps, is the drama's greatest strength. Even when it stumbles, it never completely lets go of your curiosity.

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Bad acting & no chemistry, gosh I was bored to tears

I have a column on reddit where I compare 2 short dramas that are based on one source. I found out that this drama is suitable for my column. I watched and...felt disappointed.

What I liked:
1. FL characterisation - I liked that FL was a Traditional Chinese Medicine practitioner.
2. Supporting characters - I really liked ML's mother. She was smart in her approach to get to know FL. I also liked FL's adopted family who was kind to her.
3. ML characterisation - He was Mr Nice Guy.
4. Romance - It was sweet with both being faithful to each other. No bai yue guang drama, well that imposter's act didn't last.

What I disliked:
1. Acting - Huang Hao Wen was stiff that he made the ML bland. There was no chemistry between him and Shi Tong. The couple felt like 2 friends who just happy being married. I was bored to tears watching this drama. I wrote an article on my laptop with this drama playing on my tablet.
2. Antagonist - FL's ex was horrible and so was his mom. His bai yue guang was manipulative.

Favourite scene
When they went on expedition

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A place where we belong is cute drama with andrewgregson as main lead btw I'm fan of john Dylan and Andrew gregson

The series focus on athit (Andrew) and his live in farm of his grandmother after graduation he goes to work for his grandmother as a farmer .where he met a girl name nee who's always jealous of whenever she seee him she couldn't stop herself from cursing him Andrew work very hard on land without salary in ecxchang of his sisters education expense as the time pass he becomes grandmas fav grandchild
Grandma is sweetest person in this lakorn she believes in athit and a biggest match maker for athit and nee
At first nee behaves very bad always doing bad things to athit and dislike him a time when I hate her when athit was going to grow domestic bananas she hurts him a lot changing the story to worst .another thing I don't like about this lakorn it has total 13 episodes bit if feels too long to me every girl get ml before fl first the porn star then toon nees friend who's crazy for athit then when finally we get to see some improvent of main couple from ep 9 they don't give much scenes to main couple it's like before the ending they finally match them together so we can have ending I repeated last episode many times so I can watch them together the series seems to long but still lack of scenes for main couple focusing on every stupid thing over all lakorn is good if u wanna watch it

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Worst directing with that excellent cast

It's the only drama made me headache with the first shot of the first episode...

I don't know what is the reason for this kind of worst making ?

The setup of the "switched at birth" plot and the tragedy that falls upon Ren Susu's family felt incredibly rushed. I felt they were being force-fed traumatic backstory at 2x speed without being given the time to emotionally connect with the teenage versions of the characters.

The camerawork in the pilot episode was "weird" and shaky. In an attempt to make the Republican-era setting look dynamic, the camera panned and moved too aggressively, making me feel dizzy.

*Low-Budget Lighting and Filters
*Bland Pacing
*Choppy Editing
*Unsympathetic Character Trope

Director and the Production/Post-Production Team for terrible editing, cheap aesthetics, AI usage, and failing to deliver a cinematic experience worthy of the actors' star power.

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Ahh this could've been a solid 5 stars if it didn't fall apart towards the end.

It was a very new (to me) plot and genre, and for the most part vastly engaging, the good vs evil, hunters vs fiends part definitely could've been more fleshed out.

Dilraba, Chen Xingxu and Zhang Li all did really good jobs, especially the two leads. Dilraba and Chen Xingxu have to work together again, this can't be the last time we see their incredible chemistry and sexual tension.

As for the characters, the leads have the most fleshed out personas, we see their reason and motivation for everything and we are led to understand them as people and their various relationships with the rest of the cast (i would've liked it a bit if Yan Tou's crisis was shown was he found out about Lin Xirou, I mean the emotional turmoil would've been incredible to witness and I'm sure CXX would've done the scenes justice).

Aside from them Zhang Li's Lin Xirou was charismatic, eerie and hauntingly beautiful, she completely embodied that haughty, rich chairwoman vibe, but any closer look would show you that there is something... other about her.

The cinematography is insanely beautiful, it was just cinema every shot, I mean if you had Reba and CXX and managed to fumble their combined face cards then let's revoke your directing license.

Now, for the rest of the cast and the things I didn't like so much:

The Nanshan Hunters:
Oh my god, how can an organization that has been around for hundreds if not a thousand years be so disorganized and underprepaired? They don't even give you the feel of a group of people that are competent, their weapons are at least several centuries old, they don't have good documentation of anything, nor good structural hierarchy, and no one fucking knows anything! Like there should've been a plan in place already in case something happened to Jiang Baichuan and the rest of the elders, then something did happen and they descended into chaos. Xing Shen, the leader that JBC chose is so closed off and complicated and only does things his own way that there is no way for any of the other hunters to know what he is planning let alone have an input in it. Its no wonder 97% of them died at the final battle.

And on the topic of Xing Shen, god he is so fucking annoying, I get he didn't trust Yan Tou but he made him suspicious and caused him so much suffering at the hands of the Fiends. And there was no need for him to die like??? Just to take out Xiong Hei?? His "sacrificial" death had zero build up and zero impact and was ultimately useless.

The Earth Fiends:
I really wish we saw more about how they were able to transform (revert?) to human forms. Aside from Lin Xirou and her eerieness, we got to see at least Feng Mi and the sick one actually act like humans. Feng Mi was so interesting, because as the Fiend that knew Yan Tou the least, she had the most compassion for him and truly seemed to understand human emotional complexity, that Yan Tou could not just simply forgive them and even felt sorry for him, i hated that she died while protecting him too (especially considering how useless he was in that fight).
The other Fiend I liked the characterization of was the sickly one that did not want to live any longer. As for Xiong Hei, everything Yan Tou said was right, he only wore a human skin and did not understand at all what it meant to be human, he was still underneath that skin a monster that resorted to violence at the turn of an eye.

LXR and Yan Tou's relationship was so bittersweet, on the one hand here's the woman that raised you from childhood, gave you everything and spoiled you endlessly, but on the other, she is also the woman who ruined your family's life, killed your parents and sister, stole your mother's identity and your father's company, and also has emotionally abused your other sister (Lin Ling) and aggressively controlled her entire life.

I do believe though that she did have maternal feelings toward him after all those years, and no its not because he was of no use to her—he was, he was heir to RoadSound Group and the face of the company's activities in the light, the ones she couldn't handle considering her non aging— there was something she said when everything was already exposed, that he was the only thing that allowed her to pretend to be human, "But Xiao Tou, without you, Aunt Lin has also lost her home." She wore the skin of a human but it was this foster son that allowed her to truly feel like one.

Unfortunately, at the end of the day she could not understand how he couldn't set aside all her crimes against his family and still keep being her doting son, even calling him ungrateful, which... ma'am you raised him with his parents money 😭? Which brings me to the conclusion that the Fiends really could not be left unchecked no matter how she kept saying that she did not want to be enemies with the Hunters. They needed blood bags, which meant constantly killing off generations of a family since they didn't age, and also what if others became carnivorous and went rogue like the first one? Its all a very black and white thing and yet not really.

The Final Battle/ Episodes:
My biggest gripe with the show so far, there was so much buildup only for it to fall woefully short. The Nanshan Hunters are most useless, we know that. They were going to die, we also know that, but damn were they complete shit. The Mad Blade pill and its consequence being madness would've been acceptable, what the fuck is the cliche last minute amnesia. Also how did NJL forget to kill Fiends and got injured instead, and Yan Tou was just walking around uselessly with that tranquilizer gun he did nothing with. It made no sense to have LXR killed by NJL's mother and not NJL herself or YT (poetic justice).

Also NJL and Yu Rong were both holding their own very well against XH and the other guy at the shop so how come five of them now couldn't take them down and three had to die to do it this time?

Anyway if i keep nitpicking we'll be here all day, there's plenty of things to enjoy and plenty not to so just give it a try to see if its to your liking.

And shoutout to our resident lesbian couple, Yu Rong and Quecha, the only acceptable thing to come out of the Nanshan Hunters.

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Your Dear Trope!

This is saccharin-sweet story that is surprisingly entertaining for the right reasons, even if the premise is not necessarily a new one. It also has a few unexpectedly touching subplots that are effective from an emotional perspective. And, as of late, what is also happening, many of the supporting characters are just so much more entertaining and varied that they become the central figures. Unfortunately, the protagonists are becoming your standard-formatted tropes. There is nothing new or creative about them. It is not that they are not trying; there is just nothing in the script or plot to make them unique anymore. They are becoming, for lack of a better term – “ordinary”.

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Another waste of my precious time

I don't like this new thing drama started of waiting for last episode to get lead characters together. If you are gonna tittle it a romantic drama atleast put some romance. Drama dragged too long and l even forgot what the plot was about.
The chemistry died as the episode progressed due to lack of communication and decisions that don't make sense… the writers spent so much time repeating same thing rather than explore more plot
Phewwww I’m exhausted from Chinese drama and plot holes
Note : pls give FL a drama where she don’t keep chasing after ML same thing with lighter & princess
It’s a loop

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The chemistry between the two main leads is a chef's kiss

This is my second series featuring FreenBecky. My first was GAP: The Series, which I watched solely for their chemistry and romance. While that series didn't really work out for me, The Air is completely different!

It is not boring at all. While it isn't heavily story-driven, their chemistry alone is more than enough to make me rewatch it multiple times. The comedy lands really well, and another highlight is the villain's backstory—the accompanying background score gave me chills (even if only for a brief moment).

Overall, if you are a fan of FreenBecky, this series is a full meal. Even if you aren't a fan yet, give it a try—you'll fall in love with their chemistry and acting.

NOTE: This review is coming from a LingOrm fan (so you know you can trust my review!), but I genuinely love FreenBecky too!

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A refreshing time-travel GL that you must watch.

This is a Thai GL series that feels incredibly fresh and novel. The addition of the time-travel element really sets it apart from the typical romance stories we usually see.
I personally loved it because it brings something completely new to the genre.

​The series is perfectly paced with just 7 episodes. It is exactly the right length to tell the story beautifully without feeling dragged out. The acting is phenomenal, and the chemistry between the leads is simply top tier. What makes it even more special is the music, especially since the OST is sung by both lead actresses themselves. It adds such a personal and emotional touch to the scenes.

​Another exciting detail is that this series seems to be connected to the 'AI Girl' series that is currently airing. It makes the whole universe even more intriguing. If you are looking for a unique plot and a well-made series, I highly recommend giving this a watch.

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A must watch for every historical cdrama lover

I think there aren’t enough words to describe how much I loved this drama! Not only was the cast phenomenal, but also the plot, the OST and the cinematography of this series were perfectly chosen.

To be honest I have no idea why I waited so long to finally start watching Story of Kunning Palace because this cdrama literally had everything that I look for in a drama : good plot writing, complex characters, talented actors, slow burn, angst, comedy and a good amount of court intrigues.

Jiang Xuening showed from the very first episode that she is a force to be reckoned with. In her past life, she is displayed as the evil manipulative and scheming woman who doesn’t shy away from anything to achieve her goals. Nonetheless her wish to become empress also became her doom.
In her next life, Jiang Xuening wants to do everything to not meet the same end as in her previous life. She is still shown as a very smart and scheming woman, but this time not in order to enter the palace, but to flee from it. She tries to change her own fate, but also from those around her who she learned to cherish. She isn’t your typical green flagged FL who can do no wrong, no! Some of her actions may be morally questionable, but she does it ultimately to protect those she loves.

And I gotta admit I was completely colorblind when it came to Xie Wei. Red flag who? I only see a man who is committed to his revenge and who is thoroughly obsessed with his (future) wife. Yes okay the way he communicates is a bit rusty, but he is simply a shy bean who rather shows his love with some harsh words and homemade walnut cake, instead of useless flirting. Truth be told, I love such complex, smart and scheming characters. It was so interesting to see how his plans unfolded step by step without it looking unrealistic.

And the KISSES?! HELLO? I was GAGGED when they kissed fr and not those typical dead fish kisses. They were hungry, especially our Xie Wei who was ready to pounce at every occasion, but who wouldn’t? Jiang Xuening/BaiLu is just so pretty and her intelligence makes her even more attractive.

Another bond that I truly cherished is the one between Jiang Xuening and the princess Shen Zhi Yi. The way they became besties instantly, lessening their individual burdens simply by being together. The royal family didn’t deserve her as a princess, they used her as a tool and not as a person with dreams and feelings. So you can imagine how much I cried when they had to separate and when they got to reunite again.

And the way I was bawling my eyes out when You Fang Yin died?? She didn’t deserve that fate, especially not when she finally found happiness after so many years of being the punching bag of her family. She was the kindest of them all with no bad bone in her, just a quiet girl who wanted to be useful and to achieve something in her life, unfortunately fate had other plans…

So all in all I thoroughly enjoyed this drama and recommend anyone who is into this type of genre to give it a go.

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healing, emotion and maturity

this drama speaks to me in ways i could not explain in words.
the story is great, but more than that i loved how emotional it was. they weren't telling a story to us, they were showing their road to success and how its never how you will expect it to be. the thing that i loved the most out of this drama was how emotional the boys were, and how they were able to cry, laugh and fight, not only amongst themselves but with wanxing and wang fa. it shows their trust in these people without saying it out loud.
the romance was so well done. it was so natural and most of all it was not the centre of the story. it never took the spotlight of the side stories. And something about found family will always tug my heartstrings.
another thing i took away from the drama was, how teenagers turn out when they have someone who guides them sincerely with all the love in their heart. the boys were never problematic, they just needed a trusted adult to guide them. Wanxing altered their life more than she will ever realise, she literally changed them as people and how to see life differently.
i could ramble about so many things i noticed for paragraphs, but then it would be too long :')
the drama was truly well done on all aspects casting, cinematography, story and everything else. <3

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Strong Start, Bad Finish

The first few episodes were SO GOOD. Like genuinely, I was hooked. The comedy was on point, the premise, the characters and their relationships... This drama had the potential to become one of my favourites and my new "Mr Queen".

BUT!!! Around the Half-point of the story, the drama just falls into the usual cliche kdrama romance plots and completely loses its freshness, premise and build-up until now. We go from funny reborn monarch in modern times, which knows her worth and way around to damsel-in-distress who needs the big CEO to take care of everything. its SO frustrating, its like youre watching an entirely different drama and character all of a sudden!

Not only that, but the writers just randomly forgot their own plot points they made. In the beginning they tease some foreseeing ability of the MC and its just forgotten about for the rest of the story afterwards. This happens with A LOT of plot points, but I want to keep this review spoiler-free.

The last REALLY BIG THING I HATED, was this sudden "past fated lovers" plot line that came out of nowhere. Wouldve been fine in any other drama, but here, it just ruined the plot and atmosphere. It was unnecessary. So it was only worse that they started going all-in for this plot line towards the end, as if the FL and ML didnt have enough chemistry either way to need this storyline. Its really awful, they try to turn the comedy show into a tear-jerker out of nowhere, which fails MISERABLY, especially as it comes at the cost of losing the core of the story and changing the characters terribly.

Id love to give this drama a 2/10, but due to the strong beginning ill be settling on a 3.5/10. If youre gonna watch it, watch the first 4 episodes and be prepared to rage at your screen the entire time afterwards or accept that now youre watching a different drama.

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I personally found the ‘polish/beautification’ too blinding

I enjoyed the supporting cast; they were funny and gave some life to the series. The actors did a good job but were let down by the story which lacked passion and intensity.
It was OK. It dragged a little. If you want an epic love story or heartbreaking sorrow filled with betrayal and redemption, this is not the show for you.

Actors/Characters ... Mostly good
OST ... Audible
Story line ... Predictable, repetitive, a little bland
Re-watchable ... No

The FL and ML suited each other, but they were so similar and that took away the spark. It was an interesting choice to have the ML and FL excessively wealthy. Privilege against privilege? Whether or not that resonated with most viewers ... opinions will be divided.

The FL as an actress was OK but her character was infuriating and dislikeable. She was portrayed as strong and decisive yet folded when things went downhill and lost all her resolve. Characters need to show growth, but emotionally and mentally she stayed the same and fell into the role of helpless girl. The backstory with her father/family was flimsy, which made it harder to connect with her. The brother and sister-in-law were great though, and you could see their growth.

The ML (Byeon Woo Seok ), I enjoyed his acting, I could feel his frustration and sadness. The character was a little bit flat; I wanted a bigger range of emotions, more intensity. His character was not written in a way that demanded growth, so he came off lackluster. More family backstory would have done wonders for his character building.

The Queen Dowager, I liked the actress and I think she did a great job. But the character was too much ... yet too little. She held such a high position with so much influence, yet she seemed isolated, infatuated, lacking any kind of force or ability to instill fear which should be expected considering her role. The connection with her only child lacked substance. The overbearing cruel father ‘bit’ came too late in the story, so it was impossible to feel her emotional turmoil. In the end she came across like a hurt little child. I liked her ending though.

I enjoyed the Prime Minister as an actor and character. He was prudent and kind. He showed grace and humility but sadly, he turned villainous, His regression felt real albeit fast. He was well written and the actor did a great job. I would have loved to see it in more depth, but this show is too shallow to deliver such a performance.

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