Reviews

If u only focus on controversial issues then don’t go bother watching it!!

I honestly think a lot of people misunderstand HIStory 4: Close to You because they focus only on isolated scenes instead of the emotional journey of the characters.

What made the series special to me was how sincere the relationships felt. Mu Ren isn’t perfect — he can be intense and emotionally overwhelming — but the story consistently shows that his actions come from genuine love, vulnerability, and fear of losing someone important to him, not manipulation.

One detail people overlook is that when Xiao Li Cheng was drunk, Mu Ren actually held back emotionally and physically. He even said he wanted certain moments, like kissing, to happen when Li Cheng was more sober. That shows awareness and restraint, which contradicts the idea that he only cared about desire.

Their relationship develops through communication, emotional honesty, and gradual understanding. Yes, it’s messy at times — but real relationships often are. What I saw wasn’t toxicity; I saw two imperfect adults learning how to love each other properly.

The show doesn’t present flawless characters. It presents human ones. And that’s exactly why the story feels wholesome to me.

You don’t have to like the dynamics, but reducing the series to “problematic” ignores the emotional nuance and growth that actually make it meaningful.

Not every relationship in fiction needs to look sanitized or morally perfect to be meaningful. The whole point of the story is watching flawed people grow into healthier love, and that’s exactly what happens.

If you personally didn’t connect with the story, that’s fine. But calling it disgusting or toxic just because you didn’t understand the emotional development says more about your interpretation than the writing itself.


(Throughout the series, Mu Ren:
•genuinely cares about Xiao Li Cheng’s happiness
•pays attention to his feelings and routines
•shows long-term devotion, not just attraction

•becomes vulnerable instead of controlling

So while he can be pushy or emotionally intense, the show frames him as:
👉 someone deeply in love, not someone trying to harm or dominate.

The drunk scene — you all really misunderstand it….

Xiao Li Cheng already had complicated feelings beforehand.

•the moment is portrayed emotionally, not violently or exploitatively.
•afterward, their relationship continues with emotional reciprocity rather than trauma.

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A Tender Story of Love Blooming Amid War and Secrets

I didn’t start this drama because of the leads. Both actors are good, but I hadn’t really watched a highly rated drama from either of them that made me fully trust their projects. What actually pulled me in was the director and screenwriter. They’ve delivered strong work individually before, so this easily made it onto my anticipated list.

And honestly, that trust paid off. Zeng Qing Jie once again proves why he stands out. His direction is easily one of the strongest aspects of this drama. The way he uses natural lighting, frames shots, and turns simple settings into visually stunning scenes is just impressive. Every frame feels intentional. There were moments where I had to rewind scenes because I got distracted just admiring how beautiful everything looked. It genuinely feels like watching a moving painting at times.

From the very beginning, the cinematography grabs your attention. The visuals are stunning, and the drama avoids a lot of the usual frustrating tropes. Both leads are capable, smart, and not pushovers. They don’t fall into the typical “self-sacrificing for no reason” trap, which was honestly refreshing. The female lead especially stands out as someone strong both physically and mentally, and I liked that she holds her ground.

The story blends romance with political conflict and personal struggles. It starts off with a strong foundation, slowly introducing an overarching mystery while building relationships naturally. The dynamic between the leads develops in a very organic way. What begins as something simple grows into mutual trust, protection, and eventually something deeper. Their chemistry carries a strong sense of yearning and tension, especially in the later parts.

The supporting cast deserves a lot of credit too. Characters actually feel relevant and well-placed within the story. Some of them, like Deng Kai’s character, are incredibly compelling. His portrayal of a morally complex antagonist adds depth, and you even find yourself understanding him at times despite his actions. Even smaller roles, including the younger characters, leave an impact.

The romance is definitely one of the highlights. It’s not rushed or overly dramatic. It builds slowly through shared experiences, quiet moments, and emotional growth. Their relationship feels equal and grounded, which made it satisfying to watch. There are no unnecessary love triangle complications either, which I appreciated.

That said, the drama isn’t without flaws. The first half is genuinely strong and almost perfect in terms of setup, pacing, and character building. The second half is still good, but it doesn’t fully live up to the potential set earlier. It becomes more politically heavy, and while the politics are interesting, they aren’t always handled with the same depth or clarity. At times, it feels like the script doesn’t do full justice to the characters.

There are so many well-written characters, but instead of showing their depth through interactions, the story sometimes relies too much on explanation. Some relationships and histories could have been explored better through actual scenes rather than dialogue. It feels like missed opportunities, especially when the cast has such strong chemistry.

Even with that, the drama remains engaging. The acting is solid across the board, the fight scenes are enjoyable, and the overall production quality is high. The soundtrack also deserves a mention because it enhances the emotional tone really well.

In the end, this is a drama that you enjoy both visually and emotionally. It has strong characters, beautiful cinematography, and a compelling romance. While the second half doesn’t fully match the brilliance of the first, it’s still a satisfying watch overall.

If you like slow-burn historical dramas with strong leads, good chemistry, and aesthetic storytelling, this is definitely worth trying.

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Não vale a pena

Esta série começa com uma premissa intrigante: Hao Yu, uma informante infiltrada no submundo, e Ji Jie Jie, o homem implacável que arrisca tudo por ela. A narrativa prometia uma dança intensa entre lealdade, paixão e sacrifício. No entanto, o que era para ser uma história de confiança e redenção se perde na insistência frustrante da protagonista em duvidar dele. Mesmo com a atuação do ator que tanto me cativou em outros doramas, aqui a falta de evolução do vínculo entre eles me decepcionou profundamente. O desfecho, apesar de trágico, não foi capaz de resgatar o potencial que a série tinha no começo."

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Skip the Thai version, watch the Japanese drama

I love fantasy and Sci-Fi themes revolving around time manipulation and parallel worlds so that is how I ended up deciding to watch this and I'm so glad I did! I have watched a few Japanese BLs and at most you get are a couple of kisses. I have yet to see one where the NC scenes are so hot. I even blushed a few times.

Both MLs are good looking and great actors. The older ML is serious, jealous/protective without going overboard, at times cold and warm with the one he loves. The younger ML is shy and soft spoken. They make a really good pair and their chemistry is fire! I have seen the Thai original and I couldn't even connect to them emotionally the way I did with these two in this drama.

There are many cases of poor direction in the Thai version and the Japanese version fixes all of them. Even the house layout is better in the Japanese drama. A lot of unnecessary moments were removed and majority of the drama focuses on the relationship of our leads. In the Thai drama, I found the younger ML's portrayal very childish and there is a point in ep2 where he climbs on top of the older ML just to look at his injury which is so silly and unnatural. Meanwhile in the Japanese version this moment is changed and shot is a much more natural way with the leads falling on one another during a tug of war over his laundry.

I must say that Ep1 was a bit confusing to me at first and couldn't understand what was going on but the show really got better from mid episode. From ep2 onwards I was hooked!

I enjoyed all the side characters, most of whom I ended up disliking in the Thai version. I like how they explained the mother's backstory and how they resolved the issues with her. A much better conclusion than the Thai drama which was AWFUL.

The OST is really nice and I like the opening theme song. I even enjoyed the older ML's singing.

The few things I disliked were the younger ML going back and forth with his feelings, no clarity on why his friend can read minds, and the boring trope of a mean girl trying to get with one of the leads. This is common to both versions.

There are 2 special episodes that add more depth to the story of the parallel timelines and include the future of the couple. It was quite fun to watch.

I don't understand why people are hating on the Japanese remake. I genuinely found it way better than the original and I would even suggest you skip the Thai version and just watch the Japanese drama.

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Unlock of Love se distingue par sa sensibilité, son originalité et sa justesse

Unlock of Love est une série GL qui allie douceur, authenticité et originalité, offrant une expérience à la fois réconfortante et réfléchie.

La série bénéficie d’une réalisation 100% féminine, c’est une série originale écrite et réalisée par des femmes pour des femmes et cela donne une touche unique et pleine de sens à cette série. Un choix qui se ressent et soignée et d’une atmosphère cohérente. L’univers visuel, les décors et les costumes contribuent à créer une ambiance chaleureuse et immersive. Chaque scène est pensée pour renforcer le ton doux et romantique de la série, et l’ensemble se déploie avec une fluidité qui rend le visionnage très agréable.

Le scénario, bien structuré, explore avec justesse les relations humaines et familiales. La dynamique entre Love et sa mère est particulièrement réussie : elles sont à la fois mère et fille, mais aussi amies et confidentes, ce qui apporte une profondeur émotionnelle rare. Les dialogues sont naturels et la série brise les tabous abordant notamment des sujets comme la sexualité, les difficultés relationnelles et présente un cadre amical avec un soutien mutuel sincère. Les personnages ne sont pas parfaits, et leurs imperfections renforcent le réalisme et la nuance de l’histoire.

La série se distingue par sa représentation de la communauté LGBTQ+. La bisexualité est abordée de manière authentique, ce qui est encore trop rare dans le genre GL. Le style et le look de Love et Dean rompent avec les codes traditionnels du fem4fem, apportant une fraîcheur bienvenue. De plus, la série évite les clichés habituels et propose des interactions crédibles et émouvantes, reflétant des expériences variées et réalistes.

C’est une série réconfortante, qui sait émouvoir tout en abordant des sujets importants avec sincérité, offrant un rare mélange de plaisir, de réalisme et de douceur dans le paysage GL.

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GL qui combine les green flags et des scènes poignantes qui restent longtemps après le visionnage

Reverse 4 You est un GL vraiment spécial, porté par une romance d’une douceur rare et des personnages remplis de green flags. Chaque interaction a ce petit quelque chose de tendre qui fait que le cœur se serre (dans le bon sens).

La série excelle dans les scènes de confession, sérieusement, elles sont trop chou, tellement bien écrites et jouées qu’on ne peut qu’adhérer totalement à ce moment. C’est le genre de scène qui te fait sourire et fondre à la fois, tellement l’émotion est pure et sincère.

L’un des aspects les plus marquants pour moi reste la façon dont le drama aborde le sacrifice et l’amour. Quand les personnages choisissent de mettre de côté leurs sentiments pour protéger la vie de Vivi, c’est la première fois que j’ai vraiment pleuré devant un GL thaï. Ce n’est pas juste mignon, c’est profondément humain, touchant et bouleversant.

Ce qui rend Reverse 4 You si attachant, c’est la façon dont il montre une relation saine, avec du respect, de l’écoute et une vraie présence émotionnelle des deux côtés. On sent que les personnages se soutiennent l’un l’autre, même dans les moments où tout semble difficile.

Mention spéciale pour l'opening de Naynae Bradley, "Letter from the Moon to the Sun", qui est particulièrement bien choisi. Dès que je réécoute cette chanson, je suis transporté dans l'univers de la série, avec une douce sensation de nostalgie.

La fin m’a semblé un peu trop facile et convenue à mon goût. J’aurais aimé que l’agence prenne davantage de risques narratifs, pour explorer des enjeux plus complexes ou surprendre le spectateur. Malgré cela, je suis contente que le couple se retrouve, car la série construit une telle tension et un tel attachement entre les personnages que cette réunion finale apporte un vrai soulagement émotionnel et conclut la série de manière satisfaisante.

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Infelizmente quando o drama tóxico e de amores humilhantes são com os papéis invertidos, eles não convencem, tanto pelo roteiro seguido quanto pelas atuações.
O ML, que aqui finalmente não é um canalha, é a vítima da esposa, FL e do seu irmão adotivo, 2ML. Mas as atuações são tão ruins que fazem com que a gente ria invés de se revoltar com qualquer coisa. Ele, que era baladeiro, se converteu porque a FL era toda religiosa, assim que se separou, ele ficou com a 2FL, que coitada, parecia mais uma chá verde ardilosa nas primeiras cenas do que uma que realmente o esperou.
A única coisa boa neste drama foi a irmã do ML, que desceu uns tapas bem dados na FL. Gostaria de ver em um drama com o roteiro onde o homem é o prezível alguém defender tanto assim a FL sem ser sempre a irmã do canalha.

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A technological dream turned into a light and charming romantic comedy.

This drama came to me without high expectations and left as one of those dramas that brings a constant smile to your face without needing grand tragedies or epic plot twists. And sometimes, that's exactly what you need.

The idea of ​​a simulation world where you can subscribe to different types of boyfriends and experience scheduled dates is simply delightful. The drama develops this concept solidly: it's not just a promotional hook, but explores the emotional implications, the possibilities, and even the limitations of such technology. And I confess that, as a viewer, I was left wanting it to exist in real life. I would definitely buy one too.

I know Jisoo isn't a trained actress, but for this type of character, her performance works wonderfully. Her character has that mix of innocence, endearing clumsiness, and comical bad luck that makes her incredibly real and relatable. Far from feeling forced, her acting brings a natural freshness that fits perfectly with the drama's lighthearted tone. And visually, needless to say: she always looks gorgeous, with outfits that are a pleasure to look at.

As an avid manhwa reader, the subplot about the publishing platform and the lives of authors was particularly appealing to me. Seeing that world reflected—with its pressures, deadlines, and stories that resonate with readers—added a layer of authenticity that I appreciated. It wasn't just a backdrop; it was seamlessly integrated into the characters' development.

I've been following Seo In Guk since "Doom at Your Service," and in this drama, he gives us a very different but equally captivating character. Here, he plays a shy, introverted, and reserved man, but with a disarming capacity for love. His evolution throughout the series—learning to open up, to let go of control, to allow himself to be loved—is very well-paced, and his chemistry with Jisoo is sweet and believable.

"It's not a profound plot, nor is it life-changing." And that's perfectly fine. This drama knows what it is and stays true to itself: a lighthearted romantic comedy with an original concept, adorable characters, and a brisk pace. It doesn't aim for philosophical reflections on technology or tearjerker dramas. Its goal is to entertain, charm, and give you a good time. And at least for me, it succeeds brilliantly.

If you're looking for a drama that will make you smile, make you sigh with its romantic moments, and present a premise so original that you'll wish it existed, this drama is the perfect choice. Jisoo shines with her natural charm, Seo In Guk once again demonstrates his versatility, and the combination of a technological world, simulated dates, and the universe of manhwa creates a delightful and addictive mix. Ideal for binge-watching when you need something lighthearted but heartfelt.

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Un GL coréen fun, léger et simplement drôle

Lily Fever a été le premier GL coréen que j’ai regardé, et il reste un plaisir simple à revisiter. Contrairement à beaucoup de dramas sérieux ou dramatiques, ce projet mise sur l’humour, la légèreté et une énergie fun qui fait sourire du début à la fin.

La série ne cherche pas à révolutionner le genre, mais elle réussit très bien ce qu’elle veut faire : offrir une romance légère, pleine de quiproquos, de situations comiques et d’interactions qui ne se prennent pas trop au sérieux. C’est un GL qui se regarde avec facilité et qui détend, parfait quand on veut quelque chose de drôle sans se prendre la tête.

Le duo principal dégage une dynamique naturelle et pleine de charme, et même si l’écriture n’est pas ultra‑profonde, elle colle parfaitement à la vibe humoristique et sweet du drama. L’intérêt n’est pas tant dans la complexité de l’intrigue que dans les moments cocasses et les situations improbables qui rythment les épisodes.

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Un GL doux, queer‑coded et pleine de tendresse

She Makes My Heart Flutter est une série qui tombe juste, avec une atmosphère douce et plaisante. Elle offre une représentation sincère et respectueuse de la communauté lesbienne, à travers des amitiés et des dynamiques queer-coded qui se sentent naturelles et crédibles. Le drama capture avec finesse les émotions et interactions des personnages, rendant chaque moment agréable et touchant, tout en montrant des relations lesbiennes réalistes et bien ancrées dans leur quotidien.

Ce qui fait le charme du drama, c’est l'ambiance légère et intimiste : pas de gros rebondissements, pas de conflits dramatiques poussés, mais une attention constante aux petits détails émotionnels et aux nuances des relations humaines. L’amitié se construit avec naturel, puis se transforme progressivement, et cette évolution est traitée avec une délicatesse rare.

Encore une fois, la série offre aussi une représentation lesbienne respectueuse et sensible, évitant les clichés ou les stéréotypes trop faciles. Les interactions entre les personnages sont crédibles et font écho à des expériences que beaucoup peuvent reconnaître, même sans qu’elles soient explicitement « étiquetées ». Cela donne une dynamique queer qui se ressent plus qu’elle ne s’explique, et qui fonctionne parfaitement dans le ton du drama.

Visuellement, la mise en scène est simple mais agréable, renforçant cette impression de proximité et d’intimité. C’est le genre de romance qui ne cherche pas à impressionner par des effets spectaculaires, mais plutôt à installer une atmosphère chaleureuse et sincère.

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A visually exquisite drama with a heart-stealing lead couple.

Important clarification: I haven't read the novel, so my opinion is based solely on what the drama offers. And what it offers, in general, I quite enjoyed.

"Pursuit for Jade" is, above all, a feast for the senses. From the very first episode, the photography, cinematography, set design, and costumes transport you completely to ancient China with impeccable quality. Every scene is meticulously crafted, every garment seems lifted from a painting, and the visual direction imbues each shot with weight and beauty. It's one of those dramas that can be enjoyed even with the sound off, simply for its aesthetic appeal.

It's not the first time I've seen a work by Tian Xi Wei or Zhang Ling He, but seeing them together has been a real treat. Their chemistry is palpable and, at least from my perspective, stands out as one of the drama's strongest points. They manage to build a dynamic that balances romantic tension, humor, and emotional vulnerability with a naturalness that makes you invested in their relationship from the very beginning.

That said, there are details I would have liked to see explored in more depth: the discovery of his identity, when she discovers he is the Marquis, the conflict is resolved too quickly. I would have appreciated more time for her anger to fester, for her not to forgive him so easily. A well-managed grudge would have created more emotional tension and made the reconciliation more cathartic.

The fear of the Marquis: throughout the series, we are told that everyone fears him, but there are no scenes that truly show why. His reputation is told more than shown, and this somewhat dilutes the impact of his character at certain moments. And the political plot: there are moments, especially when political and strategic matters are discussed, where you have to pay close attention to avoid losing track. It's not that it's poorly developed, but it demands a level of concentration that contrasts with the lighter tone of other moments. It's not a flaw in itself, but it might throw off those looking for a more relaxed viewing experience.Despite these minor issues, the drama skillfully balances its different registers: there are genuine laughs, heart-melting romantic moments, poignant scenes of sadness that tug at your heartstrings, and twists of betrayal that maintain interest. This variety prevents the story from becoming monotonous and keeps the viewer hooked.

However, I felt the ending was a bit weak compared to the rest of the journey. It's not bad, but perhaps it's resolved more hastily than the story built up to that point deserved. Even so, at least we got a happy ending for the protagonists, which is no small feat in this genre.

Special mention for Li Huaian, one of my favorite characters. I was glad that he also got closure and that the drama didn't leave him forgotten. The secondary characters, in general, are well-developed, and all the actors are gorgeous and deliver top-notch performances, which contributes to the overall feeling of solidity and care (although I would have liked to see what happened to the princess and the strategist).

It's a drama that's enjoyed with both the eyes and the heart. The production is top-notch, the lead actors have captivating chemistry, and its ability to blend genres makes it highly entertaining. It suffers from some plot developments that could have been explored further and an ending that feels somewhat rushed, but overall it's a very satisfying experience. Ideal for those looking for a historical drama with romance, charismatic characters, and impeccable technical execution.

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Après Out of Breath et She Makes My Heart Flutter, je suis convaincu que ce petit studio pourrait créer une véritable série GL au format long, qui serait un vrai succès. J’espère qu’un projet de plus grande ampleur verra bientôt le jour.

An Office Thing est un GL qui mise sur une ambiance quotidienne et professionnelle, mêlant romance et vie de bureau avec une sincérité rafraîchissante. L’histoire suit deux collègues dont les interactions évoluent lentement vers quelque chose de plus profond, avec une progression qui n’est ni brusque ni artificielle, mais au contraire très naturelle.

La réalisation est propre et moderne : les plans sont bien pensés, l’esthétique visuelle est agréable, et le cadre professionnel donne une dynamique différente de beaucoup de GL scolaires ou slice‑of‑life. On ressent un vrai travail sur l’atmosphère, ce qui contribue à ancrer la romance dans un environnement réaliste et cohérent.

Le scénario ne cherche pas à révolutionner le genre, mais il est efficace et bien structuré, laissant suffisamment de place aux émotions pour s’exprimer sans être trop dramatique. La progression des sentiments est subtile et réaliste, ce qui renforce l’authenticité du lien entre les protagonistes.

On sent que les problématiques queer ont été soigneusement réfléchies et représentées par des personnes concernées. Les réalités exposées collent bien au contexte coréen et reflètent un vécu sincère. Dommage que la série ne comporte pas plus d’épisodes.

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Watched the Japanese version first and it put the Thai drama to shame

I read a few of the reviews for this drama and realised my views are entirely different. Starting from the fact that I did NOT enjoy the Thai boys chemistry AT ALL. At times I felt like laughing and other times I was cringing. But let's review all my criticisms with this show properly.

The Thai (uncut) and Japanese drama are almost identical plot wise but the Japanese version is superior is many ways. Mostly because of the acting and the way the scenes are shot. Spoilers ahead.

What I disliked:
- The younger ML acts so childish. It was an immediate turnoff. Especially the way he speaks. The other boys and girls (his peers) are not this cringe. This is the main reason I just couldn't get into their relationship. The way he spoke was just awful to hear.
- In ep1, opening scene older ML is hit on his back but he is clenching his stomach after that.
- In ep1/2 older ML wakes up in the hospital after being hit by a car and is able to run all the way to the younger ML's home. Fastest recovery ever!
- There is a scene in ep 2 where the younger ML jumps on top of the ML and was moving around too much to get a look at his scar. Are you being real? Who behaves like this? My friend said he looks like he's looking for lice. Lol! At least that would have been believable! Japan just did this better.
- In one scene, the younger ML is sitting in the cafeteria talking to himself out loud and instead of just doing that, they show him hopping seat to seat back and forth acting as if he is two different people. The most cringe scene! So ridiculous!
- There is a scene where the 2 leads are standing in the middle of the road (crosswalk) and the younger lead is yelling out to him instead of just going closer to talk. Plus he gives this huge speech and I'm like, "you know you could just go closer so if a car comes, you can just die together." My whole focus was on the road and watching to see if any car was going to come.
- Don't get me started on the paper cup scenes. The only way that works is if the string is taut but half the time you'll notice the string is very loose and I doubt that would work unless you both are hearing each other from a close range like the final scene. Not likely to work if you're in two rooms speaking in a soft voice.
- I didn't really enjoy most of the side characters. I only liked a few of them. Because of that I felt like watching a lot of scenes in 2x.
- The date that the 2 MLs go on was so lame. They just spent their entire time on the claw machine and then took pictures in a photo booth and the older guy says it was the best day ever. Come on man. Again this was much better in the Japanese drama.
- The fiancee comes and slaps the younger ML in a cafe and none of the other customers in the background so much so as bat an eyelid. In today's day and age, most people would have immediately picked up their phones and started recording.
- Frankly, I just didn't like the romantic scenes. Again because of the whiny younger ML. Older ML was nice. His acting was decent. But I just didn't see their chemistry and didn't feel their emotions.
- Coming to the mother which a lot of other viewers also complained about. So toxic and bizarre. But the worst part is that the father just shows up at the end and the brother agrees to switch places with the older ML. And also says he'll now marry his fiancee. Are you guys okay? Japan handled this very well.
- The friend who has the superpower - why does he have it?, are there other people with superpowers? - nothing is explained.
- Friend's superpower is exploited by the guy he likes. So casual.
- I hate when a character is looking at something and is becoming more and more horrified or upset and the other character only looks at his face and asks "what's wrong?" instead of looking at what he is looking at. The direction is just weak.
- The video created by the older ML was just too damn long. Also who stopped the recording, sir?
- There is always a nasty girl trying to ruin the relationship. When will they retire this trope?

So what did I even like about this drama?
- The opening theme song is genuinely great.
- The plot concept. I'm a sucker for these types of shows and movies.
- The friends of the two MLs. I liked them the most but mainly the mind-reading friend.
- In the Japanese version, they don't always show what the person is thinking but in the Thai version they did which I liked.
- The older ML acting as multiple versions was nice.
- The other versions of the younger ML who weren't as cringe were okay.
- In comparison to the Japanese version, ep 1 was less confusing and events were easy to understand. Some of the dialogues are also clearer in the Thai version so I only understood a few scenes after watching the original Thai version.

Now there are many reviews mentioning the older ML's stalking. TBH they don't really show much of that so it didn't make much of an impact on me. Plus, other versions of the younger ML were also stalking the older ML, leaving food at his door, hiding behind plants watching him, etc. I didn't see them ever go overboard but I do want to kmow how the older ML knew the younger ML's passcode? That's the only thing that really made me raise my eyebrow. Was it from watching other versions of himself?

If you want to see a good version ofnthis drama, just watch the Japanese drama. The NC scenes are similar. The Thai has one extra scene at the end if I'm right. But I think the Japanese drama scenes are longer.

Overall the plot is decent. I liked the way in which the ML learns of parallel worlds. It was a new concept. But sadly the show was a let down in my opinion.

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