Reviews

Delightful rom com cleverly executed.

Nichika as Aoyagi- imbues his character with the right amount of introversion and angst as he fights his low esteem issues to try and make a success from this BL drama opportunity.
Aran as Akafuji- on the surface a successful, experienced actor dedicated to improving his acting until he actually meets his stan Aoyagi and has to try very hard not to be a gushing fan.

Lots of lovely comedic scenes as each ML misunderstands the motives of the other, Their inner world is given to us as inner dialogue and this highlights the inner and outer conflict each is feeling.

Despite the briefness of only 3 episodes the story is cleverly plotted and unfolds at a good pace revealing their feelings and growing romantic interest,

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Explore what a life worth living is while diving into the world of various social issues.

⚠️ SLIGHT Spoilers ⚠️

// Intro //

At first, "Death's Game" literally felt more like a fever dream than anything else. I wasn't entirely sure where it was headed, and nor did the producers I presume, until the last few episodes, when the plot, characters, and ideas all merged and the message of this show truly began to crystallize.

// Story //

Enter Choi Yee Jae. Exposition of the world he lives in, the people around him, and the issues he deals with are basic yet well-done, but it is entirely the development of the rest of the show that really sets it apart. This is not any cozy drama that you cuddle up to watch; it's a thoroughly intense yet thrilling drama that will keep you on the edge of your seat, wanting for more and more of each reincarnation, even though you're aware of the fact that each life Yee Jae moves through must come to an end.

Initially, the lingering feelings from the end of a ruined life spill over into his initial actions, but as he cycles through each life, Yee Jae must learn a lesson. After all, why did Death even choose to sentence him to such a cruel game? Early on, Yee Jae is the personification of human greed and egocentrism, and that becomes painstakingly obvious as he cycles through each life and fails to understand what lesson he should even be learning from the pain he goes through until the very last reincarnation.

A major takeaway of this show is definitely the issues that it sheds light on, including school bullying, corporate corruption, and I could keep listing things, but what lies at the heart of the show is, as the name suggests, the concept of death. Whether or not you choose the death of your life, one thing that is made clear is that you should never come to approach death before it comes to approach you. This very lesson is weaved tightly even into the rules of the very game Yee Jae plays. However, I found the implications of such a rule to be almost unfair in a certain way, especially to people at risk of suicide—a similar message to that of the show "Tomorrow".

And eventually, I came to the realization that this is a lesson that undermines the struggles and helplessness that suicidal people go through in their life. Even though suicidal people may have loved ones surrounding them, what about those that don't? The show tried to preach with religious undertones that almost felt like proselytization, and I don't think that this should be the underpinning of a show for the general masses. Another user pointed out that it would've been more valuable to let Yee Jae discover the true values of life, like, for example, how he may be able to reach self-actualization according to Maslow's hierarchy of needs, which could've been a far more satisfying ending than the constant droning that his act was "selfish"; he himself was suffering, so how could Death undermine his own suffering by forcing him to experience that of others!

The show wrongly tries to generalize the final message that suicide is wrong because it affects your loved ones to all suicidal people, when in reality this is most definitely not the case, with many having no loved ones at all. The juxtaposition of a flawed lesson with superb everything else, like the cast, production, etc. leaves me confused as to how to rate this drama, and this ended up making me give it a 6, solely due to the lack of an ethical message.

// Cast //

Needless to say, this was one of the most star-studded casts of all time. To be exhaustive in the list, we had our favorite 꽃미남들 including but not limited to Lee Do Hyun, Lee Jae Wook, and Yoo In Soo, favorite 아저씨들 Kim Jae Wook, Kim Won Hae, Oh Jung Se, and Jeong Hee Tae, favorite 아줌마 Kim Mi Gyung, and many other duly appreciated appearances like 우리 애기들 Kim Kang Hoon and Oh Ji Yul, our queen Go Youn Jung, and very unexpected appearance by Super Junior's Choi Si Won. Most of their appearances were short-lived and fleeting, but each and every actor, as expected, put on their best show for this show. Not a complete K-drama afficionado myself, but I wonder how they managed to get all these splendid actors.

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A very well crafted drama

“People are happiest when they can truly be themselves. In the end, life would be meaningless if you can never really be yourself.”

Ultimately, life would lack meaning if authenticity is denied. This sentiment encapsulates the essence of the drama's journey. The latter half delves into Choi Yi Jae's remaining life, leading to a climactic resolution that leaves us questioning whether he will attain the happiness Ji Su had wished for. The effectiveness of the second half lies in its exploration of the core characters, particularly Yi Jae and Tae Woo. The plot's pacing is adeptly executed, seamlessly alternating between acceleration and deceleration as required. The final two episodes left a profound impact on me, sparking contemplation on various themes. The entire cast and crew deserve commendation for their outstanding performances and meticulous execution.

Credit is due to the casting team for selecting the right actors and the entire crew for carrying the drama with precision. This is undoubtedly a must-watch, and I assure you that you won't regret investing your time in it.

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Who Rules the World: A Journey of Love and Power"

Introduction:
"Who Rules the World" unfolds as a decent series, immersing viewers in a plot revolving around Bai Feng Xi and Hei Feng Xi, two formidable martial arts fighters concealing their true identities as royalty. Their journey from foes to lovers, characterized by mutual understanding and support, offers a refreshing take on relationships with equal strength and status for the main leads.

Plot and Pacing:
The plot delves into the complexities of Bai Feng Xi and Hei Feng Xi's identities, crafting a narrative that balances martial arts prowess with a romantic subplot. The pacing of the series is decent, maintaining engagement throughout.

Conclusion and Anticlimax:
However, the conclusion feels somewhat anticlimactic, particularly in how they defeat the main villain. Numerous unexplored aspects leave viewers wanting more, making it evident that some elements could have been further developed.

Gender Dynamics and Character Exploration:
The series leans towards a male-centric focus, predominantly unfolding in the male lead's kingdom. Unfortunately, the female lead's arc is relatively short, leaving her story insufficiently explored, a source of frustration for the audience. Bai Feng Xi emerges as a well-defined character with a cool temperament and exceptional skills, her other identity, Feng Xi Yun, revealing the poignant responsibility she must shoulder after her family's demise. Hei Feng Xi, a reserved man with a romantic side, brings depth to the narrative with his dual identity as the Prince of Yong Zhou.

Acting and Music:
Zhao Lu Si's remarkable performance, especially in emotional scenes, stands out, while Yang Yang's acting, though decent, may come across as slightly stiff. The series benefits from a well-curated music playlist, enhancing the overall viewing experience.

Conclusion:
"Who Rules the World" provides an intriguing blend of fantasy, romance, and martial arts. While it excels in character dynamics and offers a unique take on power and love, it leaves room for improvement in terms of conclusion and gender balance.

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Ravishing

Just two episodes have been aired, but I have been controlling my breath already.

Ji wan has lost everything. From the love of her life to the one friend she relies over her life-she holds nothing when death claimed her. But did her story end even before starting?

This is not just another tale of revenge. An impending love triangle has been has been hidden subtly. The love Ji wan did not get all the time is coming with an unexpected bounce. The boss with a frown is here. Don't miss the chef with a sweet and adorable smile. Ji Won is not focusing into getting love as she wants to find herself first. She is not going to let anyone snatch her dream this team. She is giving hard fight to her snob boss Mr. Kim and is counting every step as her weapon.
Korean dramas are widely popular for delivering time travel dramas. From Scarlett Heart Ryeo to Mr. queen, time travel dramas are more swoon worthy than other romantic dramas. This tale of revenge is more than slice of life. JI won is not seeking revenge, she just wants to change her fate. And to turn the table she is cooking curries which she did not find out last time.
Park Min Young as Ji won is ravishing. In the beginning, she is scared and struggling to understand what she has been put through. Her enactment from portraying a scaredy girl to confident Ji Won is a wholesome journey. In Woo has improved like a dream. From delivering sad and struggling Byeong In in Mr. Queen, to playing supportive and not so silent Ji Hyuk, he has come a long way. It is sad to hear that he is enlisting now. His chemistry with Min Young is on another level.

Life would become so easy if God starts giving us second chance once in a while. Turning the table and starting off on a new note is a complete different thing. I am jealous of you Ji Won!

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This has a good storyline

Introduction:
Chasing the intrigue of Baifern Pimchanok's presence, "The Curse of Saree" promised a gripping tale, delivering on its commitment to a captivating storyline and mystery.

Story Rating:
The narrative is robust, weaving an engaging plotline that sustains viewer interest throughout. The mystery element adds depth to the overall storytelling.

Subtitles Evaluation:
However, it's important to note that a comprehensive review is hindered by the absence of subtitles towards the series' conclusion, impacting the overall viewing experience.

Acting Appraisal:
The cast, featuring the talented Baifern Pimchanok, delivers commendable performances, enhancing the drama's overall quality.

Music Appreciation:
The musical score, particularly in suspenseful scenes, elevates the viewing experience, introducing an additional layer of intensity to the storytelling.

Conclusion:
"The Curse of Saree" stands out as a thrilling Thai drama, boasting a compelling narrative and noteworthy performances, despite the setback with subtitles. Whether you're a fan of Baifern Pimchanok or enjoy mystery genres, this series warrants consideration for your watchlist.

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"In the end, we arrive at the beginning." – Birdy

At first, I was a little worried about the direction the drama was going to take, when I noticed some different things about the webtoon. But everything went well and went much further. I believe that what made a big difference in quality was the impeccable casting, it couldn't be bad with this strong cast.

I found it interesting that they included a character from the webtoon in his 12th life, it was very significant and helped connect the story. I felt that there could have been a little more development in the relationship between the police officer and his partner's family, like in the webtoon. These are the things that made me take half a star (which isn't much).

The title of this review is an lyric from a song called "Celestial Dancers" by Birdy and I think it really fits with the story of this drama. In the end, we really arrive at the beginning.

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IMO

This drama had me completely captivated! Despite my usual aversion to scary movies, this one wasn't too intense for me – as long as it didn't involve vampires or zombies, I was on board. Bai Yu, the main lead actor, impressed me with his performance, especially considering his character had no background in martial arts. His portrayal exuded humility, and it marked my first time witnessing his acting prowess.

As for the main lead actress, Ni Ni, she was truly remarkable in her role. Even if she isn't well-versed in martial arts, her acting suggested otherwise – she delivered her character with such finesse. I particularly admired her costumes. The set design and the depiction of the world above the parallel world were nothing short of spectacular. The animations were commendable, and I must give Turkey a high five for the excellent execution, earning a solid 10 rating.

The turtle animations bridging the worlds were a personal favorite, and I found myself contemplating if they were linked to those that disappeared. Admittedly, I did close my eyes quite a bit during the intense moments – it's all part of the experience! The ending was perfect, and my gratitude extends to the writers; the music played a significant role in elevating the overall appeal. Just a side note, snakes and spiders are not my favorite either!

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Although Baek Hee Sung is hiding a dark secret surrounding his true identity, he has established a happy family life and a successful career. He is a loving husband and doting father to his young daughter. But his perfect façade begins to crumble when his wife, Cha Ji Won, a homicide detective, begins investigating a string of serial murders from 15 years ago. Ji Won notices changes in Hee Sung’s behavior and begins to wonder if he could possibly be hiding something from her.

The director has woven the story with fine narrative. Till midway, the audience kept on wondering if the hero is the real perpetrator or if someone else is behind the master plan. A subtle yet sweet love tale is hiding perfectly beneath it.
The journey is propounding warm yet suspicious.

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Downhill fast

This started out as a pretty decent story. I actually was interested in it before it started airing.

Since the 3rd episode to now the 6th it has drastically gone downhill. Too many long flashbacks that just set in stone that Him wasnt great to Blue. He so far didn't abuse him physically but ghosted him and basically set him aside when ever anything stressful came up. However Blue is very clingy and co dependant on Him.

Nail is confusing me cause he's heard on numerous occasions that he looks like Blue but when he actually sees a picture then he ignores Him? Like you should be going to find out whats going on.

The whole thing about where Blue is currently is getting old. Either say he died or he is actually somewhere other than "out west" especially since it seems Te is acting like he died.

Speaking of which, dont get me started on Te. That man is a red flag who needs to take a long walk off a short pier.

Overall the slowness of the episodes and the fact that I dont learn anything new and havent in at least 2 episodes is making me see drop the series until its finished. I'm no longer getting my hopes up to look forward to this show any longer.

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Do you believe in destiny? Do you believe that destiny can changes the direction of your tale? Destiny holds the immense power of changing everything you have been hoping and putting you in a complete different atmosphere.

2023 has been a year of short yet sweet dramas and the latest Casteaway Diva gives a sweet tale while dealing with serious issue of domestic violence.

The first episode opens with Mok Ha dreaming to become singer and share the stage with her idol Ran Joo. She seeks help from her fellow classmate Ki Ho who even takes charge for sharing his bike with others. Life in Chunsam Island does not seem like a dream as violence erupts in the life of these kids anytime.

Mok Ha gets lost in ocean while trying to run away from her abusive father. She lands up in a deserted island and her wait to meet her dreams starts.Pen behind the lovely story has gifted us beautiful tales like Pinnochio, While You Were Sleeping and the recent Start Up. Park Hye Run always makes a strong girl but holds her back with an unprecedented weakness. Mok Ha is no exception. She sings like a diva. Her talent earns her a spot with Ran Joo when she was sixteen, but destiny betrayed her mercilessly.

The biggest twist is the confusion of Woo Hak and Bo Gyeol. Audience were waiting eagerly to meet Ki Ho, but the twist with the entry of Woo Hak in the frame who has forgotten his childhood memories puts us in dilemmas too. As we try to read eyes of Bo Gyeol, our heart gets drawn to innocent Woo Hak who tries to bring in his memory. The sweet revelation at the end will tear your heart.

Love, a small yet such an important emotion which rules our life. Why has been divorce increasing this days, is it because life has become tough or we are changing into worse? The answer is varying from one to other. But definition of violence has always been the same. People who hurts their own person does not deserve a second chance in life. They are responsible for causing emotional damage and nothing can explain that.

Director Oh Choong wan, who previously helmed tales like Big Mouth or While You are Sleeping always reflects on a major social trouble while sketching a heart warming love behind. Casteaway Diva, glammer through the light of stars that shines across stage. But he did not limit himself in the light. The lens brought alive the darkness that fades the singer as they cross the age bracket. People do not stop living because failure but the darkness eats them through and makes them feel hopeless.

The Director brings in a musical satire with the viciousness of entertainment industry that tends to forget talent over age. But is age everything and even dominates over talent. What if you are a great singer and you find your stage at the age of thirty? Why it is said that audience will not resonate with you because you are old now.

We are living in 2023, isn't it time to tell the world to put the bracket away and give warm embrace to the talent or the abilities?

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The latest South Korean drama helmed by the man behind epic love tales "Romance is a bonus book" or "crash landing on you", this story is an elusive reminder that not all love stories are destined for happy ending. An unconventional tale of love has an undeniable charm of its own.


Doon (aka Suzy Bae) appears at the opening scene with lots of applaud ad cheering and soon loops into water. The opening scene does not take time to plunge into the deep sorrow and impending loneliness that has been eating the shining star. Enters Woon Jun, a civil engineering student who does not seem to be bothered by her presence. He harbors a long crush for her childhood friend Jin Joo. Life would have been so easy if Won Joon and Jin Joo had confessed their feelings in time but we all know destiny always had a cruel plan in its sleeve.

Yang Se-jong portrayal of shy yet caring and determined lover- Woon Joon is like the melted butter we need on hot chips like Doona. She is eccentric, vulnerable and highly selfish. But there is a little child inside who is seeking a warm hug fir herself. You can scold her but cannot hate her. The brief kiss at the beginning which put the loner hearts at turmoil to steamy romance which deciphers desires of two young hearts touch today's love chords. We fall in love quick this days, but scares to live in it.

Jin Ju and Woon Joon reminds us how failing to understand what we want makes us lose the person we want most. The warmth that friendship shared throughout is something to be envious of. The vivacious Choi I-ra, one lovely piece of Woon Joon's childhood, her cute banter with other two house mates -Yun Tae and Jeong Hoon gives the much needed break needed in this poignant tale.

If you are looking for a mush romance, then this is not your room. Its a far away tale from Cinderella romance or "celebrity" set up. It is a reality check of hard life which even million heart winner celebrities faces.

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Boring and repetitive

I think this is the worst kdrama I’ve watched.

Cómo empiezo? Son 16 capítulos en donde se repite lo mismo. Primero la protagonista saliendo con su novio y ambos discutiendo como por 5 capítulos mientras buscaba al protagonista. Luego ella terminando con su novio y él sin aceptar que lo terminaron, como por 10 capítulos. Luego los protagonistas por fin saliendo, pero escondiéndose porque no está bien visto que ellos salgan, como por toda la serie.

En serio qué serie tan aburrida, repetitiva y con falta de comunicación y comprensión. Había leído que los protagonistas se comunicaban y así arreglaban sus problemas, pero yo solo veía cómo hablaban y no llegaban a nadaaaa y seguían desconfiando de ellos mismos.

Me decepcionó mucho que no me gustara y que fuera taaaaaan malo, porque Jung Hae In es uno de mis actores favoritos y odie esta serie.

Sin duda alguna, si tuviera que elegir entre esta y SITR, me quedo con la segunda, porque por lo menos ahí cambiaba un poquito la cosa y no tardaron en aceptar sus sentimientos y dar el siguiente paso.

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The plot feel flat halfway through

I only stopped at episode 10 after I binged watched it in one go and after I slept it off, I am thinking of picking another kdrama.
It's a shame really how it started good despite some issues. It has potential but I knew already from the first episode that this will be a letdown in the end. The directorial seems very good with action scenes but was hasty, ill-paced and shifty with the other scenes. There are scenes that left me confused if my app was bugging as the next scenes and pictures are just introduced so suddenly and sometimes I just felt that they should prolonged some scenes and shorten some. It really felt like it had a newbie director.
For a serious tv series, it sometimes pull some excessive scenes to build up the plot which was sad because the plot only has one main plot and it's disappointing as there could still be areas that the story can grow and with more plots to developed.

The reason I watched this one despite its lack of hype after it finished airing all the episodes was because of the two main leads which I am both a fan of. They are really the reason why I had stayed for ten episodes and after the revelation and resolution of MLs past , I just don;t have a reason to continue anymore. Firstly, I think the script and direction has made their character hard to portray justifyingly. They are both good actors but they are given a stale characters. Hwang Min Hyun's character was mostly wearing a mask all through out episode 8, couple with his messy hair, it's really hard to like him as I can see him just a random person without seeing his face and it's hard to see his emotions and feel for him. Kim Soo Hyun's character was boring, it was given some back stories but it felt shallow.

The plot also were only focused on MLs past and they were milking it all throughout. That reall made me disappointed how the writers ability was just that much and the director can't even suggest to elevate the story and made the plot more than just a single plot that can be resolve in a few episodes without putting so much filler scenes in between just to add screen time and to finish the whole 16 episodes.

I really miss Legend o the Blue Sea and Goblin's plot progression as I hardly find it in Kdramas nowadays, they made so much potential and they exceeded what was expected by creating so many plots, and interesting one too, all through out the end.

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