Monster

Is there really a monster or is it just us?

Μonster is being advertised as a Hirokazu Koreeda film and indeed it is directed -splendidly as always- by him. However, the man behind the script is Sakamoto Yuji, the person that wrote Soredemo, Ikite Yuku (Still, Life Goes On) and if you have seen that series, then you know that Monster is not going to be just a good film, but it will stay with you for a while.

I don't think I can explain how good this movie is and honestly I don't want to try nor I should. If you are by chance reading this, let me tell you that it is better to watch this film, without knowing anything about it. Don't watch the trailers, don't read the synopsis, don't even read what kind of awards it earned.

As stated before, directing is magnificent, acting is great from all of the cast involved, with two astounding performances by the two younger actors, portraying Yori and Minato. The music, composed by Sakamoto Ryuichi is heartbreakingly beautiful and it feels so sad and hopeful at the same time.

The plot is magnificently written from beginning to end. Even if at first you may feel that some scenes last too long, they are not just there for the atmosphere. They are important and that is the beauty of the film. Nothing is there just to exist, just to lengthen the movie, just to make the audience feel melancholic, just to make it feel more cinematic. It needs to be there, because it wouldn't work otherwise.

Without giving away anything of importance, I will just say that every detail matters, every character is vital and realistically written. Everyone is so flawedly human, you can't really hate or love them. They are just important, they matter, because they exist. They are so real it kind of makes you ache for the beauty, complexity and ugliness of human nature.

It is a film that is character-driven, slow paced and it truly shows the power of perspective. It deals with so many subjects in a very delicate manner that doesn't feel forced nor preachy. I can't thank myself enough for watching this on the big screen.

I understood how truly beautiful this movie was, when I couldn't stop thinking about it hours after watching it and when I ended up crying with all the little details that have such a huge impact and importance.

Many times, with all these critically acclaimed films, I feel like I am getting forced to like them, to overanalyse them, to convince myself that they are something better than what they actually are -or maybe I don't have the ability to fully understand them-. This is not the case here, though. This is truly an exquisite film. It is better than I ever expected. It is one of those movies that you get to discover something new with every watch. It needs to be watched, because at the end of the day we are all humans and this is a film about us.

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“If it's something only a few people can have, it's not happiness."

Monster (2023) directed by Hirokazu Kore-eda who's very famous both in Japan and internationally for his heart-warming and humane stories. I watched this in theaters and it was one of the best experiences of my life. To think I'd be able to watch Sakura Ando and Nagayama Eita on the big screen is a dream come true for me as I'm a big fan of both of the actors. The screenwriter is again, a famous screenwriter in Japan called Sakamato Yuji . The music composer for this movie was Ryuichi Sakamato and he was an Oscar winner. This is his last work. So you can see how this is a collab of the year and can guess how excited Japanese people were for this, including me as I too am a big fan of these people. The movie actually lives up to the hype.

It's hard to talk about the movie without giving spoilers because it's best to experience the movie without knowing anything about it. But as it's my job to tell you, so I'll try to talk about it in vague terms. The movie is essentially about a single mother who noticed that her son, Minato , who's in middle school has started acting strange suddenly, when asked, it seems to be because of harassment from his homeroom teacher, Mr. Hori . The movie is about her trying to get to the truth to protect her child. But in actuality it's more than that. The story is told from different perspectives and how the truth gets lost because humans always try to protect themselves as their survival instinct so they try to believe in the truth that suits them the most unconsciously. There's no good or bad character in the movie, they are all very flawed, complex and humane . In the end of the day, the movie was about being human, not a monster ( In which all of the characters believe themselves to be the Monster) .

It was just so beautiful, I felt deeply touched by it. It's just a masterpiece. No more words. The only flaw is I felt the ending was a bit abrupt. I wanted a bit more closure but it’s forgivable. You should watch it if you've loved other Koreeda movies! If you're new to his or Japanese movies in general, I suggest this movie is for people who enjoyed character driven stories and portrayal of human emotions. The fan inside me wants to say that everyone should watch this movie at least once as it's essentially about being a human but if you can't digest some disturbing themes like bullying and parental neglect, I'd suggest to not watch, but otherwise I feel it's worth a try for everyone.

My rating: 9.5/10

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and so the monster was me

This film I believe is intended to be watched without spoiling or going into what it is about in depth. Take in all the promotional on the surface and you will get the full viewing experience. I say this because of the promotional materials that lead you in one direction, take it in that direction at first and then go in depth.. which is what I did. So spoilers.

I definitely did not get what I bargained for when I decided to watch this movie. I watched the trailer, read the synopsis, saw the poster, and thought I would get a good scare out of this one. The ratings and reviews are well enough that I thought it would be perplexing, a psychological horror.

The first two-thirds of the movies had me, but in the back of my mind, the answer to the allure and mysterious tones was pretty simple and clear. To put it simply, this movie isn't a slasher or a horror. It is a coming of age queer film beneath two layers.

There are three acts to this movie after the initial setup. With the synopsis, firstly you have a story of a single mother who cares deeply for her child, a devoted and misunderstood teacher, and two kids that have the answers to the overall premise of the film. Minato is the child of the single-mother and is being abused as school, by either a teacher, or something else is at play.... so that is what I thought. I thought there could be anything, even a fifth element that added supernatural. This film was anything but, it was so real and thought-provoking, and in the end I found so many details that clearly show what was really going on the whole entire time.

The third act shows the perspective of Minato, and slowly it shows that instead of an abused boy, you find a boy that is scared of his blossoming but very real feelings for a student of his that was shown to be connected to this mystery within the school. There was no abusive teacher or secret being held by the higher ups, there was a boy who was scared of his feelings, and enough to think of himself as a monster. So in the end he made a lie. This film weaves together several elements to knit it into one final conclusion. Instead of going on about that I'll point out a few details that show how brilliant this film really is.

I must say, I was hesitant to conclude that this film involves two boys that like eachtother, but by the end and looking into the screenplay and its intent, I realize that was the point. Minato was just as scared as his feelings and it brings the question as to why it is seems as sexual when it is innocent love between two people that are the same gender. There is an innocence with Minato and him coming to terms with his feelings for Yori, and it's heartbreaking to witness how scared he really is of them.

You can see this through dialogue, and specifically with scenes where Minato says he is shifting into a monster, and where he is in the MRI scanner, truly scared that it will read his mind and his mom will be aware of his developing feelings. Why is he so scared thought? Yori is why he is scared, he is constantly tormented for his behaviors that don't suggest he likes a girl, he is abused by his father and told he has a pigs brain. Yori's father would rather he act out and be bad, than be an obedient child who is good at school. There is this whole spectrum of what a boy acts like and what they shouldn't.

What got to me was the part where the two boys find a safe space together, and I started thinking about their feelings for eachtoerh when Yori got too close to Minato. Although in the end Minato never wanted Yori to go anywhere, and what was cool are the little details. Minato goes back to the empty safe haven and texts Yori, where Yori says he won't go back because he wants to touch Minato, in the ways where he patted his hair or hugged him, but Minato says he wouldn't mind. I love how the ending doesn't have them fear, and instead they get past the gates of the railroad and are happy and free... there's just a lot to talk about with this one.

it seems that this topic is a taboo and that's why I didn't see it at first, but that is the point behind this film. To have you question why it is seen that way, and why you view an innocent feeling and curiosity as sexual or not normal. There is no romanization between them, the director and screenplay had the intent to share a story of two boys that grew to love eachother and coming to accept in regardless of the heteronormative society they were placed in. Any opposition to that shows the point of the film again and societies failure to accept it.


Below I'l several links that goes over all the details of this film I couldn't go over.


https://www.reddit.com/r/TrueFilm/comments/1761z26/little_details_in_koreedas_monsterkaibutsu_2023/?rdt=39846

https://x.com/wyvernhood/status/1745418419368055276?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw

https://x.com/korokketto/status/1745376701188825596?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw

https://x.com/haeinfleur/status/1744727092586246244?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw

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You'll ache but in the prettiest way possible

Watched it a day ago and I've realized how there's no getting over... I tried writing down how I felt watching it and then I thought for 50 mins but I just couldn't get the right words to describe this movie without doing injustice to it.
This movie healed me in every way possible... and broke me in every way possible. I didn't even realize how torn I was until it all ended and I was there left to take it all in, Halfway through you just don't feel anything and then it all suddenly hit, like a wave. A big one. It all starts making sense and it just ached. Throughout. Cuz of how real it was and simply on how it was portrayed, So beautifully and really, so beautifully but sadly...

The way they showed us the three perspectives. How whenever we were taken through each of them, we discovered smth new and everything made more sense and the realization just kicked in each time...

The way the two actors portrayed their characters, the way their little actions spoke for everything, the way their smiles, their sorrow spoke for everything, the way their laughs made me feel so happy, but sad, and the way the whole movie was carried out. It was everything it could ever be.

The 10 rating on all of them is real . One of the best movies I've ever watched in my whole entire living...Wanting to rewatch just 15 mins in says a lot on how much of an impact this movie had on me, and everyone who watched it in general.

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Masterpiece

I initially watched this movie because of Ando Sakura. I am glad I did it, because it is a masterpiece. The screenplay is really well written, making scenes of the same situation from different point of views be equally thrilling and mesmerizing. The screenwriter was able to reveal bit by bit the details from the perspective of each character in a brilliant manner. From the beginning, you are induced to search for a unique culprit for the whole strange situation. Then, after understanding the story as a whole, you realize the complexity of the plot. Every one has their share of contribution. They unconsciously and unintentionally pressure the children. It is a contradiction, because every character is true to their own sentiments and intentions. Some misunderstandings happen on the way, causing mainly Hori to be unfairly punished.

In the end, the story is about the discoveries of Minato and Yori in a movement towards inside uncovering their sexuality. They ponder if they are wrong to be who they are. This inability to accept themselves and feel accepted by their friends, family, and teachers is the real cause of all the problems. And this is a real problem in today's society. It is really painful and heartbreaking to see such lovely children as Yori and Minato to suffer bullying, and, in the case of Yori, physical violence from his father.

At the same time, their connection is beautiful. They find each other to be the only people who could understand each one's feelings and anxieties. But the thing is... They are only children. Their parents and teachers aren't able to understand and give support, although they really care for them (of course, except for Yori's father). They are loved but not seen as who they are. Instead, they are perceived as idealizations from their surrounding people. The ending was good and symbolic of a freedom in an afterworld without external expectations.

"If it's not everyone, it's not happiness"

P.S.: the acting was reeeeally good!

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you were always normal.

genuinely. how am i supposed to move on with life. i cant begin to describe the extent to which this film has left me damaged

seeing minato walking through stages of confusion, denial, anger and desperation evoked so many emotions and memories buried deep inside me. his story has simultaneously comforted and wounded my inner child.

minatos constant struggle between wanting to accept himself and wanting to be by yoris side against his fear of judgement and his fear of being abnormal leads him to self destruction. the contentment he feels when he is with yori against the confusion he feels when yori is too close to him. the happiness he feels while watching yori being himself against the helplessness he feels while watching yori being abused. the build up of conflicting emotions results in minato not being able to manage his anger. he destroys things because he cant destroy people. minatos anger is directed towards yoris bullies, yoris dad and the world but mostly himself. he cant come to accept who he truly is and he is unable to protect the person he loves. minato destroys things because he cant destroy himself.

but what matters most is despite his own inner turmoil, minato never once tries to change yori. he never makes him feel any less human. "you were always normal," minato accepts yori wholeheartedly and loves yori for exactly who he is. despite everything, he escapes from the shackles of the real monster; a twisted society and attains freedom with the one he loves. where there is love there is life!! everyone deserves to be surrounded by love without judgement and everyone deserves to love with freedom.

anyways yeah best film ever made. its split into three acts, the story itself plays out in a confusing back and forth timeline but i think thats what makes it so great. ur left putting the pieces together but when everything does come together it will blow ur mind! the details are insanely genius from start to finish, i pick up on a new detail every day. ALSO, the music!!! the final scene with the score by ryuichi sakamoto was heartbreakingly beautiful, it truly tied the film together :,)

i reco this film to everyone !!

p.s do not watch this movie every single day it will change the trajectory of your life

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Monsters exist, but so do mirrors and sometimes we are staring into one without realising it!

Sometimes you think you understand a situation just because you have heard or seen enough about it. Monster is about that moment when you realise you actually didn't and how uncomfortable that realisation can be. For 2 hours, it somehow quietly rearranges your assumptions and makes you aware as a viewer or the character themselves how quickly people choose a side and how rarely anyone stops to ask what might be missing.

It is like a conversation where everyone was speaking honestly when isolated and just not to each other. The movie isn’t interested in shock or spectacle and is more invested in interpretations. There is no rush to provide clarity.

By the time it settles, you realise the “monster” was never simply just an ugly human, but also a gap between reality and perception. Do not get me wrong, this isn't a defence of some animals that humans are, nor a denial of damage. But rather a forgotten reminder that perspective is not a passive lens but an active force in this world. Meaning changes depending on where you stand. Power, history, and vulnerability bend interpretation. An action experienced as violence by one may be survival to another. An act of self-protection may look like hostility from the outside. Again, this does not excuse harm, but it explains how meaning fractures across distance.

The direction is very good. I usually don't look at the crew list, but I did here. The performances, especially by the two young boys, were exceptional and from others across the board too. I have no complaints about visuals. The lighting, intentional silences... everything just worked in harmony.

My only complaint is that it had too many loose ends. And I am just not talking about a specific event. No doubt it created curiosity, which is usually a strength. I kept thinking about it after it ended...replaying scenes, trying to read between the lines. But some questions didn’t feel like they were meant to make you think. They felt dropped, like the story moved on before they had a chance to land. Maybe it's my obsession for closure speaking here but yes...

Overall, I would definitely recommend this. This is not what I was expecting and I am surprised, but in a good, thought-provoking but also in an unsettling way.

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Growing Pains. Worlds that cannot be reconciled. Standards that cannot be met.

This film has my heart. The narrative moves as fragile as lies, as delicate as first love, as fleeting as childhood. It also carries a heaviness that cannot be understated; a cold salty somberness that punches straight through you.

“If you have forgotten how to be a child you cannot teach children.” - Austin O'Malley

Though this is not a movie about adults forgetting to be childlike, but rather adults forgetting what it is like to live in the world of a child. Children make law out of adult’s black and white teachings. They know what’s wrong but they don’t know why. They know what’s right, but they don’t know how. That’s why what's rational for an adult and what’s rational for a child will never be the same. This movie is set in that gap. The space between adult and child. Despite this, this is in no way a story about the transition or the bridge between these two worlds; in fact, the stark distinction between the methodologies of adults and children is a key feature of the film.

Can we judge the adults for seeing things within the societal standards they have grown to accept and conform to? I am adult enough to know that the conclusions they reached aren’t far from what I would have guessed.

Can we judge the children for lashing out when they aren’t able to articulate themselves within these standards? Can we blame a child for deviating from an expected emotional reaction? I am child enough to understand what it feels like to stumble through the dichotomy of these two worlds.

This film holds so much wisdom. Behind all of the lies, stands universal truths. There is no love perfect enough to protect the ones we love against the evils of others. There is no evil terrible enough to conceal the glimpses of good. There is no standard that can perfectly be met. There is no monster. There is right and wrong and in between. And cats and pigs and happiness.

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The Monster We Create

I went into Monster completely blind. I did not read the synopsis, watch the trailer, or know what to expect. Looking back, I genuinely believe that was the best way to experience it. If you are planning to watch this film, I highly recommend doing the same. The less you know, the more it has to give.

Set in a quiet lakeside town, what begins as an ordinary schoolyard incident sends ripples through the lives of everyone involved, like a stone thrown into still water. A devoted mother, a conscientious teacher, and a young boy each offer their own version of the same events, turning certainty into a moving target and allowing the truth to slip through the cracks of perception. Just when you think you understand what happened, the story gently asks you to look again. As public scrutiny grows and the media adds fuel to the fire, a simple misunderstanding evolves into something much larger. Then, on a stormy morning, two children disappear, leaving behind one haunting question: who, if anyone, was the real monster?

Monster adopts a Rashomon-style narrative, telling the same events through three different perspectives. It constantly challenges your assumptions, forcing you to question not only what is happening, but also why you are so quick to believe one version over another. It explores themes of perception, prejudice, identity, and the quiet pressure of societal expectations. It is remarkable how easily our opinions shift depending on who is telling the story. Every new perspective changes the picture, reminding us that truth is often less about what we see and more about what we fail to notice.

Some stories ask you to watch. This one asks you to look again.

That, to me, is Monster's greatest strength. Its brilliance does not come from shocking twists or dramatic reveals, but from understanding. The storytelling is quietly devastating, meticulously layered, and deeply humane. Every revelation feels earned instead of manufactured. Every emotional beat lands with purpose. It is one of the finest examples of storytelling I have seen in a long time, proving that the loudest stories are not always the most powerful. Sometimes the quietest ones leave the deepest scars.

One recurring phrase throughout the film is "pig's brain." Without going into specific details, it becomes one of the film's most heartbreaking ideas. It is used as a cruel label for behavior that society considers abnormal or "sick," planting seeds of shame in children who simply do not fit neatly into expected norms. What begins as a careless insult slowly transforms into something much more damaging as it is internalized by those around it. The phrase becomes a symbol of societal rejection, abusive labeling, and the painful belief that being different somehow makes someone broken or even monstrous. It is a chilling reminder that children often inherit the fears and prejudices of the adults around them.

The performances deserve just as much praise as the writing, especially from Kurokawa Soya and Hiiragi Hinata as Mugino Minato and Hoshikawa Yori. Both young actors deliver performances that feel incredibly natural, raw, and emotionally convincing. They perfectly capture the confusion, vulnerability, innocence, and complicated emotions their characters carry throughout the film. Considering the sensitive subjects Monster explores, I cannot help but admire both the cast and the production team for handling everything with such care and sincerity.

Beyond its writing and performances, Monster is also a beautiful film to look at. The cinematography, color grading, and visual presentation create a youthful summer dream atmosphere that gently contrasts the emotional weight of the story. There is a quiet warmth to its visuals, making moments of joy feel brighter while making moments of heartbreak linger even longer. It is the kind of film where every frame seems carefully considered without ever calling attention to itself.

[SPOILERS: TWO PARAGRAPHS AHEAD]

By the end, I realized that the "monster" was never meant to be a single person. Early on, everyone seems convinced that someone else must be the villain. The teacher, the principal, the children, or the parents all become easy targets depending on whose perspective we are following. But as each layer unfolds, it becomes clear that the real monster is born from misunderstanding, prejudice, fear, and the assumptions people project onto others. It is the invisible force created when society demands conformity while refusing to truly understand those who are different. The adults are not monsters because they are evil. They become monstrous because they allow fear, pride, and prejudice to cloud empathy, creating an environment where two innocent boys feel they must hide who they are.

The ending is beautifully open to interpretation. Whether the boys survived or not is left unanswered. Part of me wants to believe in the fairy tale where they made it through together. Another part of me sees the open gate as something more symbolic, a passage toward freedom, where they are finally released from the labels, fears, and expectations that imprisoned them. I think both interpretations are equally beautiful, and perhaps that is exactly the point.

[SPOILERS END]

By the time the credits rolled, I found myself thinking about the title one last time. Maybe we spend so much time searching for monsters because it is easier than confronting the uncomfortable truths within ourselves. Monster is not interested in giving easy answers. Instead, it gently asks us to question our own perceptions and reminds us that what we choose to believe can shape someone else's reality.

In the end, I was incredibly glad that I stumbled upon this film. It quietly became one of the most memorable movies I have watched in recent years. If there is one thing I would repeat, it is this: go in blind. Trust the story, let it unfold on its own, and allow it to challenge the way you see people. After all, perhaps we are all monsters in someone else's story.

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"Who's the monster?"

Having just finished Monster, I feel like a tsunami of emotions has washed through me. Some were easier to face and process than others.

The film is an enactment of the Rashomon effect, a series of the same events told from primarily three different viewpoints. Despite the genre and tag for this film being thriller and psychological thriller, that was not my experience. More like social commentary with high stakes. Several things happened that concerned two boys, Minato and Yori, and their teacher, Mr. Hori. When Saori, Minato’s mother, believes Mr. Hori and possibly others have bullied her son, she goes to the school in a take no prisoner’s mode. The teachers (all male) and the principal (female) placate her with insincere apologies, writing her off as a neurotic single mother. Refusing to back down, she is relentless in her pursuit of justice for her child. But all may not be as it seems…

It truly is best to go into this film with no preconceived notions or knowledge. I found the first 2/3’s of the film shown through the adults’ eyes rather bland on occasion. Adults thinking they had all the answers jumped to conclusions, failed to properly communicate, and set rigid societal and familial boundaries. Single mothers were vilified and treated with condescending attitudes. The school faculty and administration cared only about protecting themselves and the school. And for one little boy who was viciously abused by his alcoholic father, the school, the law, and society in general offered zero protection. The school, with all of its "caring" teachers just presented another venue to cause the innocent pain.

Repeatedly through the film, questions were asked. “What is normal?” “What is a monster?” “What does it mean to be a man?” For me, with bullying being so pervasive, why did the teachers leave little monsters alone to terrorize the weak? This film will break your heart and make you angry. Above all, children need protection and acceptance at home, in school, and in society. And in their own home they need love and affection as well. How I wanted to hug these little boys and tell them that they were perfect the way they were. Too often it’s the people advocating a “normal” life who are the monsters inflicting the most fear and harm. An easy recommendation, but not an easy watch.

26 March 2026

Trigger warnings: Child abuse.

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The questions that were never asked, the answers that were never heard.

As humans we have an awful tendency to fill the blanks with things that fit our own perception. We are both egocentric thinking our view is the correct one, but also think we are insignificant and our actions don’t have much impact. And we are wrong.

I went into this movie knowing close to nothing and it was a perfect choice. Rather than just watching a movie, I felt like I was learning important life lessons, forced to face my own shortcomings and reflect on my own biases. I felt the whole range of emotions and I don’t think I’ll stop feeling them any time soon.

It’s a movie that will confuse you, touch you, teach you and most likely humble you. The movie is divided into clear chapters that uncover layers of perspectives and depth.

The performances were phenomenal. There are no words to describe how well all the characters were presented. Extreme props to the youngest cast who in my eyes carried the heart and soul of the whole movie.

Directing? Perfection. The way the message of the movie became so clear with every minute, even if initially I was so confused. The way it highlights the importance of the context. The way everything mattered.

I’m one to write essay-long reviews, but I’m honestly still wrapping my head around what I just finished watching and I think I will be in that state for some time. This movie calls for a discussion and brainstorming of the ideas, opinions and perspectives. It’s a story with a huge impact if you pay attention. It’s a movie on human nature, our flaws and mistakes. Strangely, I also think it’s a movie about cognitive laziness and how it affects us and people around us.

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