The acting. The fight scenes. 10/10. The plot wasn't great for me but the drama got more things right than wrong so I can live with it. The ML is that he cannot win the bad guys. I hated that bit because it's way too realistic. Would have preferred a feel-good all bad guy vanquished storyline.
If the infected don't age what happened in seung jo's case?
I think his case has to do with being infected with a mature Najin as a fetus. Everyone else was infected as adults. I don't find it odd that he'll mature into an adult but not age more afterwards.
Seriously, there is no substance and relies on cheap plot-devices. FL is unlikeable. Park Shin-Hye does her best…
So far the plot has been consistent. It might be hard to watch if you can't stand physical violence and blood. Or a deeply flawed lead who doesn't have any empathy for humans (which makes sense because she is a demon). If you're not looking for life lessons and just want to be entertained, it's a good watch.
Seriously, there is no substance and relies on cheap plot-devices. FL is unlikeable. Park Shin-Hye does her best…
FL is a demon, of course, she's unlikeable. Morality in fiction is a weird hill to want to die on. But murderers getting punished isn't a bad thing, is it? And the FL being punished for her own offences, isn't that justice served?
The drama is about an agent of hell and people who are sent to hell. Logically angels have no business showing up because heaven isn't represented in the plot, at least not so far. FYI demons are a big part of Christian mythology so what erasure are you talking about?
Wait a second - God cut himself on the can and then it sprayed him. That's not an outrageous reaction, and since…
That scene gave me the vibe of a kid struggling with emotional self-regulation. I found it more endearing than immature. With a large dose of empathy. (He threw the can and it burst and sprayed him.)
Diew fucked up big time. I'm trying and failing to understand why he could not tell God the bracelet was from his dad or that Pee was his ex. He didn't need to go into detail. That'd have been enough especially since God asked him directly.
God really gives off big baby vibes. Taking out his frustration on the can was like a kid having to deal with unfamiliar big feelings.
I don't mind the misunderstanding between them though. It actually feels natural to the characters in the way it's being handled by the writer. It doesn't feel manufactured just to move the plot forward.
Ton giving Wan a piece of his mind was such a 10/10 scene. Wan is a bit hypocritical. He would have been willing to date Tan, his friend, but is using their friendship as an excuse not to date Beer.
It wasn't a jewelry show, It was a fashion show and it was supposed to be underwelming. Arun is a rich boy trying…
Fashion show, okay. And I see your point. But it doesn't come through that the writers intended for it to be a hot mess. Also, Joker is supposed to be this proficient Robin Hood who has gotten away with other heists in the past. Stealing from the rich is not a walk in the park. Again, I'm not convinced that was the writer's intent.
But I will suspend disbelief and wait for the next couple episodes.
Episode 3 was a hot mess. Took the quality of this series from 9 to 6. Nothing was quite as good as eps 1 and 2. The overacting from the side characters was unnecessary. They were probably going for campy but it did not fit the tone they already established and unfunny af. The entire heist felt like something out of a child's drawing book. And that travesty of a show. Did they watch any jewelry shows for reference? Why tf is a bag the highlight of a jewelry show? I'm so disappointed. Hopefully the next episode brings things back up.
I wanted to find this entertaining at the very least but the boss character is just godawful and unlikeable and those short clipped sentences annoy me. Then the horrid suits and Patt's uncleaned glasses. The make-outs could be better choreographed too.
A character can be charismatic without being an asshole. I find that Thai BLs struggle with this.
A romcom that delivered on being a romcom. I was worried for a bit there but they wrapped it up well and ep 10 delivered on the comedy. I'm on satisfied customer.
I was a little worried about Shin Hyun Been and I admit comedy isn't quite her forte but she did a good job with this. Now let's see her in a melo next. That's where she truly shines.
Write an actual reply to you cuz i messed up once. (It's a long reply)I think the budget depends on the country,…
All these things you mentioned (homophobia, misogyny, racism) are problems with getting investments and it's not just a movie industry thing. I worked in tech for a bit and a white male founder with a track record of mismanaging funds is more likely to get funding than a non-white or female founder.
Now, I'm not very big on international pop culture. Still, I'm pretty sure I have read stories from the US where Hollywood execs rejected a film because the writer is a woman or a minority or the story was considered something for a female audience or a niche audience, but someone else took a chance on it and the work went on to be a massive hit.
To the idea of niche audiences, put enough money and marketing behind a great story and it'll transcend boundaries. But homophobia, misogyny, and racism are blinkers that prevent investors from seeing these good stories. FYI investors put money in all kinds of mediocre scripts in the hope that something sticks. And then bet big on tentpole films to cover everything else. So it's not like they only put money into sure bankers. Else they'll only ever have blockbuster films made. So the point about numbers? Eh.
Nobody is trying to force the world to be gay. What people want is to see more diverse stories out in the world. For such stories to have an even playing ground. But of course that's never going to happen because we're living in a fucking capitalist dystopia. :)
I responded to your comment hoping that you'll at least see that prejudice is a problem that cannot be dismissed outright. Look up implicit bias. You can also look up industry reports and academic studies that have data and analysis around some of the stuff I've talked about in my comment.
The drama is about an agent of hell and people who are sent to hell. Logically angels have no business showing up because heaven isn't represented in the plot, at least not so far. FYI demons are a big part of Christian mythology so what erasure are you talking about?
(He threw the can and it burst and sprayed him.)
God really gives off big baby vibes. Taking out his frustration on the can was like a kid having to deal with unfamiliar big feelings.
I don't mind the misunderstanding between them though. It actually feels natural to the characters in the way it's being handled by the writer. It doesn't feel manufactured just to move the plot forward.
Ton giving Wan a piece of his mind was such a 10/10 scene. Wan is a bit hypocritical. He would have been willing to date Tan, his friend, but is using their friendship as an excuse not to date Beer.
But I will suspend disbelief and wait for the next couple episodes.
A character can be charismatic without being an asshole. I find that Thai BLs struggle with this.
I was a little worried about Shin Hyun Been and I admit comedy isn't quite her forte but she did a good job with this. Now let's see her in a melo next. That's where she truly shines.
Now, I'm not very big on international pop culture. Still, I'm pretty sure I have read stories from the US where Hollywood execs rejected a film because the writer is a woman or a minority or the story was considered something for a female audience or a niche audience, but someone else took a chance on it and the work went on to be a massive hit.
To the idea of niche audiences, put enough money and marketing behind a great story and it'll transcend boundaries. But homophobia, misogyny, and racism are blinkers that prevent investors from seeing these good stories. FYI investors put money in all kinds of mediocre scripts in the hope that something sticks. And then bet big on tentpole films to cover everything else. So it's not like they only put money into sure bankers. Else they'll only ever have blockbuster films made. So the point about numbers? Eh.
Nobody is trying to force the world to be gay. What people want is to see more diverse stories out in the world. For such stories to have an even playing ground. But of course that's never going to happen because we're living in a fucking capitalist dystopia. :)
I responded to your comment hoping that you'll at least see that prejudice is a problem that cannot be dismissed outright. Look up implicit bias. You can also look up industry reports and academic studies that have data and analysis around some of the stuff I've talked about in my comment.