RandomUsagi

So the summary about the pension having debts is correct. There's 4 guys working at the pension together and 1 of them inherited the pension.

They have some moments like 2 guys sleep essentially next to each other all the time, one of them always wears a squirrel-suit as PJ's (see MDL cover-photo).
They also have cameras everywhere which are used to find out the suspicious stuff happening in the pension with client-data being stolen.
The guys also hug and one time one falls into the arms of another. They also undress often for taking baths.

In the end; a tv-report about their heart-themed lunch seems to save the pension somehow.
For BL fans: As far as I could tell, no kiss.

Since this is rare and I finally got to see it thanks to a friend, I'll describe the story for future interested people. It had this 2010s nostalgia-charm to the story for sure even though it was a bit vague.

In spoilered comment below ->

It's not 100% a mirrored version of a typical patriarchal household. Because the Rong household does have that saying about respecting men (until they betray them I guess, in that case everything goes).

I never expected to be jumpscared by a grandma suddenly opening her eyes and staring menacingly but here we are.

''Story of Yanxi Palace'', vibe-wise you will notice a lot of similarities even though it's a different setting.

I personally trust this show because screenwriter Zhou Mo did Story of Yanxi Palace and from very early on I felt the same vibes of that show in this show. The general sense of loss of freedom for those involved too deep, the gradual unveilings of mysteries, the dangers lurking around the corners and the character depths are all there.

This drama is doing something that will stir the drama pot I think.
All the more relevant characters in the Rong house are kept as morally gray as possible, even those who we would see as evil are given small moments to humanize them regardless of the viewers scale of evil for them.

But that goes both ways, almost no character is 100% good. Everyone makes choices due to circumstances and has to own up to those choices. Everyone hides things and many think they are doing the right thing despite others suffering due to it. It's very humanizing to the characters and adds to their complexity. It would be much more comfortable for viewers to digest clear evil&good dynamics between 2 clearly defined sides but the family adds more dimension.

For every character the drama asks you: Are you able or willing to understand their perspective and can you trust them? Are you able to put yourself in their position fully and not just from your own perspective?
Regardless tho, that cousin is a loose cannon lol.

I mean; do we even acknowledge the infidelity-suspicion arc? Where she protected him despite him being accused of being a father already? Your comment makes it sound like this relationships dynamic of actually being helpful has been one-sided.

She has been left at the altar and humiliated in view of all her family and those most important to her were arrested by him. If that isn't one of the worst days of her life for her then I don't know what is.

Grant her some time to sort those feelings out I'd say instead of immediately letting her go the sacrificial lamb route. It would be detrimental to her character-building if she just ignores her own feelings.

I think it's part of her character to present as cold. The house is a cut-throat place and she likely adapted to hide her emotions while others adapted by becoming two-faced or other tactics.
If she showed emotions openly, she would be read like a book by her sisters and enemies and dethroned.

BL-bait between 2nd and 1st ML in this one

Well, when he remembers he will instantly leave the mansion and go on his own revenge-mission without FL. So I don't know where you expect the romance build-up to take place then without this buffer-period of him being amnesiac.
He'll hopefully remember once FL and ML have at least a basic bond and a reason to stick together.

Rare case of a BL to Tokusatsu actor instead of the reverse

I did not think this was gonna be something fun but it actually somehow works and now I'm binging the episodes.

Iconic ending as expected, delivered everything they could deliver for this short show.

Its released now

Waiting for that final episode to air currently

So:
Beginning quote of movie: ''Love is composed of a single soul inhabiting two bodies''
The dance style? Only possible with 2 people.
What is Sugiki missing? Love & inspiration, which he can both get from Suzuki.

Suzuki calling Sugiki boring/lame emphasises that he is incomplete. He lacks something which keeps him from winning and Sugiki thinks that Suzuki has the key to what he lacks. He chases after him because that is him being competitive and wanting what he is missing after Sugiki puts salt on that wound of how he is lacking in his dance-performance (aka he's deemed boring/lame and not passionate/loving). It's not necessarily an act out of love as much as it is an act of desperation for someone who can complete him (aka a dance-partner who inspires him).

Ok so in the story from what I saw:
The jealousy from Suzuki is about Sugiki dancing with his ex-gf, them showing passion to each other and all that even if its fake. In their dance, they act and look like they are one.

Then Sugiki when approached by Suzuki says ''we can never be one''. Alluding to ''we can never be anything more than rivals because we are not a dance couple, we are two separate dance couples competing''. Yes, that's how central to these characters dance is to their lives, it's their entire existence and bleeds over into their idea of love.

So, when they dance together at the end. The movie is literally saying ''They don't have to be competing as rival-couples, they can be one couple as a male-male duo''. So the kiss in front of everyone present therefore does mean a lot.

I mean they kiss in front of hundreds of people idk what people want.
Yes it's an open ending, but that's cause the manga has not ended yet.

Of course XD