54
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The Butterfly
Tornado Alley
Shaolin is a strange amalgam of ruthless warlords, peaceful Shaolin beliefs, greed, betrayal, and redemption.
Andy Lau played the deadly and thoroughly unlikeable warlord, Hou Jie. Because he was the star I knew he wasn't going to get killed in all of the dirty double-crosses early in the movie, but I have to say I was rooting for him to get his. Fortunately for me, I didn't receive that early catharsis, instead after a vicious confrontation with forces ordered to assassinate him, he managed to crawl away to the Shaolin temple.
This movie leaned heavily into Buddhist beliefs or at least movie Buddhist beliefs. Jackie Chan showed up as a cook working at the temple conflicted as to whether he should stay or go. He's there primarily for some light comic relief as you can imagine. Yu Hai played the Abbott, he was also in Jet Li's Martial Arts of Shaolin, playing a Shaolin master. He showed the most beautiful Mantis fighting in MAOS, I was desperately hoping to see him show the style again. Alas, he did fight a little (he was much older in 2011) but no Mantis.
The cinematography and sets were beautiful. Certainly no complaints for me on these aspects of the movie. I'm not one to notice music in movies very often, but the OST was quite pleasing.
Shaolin's story used a common kung fu movie pattern only amping up the destruction, body count, and explosions. Long time kung fu movie enthusiasts will be able to call what's coming next without much trouble.. The story was told well and ultimately, it was a story of redemption. That's usually all I need to be hooked. I'm not sure Hou Jie earned his redemption in such a short time, but movie magic makes everything move more quickly.
This is my favorite Andy Lau performance yet. He had to dig down deep to convey the myriad of emotions for this complicated character. Nicholas Tse as his younger brother did a good job, too.
The fights were where they began to lose me. I have no problem with wire-fu when used well. In a movie that is otherwise more realistic, the over-the-top use of wire work seemed badly out of place. The super human abilities of only a few characters weren't consistent either. Taking the martial arts and wire-fu out of the equation in the action scenes, some of the scenes were on a grand scale and spectacular.
I found Shaolin to be well made and entertaining. There were moments when it felt like it could have been better though.
Andy Lau played the deadly and thoroughly unlikeable warlord, Hou Jie. Because he was the star I knew he wasn't going to get killed in all of the dirty double-crosses early in the movie, but I have to say I was rooting for him to get his. Fortunately for me, I didn't receive that early catharsis, instead after a vicious confrontation with forces ordered to assassinate him, he managed to crawl away to the Shaolin temple.
This movie leaned heavily into Buddhist beliefs or at least movie Buddhist beliefs. Jackie Chan showed up as a cook working at the temple conflicted as to whether he should stay or go. He's there primarily for some light comic relief as you can imagine. Yu Hai played the Abbott, he was also in Jet Li's Martial Arts of Shaolin, playing a Shaolin master. He showed the most beautiful Mantis fighting in MAOS, I was desperately hoping to see him show the style again. Alas, he did fight a little (he was much older in 2011) but no Mantis.
The cinematography and sets were beautiful. Certainly no complaints for me on these aspects of the movie. I'm not one to notice music in movies very often, but the OST was quite pleasing.
Shaolin's story used a common kung fu movie pattern only amping up the destruction, body count, and explosions. Long time kung fu movie enthusiasts will be able to call what's coming next without much trouble.. The story was told well and ultimately, it was a story of redemption. That's usually all I need to be hooked. I'm not sure Hou Jie earned his redemption in such a short time, but movie magic makes everything move more quickly.
This is my favorite Andy Lau performance yet. He had to dig down deep to convey the myriad of emotions for this complicated character. Nicholas Tse as his younger brother did a good job, too.
The fights were where they began to lose me. I have no problem with wire-fu when used well. In a movie that is otherwise more realistic, the over-the-top use of wire work seemed badly out of place. The super human abilities of only a few characters weren't consistent either. Taking the martial arts and wire-fu out of the equation in the action scenes, some of the scenes were on a grand scale and spectacular.
I found Shaolin to be well made and entertaining. There were moments when it felt like it could have been better though.
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