54
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The Butterfly
Tornado Alley
"A decade, is that a long time or no time at all?"
Going into The Last 10 Years there was no denying what type of movie I would be watching-a story about a young woman with a terminal illness based on a true story. But as with any genre, it’s how the story is implemented as to whether it touches you or not. The moment the director cues the violins and tries to manipulate my feelings, I tend to dig in and become resentful. This film was quite the opposite. While the music was emotional and lovely, the story slowly unfolded allowing the characters to make their way through decisions about life, death, relationships, and whatever the future means.
When Matsuri is in the hospital she is given a camcorder by a dying mother and admonished to, “Live every minute to the fullest.” That advice is hard to follow after she returns home and boredom overtakes her. Diagnosed with Pulmonary Arterial Hypertension her list of restrictions and medications is quite long. She goes to a middle school class reunion where no one knows about her illness and reconnects with old friends. The standard questions arise about marriage, children, and work. Kazuto, a boy she doesn’t remember, attempts to reach out to her. Kazuto has his own issues with life and death and before long, he, his friend Takeru, Matsuri and her editor friend, Sanae, begin to hang out. In the dark about her illness, Kazuto is clearly smitten but Matsuri has her daily grind with avoiding death to deal with as well as her loving but concerned family.
Matsuri and Kazuto both had their issues with life’s disappointments and whether death would be a tragedy or a gift. As they grew closer, both began to embrace life more. For Kazuto, the future held promise and an unknown amount of time. For Matsuri, tomorrow was always in question knowing her time was imminently finite. No one gets out of this life alive, but for Matsuri, that harsh reality faced her every day. I was happy there was no countdown clock as if the 10 years prognosis was ironclad. The median life expectancy for someone with PAH is 5 years. Each crisis she faced could have been her last. The film didn’t throw roadblocks into her relationship with Kazuto just for the standard effect. Matsuri not only had to take Kazuto’s feelings into consideration but her own as well. She did what she needed to do to be strong enough to face death.
Komatsu Nana gave a beautifully nuanced performance as Matsuri. Layers of emotions peeled forward and back as she portrayed Matsuri dealing with her day-to-day struggles with Death hanging over her shoulder. Ever aware of her parents’ pain, she put a mask on for them most of the time and for her friends. When the dam finally broke and her fears and disappointments rolled over her, Komatsu’s performance was raw and real. Ever cautious with Kazuto so as not to get too close, but staying close enough to bask in his warmth, you could feel the walls she kept carefully erected. And finally, as Matsuri’s body began to collapse, the slow acknowledgement of a clock ticking down.
Far from being maudlin, The Last 10 Years was an exercise in living well and making the most of life regardless of circumstances. Whatever Matsuri gained-a relationship, a job, a friendship, she was always aware how close she was to losing them. Yet she still found the strength to try. She was searching for meaning and just the simple experiences of living. I was here. I lived. I loved. And in her strength, she gave Kazuto a love for life as well.
“My life might look like just another boring existence but you’ll always be with me.”
16 May 2024
When Matsuri is in the hospital she is given a camcorder by a dying mother and admonished to, “Live every minute to the fullest.” That advice is hard to follow after she returns home and boredom overtakes her. Diagnosed with Pulmonary Arterial Hypertension her list of restrictions and medications is quite long. She goes to a middle school class reunion where no one knows about her illness and reconnects with old friends. The standard questions arise about marriage, children, and work. Kazuto, a boy she doesn’t remember, attempts to reach out to her. Kazuto has his own issues with life and death and before long, he, his friend Takeru, Matsuri and her editor friend, Sanae, begin to hang out. In the dark about her illness, Kazuto is clearly smitten but Matsuri has her daily grind with avoiding death to deal with as well as her loving but concerned family.
Matsuri and Kazuto both had their issues with life’s disappointments and whether death would be a tragedy or a gift. As they grew closer, both began to embrace life more. For Kazuto, the future held promise and an unknown amount of time. For Matsuri, tomorrow was always in question knowing her time was imminently finite. No one gets out of this life alive, but for Matsuri, that harsh reality faced her every day. I was happy there was no countdown clock as if the 10 years prognosis was ironclad. The median life expectancy for someone with PAH is 5 years. Each crisis she faced could have been her last. The film didn’t throw roadblocks into her relationship with Kazuto just for the standard effect. Matsuri not only had to take Kazuto’s feelings into consideration but her own as well. She did what she needed to do to be strong enough to face death.
Komatsu Nana gave a beautifully nuanced performance as Matsuri. Layers of emotions peeled forward and back as she portrayed Matsuri dealing with her day-to-day struggles with Death hanging over her shoulder. Ever aware of her parents’ pain, she put a mask on for them most of the time and for her friends. When the dam finally broke and her fears and disappointments rolled over her, Komatsu’s performance was raw and real. Ever cautious with Kazuto so as not to get too close, but staying close enough to bask in his warmth, you could feel the walls she kept carefully erected. And finally, as Matsuri’s body began to collapse, the slow acknowledgement of a clock ticking down.
Far from being maudlin, The Last 10 Years was an exercise in living well and making the most of life regardless of circumstances. Whatever Matsuri gained-a relationship, a job, a friendship, she was always aware how close she was to losing them. Yet she still found the strength to try. She was searching for meaning and just the simple experiences of living. I was here. I lived. I loved. And in her strength, she gave Kazuto a love for life as well.
“My life might look like just another boring existence but you’ll always be with me.”
16 May 2024
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