55
201
11
The Butterfly
Tornado Alley
Didn't make me wax poetically about it
Princess from the Moon told an updated version of the thousand-year-old story, “The Tale of the Bamboo Cutter.” A supernatural “princess”, a sea monster, and UFO should have made for an exciting tale, but connecting to the characters was more difficult than I thought it would be.
A mother and father are grieving the loss of their five-year-old daughter when a bright light and explosion near their daughter’s grave draws their attention. The husband runs into the forest, not only concerned about Kaya’s grave but also to put out any fires in the bamboo forest, the source of his income. He finds a small pod that breaks open and reveals a baby, a baby that ages into a five-year-old in seconds. His wife immediately accepts the blue-eyed version of Kaya as a gift from heaven. When Kaya rapidly turns into a young woman, they decide to move away. Their traveling money is aided by the pod which turned out to be pure gold. Soon Kaya’s beauty is the talk of the town and suitors are knocking at the door. What will happen when her people decide it’s time for her to return home?
This story is right up my alley. I love fairytales, fantasy, and kaiju. Not even a guest appearance by Manda could pull me into this one. It didn’t help that the movie was either badly degraded or shot in a gauzy style which distanced me from the story. Instead of giving it an ethereal appearance it was like struggling to see through fog. Kaya came across as detached which didn’t endear me to her. Her love interest was lumped in with two other suitors and an interested emperor. The impossible tasks Kaya assigned them to test their sincerity revealed a lack of integrity in most of the noblemen. “Men trade honesty for an easy life.”
One of my favorite actors, Mifune Toshiro, played the reluctant and then committed father. “Her joy and sorrow are mine now.” Wakao Ayako made the mother’s grief at the loss of a child palpable as well as her joy at heaven providing her another daughter to love. Though beautiful, Sawaguchi Yasuko’s portrayal of Kaya/Princess Kaguya came across as stiff. Despite so much of the story revolving around her, I never emotionally connected with her character. The blind Akeno played by Odaka Megumi gave a more nuanced performance.
Even through the fogged-up lens, the scenery was striking, especially the bamboo forest. The special effects, however, were rudimentary for the most part. The sea dragon did remind me of Manda and with the movie coming from Toho it could have been. The final scenes looked straight out of 1977’s Close Encounters of the Third Kind though I give them props for doing a satisfying job on the space craft. They got their money’s worth as the ship was shown from nearly every angle quite lovingly. Throughout the film the soundtrack was delicate and unobtrusive. Then inexplicably Peter Cetera sang the closing song over the credits. He was everywhere in 1987, also singing the theme song for Karate Kid 2 (1986). Maybe he was in the neighborhood.
Princess from the Moon was a delightful fairytale that missed opportunities to engage this viewer on a deeper level. The second half was stronger than the tepid first half. I did enjoy the concept of a moon maiden growing up with Earthling parents and falling in love with an Earthman. I wouldn’t want to dissuade anyone from watching Princess from the Moon, it’s worth giving a try. For me it faltered on the emotional front for instead of being moved by the tidal tug between celestial homes for Kaya, I found myself reminiscing about Sokka and Zuko’s conversation from The Last Airbender, “My girlfriend turned into the moon.” “That’s rough, buddy.”
28 October 2024
A mother and father are grieving the loss of their five-year-old daughter when a bright light and explosion near their daughter’s grave draws their attention. The husband runs into the forest, not only concerned about Kaya’s grave but also to put out any fires in the bamboo forest, the source of his income. He finds a small pod that breaks open and reveals a baby, a baby that ages into a five-year-old in seconds. His wife immediately accepts the blue-eyed version of Kaya as a gift from heaven. When Kaya rapidly turns into a young woman, they decide to move away. Their traveling money is aided by the pod which turned out to be pure gold. Soon Kaya’s beauty is the talk of the town and suitors are knocking at the door. What will happen when her people decide it’s time for her to return home?
This story is right up my alley. I love fairytales, fantasy, and kaiju. Not even a guest appearance by Manda could pull me into this one. It didn’t help that the movie was either badly degraded or shot in a gauzy style which distanced me from the story. Instead of giving it an ethereal appearance it was like struggling to see through fog. Kaya came across as detached which didn’t endear me to her. Her love interest was lumped in with two other suitors and an interested emperor. The impossible tasks Kaya assigned them to test their sincerity revealed a lack of integrity in most of the noblemen. “Men trade honesty for an easy life.”
One of my favorite actors, Mifune Toshiro, played the reluctant and then committed father. “Her joy and sorrow are mine now.” Wakao Ayako made the mother’s grief at the loss of a child palpable as well as her joy at heaven providing her another daughter to love. Though beautiful, Sawaguchi Yasuko’s portrayal of Kaya/Princess Kaguya came across as stiff. Despite so much of the story revolving around her, I never emotionally connected with her character. The blind Akeno played by Odaka Megumi gave a more nuanced performance.
Even through the fogged-up lens, the scenery was striking, especially the bamboo forest. The special effects, however, were rudimentary for the most part. The sea dragon did remind me of Manda and with the movie coming from Toho it could have been. The final scenes looked straight out of 1977’s Close Encounters of the Third Kind though I give them props for doing a satisfying job on the space craft. They got their money’s worth as the ship was shown from nearly every angle quite lovingly. Throughout the film the soundtrack was delicate and unobtrusive. Then inexplicably Peter Cetera sang the closing song over the credits. He was everywhere in 1987, also singing the theme song for Karate Kid 2 (1986). Maybe he was in the neighborhood.
Princess from the Moon was a delightful fairytale that missed opportunities to engage this viewer on a deeper level. The second half was stronger than the tepid first half. I did enjoy the concept of a moon maiden growing up with Earthling parents and falling in love with an Earthman. I wouldn’t want to dissuade anyone from watching Princess from the Moon, it’s worth giving a try. For me it faltered on the emotional front for instead of being moved by the tidal tug between celestial homes for Kaya, I found myself reminiscing about Sokka and Zuko’s conversation from The Last Airbender, “My girlfriend turned into the moon.” “That’s rough, buddy.”
28 October 2024
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