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“What you see is no longer what it once was.”
Yanagawa was a story of love, loss, and lives that were sadly isolated. A friendship from twenty-years prior had made it difficult for at least two people to move on, and one of those people had far less time ahead of him to reminisce.
Li Dong stumbles out of a doctor’s appointment and bums a cigarette off a stranger. He’s just discovered he has stage 4 cancer. He meets with his brother without telling him the diagnosis and proposes a trip to Yanagawa, Japan. When his brother rejects the idea, he tells Li Chun that their old flame, Liu Chuan, is living there. The brothers haven’t seen her in 20 years and have never gotten over her. The two men catch the first flight out of Beijing and are soon checking into their room at a Japanese house. They find Chuan singing in a small bar. Will she be as excited to see the men as they are to see her?
The first hurdle to overcome with this film were the age gaps. Ni Ni would have been 32, Edward Zhang-40, and Xin Bai Qing-47. That 20-year time lapse would have made Chuan 12 years old when she left Beijing. Apparently, the writers assumed the audience would age her up in their minds to make her compatible with Xin’s 27-year-old Chun. The brothers were also in their 40s which meant they were grown ass men stumbling around. I never could reconcile the ages.
The brothers were opposites with Dong being the quiet, reserved, bookish brother and Chun the outgoing extrovert who sought to be the center of attention. Dong never wanted to leave a trace of himself in the world and began to put his house in order. The top two things on his bucket list were to take a trip with his older brother and see Liu Chuan one more time. During the trip, Chun often belittled or interrupted Dong. The older brother was married with a child, yet made every effort possible to sleep with Chuan. Despite declaring his eternal love, he was the one who caused the alienation between the two twenty years prior. So self-absorbed, he could never imagine that the beautiful Chuan would have ever been interested in shy Dong. And Dong must have merely wanted to gaze upon the object of his affection as he never held an important conversation with her. His best joke was one he forgot. Aside from the brothers, the landlord of the house they were staying in also had eyes only for Chuan. Ni Ni’s character spent most of her time with the reverse harem fending off grabby men or singing sorrowful songs. I’m a huge fan of hers and this film felt like a waste of her talent. She still managed to shine, though her best scene was with the Izakaya where the two women deeply understood each other empathically.
The characters spoke a variety of languages. The three from Beijing spoke Mandarin though in different accents. Dong also spoke Japanese. In order to converse with Nakayama Noki, the landlord, they switched to broken English as neither Chun nor Chuan could speak Japanese. Korean singing was heard coming from one of the boats. Both Chinese and Japanese folk songs were also sung. Regardless of the thin reason for Chuan deciding to live in Yanagawa, I wondered how lonely she must have been with the language barrier. Though she often sang John Lennon’s “Oh My Love,” which spoke of finally seeing clearly and living peacefully with the world so maybe it wasn’t a problem.
Yanagawa was a low budget film that managed to be aesthetically pleasing due to the scenery and cast. Much time was spent talking on boats and benches or in Izakaya’s bar. Loose ends were left dangling as people conversed little knowing that one of them was on a ticking clock. Twenty years is a long time and people mature and outgrow the familiar. “What you see is no longer what it once was. Nothing is what it used to be.” Yet truths eventually made their sorrowful appearances, ones that could only be seen clearly in the rearview mirror.
“Oh, my love, for the first time in my life
My eyes are wide open
Oh, my lover, for the first time in my life
My eyes can see”
(John Lennon)
2 June 2026
Li Dong stumbles out of a doctor’s appointment and bums a cigarette off a stranger. He’s just discovered he has stage 4 cancer. He meets with his brother without telling him the diagnosis and proposes a trip to Yanagawa, Japan. When his brother rejects the idea, he tells Li Chun that their old flame, Liu Chuan, is living there. The brothers haven’t seen her in 20 years and have never gotten over her. The two men catch the first flight out of Beijing and are soon checking into their room at a Japanese house. They find Chuan singing in a small bar. Will she be as excited to see the men as they are to see her?
The first hurdle to overcome with this film were the age gaps. Ni Ni would have been 32, Edward Zhang-40, and Xin Bai Qing-47. That 20-year time lapse would have made Chuan 12 years old when she left Beijing. Apparently, the writers assumed the audience would age her up in their minds to make her compatible with Xin’s 27-year-old Chun. The brothers were also in their 40s which meant they were grown ass men stumbling around. I never could reconcile the ages.
The brothers were opposites with Dong being the quiet, reserved, bookish brother and Chun the outgoing extrovert who sought to be the center of attention. Dong never wanted to leave a trace of himself in the world and began to put his house in order. The top two things on his bucket list were to take a trip with his older brother and see Liu Chuan one more time. During the trip, Chun often belittled or interrupted Dong. The older brother was married with a child, yet made every effort possible to sleep with Chuan. Despite declaring his eternal love, he was the one who caused the alienation between the two twenty years prior. So self-absorbed, he could never imagine that the beautiful Chuan would have ever been interested in shy Dong. And Dong must have merely wanted to gaze upon the object of his affection as he never held an important conversation with her. His best joke was one he forgot. Aside from the brothers, the landlord of the house they were staying in also had eyes only for Chuan. Ni Ni’s character spent most of her time with the reverse harem fending off grabby men or singing sorrowful songs. I’m a huge fan of hers and this film felt like a waste of her talent. She still managed to shine, though her best scene was with the Izakaya where the two women deeply understood each other empathically.
The characters spoke a variety of languages. The three from Beijing spoke Mandarin though in different accents. Dong also spoke Japanese. In order to converse with Nakayama Noki, the landlord, they switched to broken English as neither Chun nor Chuan could speak Japanese. Korean singing was heard coming from one of the boats. Both Chinese and Japanese folk songs were also sung. Regardless of the thin reason for Chuan deciding to live in Yanagawa, I wondered how lonely she must have been with the language barrier. Though she often sang John Lennon’s “Oh My Love,” which spoke of finally seeing clearly and living peacefully with the world so maybe it wasn’t a problem.
Yanagawa was a low budget film that managed to be aesthetically pleasing due to the scenery and cast. Much time was spent talking on boats and benches or in Izakaya’s bar. Loose ends were left dangling as people conversed little knowing that one of them was on a ticking clock. Twenty years is a long time and people mature and outgrow the familiar. “What you see is no longer what it once was. Nothing is what it used to be.” Yet truths eventually made their sorrowful appearances, ones that could only be seen clearly in the rearview mirror.
“Oh, my love, for the first time in my life
My eyes are wide open
Oh, my lover, for the first time in my life
My eyes can see”
(John Lennon)
2 June 2026
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