130
420
15
2
6
3
8
9
3
13
1
1
1
1
2
6
8
4
9
"You don't let go of anyone's hand now"
Tokyo Salad Bowl tackled immigration in Japan and the accompanying racism and discrimination that often arose from it. The heart of the drama was a green haired police officer who used food to connect with people and open doors, paving the way for healing and friendship.
Koda Mari has recently transferred to the International Investigation Division where officers deal with crimes involving immigrants. There is a stable of interpreters including Arikino Ryo who can speak Chinese. Neither Ryo nor her new colleagues know what to make of her bright green hair, obsession with discovering new foods, and sunshine personality. They say she picks up the crumbs, small cases that they can’t be bothered with. But the crumbs she gathers often turn into discovering a bakery of wrongdoing. Mari takes a liking to quiet, pessimistic Ryo and cajoles him into helping her with cases, feeding him on a regular basis. As the two work together, Mari comes closer to discovering what drove Ryo from the police force and why he is so withdrawn.
I went into this drama hesitantly as it was based on a manga. Too often I’ve found manga heroines too effervescent with too little brain power. To my surprise, despite her garish green hair and terrible fashion sense, Mari had good cop instincts though she was in desperate need of a self-defense class. She believed that Tokyo was a salad bowl of ethnicities and that everyone deserved to be treated humanely. I was worried when she was chowing down on scorpions and ox penises in the first episode but the dishes became more palatable to me as the drama progressed. And like most female leads in Asian dramas that weigh 90 pounds/40 kg soaking weight she ate her body weight in food daily.
Japan’s dwindling population required a steady influx of foreign workers. Most ended up in low paying or manual labor jobs. Just as the country walked a fine line of wanting and not wanting immigrants, the drama sought to plea for better treatment of foreign workers and also subtly excused racism. It’s not racism---people just don’t trust foreigners, are quick to judge and blame, make snide comments about race, different cultures, customs, and are sometimes abusive towards them. Yeah, that’s racism. It was also telling that the Chinese often had scruffy wild hair and dowdy clothes. Baby steps. Most of the immigrants were shown as hard working and trying to make a better life for themselves and their families. As Mari worked in the police department they also dealt with foreigners who ran afoul of the law. (Important note-as in my country, immigrants commit fewer crimes than native citizens.)
The drama brought to attention the challenges of interpreting and how difficult it can be to translate specifically and for meaning. The language barrier when living in a different country can be daunting and absolutely terrifying if a person ends up in legal difficulty. Trafficking of vulnerable populations was explored though not in depth. Most of the cases were more about community building and understanding people’s needs rather than the actual crimes themselves. The main villain was weakly written and didn’t seem capable of running an international crime ring at such a young age.
Tokyo Salad Bowl was a good analogy for different cultures coming together in one dish. Different peoples bring their unique cuisines giving people strong reasons to bond over food. The drama tweaked the strong desire for conformity with foreign workers, a competent female police officer with shocking green hair, and a gay character. Aside from her ability to seek out the best sustenance in town, Mari’s super power was the ability to really listen and not let go of a hurting person’s hand. Anyone who knows how to care for a suffering person with an offer of Pajamas and tea knows the value of food and friendship. A gentle and entertaining drama about healing, treating people as valuable human beings, and finding the truth.
14 July 2026
Trigger warnings: Smoking. Drinking.
Continuity notes: Mari’s hair changed in intensity from scene to scene as well as her exposed roots. Girl could have used a good wig. I know it’s based on a manga, but when Mari was undercover, I just kept hearing a line from My Cousin Vinny, “Oh yeah, you blend.”
It could go from daylight to nighttime during the course of breakfast.
Koda Mari has recently transferred to the International Investigation Division where officers deal with crimes involving immigrants. There is a stable of interpreters including Arikino Ryo who can speak Chinese. Neither Ryo nor her new colleagues know what to make of her bright green hair, obsession with discovering new foods, and sunshine personality. They say she picks up the crumbs, small cases that they can’t be bothered with. But the crumbs she gathers often turn into discovering a bakery of wrongdoing. Mari takes a liking to quiet, pessimistic Ryo and cajoles him into helping her with cases, feeding him on a regular basis. As the two work together, Mari comes closer to discovering what drove Ryo from the police force and why he is so withdrawn.
I went into this drama hesitantly as it was based on a manga. Too often I’ve found manga heroines too effervescent with too little brain power. To my surprise, despite her garish green hair and terrible fashion sense, Mari had good cop instincts though she was in desperate need of a self-defense class. She believed that Tokyo was a salad bowl of ethnicities and that everyone deserved to be treated humanely. I was worried when she was chowing down on scorpions and ox penises in the first episode but the dishes became more palatable to me as the drama progressed. And like most female leads in Asian dramas that weigh 90 pounds/40 kg soaking weight she ate her body weight in food daily.
Japan’s dwindling population required a steady influx of foreign workers. Most ended up in low paying or manual labor jobs. Just as the country walked a fine line of wanting and not wanting immigrants, the drama sought to plea for better treatment of foreign workers and also subtly excused racism. It’s not racism---people just don’t trust foreigners, are quick to judge and blame, make snide comments about race, different cultures, customs, and are sometimes abusive towards them. Yeah, that’s racism. It was also telling that the Chinese often had scruffy wild hair and dowdy clothes. Baby steps. Most of the immigrants were shown as hard working and trying to make a better life for themselves and their families. As Mari worked in the police department they also dealt with foreigners who ran afoul of the law. (Important note-as in my country, immigrants commit fewer crimes than native citizens.)
The drama brought to attention the challenges of interpreting and how difficult it can be to translate specifically and for meaning. The language barrier when living in a different country can be daunting and absolutely terrifying if a person ends up in legal difficulty. Trafficking of vulnerable populations was explored though not in depth. Most of the cases were more about community building and understanding people’s needs rather than the actual crimes themselves. The main villain was weakly written and didn’t seem capable of running an international crime ring at such a young age.
Tokyo Salad Bowl was a good analogy for different cultures coming together in one dish. Different peoples bring their unique cuisines giving people strong reasons to bond over food. The drama tweaked the strong desire for conformity with foreign workers, a competent female police officer with shocking green hair, and a gay character. Aside from her ability to seek out the best sustenance in town, Mari’s super power was the ability to really listen and not let go of a hurting person’s hand. Anyone who knows how to care for a suffering person with an offer of Pajamas and tea knows the value of food and friendship. A gentle and entertaining drama about healing, treating people as valuable human beings, and finding the truth.
14 July 2026
Trigger warnings: Smoking. Drinking.
Continuity notes: Mari’s hair changed in intensity from scene to scene as well as her exposed roots. Girl could have used a good wig. I know it’s based on a manga, but when Mari was undercover, I just kept hearing a line from My Cousin Vinny, “Oh yeah, you blend.”
It could go from daylight to nighttime during the course of breakfast.
Was this review helpful to you?
