Messy reality
If Only You Weren’t the One is a short yet emotionally gripping romance that explores the complicated pull of past relationships. The story follows a woman whose life is disrupted when a former forbidden lover reappears, forcing her to confront unresolved feelings and difficult choices.What makes the drama engaging is its mature approach to romance. Instead of idealizing love, it focuses on messy emotions, temptation, and the lingering impact of past decisions. The performances feel natural and intimate, which helps the emotional tension land despite the series’ short runtime.
Overall, it’s a quick but compelling watch. Perfect for viewers who enjoy romantic stories that are a little more bittersweet and realistic than the typical love drama.
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I am so angry.
The japanese version of True Beauty lacks the unhinged and hilarious camaraderie from the original korean version, which it's a bummer because the friendship among the kids and how the leading lady learnt to love herself thanks to their support it was one of the best parts of the story. Instead, this version decided to put the emphasis on the romance and love triangle, which was incredibly unnecessary considering the actors got barely any chemistry together.The family dynamics were not only toned down but changed (as I am finding it's the usual move in a jdrama adaptation of a kdrama) and I wish they wouldn’t have. One of the main conflicts' in the original story, it's the FL's relatioship with her mother and the way people were constantly comparing her older sister. None of this happens in the movie, so other than the external conflict of bullying, there's no inner development to be resolved. Which, by the way, it's another thing they changed: the bullies in this are a tenth of the original and there's no confrontation or consequence to their actions.
All of this changes meant that there’s almost no comedy in this rom-com. It's just a romance about a girl who one day found out make up and it made her feel pretty.
Koki looks like a deer caught in the headlights all the time, I don't know if this was a script change or the director's fault but it's like he very loved female lead of the original True Beauty had a lobotomy. And as I much I appreciate Watanabe Keisuke, he had no business playing a high schooler when he is thirty. I'm sorry but this was not good. Miyase Ryubi has a random cameo/guest role in this, and honestly? They should have swap him for Watanabe. Maybe we would have a more compelling love triangle
It does have some nice moments, Tsuna Keito and Sato Jiro being the highlights, but that's about it.
PART 2 REVIEW: https://mydramalist.com/profile/namjhyuns/review/497372
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Wholesome!
The best part of this film was the friends group, whom are literally the definition of "ride or die". Every scene with the entire group was always fun, wholesome and even endearing. There's another good point: a surprising cameo from two big actors that I would have never expected to show up in this film. Ever.Apart from that, the story is okay and well developed but there are certain points that remain unresolved by the end of the film that I would very much like to know since they are source of angst. Shin Eun Soo keeps growing as a leading lady and Gong Myung delivered, as per usual, but it was really hard to ignore he's a 31 year old man playing a high schooler. Especially, when the rest of the cast is in their early twenties.
This is a good movie to enjoy on a rainy day with some popcorn and just disconnect from the outside world.
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Doctor Ameku's detective agency
It's been a while since I had so much fun with a jdrama.Every member of the cast was great, playing each respective character perfectly, delivering great comedic timing in contrast with some more serious and deadpan performances. They all had fire chemistry together. Particularly the leads, Hashimoto and Miura, who played off each other with ease in every scene they shared.
Although, some developments (such as hospital politics) were kinda predictable, the real fun was on each medical mystery, that played as a Sherlock Holmes cast. Sometimes to shocking turn of events.
Much of the comedy lives or dies with the editing, and thankfully this drama understands this and does a terrific technical job on it.
This was the perfect drama to unwind from stress and go with it. I really, really liked this story. And I am kinda hoping for a second season, if possible.
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I liked it.
This was a very lovely drama about a romance between two co-workers who start as fake relationship for one day, only to become friends and slowly starting to fall in love. The biggest hurdle, in their relationship, I would say it's their age difference but the open communication and maturity from both of them, makes it easy to work things out any issues.I like Yukino as a leading lady. I particularly like that she knows herself and it's aware of her shortcomings and strengths. She's also older and experienced, so while Yukino dreams of romance she has her feet on Earth and understands the realities of relationships and love.
Aoshima as a leading man is fun because of his confidence on his love for Yukino but he's also aware enough to have moments of doubt, not about her but about how to approach the relationships and I think that's quite relatable.
One of the small treats from Aoshima-kun wa Ijiwaru is finding out its the sister drama to The Reason We Fall In Love, as it takes place in the same world and even company,
Overall, this was a sweet and short drama to watch if you are looking for something calming.
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A good revenge story
The Glory certainly knows how to hook you in.The production design is damn good. Although the drama doesn't name in which dynasty it takes place but from everything you can see from the clothes to the set pieces and locations, it's clearly the late Ming Dynasty. A really important point of the story that confirms this, it's the subplot regarding a powerful eunuch. The Ming Dynasty was known for how Eunuchs gained unprecedented power over state affairs. The fact the main story of The Glory centres, in part, on the aftermath of capturing all the followers of a powerful Eunuch who angered the Emperor, confirms this is the late period of this particular dynasty.
The cinematography outstanding. I love it when a drama uses light and shadow narratively, to expand the inner turmoils of a character's emotions, this is particularly effective when you are trying to destroy your entire family from within the darken rooms and hallways of their mansion on a bloody, snowy winter. This also makes The Glory a really pretty drama to watch.
Narratively speaking, the drama relies on short and exciting highs and plot twits to capture the audience's attention. Especially as it builds up to capture the root of the family's inner problems. This means as a whole, The Glory might not be as cohesive but overall very entertaining.
As for the performances, this is only the second time I have seen Chen Du Ling in a tv show or film and I am impressed with her. I think she has a talent to captivate trough her performance, no matter if she has to be calm and collected, or screaming bloody murder.
This was also my first time seeing a drama starring Xin Yun Lai and ,to be honest, it was rather disappointing. I am not sure if there was a particular description in this scripts or a director's decision but the he was simply emotionless 95% of the time, which made it very hard to connect with his character or even understand why should I even care for his revenge story. There's being poker faced, and then there's this. And this is not good.
In stark contrast, our main villain and the other family members are outstanding. Yu En Tai (FL's father) absolutely devoured this role by playing meek and slowly but surely showing his true colours; Wen Zheng Ron (FL's mother) is a goddamn shakespearean actress trained to perform in this kind of story as if she was born for the role; and Wan Yan (Concubine Zhou) was a wonder to watch as she moved swiftly among the many traps put in place by our lead.
Overall, I would recommend The Glory for most of the performances, the entertaining and production value.
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A really good mini drama
I am not the person that wants dramas to be longer, ever, but A Familiar Stranger is the exception. I liked everything about this drama, from the story to the characters, and I wish I could have had more time in this world.For starters, the camera work and storytelling was really good and when I found this drama is from the same director as last year's hit cdrama Blossom, it all made sense. The cinematography, the way the production design, costume design, make up and character development are all connected in a cohesive way to tell the story, it's wonderful to watch.
The performances are really good and the cast's chemistry solid. One of the reasons why I would want this drama to be longer is because I would have love to see a more extended character development for each characters, as the resolution to the villain's story seemed rushed. I would have also loved to see more of the leads' love story and their found family.
Overall, this was a really good and fun watch for the weekend.
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Short and sweet
This was a perfectly fine drama full of very easy to like characters who had confidence in themselves and others. Because of this, I think the strongest part of Serendipity's Embrace are the friendships and family relations, giving us a glimpse at how the people we choose are a fundamental part of how we deal with life.The friend group was particularly special and wonderful to watch, and I loved to see a healthy portrayal of women supporting each other and, also, the possibility of being friends with the opposite sex without any romantic entanglement.
Story-wise this was a very sweet and stress free romance but I do think it wasted too much time on the flashbacks to the leads' high school days to establish their "strong connection". I get it, they were meant to be even back then but I am far more interested in their relationship now as adults than days and opportunities already gone.
That said, I was a little disappointed in the use of mental health issues to excuse bad behaviour or troupes that belong in the 2000s, were we left them for good reason. All of these are embodied in one particular character that we could have done without.
So if you are looking for a short and sweet kdrama to pass the time, this is it.
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What was that ending???
For starters, this was a great watch. The production value was outstanding, the clothing design beautiful and the performances exactly what you want from this kind of revenge story, which is subtle and over the top at the same time, somehow. The music and editing could be better but they didn't stop me from enjoying this drama.The main characters are smart, deadly and flirty. Their friends and family members a perfect fold for their cunning ways.
Wu Jin Yan and Wang Xingyue have an explosive chemistry. It's unreal. Every scene they had together got me giddy with excitement.
The villains were not your typical and I found myself equally invested in the part they had to play in this story. Their ending was befitting to their respective arcs and retribution sweet.
It's my first time watching a drama where Li Meng stars in but I am damn impressed by her. She's a powerhouse and I will be looking forward to her future projects.
This is also the kind of drama where nobody is safe and I commend the scriptwriter for going there when so many other don't. That said, if you are going to kill a major character, you can't have a lukewarm resolution.
I have spent the better part of the last hour reading and watching every interview the director, cast and crew gave about this drama because when I finished it watching I was pissed.
This might be controversial because I know this is a well loved drama, hell, I loved watching this drama but what was the director thinking changing the script of the final episode and leaving the story as an open ending? Viewers spent 40 episodes, invested in this characters, hoping for them to have a happy ending, only to be met with a final scene that can be interpreted as reality or wishful thinking. Leaning more on the latter.
A revenge story it's not something you leave open ended. And, yes, I know there's an epilogue and I think it should be part of the final episode not something you release just in case fans might be angry at what you did. This is so unserious, I am lacking words.
This drama was a solid 8 for entertainment and production value until that ghastly final scene, forcing me to drop a full number. They should have known better... and they did. Why release an epilogue if they didn't?
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Mi-soo (Han Hyo-joo) is a doctor studying towards her goal to become a cardiothoracic surgeon and working through her residency. She has a tendency for being a smartass and quick judgement, but it backfires when she misdiagnosed a woman, whose husband she assumed to be an abusive thug. So when the patient takes a turn for the worse, the husband decided to sue.
Kang-il (Go Soo) is the epitome of the wounded hero. A former soldier now turned firefighter and widower. Despite having a great team of friends and co-wokers at the station, Kang-il refuses to move on with his life, carrying the guilt of his wife dying alone while he was busy saving others.
Fate and some machiavellians ways bring these two together. The relationship between Mi-soo and Kang-il didn’t feel forced, their chemistry is fiery since the first moment. Her carefree personality brings a much needed light tone to his brooding, and his way of taking everything serious gives her a newfound weight to every decision she makes and how they affect other people’s lives.
I enjoyed it was Mi-soo who very cheekly and endearingly pursued Kang-il first. That’s right, he was the one being wooed not the other way around. In this film you will find a leading lady, willing to take risks and rejection, but also in control of her life, not letting anyone tell her how to be proper. What’s more, this way she has, actually gets her out of almost all the troubles she starts.
Kang-il’s grief was harder to watch, mostly thanks to Go Soo’s acting, which carried a lot of weight through the film. You could feel his heartbreaking and denial to move on, even when he was clearly falling for someone else. But he had lighter moments too, like when he interacted with his friends or Mi-soo, and then you could see glimpses of the real Kang-il.
The rest of the cast it’s what really made the story so enjoyable to watch. Ma Dong-seok (Police Force 38, Train to Busan) is the adorable and though Chief, who behaves like an older brother and father figure at the same time. A true leader. And then you have Kim Sung-oh (Fight for My Way, My PS Partner) and Hyun Jyu-ni (IRIS, Descendants of the Sun) friendship-turned-romance which is both hilarious and endearing. My favorite part is the cameos from Jung Ji-hyun and Yang Dong-ge, the detectives who befriend Mi-soo at the police station.
Overall, Love 911 was a fun romance with enough gravity to have actual character development and a lovely message about the meaning of happiness and living your life.
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This review may contain spoilers
It all ends the way it started. With grown men getting a beating from a tiny little woman, but this time around there’s two of them and the mobsters still run in fear and tears. Also, they were their babysitters.Personally, I through-fully enjoyed the mobsters storyline from beginning to end, and it’s so like them to get conned and end up in embarrassment yet again. In their defense, they are like a phoenix that keeps on rising from the ashes, again and again. And despite their ways, they were kind of good guys once you got to know them and kept them in line.
Another incredibly funny storyline were the neighborhood kids, who I was sorry to not see at Bong-soon’s wedding, and just kept brining laugher with every scene they were at. Their journey was equally enjoyable as the mobsters, sometimes even more because theirs was a love story with their Noonim. And I love how they went to have a little talk with Min-hyuk to know more about his intentions with their boss. I love even more than he had no idea Bong-soon had this group of high-school kids patrolling the neighborhood too. HAHAHAHA!
Also, it was good that the show clarified that Mom didn’t use physical violence against Dad *that* time around. I still believe that the show didn’t portray this woman in the right way and that her journey wasn’t all that. She’s still the bully she was at 19, the only difference is that she doesn’t use her fists. Should I be applauding this? And I would have like for Dad to make an stand other than to leave the house, for example, how about a real talk between them? He was such an endearing, honest and good character thorough out the show that I grew to love him as I love our leads. He is precious. It gives me hope that the last scene between him and Mom was much more peaceful than usually when Gook-doo’s mom was involved.
I’m also happy awesome bro Bong-ki got some screen time too. This was such a good character, just like Dad, and I was sorry we didn’t get to see more of him. I also think his storyline with Hee-ji was a little rushed at the end. And it doesn’t seem like it because Bong-ki spent a lot of time healing broken bones (thanks to his sis) but this relationship was really put to a test: Gook-doo found out not only that he had been lying through out their entire lives by keeping Bong-soon’s secret but also that his girlfriend was attracted to his best friend. So I appreciate how their friendship remained strong even after everything they went through.
As for other characters like Secretary Gong and Mr. Oh, they were another great comedy act. Especially when they were together and I love how their bromance was born by getting to know each other better through their shared experiences with Bong-soon’s abilities. Pffft!
Finally, Min-kyuk really changed through the story: started as a lonely guy looking for protection from his own family and ending up as a man with a family to protect. He was smart, honest and assertive from day one, and not once he tried to change Bong-soon into something she wasn’t. The greatest attribute Min-hyuk had was that he never made Bong-soon feel that she had to hide from the world, what’s more he even encouraged and helped her to be more like her true self and come into her powers. He always tried to be there for his girl but was more than willing to be a proud onlooker when the time called for it and let Bong-soon do what she had to do.
Bong-soon’s journey was also something to witness. When we first met her she was hiding from the world, afraid of her powers and by extention herself. These abilities she was born with had made her an outcast despite her spunk and outgoing personality, she was confident but had insecurities. Some of them born out of crush and others from the idea society holds on how a woman should be and behave.
I liked how the show connected her personal life with the city’s problems, because in a way they are one and the same, by having her best friend being kidnapped by the resident psycho. It was a good move since she was already gaining the confidence to do more with her powers by watching the news, her interactions with the mobsters and the neighborhood’s kids and Min-hyuk, who knew from day one about her powers and didn’t rejected her. He thought she was sexy! All of these factors made Bong-soon want to become the heroine of her life (beyond a video game) and I really loved to see her grow into a truly strong woman ready to take on the world.
Strong Woman Do Bong Soon wasn’t a perfect show but it was really entertaining and sweet, made me swoon and laugh out loud more than twice per episode, and I’m going to miss these characters and their shenanigans!!
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This review may contain spoilers
Long live the sisterhood!
I have started watching the chinese drama Ode To Joy because I heard a lot of good things about it and I was curious as to how they would represent a show with five leading ladies. Especially because in the past I have come across some really silly, self-centered, only seen by her parents as marriage material or man-dependent women characters in chinese television. Of course none of this wouldn’t be a problem for me if such woman has an actual storyline that defines her beyond her romantic interest but that was not the case. So, I approached Ode to Joy carefully but hopeful because the whole premise of the show is that this is a story about five strong-willed and independent women making their way trough the world on their own terms.Our story takes place in Shanghai and Ode to Joy is an apartment complex. Floor 22 has five residents: ANDIE, a smart and aloof business woman. Next door there is FAN, YING YING and GUAN sharing the space. And at the end of hallway lives spitfire XIAO XIAO. These are our leading ladies, they could not be more different from each other, and yet due to a elevator malfunction and shared loneliness, the five quickly form a bond that takes them from acquaintances to sisters.
The reason behind why I chose to write this review from episode 01 to 16 is because up until now there has been no romantic entanglements. Sure, there was that one nasty boyfriend but it was only a plot devise in order to push the friendship between the ladies to grow even stronger. And I can really appreciate a show that takes it’s time building up the friendship between women and trying to make us understand who these people are, instead of throwing us into a full-time romance from the set-go. This way we get to know our characters and fully understand their actions, their motivations, ambitions and dreams. On this the show has a slow pace but there’s always something happening, leading up to a storyline that eventually will play a bigger part in the life of one of the girls and by association on the others.
ANDIE (Liu Tao) has a very interesting storyline. Owner of apartment 2201, Columbia graduate and Wall Street genius, she couldn’t do better professionally. But we slowly find out she doesn’t like to to touch, and this social anxiety has crippled her in more than one way when it comes to building human relationships outside and inside the office. Until her neighbors come into he scene, her only friend is TAN (Jing Dong), who also happens to be her boss and is helping her find her brother who she lost touch with after they were both sent to an orphanage at a very young age.
But Andie also has an online friend, who she finally meets at one point between episode 5 and 10, and so we are introduced to who is probably the first real romantic interest of the show. WEI (Ding Yong Dai) is a middle aged man who so far has been trying to gently break down Andie’s walls in order to get her heart. Is she interested? She cares for him, sure, but she has her reservations and I think she’s right to have them. It could be due to her fear but it could also be her instinct telling her something is off about Wei.
Personally I don’t know if this character is truly sincere with her, and very much like Andie, I find myself doubting him. It feels like we are not getting the entire story and something will go wrong any minute.
FAN (Jiang Xin) works on the HR department of a big company. She is a good person with those she cares about, she also has a lot of experience on life and with people so she actually gives excellent advice to her friends on floor 22. But, at the same time, she’s also very interested in getting married to a rich man in order to achieve her dream of ending all kind economical struggles. My first impression, and I am going to be completely honest, was that she is a gold digger but the show slowly let me see through her and understand that she doesn’t want to a kept woman, she wants someone to share her burdens and struggles with. But she is going for the wallet instead of good intentions or heart, judging men for what they wear or the kind of car they drive. I can understand what her character is trying to say: having money makes life easier, and to a point, in we are being completely real, she might be right. When you don’t have to worry about things like getting enough money for rent, groceries and such, it leaves time to enjoy the things you like and give yourself presents. But is the way she’s going about it that is worrisome.
I’m particularly looking forward to see the development of her friendship with WAN (Zhang Lu), the owner of a small company and her former classmate who just moved to Shanghai in order to expand his business. It’s clear he is very much interested and she is letting him believe he’s got a chance, I wonder if it’s true or if there are other intentions.
GUAN (Yang Zi) unlike the other two is a recent collage graduate who moved to Shanghai in order to pursue a career. She’s probably the most introverted and soft-spoken of the girls, slowly trying to push through in a job she doesn’t like at all and in which she has to work overtime almost every day. Even though Guan is very capable and I’m sure she would do just fine on any job, she cares deeply about what her parents think of her and this, I’m guessing, will be a important point in her story. They are the reason why she choose this particular job and this particular company. Her father wants her to work at a big city and a big company in order for her to gain life experience, on the other hand, Mom wants her to comeback home, get a easy job and get married. On this, I agree with Dad since she is indeed rather green on life and job to the point of not knowing much about human dynamics or realizing when someone is giving her attentions in a special way. Guan has taken Andie as her role model and with he advice of Fan, you can already see her slowly growing into an amazing, caring and smart young lady. Looking forward to the day she actually gets to work on something she likes.
YING YING (Qiao Xin) is the most naive to the point I sometimes wonder if she’s not plain dumb but then BAM! she surprises me with a smart move and then I have to apologize to her character because she did so well. Doesn’t mean she won’t screw up again, this character is the kind that learns through crashing and burning which -as you can imagine- can be quite frustrating but her innocent personality makes up for it. I would say she will have a lot of growing up to do through the entire season in all aspects of life.
Finally, but not least important, we have XIAO XIAO (Wang Ziwen) who has recently came back from studying abroad (she was actually partying) under the request of her mother. Turns out Mom is afraid her father will name Xiao Xiao’s half brother the heir of the company. Yeah, she’s rich, well connected and crafty. Her story doesn’t concentrate much in the family drama, tough, it centers around how she’s building up her reputation as a business woman who is capable of taking the lead in her father’s company if ever needed to. But to be completely honest I’m not even sure if she truly wants to inherit he father’s company… I’m not even sure if she wants to work at all. It feels more like “business” is the only language her family understands, so she communicates her worries and desires in a business like manner, and making strategies to look good in front of her parents. Is she a fake? No, I don’t think she knows how to properly express herself when it comes to the people she loves and it’s only until you get to know her that you understand how caring she is for everyone.
I’m really excited about the new romantic storyline she’s starting because I want to see more personal development from her, apart from the sisterhood, and a romance with DR ZHAO (Wang Kai) seems like exactly what she needs. He takes no BS from anyone and she is full of it.
Overall and so far, Ode to Joy is a really good show with strong storylines and characters, and a slow pace where you learn something new with every episode. Like peeling an onion, one layer at a time.
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The friends we make along the way.
I was fully expecting an office romance but I found so much more, as a matter of fact, this aspect of the drama takes a step back and portrays a more real and nuanced reality about how corporate South Korea operates. I was pleasantly surprised.If I had to pick a genre for this drama, instead of office drama, I would go with slice of life instead because -at the end of the day- that's what it is. A portrait of adulthood and what's the best way to move through the world for each character. That happen to work for a big company.
The dynamics between the characters never get melodramatic or borderline makjang, instead we are presented people with different ambitions, social status, experiences. And they all merge in their common goal.
I really liked the friendship aspect of this drama, it is portrayed in a very mature and wholesome way, among people of the same age but also among different generations. They communicate with each other properly and respect what the other is working towards in their respective personal and professional lives. Even when they have their differences, they still are there for each other through everything.
Another highlight of the drama was the second female lead, portrayed by Moon Soo Ri, who is levelheaded, kind and humble. Her story arc was really fascinating to see develop in the screen as we think, at first, she's a woman who puts ambition before anything but by the end of the drama we can see there's more her decisions.
Technically speaking, the drama also excelled with the color palette chosen for each location/set and visually deliver what the characters are going through. A very nice complement to the solid acting given by everyone on this show.
If you are interested in dramas of these characteristics, I think RACE might be for you.
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Soldier and Spy.
I imagine intelligence work is probably very much like portrayed in this drama. No thrilling chases or big action scenes, but rather a group of weary men, drinking tea or alcohol, in a series of conversations that circle an enigma. This doesn't mean the story it's not fascinating to watch, after all we are looking for a double agent who is more likely to be among our lead characters than in some far away location pulling at strings.This is a slow paced drama and it will ask things of you as a viewer. You will have to pay attention to details in the story because they might be important later on but, at the same time, you have to keep an eye on the bigger picture these characters are trying to paint. It's easy to get lost in the small things and miss out on the glaring obvious. The narrative can be a little confusing in the first few episodes but around episode 5 to 7 things started to take form as we got all of our players on the board, with different missions and objectives.
The strongest point of this drama is probably technical aspects. Superbly atmospheric in the hands of director Lu Yang. His camera work is implacable, its moves sinister, the rooms are filled with uncertainty, and the characters warily circle around — well, each other, really. The Wind Blows From Longxi looks, sounds and feels exactly right. The drama is faithful to the time period in all aspects, from the locations to set designs. The costumes, hair and make up are incredible tactile and you can feel the roughness of piece of fabric as you watch a scene. The cinematography, tho, it's the true star. The use of light and lenses in this drama are planned to the tee. It enhances and hides the characters' personality and true intentions, giving you clues through visuals instead of exposition. It's perfect.
The performances from all the cast are on par with the production, but particularly Chen Kun and Bai Yu. They prove to be at the top of their craft in this drama. The story asks a lot of them to be portrayed in a whisper, almost. There are times when physical conflicts happen and they are really well done but not as interesting as what came before and after.
I am aware this is is the kind of drama that it's not everyone's cup of tea, but I think you should at least try a couple of episodes and then decide because, I promise you, it's worth it.
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Lighthearted comedy about serious issues
At first hand, Rikokatsu comes across as a lighthearted comedy but I would think it twice before writing it off as just that. Personally, I think this drama presents itself as a easy to watch rom-com but it is full of social commentary about Japan's current situation in relation to their low marriage rates and high divorce rates among older people.Saki, our leading lady, is a competent fashion magazine editor who comes from a progressive family. Because of this, she's not only committed to her work but values her independence and looks a partner who will respect these attributes. On the opposite side we have Koichi, leading man, who comes from a military family with traditional japanese values. Love triumphs over their differences, at the beginning, but cohabitation makes it impossible to look past some blaring problems in their every day life.
The drama never makes Saki say it out loud but she's clearly a feminist, this is one of the main reasons that catapults the problems in their marriage. Koichi expects from her what his mother did for his father: follow the man's rhythm of life, make all the meals, cleaning, etc. I want to make point out that Koichi it's not misogynist because he does respect Saki and sees her as an equal, in fact, when she calls him out on things he changes his behaviour but it's clear that it never occurred to him that a marriage could look different than the one his parents had. On the other hand, Saki doesn't know how to adapt to some of Koichi needs or behaviour that are absolutely normal as a couple because she's used to her parent's marriage where each person had their own thing to the point of not having family meals together once at home.
I found their situation as a mirror of Japan's society as a whole. Cosmopolitan, interesting, independent but also with a deep rich ancient tradition. These two characteristics seem to complement each other well, at surface level, but the social issues in the country it is proof of the imbalance between the two.
I mentioned that Japan currently has a high divorce rate among older people. Marriages of decades that "suddenly" crumble. Well, both leads' find themselves in the situation of having to deal with their parents' divorces because of all the reasons I wrote about before.
Most of the drama it's about a couple finding a balance and accepting there's not one way to be a family. That marriage can look very different according to the needs of the two people involved in the relationship.
Technically speaking Rikokatsu it's really good. The cinematography really beautiful and camera work a mix of traditional and more dynamic. The performances are really good from all the cast. The leads, Kitagawa and Eita, are full of charm and fleshed out their characters in a compelling way. There are no bad guys, just two people trying to figure out life.
For all of these, I fully recommend Rikokatsu.
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