roddib

It's endlessly amusing, isn't it? Howcome they don't watch something else instead? It isn't as if this was the only drama produced this year. Are these people tied to their chairs, in prison or in the army where they can't choose? I think this negativity and the target for it have something to do with other things in their life, not this drama or any other drama.

Tomorrow

So many haters before the drama has even started..... LOL

https://koreajoongangdaily.joins.com/2022/01/20/entertainment/television/Our-Beloved-Summer-Top-TV-shows-on-Netflix-Jan-19/20220120152109865.html

It is not the perfect drama (if such things exist). I am growing very fond of the cinematography in particular, the slow pace and the loveliness of the characters. I just wanna have a workroom like Ung's! I feel at ease and at peace with this drama and I think this may so with many and explain its success. There's a lot of free-floating anxiety around, these are pretty dark times we're living at the moment. What I didn't like about the drama are the continuous flashbacks. The actress playing NJ is excellent, and she's only 20. I think we'll see a lot of her in the future. All of this is just my viewpoint (pls don't feel the need to attack).

Series like All of Us Are Dead and Hellbound tend to have a short peak at the top. Series like King's Affection, Hometown Cha Cha Cha and Our Beloved Summer stay in the top 10 or top 20 for a longer time. They are steady sellers. This is Netflix own data, the article was published in KoreaJongAngDaily not so long ago. I welcome k-drama world domination wholeheartedly, its supreme compared to what else is out there.

Agreed. There goes ItsJr, blocked.

the direction where they are taking k-drama seem to be: more explicit sex, more shock effects, less depth in characters. The licensing model (showing domestically produced k-dramas in Netflix) works wonderfully for me. I just really value the k-drama exceptional qualities which might get lost in Netflix productions. *Might.* I don't know whether the offering of licenced domestically produced k-dramas will be lessened in Netflix, due to the success of Netflix produced k-dramas which mainly are reaching younger audiences. We'll see. Opinions will definitely differ according to whether zombies and gore are fave genres, or everyday life/workplace kdramas and politics/society themes. I just prefer dramas like Chocolate, Once Again, Misaeng and Good Manager to dramas like Sweet Home and Hellbound. I hope we still get both kinds.

I was definitely liking the way this was done and drawn to it. However, in the middle it got too depressing for me and I had to drop it. Also, I agree that it seemed very odd and illogical that he had a chance to become a baseball professional given his huge problems both in the field and at school. Maybe I'll try to finish it some day. Not a watch for a relaxing Sunday evening.

The first episodes are their lowest point. This is a very warmhearted, healing drama. All the characters grow slowly. They begin to see their mistakes. I really like it, so comforting to stick around with the characters for a longer time. No wonder it was very popular when it first aired. I did wonder during the first episodes if it would stay depressing (not needing that right now) but it's not at all like that.

A lot of people watch but don't see. Or they are possessed by an evil demon whenever their hands touch the keyboard.

Drama specials are so good to watch when full lenght dramas start to drag and haven't decided what to watch next. I really liked this one, it's light and optimistic. The leads are very good. 8.5.

I dropped this one, the acting was so bad and it seemed to just fish for laughter on cheap jokes. Maybe it gets better but not returning to finish it.

This one's really lovely and enjoyable. Sweet and funny vibes. Strongly recommend. 9/10

I watched this without any expectations. It turned out to be entertaining and fun. Interesting too, about tv shows production. Not painting anything as rosy or heroic even when located in an actual network and talking about existing shows. Another good thing is that it ended when it was just about to become boring. I didn't fast forward much, which is for me a sign that a drama was good. It's true that this could have been more tightly thought out especially in terms of goals and directing. Gong Hyo Jin and Kim Soo Hyun were very good as they always are, and IU was great as Cindy.

Like many Hong Kong movies, this is all about atmosphere. Nothing much happens and it's to some degree open ended and enigmatic. It's up to the viewer's state of mind whether it's cherished or not. Cinematography plays a big role. I chose this because of Go Jun, and I feel that for someone enjoying small indie films this is great. 8.5

Namgoong Min and Moon Jung Hee are great here. Min is on fire in this role, displaying an emotional rawness we tend to only get small glimpses of in his full lenght dramas. It's a sad story about how the strong ideals and visions originally leading to a path have to give way to everyday struggles and petty politicking. Despite the sadness, very worth watching. 8.5

What a disgusting thing to say. I think 2PM always puts longtime fans in a priority position in ticket sales. The understanding has always been that their audience is a bit more mature. Hence stages like Good Man were possible in the first place. Ageism is ugly, but joke's gonna be on you before you notice. Karma is a bitch.

I didn't know, thanks so much for this information!

ain't that true