ZDorama
USA
The tale of a determined detective who switches bodies with the psychotic serial killer she is chasing took the best acting efforts from both Haruka Ayase and Issei Takahashi, and I have to say that by the show’s conclusion this may be some of the finest acting I’ve ever seen by either of them!!!
Also props to Kazuki Kitamura, the brash, arrogant and yet highly intelligent and motivated detective Mitsuo Kawahara who is always hot on the heels of the body-swapped duo as they try to wrangle themselves out of their predicament- This was a character that I never quite knew what to expect from and he surprised me every time!
An A+ drama that had me on the edge of my seat as the show took you through its elaborate twists and turns culminating in an entirely satisfying Wrap-up!!
I was excited about this ever since first hearing about it in the new drama announcement, blown away by its first episode and throughout its entire run, Tengoku to Jigoku has always been my #1 favorite drama on the air! A definite 10/10!!!
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Yui and Abe’s acting skills are impeccable and the way they play off each other is captivating! Actually, everyone was really great, such natural and organic scenes which were composed mostly of dialog, GREAT dialog which grew and simmered like real conversations… so realistic, at times if seemed like I was watching a hidden camera video recording of some family’s life!
Watching this has really reinforced my Yui Natsukawa love, man…she was so doggone pretty and delicate in this one, not at all like the tough realist Natsumi Hayakawa (her character in Kekkon Dekinai Otoko), but both really great characters. And of course, no matter who she plays, her characters always have those signature dimples, and in fact, there's a scene where Mother (played excellently by the awesome Kiki Kirin) even comments, "Oh, you have cute dimples!" LOLOL
PS. Was really cool to realize the line “Aruitemo, Aruitemo” used as the title of this movie came from none other than the immensely gorgeous Japan chanteuse Ayumi Ishida’s song “Blue Light Yokohama”, how cool is THAT!!!
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I ‘m a HUGE Mei Nagano fan, and have been dying to watch this movie ever since it came out late last year. With the online release of it this past month, I was crossing my fingers that some blessed subtitling team would pick it up, and just today I was overjoyed to find that a translating team picked it up and released subs for it!!!
WELL, I wasted no time sitting down to watch it, and I say without reservation that I loved, loved, LOVED it!!! I had always known the briefest of plot details: That Satomi Ishihara played a mother with a young girl who hopped from husband to husband dragging her child along, but I had no idea that that would be only the mere tip of the iceberg of what a rich, detailed and lovingly crafted story Baton truly was!
I simply adored this movie and was kept quite intrigued throughout the show by its little twists and turns, surprises and reveals, and though perhaps the ending might be somewhat predictable, I found the entire story to be wonderfully wholesome and sweet as any I've seen in years!
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Little dialog is said during the shows outside of Tina Tamashiro’s gentle narration introducing the charms and specific allures of the places she goes to, and the rest is simply wide shots of her walking around the town, taking in the sights, peeking around corners, and investigating hidden pathways...and then it's time to have her ekiben meal, exclusive specialty bentos sold at stations and traveler stops, it in itself another wonderful travel-specific point to share!
Not sure I’ve seen another drama like this- You as the viewer are really allowed to sit back and take in the sights, making you feel like you’ve been on the journey with Tina all along.
As someone who hasn’t traveled much, this drama is a wonderful way to see and enjoy the beauty of Japan all from the seat of my desk, however in one poignant summation, Michiko sagely remarks:
“You can’t find it just by Googling.
These are sceneries that can only be encountered by passing through it.”
-YUI
A gentle encouragement to couch potatoes like myself to actually get out of the house and go out into the wide world and discover what’s out there!
As Calvin once said to his tiger buddy Hobbes, “It’s a Magical World, Hobbes…Let’s go Exploring!!”
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I loved how DENSELY packed this drama was, so much themes, motifs and mini-arcs going on within its borders… I had no idea how many ideas they had ‘bookended” until, one by one, they all wonderfully resolved by the show’s last episode.
Not just story arcs, but the characters themselves- absolutely NO ONE was wasted in this show. Every character who is introduced in this show, from the Cops, Criminals, Businessmen and Con Artists, all of them “go” somewhere within the story, and I was impressed how they managed to tie it ALL up for a HIGHLY and WONDERFULLY satisfying conclusion!
Though in my first watch I noted how Actor Teruyuki Kagawa always played these powerful bad guys as to be almost typecast, I MUST say that as the show went on and I saw how much of the show's "stakes" hinged on believing the power and EVIL of the antagonist, I realized there were few actors who could carry such a HEAVY role with such command, and in it, he was BRILLIANT!!!
And I can’t finish this praising of Roppongi Class without gushing about incredible Yurina Hirate, the sole person whom, to me, was the absolute “heart’ of the show, and it was so sweet to watch her go from a flighty and arrogant waif to someone who becomes the rock of the group!!! She became one of the most vibrant and DAZZLING characters EVER! I simply can’t imagine ANY other person playing Aoi!!
This is a wonderful, wonderful show, one that I will be rewatching for years to come!
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I’ve always loved movies where a team of eccentric people who are aces at “what they do” join together and execute perfectly planned heists, like that team at the beginning of that first Tom Cruise MISSION:IMPOSSIBLE movie, the HUDSON HAWK museum thieves, heck, even OCEAN’S ELEVEN had that spirit I’m talking about…well, CHEERFUL GANG just exudes the same stuff! Dressed in loud, flamboyant clothes, the look of the gang resembled a Sentai Group that even Ishinomori Shotaro would be proud of!
Okay, I’m off to go search for Kyoka Suzuki pics.
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This review may contain spoilers
When I picked up the movie Kuki Ningyo (Air Doll), the story about an inflatable sex doll that comes to life and goes out exploring the world when her owner is at work each day, I thought I was in for a cute, light-hearted, quirky comedy...BOY was I wrong about that!While Air Doll does have its quirky moments, and Korean actress Doona Bae is extremely adorable as Nozomi, the sex doll come to life, this was much much more than a light comedy. While following Nozomi's search for the meaning for living and happiness, she discovers the world and people around her are just as much in confusion about the very same things as she is. When she proclaims to a lonely old man that she is "empty inside" (as she's full of air), he sadly notes that a malady of that kind is not such a rare thing for people.
As she searches deeper and deeper into the answers for her existence, we see Nozomi's wide- eyed innocence slowly turn to sadness and detachment as she is faced with the reality of "real life" and as if to punctuate how bitter living can be, we are also given insight into the people around her, where we realize Nozomi is just one of a thousand people coping with their own personal hardships from day to day.
Without giving away any spoilers I have to say that the movie ended on SUCH a somber tone that when it was over, I just could NOT shake off this feeling of utter loneliness! That's quite a movie to make me feel like that! Ahhhh, man, I'm depressed! Somebody better give me a comedy, QUICK! Time to re-watch "Summer Time-Machine Blues" to pick me up!
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Another GEM From Bakarhythm
Just wrapped up Brush Up life, a drama with the similar premise of another Bakarhythm drama, "Suteki Na Sen Taxi ", this time about a woman who, at death's door, is given the chance to be reborn and re-do her life all over again...As expected, with such a premise, this show was simply and utterly AMAZING!From the get go I was entertained by the way main character Asami Kondo (Sakura Ando) took on the task of reliving her life with the intention of getting good points for her inevitable afterlife, and at first, the show was very wacky indeed! But as the show went on and the stakes got higher, what developed was an introspective and HEARTFELT drama, one that had me totally engaged and ENTHRALLED all the way to the end!!
Lots of opportunities for wackiness, but what really came through was the love of family and the power of friends and FRIENDSHIP, especially the kind you make when you are very young and carry with you throughout your entire lives.
This show made a point of how precious these kinds of things are and are meant to be cherished and not taken for granted!
As those who've seen Suteki Na Sen Taxi's more sombre episodes, Bakarhythm has an impeccable talent for mixing the most outlandish ideas with some of the sweetest and touching moments, and Brush Up Life was yet another gem!
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The Loan collector is played with witty delight by Miura Tomokazu, whose character of Fukuhara is a life-loving person, and his constant chattering about this and that is reminiscent of Charles Grodin in Midnight Run or Kazama Morio in Instant Numa! The hapless debt-ridden man he eventually employs as his road companion of sorts is played with glum moroseness by Odagiri Joe, here rocking the frizziest hairdo ever seen on an asian man! As Takemura, he's a young man who's always felt like luck hasn't been on his side. Abandoned by his parents at the age of 5, he's always looked at life as a series of let downs and broken promises. But through the course of their walk, he begins to see in Fukuhara the father figure he's longed for all his life.
Don't Worry though, the Movie isn't as dark as all that, the story is played very lightly, and, like I mentioned earlier, is pretty much a comedy however you look at it. But the twist and turns the two men go through, the fun and interesting eateries, the fights and the late night-talks all add up to a very sincere and thought- provoking film.
At one point Fukuhara takes Takemura to meet a lady-friend of his named Makiko (played by the ever-stoic Koizumi Kyoko) where they can stay for a few days and it's here that Takemura meets her niece Fufumi, played by the excitably genki Yoshitaka Yuriko: SUCH a cutie, Special mention MUST be made of HER! From the moment she enters, she's stealing the scenes, going off portraying her patented "Woman/Child" girly-girl, the kind that is sooooo cute and ditsy as to border on Mental incapacitation! With her one-of-a-kind high-pitched and scratchy voice, can ANYONE do this better than her? LOL!
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From the get go we see Erika duked out in the most salacious of outfits a la red garters and panties, and even as I was marveling at the sight, thinking she’d really upped the notch of sexiness, she was moving on to the next big “Heart Attack” moment for me, and the depravity didn’t stop there! By the time the movie had gone about halfway into the story, I has seen Erika in just about every imaginable sexy scenario, leaving me with an open mouth and glazed look on my face, thinking, “This girl sure knows how to generate a COMEBACK MOVIE!”
Like I said, I initially checked out this movie to see Erika as a model wearing model-type outfits, and I am happy to say that in that, they wildly succeded- every scene is chock full of Erika in tight flowery bikinis, lacy lingerie, svelte suits and sultry dresses. I was in screencapping heaven!
Sadly, as the movie’s story progressed, Helter Skelter began to be less a tale of the scary world of plastic surgery and more into a decidedly “sci-fi” genre flick (no “regular” plastic surgery here, there operations are executed with strange Orwellian methods with side effects that ring more Horror than Drama!) and by the time the backwards-walking midgets came out (for reals, yo.) I knew this movie had turned into a David Lynchian Psychedelic Trip and from there, my interest dwindled…
Too bad, the first half of the movie seemed to be grounded in a very realistic backdrop and I thought it was going to be a human drama study about the pressures celebrities have and the lengths they go through to stay in the public eye (I guess that is the message, in a twisted way), having Helter Skelter turn into another arthouse-y project just left me disappointed, and Sexy Sawajiri Erika aside, can’t say this show has much more that I’d go back for. Though I WILL be back for said Sexy Sawajiri Erika, you can best bet THAT!
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Despite its abrupt (in my opinion) conclusion, I really loved the journey of these two guys set out for revenge and murder who meet two cool and savvy girls who happily join in on the ride, and I even liked the way they tied things up in the end with a nice little bow!
Of course a big part of my enjoyment of this drama came from the saucy Mayu Hotta (as well as Yui Sakuma, whom I only JUST realized was Yuka in Jikuu Tantei Oyu!), the scenes with the boys interacting with them really made the show!
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I have to say that I pretty much guessed the plot of Letters from Kanai Nirai right away- a few years ago, there was a essay on NPR’s “This American Life” that told the true story of a correspondence between Mother and Daughter that was almost exactly what transpired in the movie...though that ended on a more bitter note than the Aoi Yu film which was filled with warmth and love.
Aoi Yu, she’s still amazing me as always!
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Man, I have just finished watching the most awesomest movie! Years ago I saw a super fun episode of Kuwazu Girai featuring Okada Masaki and one of my very, very favorite actresses, Aoi Yu, who were at the time promoting a movie called Raiou (The Lightning Tree) and the couple was so much fun and seemed to get along so well that when I found the movie up for grabs, I downloaded it right away!
First thing I gotta say is MAN, this movie is NOTHING like what the synopses I’d been reading had indicated- far from a typical romance separation by class, Raiou took that basic premise and took a MAJOR left turn with it, turning the movie into one featuring not only romance but Action, Adventure, and Human Drama- Beyond the tale of a high class young nobleman falling in love with a peasant girl, we’ve got the male lead Narimichi (Okada Masaki) as a prince plagued by illnesses that not only make his sickly but prone to bouts of delirium as well, meeting Rai (Aoi Yu), a gruff wild-child raised in the mountains by the assassins who stole her away from her family when she was just a baby. Put these two together and you’ve got a whole new tale on an old tale!
And the second and probably most important thing about Raiou is the awesome acting, ESPECIALLY on the part of Aoi Yu, my GOSH can this chick ACT!!!! MAN, her scenes were always so gripping, emotional and intense- I have to say that by the end of the movie, I was just DRAINED! Man, NOBODY sells a character better than her, NOBODY! What will this girl do NEXT?!
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I've loved actress Eriko Sato ever since her mouth-watering portrayal of Go Nagai’s salacious super-heroine CUTIE HONEY, but after that, I didn’t see a whole lot of her besides a great appearance in the Matsuoka Masahiro drama YASUKO TO KENJI (where she played the Martha-Stewart-ish perfect girlfriend Ai against the harried Ryoko Hirosue in a battle to win Kenji’s heart) …
When I was finally able to acquire a copy of Funuke Domo, Kanashiki ai wo Misero I was PLEASANTLY surprised to not only see Hiromi Nagasaku in it- but ERIKO SATO as the HEADLINING actress as well!!!! Rounded out by actors Masatoshi Nagase and Aimi Satsukawa in an eclectic ensemble cast, I KNEW I was in for a GREAT SHOW!
Think SEIGI NO MIKATA with a decidedly violent and sadistic slant with more sexual innuendoes and you’ve got FUNUKU DOMO- Along with Aimi Satsukawa, Eriko gives one of the most electrifying performances of her career, and by the film’s end I was just WALLOWING in satisfaction-This ROCKING movie is DARK, DARK comedy at its absolute crackling BEST!
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Ishiko to Haneo: Sonna Koto de Uttaemasu?
2 people found this review helpful
Everyone in this show was great, from the spazzy Oideyasu Oda, to the “puppy-dog nice guy” Eiji Akaso, and the doddering but kind and thoughtful Masashi Sada, but the duo of Tomoya Nakamura as Haneoka and Kasumi Arimura as Shoko might be the best pairing EVER!
From the beginning it was hilarious watching the two butt heads and bicker about their very different sensibilities, but it was even better as the two grew to respect and look up to each other, as as the show progressed, they became a true “ii combi” who, when partnered up, became a team no one could stop!
A drama that really made me feel good, and I’m sure you will too!
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