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Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.

Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.

Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.

Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.

Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.

Left alone on a trip to Hong Kong, Tomoko, a sales woman from Japan finds herself the victim of a purse-snatching. The police arrest the man she points out, but it turns out to be the wrong person: a young Korean man named Ji Hoon. Despite his anger and humiliation, he takes her out to dinner since she has lost all her money, and in return, she agrees to model for his amateur film. What follows is a magical and romantic two days. Upon returning to their respective countries, Tomoko must return to her nine-to-five job and Ji Hoon must resume studying to join the family business rather than pursuing his dream of becoming a film director. But soon the two begin to email each other and rekindle their relationship despite the distance and obstacles between them. Marking the very first time in television history that a drama has been co-produced between Japan and South Korea, the story shows us that love has no borders.

Both of these dramas fall into the group of "growing up, slice-of-life, love and friendship".
It's a while since I watched When I fly ..., but I remember it left me with a strong impression, as did You are Desire.

The main similarities between these two are career women meeting younger men, and the challenges the "opposite age gap" leads to.
Where "Encounter" has a bit more plots to it, Sunshine by my side is more "slice of life", I would say.

Booth series contains action and fight scenes, friendship and struggles, but the main reason I believe you might enjoy Bloodhounds if you liked D.P., is because they both contains some underlying more serious topics as well.

If you got totally charmed by the sweet emotions in Amidst a Snowstorm of Love, you will likely enjoy Road Home as well.
My impression (from my memory of these two series), is that the lead couple in Road Home is a bit older than the lead couple in Amidst.
Both of the series touches upon adapting and evolving when finding love.

If you like dramas with strong, independent female characters, like the female protagonist in Will Love in Spring, then you might also enjoy Rising with the wind.

Both of the dramas touch upon encountering love and facing big decisions, although in different ways.

- Noona's Romance (Older Woman / Younger Man)
- Well established, successful hardworking FL
- Office Setting (the ML comes to work at her office)
- ML falls for her first.

Both are focused on the family relationship and all the dynamics between the family members. The lead couple has interesting dynamics and great chemistry.

Both series revolve around two women and a lot of different characters.

The both female leads are great friends and they love eachother alot. They face different circumstances together.

Love triangles, cheating and the confused MLs

At times second FL is jealous of the main FL then she understands her lateron.

Working environment and fast pace lifestyle is shown in both series. Very similar vibes.

Very similar.
- High school setting.
- Both Male Leads are athletes.
- Both Female Leads are writers.
- Male Leads are nice guys on the surface but an arrogant scroudrels in reality.
- Male Leads also scare that Female Leads expose their bad tempers.
- Male Leads try to blackmail Female Leads.
- As they interact they are drawn to one another.
very very similar.