Reviews

It's been a while since I've had so much fun watching a Kdrama!

OMG, this is so GOOD.

From the very first episode, this drama will have you hooked.

There's something really special and unique about Mr Queen, I've seen several historical dramas but this ones a bit different. It's purely a comedy with a twisted interesting storyline to keep you captivated.

We follow Kim So Yong (Jang Bong Hwan) as she - or he? haha - discovers secrets within the palace, keeping viewers on their tippy toes. However, it's never too heavy as humour is sprinkled throughout scenes. It's easy to watch and although the episodes are long, they seem to fly by so quickly because of how entertaining they are.

The acting is something I must mention, both Shin Hyesun and Kim Junghyun are great for the characters they play and portray them perfectly, the director couldn't have picked better actors for those roles. It's like when Shin Hyesun is crying, I feel depressed and when she's content, I feel happy! The main characters all have their own story and dark secrets that we slowly learn about along the way. I'm was particularly invested in the Queen's true self, she's very interesting and there seems to be many dimensions to her character - not Jang Bong Hwan but the actual Queen.

I've been pleasantly surprised by how good this drama is despite my high expectations!

I loved how the story played out and I hadn't found myself getting bored while watching it which is always a plus. The OST is so so good, super addicting - definitely give it a listen.

If you want a good laugh, I totally recommend checking this out!

Leia Mais

As much as the plot was cliché, there are some things we need to point out about this show.

A lot of people think the plot is pretty cliché.
Irrational, domineering boss ML and a starstruck ordinary girl FL. Contract Marriage. And Girl-Pretends-To-Be-A-Boy RP.

But I think some things need clarification.

1)The title is "Cute Programmer". I don't get why some people misunderstood the story to be about programming.
(=... =) when the title clearly hints that the story is about The Programmer. The CUTE PROGRAMMER, Lu Li, to be exact.

2)People called Luli, "the doormat FL". That's just so obvious that these viewers watched the show but never bothered to understand the plotline or the character settings.
This is a story about Luli who falls in love with a man. A man who lost his trust with anyone. A man who does not understand or refuse to understand social context more than he does 1s and 0s.
Imagine, if Lu Li could've just walked away when it was easier said and done. Then what about the years of affection she had cultivated for YiCheng? Was that a lie? A joke? A playtime series that took her entire youth?
Is it love if you could just walk away because everyone said you should?

3) Sure, Yi Cheng's character is annoying. And he treated Lu Li badly. But think about it.
His father never supported his dreams and his career. Constantly using his company and investment as a hostage and force YiCheng to what they want.
His first love and the only woman he allowed in his life,apart from codes, betrayed him, stole his work and sold it to the enemy.
It'll be weird if he didn't put up walls and kept angst at bay after all that, especially with his character setting.
But that wasn't the point, was it?
The point was how the "cute progammer" Lu Li's presence changed him and thawed the ice.

4) To be honest, this show is very lighthearted. Despite all the cliché drama obviously pitched into this show, it wasn't a heavy series to watch. They manage to pull your emotions up when it starts to get strained because of the main leads' conflicts.

5)The side couples are interesting and yet didn't hog the screen time meant for the main leads. But had enough exposure to cultivate their own romances.

6)I've seen a lot of Zhao Lin's other works. And honestly, this was not his first time playing the assholish, arrogant husband that only realized how he loved his martyr wife when she left him.
If you alao have, then you'd understand how good this was compared to his previous works. His previous works were dragging and prolonged the drama for aesthetics. And was truly stressing and emotionally draining. But "Cute Programmer", despite the drama, never dwelled in it. And character and plot development were pretty fast-paced but never rushed.

I gave the story a 9 because the story was really cute if not for the cliché parts.
The acting and actors are all chef's kisses. Especially because I'm a fan of Bambi and Zhao Lin's works.
Soundtrack wise, could've been better but definitely a 9.
Wouldn't say it's good enough to rewatch. But I think I can see myself rewatching one more time, but never more.
All in all this was a pretty good drama.

Leia Mais

Falling Into Your Smile falls flat, lacking depth in both storyline and characterisation

Sigh. This has been a sadly disappointing and underwhelming journey. I’ve been waiting almost a year and a half for this drama to come out, thrilled to see Xu Kai in a modern drama (just because he slayed Arsenal Military Academy). But unfortunately, despite all the hype, I was left completely underwhelmed and frustrated throughout Falling into your Smile, and alas it just fell flat on its face. I know this drama received rave reviews, and I myself tried my best to view it as objectively as I could, but be forewarned, unpopular opinions ahead.

PROBLEMS

--The Storyline Itself--
I think the major turn off for this drama was its inseverable relationship with the internet/social media and how the toxicity of the online environment negatively impacted and influenced the characters. It was a major recurring theme throughout the drama and just felt over the top rather than impactful.

What made the story fall flat was the constant emphasis on the e-sports online forum being at the center of everything. Every time something was posted, over a number of episodes, we would follow the characters reactions and responses whether that be trying to mitigate the negative effects or finding a solution. And this sort of drama kept popping up and detracted from the storyline itself, the relationships between our characters and the actual e-sports competition. It left little time to properly explore team dynamics and character interactions. It felt like they were all being controlled by the comments of their fans and rather than promoting e-sports as a proud national sport that actually rather emphasised to their detriment the toxicity and negativity of the online environment, fans and their comments. And after awhile it got old and I felt frustrated, because it was obvious there would be a never ending onslaught attack on them and they just couldn’t catch a break to actually focus on what was important e.g. hand injuries, the feeling of winning, relationship and love, friendship and bonding etc.

The love story itself, for me, Lu Si Cheng fell too fast and too hard for Tong Yao and I felt it was completely unfounded. Though everyone’s been saying their chemistry was great, for me personally, I just couldn’t feel it. The bickering or banter dialogue lacked wit and class, and just felt plain boring and basic. And the whole height difference joke got old after awhile. It was a real struggle getting through the first 10+ episodes and I actually took a break from it. And sure it picked up when they started the kissing, but it just felt like a lack lustre relationship.

--The Game--
I really liked how we went into the gaming world, switching into the animations and really entered the game world. However, it stopped at that. The lack of explanation of: what was actually happening (they often just put up visuals of the game play and we had to decipher what was actually happening), the rules of the game and the avatar capabilities made the gaming scenes so much more confusing. The question on my mind was why where there so many competitions and which ones were actually important? There was no helpful commentary, no strategy for that matter and everyone kept switching game avatars that it made it so hard for me to keep up with who was playing who. This kept me distant from the gaming world, in addition to the games being entirely anti-climatic and very predictable. I think my main concern was that the competition gaming scenes felt like supplementary scenes to fill the main storyline rather than being the focal point, left on the backburner because there were so many other external problems at hand.

--Acting/Cast--
I’m sorry to say that I had issues with the acting and cast. I felt Xu Kai was pigeon-holed into this character of being tight faced and cold and tried his absolute best to bring some life into it, especially being one of his first modern dramas. I liked his characterisation and even development, from being well aware and acknowledging his flaws. Props to his ep18 7 minute monologue, that was some well written tight script writing that got his character and thoughts across really well.
Cheng Xiao as Tong Yao I thought was miscast and the only thing that worked was the height difference. Her acting felt expressionless, rigid and lacked the right emotion for the scenes. I couldn’t make out her character. I didn't really feel any character development, and she came across as arrogant, unapologetically righteous, and too easily influenced.

--Lost Potential--
They had an array of beautiful, lovable and ready crafted side characters, that were sadly dismissed as unimportant and majorly underutilised. In particular, Yu Ming (who had like one major scene in the beginning and then used as a side prop, despite having so much character potential to be explored), Lu Yue (brother dynamics that would have offered more insight into Lu Si Cheng's character), and Hierophant (this relationship was so fleeting and I don't know why, it could have been so well good if developed). These are such interesting side characters, I only wish their backstories and motivations were explored further, it would have helped craft rich characters and round off the team dynamics.


I think overall what got me was they were trying to cram too much into the storyline – while competing for the national title, juggling the pressures of social media and being a figurehead, the resistance of parents viewing e-sports as a mere game, managing the dynamics of the team, family relations and building a fresh relationship from scratch. All this in addition to the poor scriptwriting that felt flat and lacked the depth of clever conversation.

It’s honestly great to see an increasing number of e-sports dramas framing national pride come out on mainstream, as we learn and uncover more about the struggles and behind the scene challenges. I appreciate the drama’s vision and liked the world it was attempting to create both off and online, but just in this instance, it fell far from my expectations and I was left sorely disappointed.

Leia Mais

This drama was okay, it's a bit overrated and shouldn't be rated THIS high on MDL. Would be more reasonable if it was in the 7.5-8.0 range to be honest.

This review will probably never be noticed by the rest of the MDL community since there are a lot of reviews with high ratings for this drama, but I thought I'd write one anyways. I watched this drama because 1) it's pretty popular in China for a webdrama and I pretty much check out whatever is popular in China regardless whether it is popular here on MDL and 2) my best friend likes cute romances and I really wanted to make her watch something Chinese this winter break before we parted ways again.


Story:
What I liked:
1) The entire group of friends together was very fun to watch. Loved the chemistry of their friendship together. I didn't skip any friendship scenes.
2) Their high school lives were more interesting than their adult lives.
3) Need a friend like Lin Jingxiao in life. Supportive, smart, and caring.

What I disliked:
1) the main girl was literally SOOOOOO dumb like I don't think I know of a dumber female lead than her character. very few get into a good university like Zhejiang on their second gaokao
2) when Jiang Chen was jealous, he would act mean to her. I get this is supposed to be out of jealousy, but his actions seriously irked me.
3) Jiang Chen giving up the chance to go to Qinghua. And then almost giving up the internship opportunity. And also selling his car to pay for her manhua thing. Like yeah, I guess those actions are supposed to be romantic, but I thought they were straight up stupid moves.
4) liked the second lead initially. towards the end, I'd really wish he could just move on to someone else
5) lack of communication in their relationship was sooooo idek what to say lol
6) their break up was sooooooo.....anticlimatic didn't feel a thing
7) the drama felt like it was slowing down at the end
8) the second couple scenes were pretty boring, skipped a lot of their scenes as the drama progressed
9) I didn't like how even though Chen Xiaoxi knew her grades sucked, she hardly put any work into bringing them up. Like yeah, if she didn't want to ask Jiang Chen, then I get it, but her BEST FRIEND is literally one of the top students in the class and she still didn't use her resources LOL

Acting/Cast:
Acting-wise, they were okay. They're all new actors, so I have nothing to compare to. They weren't spectacular, but they weren't terrible either. I think one of my biggest issues was with Hu Yitian's line-reading skills. He speaks pretty unclearly and has poor enunciation (I am fluent in Chinese so this bothered me while I was listening, but if you don't speak it, then you should be okay with it). Also his voice is really monotonous LOL. But he's tall and pretty cute.

Music:
I don't really think there was much music played for this drama, but I quite like the opening theme song!! Ending theme song is meh but the opening one is nice.

Rewatch Value:
Never rewatching this again LOL I mean the drama wasn't terrible but I was pretty bored and not captivated

Overall:
It's a good drama to watch if you have nothing to do, or if you're like me, have a friend who likes cute romances. I heard they deviated quite a bit from the book. "Prime example of an adaption gone wrong by removing all the likeable traits from the main characters. Chen Xiaoxi was never this brainless, and Jiang Chen never leads his potential love interests on. I would’ve preferred a story that spent more time on their adulthood (as in the original), especially when it’s clear the only purpose of the schoolyard love triangles was to drag out the episode coount." (Source: Cfensi). But yeah I really couldn't stand how brainless Chen Xiaoxi was.

Leia Mais

I have always found it hard to finish dramas, but this one was super easy for me! I was checking every week for new episodes ;) It kept me interested throughout the whole series and I can safely say this is my favourite drama ;) Okay, on to the review!

Story - 10/10 I loved the storyline, it was a mix of everything. Sweet, Romantic, Tragedy, Comedy, etc. The only thing that I thought sucked was that a lot of the characters led a really sad life ;( And I won't spoil, but they did take out a love storyline that I would've been very interested in watching!

Acting/Cast - 10/10 One word: AMAZING. This is the best cast I have ever seen... they all had lots of chemistry with each other. Even the young cast was overflowing with potential and I missed them so much when they left! Everyone played their role perfectly. I had decided to watch this drama mainly because of my love for Kim Soo Hyun (since WISFC days, he was genius there), Jung Il Woo, Yeo Jin Goo & Kim Yoo Jung (I LOVED THEM IN ILJIMAE!) and pretty Han Ga In. However, I fell in love with all the other actors too! Lee Won Geun and Song Jae Rim...I found myself wanting them to come on screen every second! They're both such hotties lol~ now I'm a huge fan of the both of them! I also loved Siwan, he did a great job and he was so adorable! I think he even looks better in sageuks than in reality. LOL. Hands down, best cast, I wouldn't change a thing :) *I also loved the eunuch!* lol~

Music - 10/10 Even when I wasn't watching the drama, I had the OST as replay, shuffle, you name it. :) All the songs fit the drama perfectly, even the lyrics. The instrumentals were amazing, just like a lullaby :)

Rewatch Value - 10/10 I would love to watch it again!!! Since it's my favourite drama :) keke~

Overall - 10/10 It was perfect! :) Please go watch it ;)

Leia Mais

TharnType 2 - A lesson in how to destroy a BL ship!

Congratulations to whoever wrote this story, whoever wrote this script, whoever directed this series, whoever edited this series! You literally took one of the best couples in the business, who had the best chemistry of all BL couples and turned them into a caricature and destroyed their chemistry! As many times as we felt awesome when Mew and Gulf got together in Season 1, this season I was actually uncomfortable in their romantic scenes. It wasn't organic, it was artificial and uncomfortable. I wanted it to end and I hated those cheesy dialogues, looking into each other's eyes and speaking nonsense in what amounts to a horrible b-grade movie with semi-porn music in the background!! I don't mind fan service, but please stop putting out stuff like fans are gullible and stupid! You took two great actors with great chemistry and for the sake of greed and taking advantage of fans, wrote a horrible screenplay, hired a juvenile director that can't direct and an editor who edits like a school kid and destroyed everything that was good about this series and these boys!! THIS IS NOT WHAT PEOPLE WERE WAITING FOR! AND THESE TWO BOYS DESERVED BETTER!

Leia Mais

Soap opera level chaos in designer packaging!

I can’t believe I’m rating a Daou & Offroad series this low, but it is what it is.
This is one of those dramas that seduces you in the beginning with attractive leads, dramatic tension and mystery around them simmering in the air and for a moment, it would fool you into believing that you have stumbled upon something gripping and intense. And then slowly...the realisation sank that all jazz and pretty people can't hide the fact that the story underneath is paper-thin and strangely uninterested in making ANY EMOTIONAL SENSE whatsoever. I won't say it didn't have the right idea or ambition but there was too much going on all the time and it kept tripping over and collapsing its own over-the-top drama.

The plot has a bit of everything except mystery or good action drama. It was like a daily melodrama stuffed with family revenge plots, emotional manipulation, corruption, and narcissistic parenting. And I am not talking about it in a fun or self-aware way, no. This is the kind of lakorn style exaggeration where logic has little or no place. The tone swings wildly. One minute passionate, the next unhinged and instead of intensity, it simply feels exhausting.

Let's start with the main couple, Pheem and Than, I don't know how to categorise or describe their relationship. It is disturbing in many aspects. There is morally grey, and then there is downright vicious. They fall into the latter. The manipulation isn’t cathartic either and neither does it teach either of the characters anything meaningful. It’s simply cruelty turned into a plot device. And because the drama never properly confronts the consequences of the behaviour, the entire relationship begins to feel hollow and unsettling.

Coming to other supporting characters, all of them I repeat, all of them, including Than and Pheem need to be in jail or in therapy. The so-called father figure is a walking nightmare. Even though he hasn't done the most vile things out of all the antagonist, he fuelled the feud between his 3 children. The siblings don’t fare much better either. The brother is a caricature of entitlement. The sister is written like the drama wanted her to be a cunning heir but forgot to give her depth. It’s difficult to root for anyone when half the cast is unbearable and the rest barely makes sense.

If there is any redeeming quality about this, that would be the chemistry between the leads. The weak script didn't help at all, but it would have been worse without them. Their interactions whether tense, tender or morally questionable still managed to bring a reaction out (happy or sad). Their chemistry felt like a flame trapped in this storm of weak writing. I feel like dialling down the melodrama and maybe bringing them on more screen would have worked better.

Production looked fine. The fight sequences were okay too but the CGI editing, like the bullets, was very lame. Acting-wise, I was not impressed with anyone. It wasn't bad at all, but nothing to run home about or anything that I will remember after today. I really hope their next projects have better script than this.

Overall, this was a good-looking drama with very little to say. It wanted to be edgy, dark, and with morally grey dynamics but it didn't translate on the screen. I will not recommend this but if you really want to watch it for the leads, please keep in mind the messy plot and lakorn-level drama.
Do not go in expecting to look for substance, tension, or character-driven storytelling.

Leia Mais

Identity Theft.

Here we go again - yet another ill-fated master disciple relationship! This starts predictably with a jinxed mortal Wei Zhi barely squeaking through into the prestigious Egret Academy. There her astounding lack of talent catches the attention and empathy of her master, Yan Yue. He is an immortal sent to discover and vanquish the remnant of the phoenix bloodline that is a threat to the Three Realms. You would never guess who the hidden phoenix is or that this cold faced inheritor of the realms falls in love with his enemy?!?

Within a tired and tropey premise, the plot design of Beauty of Resilience is actually pretty good with some interesting and innovative takes. I found the Egret Academy's challenge arc to be very enjoyable in a way reminiscent of the Triwizard competition in Harry Potter and the Goblet of Fire. And I was intrigued by the mysterious Zihua Book Pavilion and its Shylock like master who extracts his pound of flesh. I also like that the Heavenly Empress is not just a decorative vase but has a rather important function as the mistress of time. Even the concept of Hua Rong is fresh and mysterious. Yet these ideas just don't quite come together in a good way in terms of plot and character progression.

Indifferent character blueprints, mis-cast roles and uninspired portrayals are this drama's weakest features. While Guo Junchen's portrayals of multiple roles is technically faultless, he is not given much to work with. Yan Yue is just a cardboard xianxia archetype. He only gets to shine briefly as the morally conflicted Chen Yan and in his darker personas but enough to impress as a diverse young actor. He and Ju Jingyi look fantastic together and they actually have decent chemistry. While her acting here is more nuanced, Ju Jingyi, once again delivers the same old vapid, completely indistinguishable portrayal that is her comfort zone. This is compounded by her default styling with atrocious Persian princess head gear and heavy handed and unflattering eye makeup that makes her look like she just waltzes from one set to another. She actually has excellent comedic timing which sadly this humourless script gives her no chance to showcase. Mu Nan is the only engaging and empathetic character but is sadly matched up with the most tedious and mis-cast role. And that is just the tip of the ice berg in terms of how shabbily the writers treat him.

The supporting roles are one dimensional and the cast lacks experience, chemistry and rapport. Everyone is obviously acting and their relationships and interactions are so forced I couldn't engage with or care for any of them. There were way too many identity thefts going on where even the lead actors in the swapped roles are unconvincing as the characters whose identities they stepped into. It was so bad at times it was kind of funny. The villains are quite obvious from the beginning and they weren't satisfactorily dealt with. One of them perished so quickly I literally blinked and missed it. I went episodes thinking they were lurking for the right moment to pop out again. My hope for a satisfyingly long, painful and drawn out demise was never met.

This drama's strongest arcs are the early ones that take place in the mortal realm. After that the drama loses momentum and gets more ridiculous as it progresses. The ending however is quite original and quite cool but was so rushed and poorly executed that it took awhile for what actually happened to sink in. I would say this is something that you could watch up until the wedding in the second arc, skip all the messy and time wasting latter arcs and you'd still end up in the same place. The early arcs were a watchable 7.0/7.5 for me but I'd at most rate the latter arcs 5.0 for an overall rating of 6.0. Watch at your own risk.

Leia Mais

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KOREA FINALLY DELIVERED another masterpiece <3

This will be a tough one. Really. I was having high expectations for this series, and I am extremely glad they were able to adapt the manhwa this well. As I said in another review, the Korean LGBTQ+ industry is growing and improving its series in terms of production and duration. I´d even say that “Semantic Error” is the most outstanding turning point in this year so far. Alongside "History 3: Trapped", this series would be my first choice to recommend to somebody if they asked me about good series including the love of two men. Why? Read below.


PRODUCTION / Music >> 9.0
Saying that nothing in this series is extra outstanding, and that “Semantic Error” is just like any other Korean LGBTQ+ series would be an incomplete statement. Let me elaborate on this thought:

While the filming itself is getting closer to the normal standard of Korean dramas, the details and highlights are much more present. This is especially noticeable in the use of colours and lights at the ending of Episode 5. The production is finally focusing on the Interplay of all components, both in music, action and especially in the visual. Additionally, the story feels less rushed than usual Korean LGBTQ+ dramas and I am sure we can expect similar dramas to be produced soon. However, - without sounding too pessimistic - as awesome as this drama is, setting "Semantic Error" as a standard could lead to unpleasant disappointments ... Yes. It is that good.


PLOT >> 8.5
The entire series and the original work are unique and exciting to watch and read. When focusing on the adaption I especially enjoyed the energetic but not rushed pacing and the humour of this series. Both characters are written as "extraordinary" people who had an unfortunate beginning in their relationship which makes this a case of ENEMIES TO LOVERS ... AHHHH…excuse me. This was the easiest way to show that I am a sucker for that trope. Honestly/ Personally, if that is not the most non-toxic/ non-forced ETL love story then I don´t know which one is.

Another detail to mention is the focus on the contrary of both personalities. While one of them is a famous and adored extrovert, the other one is an anti-social and overseen introvert who cares a lot about a systematic and calm daily routine. Jang Jae Young‬ and Chu Sang Woo‬ are as different as one can be. They are incomparable but still such an exciting match.


ACTING / CAST >> 9.0
The main leads both did an outrageous job, and I am glad Park Seo Ham and Park Jae Chan were chosen as the main leads, because they match with the characters, thus the entire series is harmonious and gets close to the overall harmonizing couple in the manhwa. Considering that both Park Jae Chan and Park Seo Ham are originally idols makes their performance is even more outstanding. I also love that both support the show a lot on social media, giving no f*** about the haters. It´s something I highly want to point out because in some Korean LGBTQ+ shows I always had the feeling they were forced to promote it but these two (Park Seo Ham & Park Jae Chan) seem to do it willingly. No. These two seem to have a lot of fun doing it. :D

The Supporting Cast also showed a solid performance in their roles. I can't think of anything that I would have found disturbing or unfitting. Well done. Because we don´t get a lot of insight into other characters, it´s hard for me to review their performance. They all did well!


Rewatch Value 9.5 / 10 + OVERALL 9 / 10
“Semantic Error” is the most outstanding turning point of Korean LGBTQ+ dramas this year so far and I am glad that so many people support and enjoy this show. Personally, it´s one of the best adaptions/ overall shows I came across. No doubts!

“Semantic Error sucks and is just like any other Enemies to Lovers story, duh...”

!!! ERROR 404: Your opinion was not found in the data system. Submit a reasoned criticism for our servers to deal with constructively, if you can't, please STFU !!!

Leia Mais

Botched remake

Unfortunately, this remake failed to deliver the sweet cute chemistry and heart that the original C version did.
I loved the C version and was so excited that they were going to remake it in Korea, but I think they really miscast this. And the director did a poor job of giving the story some heart instead of the typical cringeworthy deliveries.

The main problem was the FL. She was trying too hard to appear young. If you ask your parents to give you an impression of a 3 year old, I bet it would be the same as the FL's acting. No idea why they casted her as there are a lot of other actresses who have natural aeygo that could have played this role. And then there's the problem with the ML. He looked too young and did not make me believe he was the smart studious type. And together, frankly it was clear that she was the nuna and he was the dongsaeng which makes it hard to believe in their characters. They pretty much had zero, if not almost uncomfortable chemistry for most of the drama. It wasn't until the very end that it got a little better and I think a large part of that is because the FL dropped the whole toddler act. To be fair, I do see potential in both of them...I just think they need to take baby steps instead of leaping to fill shoes that are too big.

I also thought the 2nd ML did not have any charm. I didn't find him very likeable where in the Cdrama, I would go back and forth between the male leads. Even if I didn't compare to the original, I would not have liked this drama. It's way too cringeworthy. I had to skip a lot of the scenes that made me want to vomit. It's interesting though because the script is almost the same and I did not feel that way at all with the Cdrama which I've watched a few times. Amazing what miscasting and bad direction can do.

Leia Mais

Ugh

After plumbing the depths of my brain in search of a suitable word to express my “enjoyment” – or lack thereof – of this drama, ugh is all I could come up with.
Now, before I start my very long rant, a clarification is needed: this is about the second part of the drama, that is from episode 28 to 56. I thought the first was lovely and captivating, so full of promises it made the wreck that followed so much more painful to endure.

Truth be told, a few hints of puzzling directing and editing extravaganzas were given away in the earlier episodes: perhaps I should have doubted my choice when, 5 minutes into the very first episode, our dark hero is given a cloak to wear, he puts it on with whooshing grandeur, only to mount his horse the next second without it! It gave me such a delicious Doctor Strange vibe, with a flying cloak coming and going at its own accord.
Or I should have sensed looming trouble by the 5th time our hero – yes, he again – stood there like a war totem staring in the distance with fixed gaze. Please do not go micro-expressions on me: when something moved, it was clearly from the very natural and irrepressible need of the actor to blink, now and then.

That Ling Bu Yi was in fact a Marvel character under Han dynasty disguise, became more and more evident as the show progressed, what with slow motion sequences of him swirling Niao Niao around (but still staring in the distance) or appearing out of thin air with black guards in tow to save the day and the girl, not to mention surviving the most improbable wounds/falls/cataclysm etc. His acting improves in later episodes, as though he really started to feel his character, instead of just acting it which, as I’ll mention later, didn’t help the mess this plot became.

But, as I said, the story was still to unfold and held lots of promises. Then Part 2 came.
Another reviewer here said perhaps they employed 2 teams for this script and its mise-en-scène, and I second this theory. The A-team was responsible for Part 1 and a few scenes of 2 but then went on a holiday, on strike or sick-leave and left everything else in the hands of a trainee who didn’t know what to do with it.

Let’s address the elephant in the room first: Niao Niao.
We spent 27 episodes learning that this poor girl has been abandoned at birth in the unfriendly arms of the silliest grandmother ever created and an avid aunt. She had to fend for herself all her 15 years of age and grew up to be unpolished but independent, cunning and extremely intelligent. So much so, that when we are repeatedly introduced with other daughters, all of them born and raised the “proper way” and all of them, invariably, bitchy – with two lonely exceptions – I couldn’t help but deduce that if you want a child to grow up well, you need to abandon her, neglect her, starve her and slap her. The authors spent so much energy at creating a galaxy of female villains, young and old, that any analysis on the family dynamics that made Part 1 so intriguing flew out of the window. Was it a way to make Niao Niao shine by contrast? If so, shame on the author, for that’s a dirty trick indeed.

At first she is the epitome of an emancipated and courageous free-thinker, which gives out the false impression this drama were a celebration of female spirit; alas, there are so many quacking, quarrelling, cruel and jealous women around her that she ends up being the odd one out, hence defeating the object. To make matters worse, Shao Sheng herself slowly grows to become irritating and eventually insufferable.
When we finally come to Niao Niao realizing she wants to marry Doctor Strange… sorry, I mean Ling Bu Yi, I did ask myself why. Why? Trumpets…. Because he saved her several times! We know it because her “epiphany” consists on a series of flashbacks all involving him swooping her in his arms like the macho he is to prevent her from being hurt or killed. And yet she clearly and repeatedly stated she didn’t want to be treated like a damsel in distress. We all know he fell in love at first… hand, but I honestly still don’t know why and when Niao Niao fell in love with him. If her motivation were escaping her mother’s overbearing disapproval, then she chose the wrong environment to move to, something her mother and even Yuan Shen tried repeatedly to make her understand, of course to no avail.

Possibly realizing the direction the show was (not) taking, the authors saw it fit to morph Miao Miao (no typo) into the most annoying know-it-all busybody in imperial China. I spent all the early to middle part of this Part 2 expecting her to pop up at every imperial council, palace banquet, chamber, garden gathering, private conversation to speak her mind on the subject and endlessly preach: and I was never disappointed, cause so she did! To further complicate my personal sense of propriety, nobody in the whole imperial court had anything to object to whatever she did or said – except of course the villains, whose sole scope of existence is to annoy Shao Shang and, by default, Super Ling. We know nothing of these villains’ story or upbringing, for all we know they too went through some sort of trauma, the same we are supposed to use to justify our main leads shortcomings. This dichotomy in treatment permeates the whole drama, depriving it of logic and ethic.

The whole palace part was a snoring fest for me, because at that point the format was repetitive and predictable. I am well aware this is fiction, but the idea that an Emperor of China spends all his waking hours, and some sleep I suppose, playing paranymph to his beloved Zisheng is ludicrous. Is he a nice character? No doubt, but isn’t he supposed to also lead a country in his free time? Doesn’t he have other children? Furthermore, everything about his grand schemes of having Shao Shang and Bu Yi “find each other” are comical, rendering the few heart-wrenching scenes bizarre and filled with shall I laugh or cry dilemma. He basically ruins the party by being the party’s buffoon.

And what happened to the pace? I distinctly remember often having a hard time following the subs in part one, so fast they were. Once in the Palace, dialogues became sooooo slow, at times they uttered one word a minute. The whole Empress arc was kind of painful to watch and tedious to read, and I breathed in relief whenever the Consort come into the picture. My watching became a series of: “here we go again!”, “let’s ff this”, “please come to the point”, “you already said that” and, of course, “ugh”.

The love story is the one which paid the highest price in all this, because it too became repetitive, lacklustre and now and then saccharine. How many times can we have these two standing there gazing in each other’s eyes? How many combinations of words can be used to say the same thing?
him - Trust me, I don’t want to control you
her – Don’t patronize me. I am who I am
me – Give me my 40+ hours back
It was incredibly anti-climactic from some beautiful scenes they gifted us with in Part 1. They had a deeper chemistry when they were separated than when they were together, like two positive poles that repel one another. Even their touches, kisses included, looked forced.

Then, suddenly the drama takes a U-turn and becomes gory, melo-tragic, messed up and slightly disturbing. Everyone talks about death, litres of blood are shed and the moral compass becomes so blurred I couldn’t empathize with any of the character. In fact, I started loathing them, mostly our main leads, who at this point I’ll call Brangelina, or Mr and Mrs Smith. “Let’s go save the galaxy, my love, but before that let us bite our arms and do some amusing slaying, just as long as we do it together!” Ling Bu Yi shows his true colours, and they aren’t the shades I like at all. It didn’t help that we have Miao Miao go from “I need no man” to “I can’t live without this man” passing by “You’re all bitches because you don’t respect your men” and other equally contradictory and preposterous statements.

The acting changed too in this Part 2. I’ve already mentioned Leo Wu’s improvement; ironically, his better acting came in pair with Zhao Lu Si losing spark and believability. She was marvellous as a rebel teenager, well blending insecurity and stubbornness; not so as a woman crazily in love. He aced the besotted glance, while she just looked at him as though she was reading a recipe in slow motion – granted, we were told she was a prodigy at everything except reading. I don’t even know what the heck she expected of this guy, at some point I thought she was more blood-thirsty than him and was miffed because he didn’t invite her to the murder fest. Her idea of being equal to her man consisted of becoming LIKE him and do everything together, even those things she had no knowledge, training or experience of. Equally important does not mean being the same. To put it simply, I never bought their galactic love, neither in words, nor in deeds or stance. By the end I felt something akin to aversion for them, both as individuals as well as a pair.

Re-watch? Thank you, but no thank you. The highlights of the drama to me were Shao Shang’s mother, the Emperor’s Consort and the Cheng family as a whole. I would gladly watch a spin off solely focused on them and a love story between Yuan Shen and whomever – except Miao Miao, obviously, who by now will be busy creating an efficient torture device for her deranged man to use.

Leia Mais

2x speed to the rescue.

I have barely any thoughts, because this had barely any plot. They just threw things at me without establishing them well, so for each conflict that happened all I could do was ask “why?” or “since when?”. How did I view the plot? They did not have the content for 12 episodes, each 45 minutes long, so they stretched whatever they had to the oblivion. When you have a slow paced show, with your actors moving slowly and delivering their lines slowly, you should not be adding slow motion on top of that. 2x speed to the rescue.

The thing is, there were a lot of good elements in this. Great acting from both Mark and Zung. The supporting cast delivered a stable performance too. The chemistry was heartwarming and clearly there. The cooking scenes were beautiful and the soundtrack, even though at times cringy, overall, made me happy, and that’s the point. The directing just lost me.

Internal and external conflicts Aek was facing were not there until they suddenly were, and I was just supposed to accept that. Since when? All his outbursts of emotions made little sense and they never explained why he was so paranoid about every little thing in his life, when most of problems were exaggerated and could be solved with one conversation. The writer made him do quite a number of things that did not line up with how he was written in the previous episodes, just to insert more unnecessary drama.

Aue and his ex should never happen. One of the side plots that did nothing to either plot progression nor character development. She was there to add screen time. Instead , they could have shown more attention to the contest plot, explain why it's important for each character.

Overall, I don’t know. The show happened. I loved the first two episodes, good slow paced beginning to establish the characters and their surroundings, but then the pacing never picked up. It was slow the whole time, with few plot bombs dropped here and there. That said, I am excited to see more projects from both Mark and Zung, since I quite enjoyed what they delivered on screen.

Leia Mais

Promissing, but didn't deliver

The first half of the movie is great, although confusing.
The second half is predictable and boring. It completely killed the movie. It's a bit like they tried to recreate Oldboy with little hints here and there to end up with the big reveal. But by that point, you're not invested anymore and everything feels cliché. Another case of a good concept at first, but that ends up falling flat in the end.

The actor are great however. The two main actos and the ones playing their parents (mostly the mother) do a really good job. However, as the movie get into the second part, because the story isn't that great anymore, the acting also suffers from it I feel like. I should be shocked, sad or something, but in the end, I was just annoyed mostly.

Leia Mais

about the ´art´ of becoming an egoist

You may consider "Red Balloon" being one of those family makjang stories that come up again and again in different versions in KDrama-land. Tangled ties of fate and trauma that continue to get even more tangled and traumatizing. You might think “Yeah. Makjang again. Family drama again. Forbidden love again. Ok, you´ve seen it all. You don´t need another one.” So should you watch? You definitely don´t have to. But oddly enough: you may want to. The characters, with all their sometimes almost disturbing ambivalence, drag and pull you under their spell. Subtly, unperturbed, whether we're watching or not: they are struggling to function and survive within their dysfunctional relationships and families... and on top of it: they are even longing for far more than that.

2022/23 "Red Balloon" infiltrates South Korean homes as the red-hot contemporary document of a complicated ordeal, which society increasingly has to deal with. On the one hand, family is regarded as the highest value in society. On the other hand, within the last decades national divorce rate has reached the tops in worldwide comparison. Yet, divorce is still seen as a shame – a topic for ´other´ families only (if at all). Nevertheless, more and more South Koreans are choosing this path, even the 'elderly' (those over 60 and even over 70) are increasingly opting for divorce. The KDrama juxtaposes the hardened socio-cultural fronts within a fictional story that listens to both sides equally, gives space, allows themselves to be rubbed against each other – sometimes loudly, sometimes violently – and struggles to find solutions.

Throughout the KDrama, events and emotional ordeals continue to get worse. Seasoned with gradually increasing makjang tension, with complex personality portraits, as well as poignant, excellent pleas (sometimes for one, sometimes for the other and sometimes for yet another position), the KDrama screws itself deeper and deeper into the increasingly heated minds of the audience. "Red Balloon" succeeds excellently in taking its often head-shaking viewers into truly impassable, controversial socio-cultural terrain and, with the concentrated confrontational dramaturgical charge of emotional ambivalence, exemplifies what would be, could be, yet must not be, however wants to be possible, (and after all IS possible in South Korea 2022/23).

There are multiple storylines that are heartily intertwined. But they all deal with the same topic: the critical fine line between a so called ´satisfied´ life (as one normally lives / should / has to live / pretends to live) and a self-abnegating, self-deceiving ´dissatisfied´ life; the latter mostly going unnoticed, though, because actually everyone lives that way and it seems to be the most natural thing in the world... Dissatisfaction only becomes critical, if someone can no longer ignore that this supposedly ´satisfied´ life is actually a 'dissatisfied' one. The subtle psychological tension of the KDrama emerges in the conflict between traditionally unquestioned, accepted customs and the individual urge for deviation, which (here) rages more or less intensely in almost all of the protagonists, and erupts in an attempt to break free. Daring to dream, being honest with oneself and eventually even making the necessary efforts... but, alas, also being sincere in respect to the social environment? Ready to disappointing the expectations of others? Prepared to missing duties and responsibilities? To hurting loved ones, too? Has actually anyone ever honestly tried to truly walk along his/her individual path sincerely upright? (At least when it comes to South Korea 2022/23, so far there are hardly if any role models whatsoever.)

"Red Balloon" can be considered a social study using the example of the microcosm of three families, that are connected, among others, through a (not quite balanced) childhood friendship between two female protagonists. Yes, one could bitch and nag about prevalent adultery among the protagonists. On the other hand, in this case I´d like to set a different focus, that is: Collectivism in conflict with increasingly burgeoning individualism. Against this background, it is more about the 'art' of becoming an egoist. (See side note below). In a society shaped by collectivism, social class and hierarchy like South Korea, 'egoism' (=standing up for individual needs, even in the face of social pressure) has so far not been a quality in itself. On the contrary. The development of such an independent and socially recognized value is in its infancy there. The protagonists are correspondingly insecure and sometimes stumble, doubt themselves, look for a turnaround and reflect on the old values... which include: doing what other, older, financially better off fellow human beings say, want, demand. (And thus, often enough being humiliated, too. A life full of sacrifice, humiliation and shame is quite normal. Most people live that way. Accordingly there is nothing wrong with it, right?)

Shameless adultery might be one side of the medal. The other side, however, represents the widespread, customary long ignored individual dissatisfaction for the sake of ´the group´ (family etc.) that some can no longer cope with. The KDrama team draws memorable portraits of people at different ages, who have their quirks like anybody else. At some point, they try to stumble free from the expectations of others and rather follow their gut. They want to, and choose to live up to their own desires... struggling, staggering, falling in the face of the mercilessly blowing headwind. There might be an urge to break free of a tight corset of expectations and obligations – yet, just daring to think in this direction is considered shameless and despicable... Sympathy for family struggles, sacrifices, deprivation and suffering, on the other hand, is widespread, because this individual pain results out of self-sacrifice for the 'group' and in this case is downright virtuous. (The KDrama Orbit has told countless stories of this virtue since the earliest productions.) Sympathy for 'individual' pain however, e.g. suffering from the group pressures and demands, is hard to find. With a newly found egoism and its associated pains one is left alone... Well, has been, so far. Not anymore. This is where "Red Balloon" comes in… at least with an example of role models on fictional playground.

With its tricky, controversial topic, the KDrama hits the mark of many minds in the country. The audience of "Red Balloon" had quickly doubled and after half of the 20 episodes even tripled. Eventually, for the audience throughout the rest of the world it offers plenty of KDrama-Quality, too.





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SIDE NOTE: --- Life satisfaction in South Korea ---

The latest data on quality of life, published by the Republic's statistical office in 2022, ranks South Korea 36th among the 38 OECD countries. (Only in Turkey and Colombia life satisfaction is worse.)
What feels like exaggerated makjang for some (especially for audience with nationalities of the other 35 member states) is pretty close to everyday life for many (South Koreans) sitting in front of their home TV...




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SIDE NOTE --- The ´art´ of being an egoist ---

In 1976 the book “The Art of Being an Egoist” by Josef Kirschner was published. In it, the author works out the necessary, ambiguous psychological process and the stamina, the required perseverance, you need regarding individual (=egoistic) life decisions that are geared towards personal needs (=against the interests of the community/group/family). Self-love is a crucial step towards accountability (vs. behaviour determined by others) and thus forms the basis for free, responsible, caring citizens. However, even after all those centuries, egoism is (still) widely devaluated in individualistic Germany/Europe, too.
That´s because, egoism and the group are generally at war. The more submission the family/group/society structurally expects of its members, the less space individual needs have and the more shameful and banished they are. The protagonists in South Korea 2022/23 (which is characterized by collectivism and has a strong hierarchical structure) have to deal with just this problem. The theme here is the struggle for a psychologically healthy egoism for one's own good. The thesis behind: Honestly towards myself and content, I am able to approach others sincerely and freely give of myself, contribute and care about others. That´s because I want to. Not because I have to, (even though I feel wronged, indigent or missed out.) I care for myself. And then, additionally, I can truly care for others, too. Like the sign in the airplane says: you should put your oxygen mask on first before trying to help the person next to you…


PS:
(This 'egoism', which is based on self-love and mature personal responsibility, should not be confused with insatiable, ruthless and mostly immature greed. KDrama-orbit is full of greedy contemporaries, because unfortunately greed is cross-culturally human and can thus be found all over the world. Greed has no social component. With greed, nothing positive flows back into the group.)
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Leia Mais